Sanyukta Hasta Mudra PDF

Sanyukta Hasta Mudra 1. Anjali: The palms are kept open and two hands are joined with the fingers and thumb extended and held close together. Fingers of both hands touch each other face to face. Used to express a salute to God, teacher or Brahma, this Mudra can be performed in front of head, face or...

Sanyukta Hasta Mudra 1. Anjali: The palms are kept open and two hands are joined with the fingers and thumb extended and held close together. Fingers of both hands touch each other face to face. Used to express a salute to God, teacher or Brahma, this Mudra can be performed in front of head, face or chest. 2. Kapota: The palms of the two hands are slightly hallowed facing toward oneself and arc joined at the side and the top. The little fingers touch along their sides. All fingers are extended and slightly bent. Used to express Namaskar, to show respect to the teacher and elders, humbleness 3. Karkatt: The fingers of the two hands are clasped with each other and the hands are kept with the knuckles facing outwards. Used to express arrival of group, stoutness, blowing the shell, stretching the limbs, bending the branch of a tree 4. Swastika: Two Pataka hands are crossed at the wrists where the bases of the palms touch and the left hand is placed above the right i.e. the right hand with fingers and thumb stretched are held close together pointing upwards, and the left hand with fingers and thumb in the same way also pointing up and crossed at the wrists with the left hand on the right hand. Used to express crocodile, alligator, to talk in fear, to argue 5. Dola: Two Patakas are used in this. That is the hand with the fingers and thumbs stretched are placed with the back of the palms resting on the thighs. The right hand is placed on the right thigh and left on the left thigh. This Mudra is used in the beginning of the dance performance 6. Puspaputa: The palms are hallowed slightly and face one another, fingers and thumb close together, and slightly bent at the top, the finger tips and bases of the palm in each hand are placed to touch each other. Used to express Arati, water, offering a light, accepting a fruit, offering to the sun in the evening and to chant holy prayers 7. Utsang: The palm is raised facing outwards and three fingers are bent towards the palms and the thumb is bent slightly backwards. In this case, the hands are held to touch the opposite shoulders at the fingertips. The little finger is extended in both the hands. Used to express hug, shyness, happiness, teaching the children 8. Shivling: Here is a combination of the Ardhachandra with the left hand and Shikhara with the right hand. Used to express God shiva 9. Katakavardhan: The palms are raised outward and extend and bent to touch the base of the thumb. The 2nd finger and thumbs are curved forward to touch the tips. The 1st finger is also curved forward parallel to the 2nd finger. The hands are crossed at the wrists with the hands slightly thrown back and facing in the opposite direction This is used to express marriage, coronation, and worship 10. KartariSwastik : In this mudra, there is combined use of the Kartari Mukha hands. The hands are crossed raising palms facing outwards. This is used to show branches of a tree, summit of mountains and trees. 11. Shakat: The palm; are raised. The 2nd, 3rd and little finger* are stretched straight and the 1st finger; are bent and curved in half to touch the thumb and the thumbs arc slightly bent outwards to touch each other. This is used to show the gestures of Rakshasa (demons), 12. Shankh: In this mudra, there is combined use of the Shikhara Hast. Used to express Shankh (shell) or things like shell 13. Chakra: Here there is combined use of the Pataka hand slightly modified as if to clap. This is used to express Chakra (weapon of Lord Vishnu) 14. Samput: Here there is a slight deviation and modification of the Chakra Hast. It is the same as Chakra Hast except that the 1st, 2nd and the 3rd fingers are slightly bent instead of being stretched straight. Used to cover things and to show the sacred box in which the idols are places, to give somebody a gift, shuffle the dice 15. Pash: The 2nd, 3rd and little fingers are bent Into the palm and the 1st finger is bent and interlaced with the 1st finger of the other. In the other hand, 2nd finger is slightly bent and the 3rd and 4th fingers are bent into the palm. This is used to show playful quarrel, chains, rope 16. Kilaka: The palms are raised. The little fingers are extended straight with the 1st, 2nd and 3rd fingertips touch the center of the palm. Hands are crossed at the wrists facing in opposite directions and the extended little fingers are interlocked. Used to show affection, conversation of intimate friends and lovers 17. Matsya : The open palm of the right hand faces outward and the four fingers and the thumb arc extended but the thumb instead of being placed beside the other fingers as in Pataka is spread apart. The left hand with the palm facing down is placed over the right hand so that the fingers of each hand point in the same direction. Used to show fish and also one of the "avatars" from Vishnu's ten incarnations. 18. Kurmah: The hands are clasped together with the palms touching and the 1st, 2nd and 3rd fingers of each hand are bent over to touch the back of the other hand. The thumbs and the little fingers are stretched. Used to show tortoise and also one of the "avatars" from Vishnu's ten incarnations 19. Varaha: The palms are bent down. 1st, 2nd and 3rd fingers of one hand overlap 2nd, 3rd and 4th finger of the other hand. The thumbs are stretched outwards. The little fingers are extended "straight. Used to show wild boar 20. Garuda: The hands are raised with palms facing outwards. The four fingers are stretched and the thumbs are extended away from the rest of the fingers. The hands are then crossed at the wrists and the thumbs are interlocked. The palms of the hands face inwards. Used to show Eagle or any bird 21. Nagabandha: The palm is slightly hallowed and faces outwards. The four fingers and thumb are extended close together like the hood of a snake. These hands are crossed at the wrists. Used to show a pair of snakes, to describe Atharva Veda shlokas. 22. Khatva: The open palms are held facing outwards, 2nd and 3rd fingers and the thumb are held closely together and index and pinky are stretched straight downwards. The hands are slowly moved to and fro with grace at the elbows. Used to express bed, crib for the baby or "Palkhi" (a carrier to carry people). 23. Bherund: Similar to kapittha and crossed hands. Used to express bird couple.