Romanesque Architecture PDF

Summary

This document provides an overview of Romanesque architecture, including its history, influences, and features. It discusses various aspects of the style, such as its triggering factors and typologies.

Full Transcript

ROMANESQUE ARCHITECTURE - Symmetrical (roman-like) (800-1100 AD) SPANDREL- triangular space in arches ARCHIVOLTS- layering of arches (band) DARK AGES COLONETTE- m...

ROMANESQUE ARCHITECTURE - Symmetrical (roman-like) (800-1100 AD) SPANDREL- triangular space in arches ARCHIVOLTS- layering of arches (band) DARK AGES COLONETTE- multiple columns Civic government is absent, church replaces VOUSSOIR- parts of arches to construct the roman empire (powerful force in europe) arches (protractor) EARLY MIDDLE AGES TYMPANUM- half circle in arches Boom times for agriculture TRUMEU- center in doors (entry & exit) ROMANSQUE ARCHITECTURE -not centralized to single region (western europe) -coined by French medievalist and archeologists (19th century) -developed between roman & gothic styles after 1000 AD -after byzantine INFLUENCES SCULPTURES, TOWERS, ARCADES - Geographical (continuous arches) - Geological - Climate TRIGGERING FACTORS - RELIGION - Charlemagne (Aix-la Chapelle) (Charlemagne’s reign) - SOCIETY AND POLITICS - Feudalism (based on land tenure and service.) SYLES - Round arches - Vaults - Thick walls - Small windows TYPOLOGIES -CHURCH - Basilica layout to Latin cross - Facade in West (sunset) -WIth/without tower, central tower, blind west porch (no hole) (attatchwall) - LOMBARD BAND- cornice decor TRANSVERSE- Continuous arches - BRICK- heat AMBULATORY- Circulation of movements - NARTHEX- flanked by towers BUTTRESS- support (not visible) - BLIND ARCADE- series of arches without holes - AMBULATORY- covered walk - ATRIUM- forecourt - BALDACHIN- Ornament canopy S. MICHELE, PAVIA - LABYRINTH- mazelike pattern S. ZENO MAGGIORE, VERONA - WHEEL WINDOW- circular stained window - CAMPANILE- bell tower (near but not attached to church) - BLIND ARCADES SOUTHERN ITALY& SICILY CEFALU CATHEDRAL, SICILY - POINTED ARCH- climate (to trap heat) - PAINT VIBRANT- from tree tint MONREALE CATHEDRAL, SICILY - Not symmetrical - Localize design of columns - Wooden trust FRANCE (Carolingian Architecture) - Early romanesque 751-987 CE - Frankish dynasty CENTRAL ITALY (start of Romanesque) NORTHERN FRANCE PISA CATHEDRAL - No arcades - Campanile (leaning tower of pisa) - No blind arches (bell tower) (watch guard) (marble) - No bell towers - Baptistery (special feature) - No porches - Cathedral - simple - Campo Santo (cemetery for pisan MONREALE CATHEDRAL, SICILY upperclass)(al fresco) (golgotha) MINIATO AL MONTE (painting in half of SOUTHERN FRANCE dome) ANGUOLEME CATHEDRAL - High window NORTHERN ITALY (Lombard Architecture) - Two flanking western tower S. AMBROGIO, MILAN - Arcades divided into five bays but - OBJECTIVE- restore christian loft shafts control over the holy land (Jews) - Pointed domes and arches - EFFECT- diff. Movements CLUNY ABBEY “roman-like” decoration of buildings - ABBEY- Monastery under high priest - RELIGION- across europe 11th and and nuns 12th century - ABBOT- High priest - Monastic system (middle ages) - ABBESS- Nuns - CLIMATES AND MATERIALS - Most important monastic - Stone establishments - Brick - Double aisles and transepts, - Marble ambulatory with radiating chapels - Terracotta and barrel-vaulted nave - Ready-made columns - NORTH- large windows (maximize GERMANY (Ottonian Architecture) cold and sunrise. High pitched roofs WORMS CATHEDRAL - SOUTH- small windows (heat do not - Highest cathedral during enter). Flat roofs Romanesque architecture - CHARACTERISTICS- thick walls - COLUMNS- scallops, Cushion ENGLAND (Anglo-saxon Architecture) capital - Stone trusses - TRUNK OF COLUMN- Fluted, EARL BARTON zigzag, twisted/scallop, chevron, - Flamboyant style (stone sculpture) wreathed columns - Double columns ENGLAND (Norman Architecture) - CELESTORY- natural light and - Two tower facade ventilation (unleveled roof) - Gothic arch (pointed arch) - PIERS- support arches, Open - Geometric ornamentation space, half segments of large hollow DURHAM CATHEDRAL core - Finest - EARLY- before - Pointed transverse arches - HIGH- Transition FOUNTAINS ABBEY - PAPAL- 3 PETERBOROUGH CATHEDRAL - LORAIN- 2 - New style - STEPPED- stairs - Renaissance / Gothic HIGH ROMANESQUE - Baptistery centralized - Steep roofing - Anguolene SETTING- THE CRUSADES - DORMER WINDOW- Vertically “ADVENTURER” spaced window - Series of religiously sanctioned - HELM ROOF (christianity) - Military campaigns (western GOTHIC ARCHITECTURE christian europe) (king & queen) - MIDDLE AGES 1140 AD - Rebuilding of the choir of the - CROCKET- projecting benedictine church of St. Denis ornaments,decorates pinnacles, - ABBOT SUGER- Patron of gothic spires, and gables architecture - PINNACLE- slender spire - STAINED WINDOWS- narrow - GARGOYLES- demon (to protect - ALAQSA- Muslim architecture inside) (labsan ng water) - FLYING BUTTRESS- Wing of butterfly, external arches - ROSE WINDOW- Circular stained window with tracery symmetrical at the center - TREFOIL- 3 petals of rose window - QUATREFOIL- 4 - TRACERY- 3 foliage - Barbaric non-roman - SPIRES- top of piers - POINTED ARCHES- spanish moorish architecture - NOTRE DAME- Our Lady - AL HAMBRA - ABBEY- Father - RIB VAULTING- curved ceiling/roof - ST. PATRICK CATHEDRAL made of stone/bricks (puyo) EARLY GOTHIC - FOUR STOREY BAY- earliest gothic bay NOTRE DAME IN PARIS SALISBURY CATHEDRAL - “The cradle of gothic architecture” HIGH GOTHIC BEAUVAIS CATHEDRAL, PICARDY - Three storey bay CHARTRES CATHEDRAL - Quadripartite vault WEST FRONT, YORK MINISTER - Bar tracery REIMS CATHEDRAL, MARNES - High gothic is more decorated than early gothic LATE GOTHIC/FLAMBOYANT - CURTAIN WALL- Translucent CHARACTERISTICS - SPIRES- octagonal SAN PABLO, VALLADOID - FINIAL- Small foliated ornament, - Intense ornamentation peek (for pilots) GLOUCESTER CATHEDRAL - Complex vaults SANTA MARIA, REQUENA - Famous work: octagonal brick dome - OGEE ARCH- Lower concave curve of florence basilica intersecting a higher convex - Developed linear perspective - Moorish origin but feature in late LEON BATTISTA ALBERTI gothic - Theorist - Adaptation of ancient classical forms - Lanterns to modern buildings - Spatial unity - De Aedificatoria (on the art of - Perpendicular building) MICHELOZZO DI MARTOLOMEO VENETIAN GOTHIC - Under Medici family CA’ D’ORO, VENICE - Famous work: the Palazzo Medici - POLYCHROMY- Key characteristic Riccardi (1444) of venetian gothic CA’ FOSCARI, VENICE CHARACTERISTICS - ARCADES AND BALCONIES- - Simplicity and balanced proportions because of flood of classicism - Campanile - Distinguishing features of classical - Ogee arch roman architecture FRARI, VENICE - No longer dependent on technical - BRICK AND STUCCO- local red possibilities, In aesthetics (symmetry brick (common) light and more and proportion) tolerant of movement - Studies romanesque - Byzantine influence EARLY RENAISSANCE CATHEDRAL- principal church of diocese CENTRALIZED PLANS (bishop’s throne cathedra) - Square, symmetrical MONASTIC CHURCH- place for prayer FACADE (chapel/church in monastery) - Symmetrical - Cornice RENAISSANCE ARCHITECTURE - Repetition of openings - FLORENCE, ITALY WALLS COSIMO DE MEDICI - Rusticated masonry and rusticated - Founder of the main lines of Medici wall angles family that ruled italian renaissance - QUOINS- Used on wall surfaces and - Father of his country corners (stones) - Patron of learning arts and ARCHES architecture - Semi-circular - Used in arcades, supported on piers THREE LEADING RENAISSANCE or columns with capitals ARCHITECTS VAULT FLIPPO BRUNELLESCHI - Do not have ribs - Designer of churches - Semi-circular or segmental (square plan) DOME - TONDO- (italiaian meaning round) CEILING circular painting/sculpture - Fitted with flat/coeffered ceilings - TABERNACLE WINDOW- structural - Painted or decorated framing device that gives importance WINDOWS to its contents - Paired and set with arches CATTEDRALE DI SANTA MARIA DEL - Square lintels and triangular or FIORE semental pediments - Main church of Florence, Italy THE TEMPIETTO - II Duomo di Firenze - By donato bramante - Largest brick dome - Revival of ancient roman - Bearing masonry - Circular temple with classical entablature and with shadowy arch of the cloister RENAISSANCE ARTISTS LEONARDO DA VINCI - “Mona Lisa” ”the last supper””vitruvian man” - Artist, inventor, scientist, architect and engineer MICHELANGELO DI LODOVICO BUONARROTI - Artist, poet, architect, engineer - “David” RAFFAELLO SANZIO DA URBINO (RAPHAEL) STRUCTURAL FEATURES - Third great master artist 1. GEOMETRY- dome is eight sided - “School of athens” with circular vertical curve DONATO DI NICCOLO DI BETTO BARDI 2. CHAINS- tension rings in domes. Be (DONATELLO) stable without employment od - Sculptor internal bracing. - “St. Mark” 3. DOUBLE DOME- adds strength, 4. LIGHTWEIGHT BRICKS- brick ARCHITECTS material of dome FILIPPO BRUNELLESCHI 5. HERRINGBONE BRICK PATTERN- - 1377- APRIL 17, 1446 laying of rocks without centering and - Oldest fathers of the renaissance temporary bracing architects 6. STAIRS- four sets of stairs in - First modern architect and engineer between space of the outer and - OSPEDALE DEGLI INNOCENTI inner domes. (Hospital of the innocents) 7. LIFTING MACHINES- invention of brunelleschi, cranes move upwards (lifting machine), sideways (crane) MICHELOZZO DI BARTOLOMEO MICHELOZZI - Italia architect and sculptor - Non-historians - PALAZZO MEDICI RICCARDI- located in florence, italy seat of metropolitan city - COURTYARD - Palazzo medici riccardi salone luca giordano - SAN MARCO- First and most influential architectural projects - First renaissance chairs

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