HUM 101 Arts Appreciation - Painting Module 3 Lesson 1 PDF

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Jacques Axidn, A. Rosello

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painting visual arts art appreciation arts

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This document is a lesson on painting, including elements like line, color, texture, perspective, shape, and symbolism. It discusses different color wheel classifications, warm and cool colors, and various mediums like oil, pastel, acrylic, watercolor, ink, encaustic, gouache, enamel, and spray paint. It also looks into different styles like abstraction and expressionism.

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HUM 101 Arts Appreciatio Jacques Axidn A. Rosello, MSDC Visual Arts: Painting Learning Objectives 1. Identify the elements of Painting. 2. Show the importance of the color wheel. 3. Convey an idea about the symbolism and meaning of the colors. 4. Demonstrate know...

HUM 101 Arts Appreciatio Jacques Axidn A. Rosello, MSDC Visual Arts: Painting Learning Objectives 1. Identify the elements of Painting. 2. Show the importance of the color wheel. 3. Convey an idea about the symbolism and meaning of the colors. 4. Demonstrate knowledge about the mediums in Painting and their characteristics. PAINTING The colors on a flat surface or material such as linen, glass, wall, leaf, paper, or wood express emotions. When the connection and harmony of a separate component are present, a painting becomes lovely. PAINTING Certain elements are prevalent in all artworks and are always present in every creative form. Six elements are available: line, color, texture, perspective, form, and symbols. Six Elements of Art 1. LINE It's the most basic and essential element of art. The line is the shortest distance between two points and connects these points. The line can also be perceived when many points are placed in proximity and adjacent. 1. LINE It can also be implied in the space between two points even if they are not connected. A line always implies direction and has a distinct type and meaning. VERTICAL LINE These are lines posed for stress action, strength, and dynamism. They also tend to express and as well as arouse emotions. HORIZONTAL LINE Show repose, serenity, calmness, stability, and quiescence. DIAGONAL LINE These are lines that suggest action expresses tension and movement. They give animation to any composition in which they appear. CURVE LINE Suggests grace and joyousness and appears soft, flexible, and gentle. They are never harsh or stern since gradual changes in direction form them. They impart qualities to every work where they are used. ZIGZAG LINE A line that travels straight with severe bends and angles. It conveys confusion and nervousness. It may also imply danger and destruction. 2. COLOR A property of light. It is the appearance or hue of an object concerning the wavelength of light being reflected. It is the most challenging element of art to define. 2. COLOR Scientifically, the human eye and brain perceive color associated with descriptive words like red, blue, or yellow. 2. COLOR Color theory is a body of data for visual arts artists that describes and categorizes color, properties, behaviors, and effects. 3. TEXTURE This element deals more directly with the sense of touch. It refers to the canvas's look, the coarseness, or the smoothness of the material. 3. TEXTURE Texture can be built in the materials an artist chooses or creates by manipulating surfaces. 3. TEXTURE It is a two-sided or three-sided pattern element distinguished by its perceived visual and physical appearance. 3. TEXTURE When a three-dimensional work is touched, the texture describes how it feels. It refers to a piece's visual "feel” in a two-dimensional model-like painting. Texture has four distinct types such as: ABSTRACT TEXTURE Refers to modifying the actual texture for aesthetic and decorative purposes. REAL TEXTURE Refers to the actual feel and looks of the surface of an object. This texture is a mixture of how the paint is seen and feels to the touch. INVENTED TEXTURE A creative means of adding alternate materials to create an exciting and intriguing texture, just like in an abstract artwork wherein the artist uses his or her imagination. SIMULATED TEXTURE Refers to the surface character that looks real but it is not. 4. PERSPECTIVE It deals with the effect of distance on the appearance of the objects, using which the eye judges spatial relationships. 4. PERSPECTIVE It's a technique for creating a three- dimensional illusion with depth and space. 4. PERSPECTIVE Its goal is to provide viewers with the finest possible perspective of the subject while also serving the message. The level of perspective is projected, which is: FOREGROUND The visual equilibrium that appears to be closer to the viewers THE MIDDLE GROUND The area that lies between the foreground and backdrop. BACKGROUND The visual balance appears farther from the viewers. LINEAR PERSPECTIVE The representation of distance appearance through converging lines. AERIAL PERSPECTIVE Represents relative distances of objects by gradations of tone and color. 5. SHAPES In a two-dimensional work of art, flat areas are created when two ends of a line are linked and space is enclosed. 5. SHAPES The shape can also describe an area of a composition that is created by other shapes surrounding it. 5. SHAPES It refers to the physical form or figure, implying weight or volume. 5. SHAPES Shapes aid in the expression of thoughts or opinions. It promotes interaction and elicits anxiety, focus, and energy. The shape has various kinds, such as: GEOMETRIC SHAPES Refer to any shape that remains virtually unchanged if moved or flipped off a surface. ORGANIC SHAPES Refer to any shapes with a natural look or curving appearance. These shapes are often referred to as curvilinear or free from shape. BIOMORPHIC SHAPES Refer to any non-representational form or pattern that resembles a living organism in shape or appearance. 6. SYMBOLS This is made up of a specific meaning or message. It's utilized to express concepts like death, hope, and life, among others. Color Wheel and Its Classification COLOR WHEEL AND ITS CLASSIFICATION Colors are the most exciting representation of anyone. It plays an essential role, especially in Art. Colors are classified based on their categories, such as: PRIMARY COLORS Consists of colors red, yellow, and blue. They are the original colors because they cannot be produced from any other color combination. SECONDARY COLORS Consists of colors green, orange, and purple. It is a mixture of two primary colors. TERTIARY COLORS Colors are made by mixing one primary color with one secondary color. They are blue-green, blue- violet, red-orange, red-violet, yellow- orange, and yellow-green. COLOR WHEEL AND ITS CLASSIFICATION A color wheel (circular color) is arranged on an achromatic basis. It is evenly divided into 12 parts, displaying varied colors by value. The other classes are the following colors: COMPLEMENTARY COLOR These colors sit opposite each other on the color wheel. Since they are opposite, they tend to look lively when used together. When applied together, each of them seems more visible. Examples of these are the colors red and green. ANALOGOUS COLOR These colors sit next to each other on the color wheel. They look pleasant to look at because they are closely related. Examples are the colors yellow, yellow- orange, and orange. NEUTRAL COLOR These are called ― earth tones. These colors do not usually show up on the color wheel. These colors include black, gray, white, brown, and occasionally beige. WARM COLOR These consist of the colors orange, red, and yellow. They tend to impart warmth to any composition. They have the effect of advancing towards you. The colors of the sunset give the idea of brightness and heat. COOL COLOR These are associated with the colors green, blue, and purple. These colors help us think of simple and peaceful things. They cause surfaces covered with them to appear to recede. COLOR WHEEL AND ITS CLASSIFICATION According to a study, color does impact our human existence. Colors are a nonverbal way of communication. Depending on the situation and society, each color has a different meaning. The following color has its meaning: RED COLOR The most inviting of all the colors. Extroverts, particularly guys, are the most likely to choose this color. It’s a color that conjures up descriptions of scorching heat and warmth. It has a strong life and vitality meaning. Red is essential to human life for the following reasons: RED COLOR A. It increases enthusiasm and interest. B. It gives energy. C. It reinforces actions and confidence. D. It protects us from fears and anxieties. BLUE COLOR The warmest color, similar to the ocean and the sky. It's the color of spirituality, sincerity, and inspiration. It is frequently the hue of choice for conservatives. This color is essential to humans because: BLUE COLOR A. It is a sign of calmness and relaxation. B. It opens the flow of communication. C. It broadens one’s perspective on learning new information. D. It implies solitude and peace. YELLOW COLOR The easiest color to recognize, and it’s a symbol of intellectual vigor and innovation. It represents knowledge, contentment, awareness, and clarity. Yellow color is essential because: YELLOW COLOR A. It helps us in making decisions. B. It relieves us from burnout, panic, nervousness, and exhaustion. C. It sharpens our memory and concentration skills. D. It protects us from depression. OTHER COLOR CONNOTATIONS White - pure innocence, emptiness, calm, indifference Orange - unpredictable, warm, deteriorating, changing Green - raw, promising, immature, fresh, soothing, pleasant, nature Purple - imperial, regal, articulate, showy Mediums in Painting Mediums in Painting In art, the term "medium" refers to the materials used by the artist to make a work of art. It’s a term used to define a particular type of art. There are different mediums used in painting today like: OIL The slow-drying paint consists of particles of pigment suspended in drying oils such as linseed oil, poppy seed, safflower, and walnut oil. PASTEL This is in the shape of a stick or crayons. It consists of a pure powdered color and a binder. ACRYLIC A fast-drying paint containing pigment suspension in acrylic polymer emulsion, which becomes water resistant. WATERCOLOR A medium in which the paints are made of colors suspended in a water- soluble vehicle. It is usually transparent and luminous because the pigment is placed in a relatively pure form with little type of filler obscuring the pigment colors. INK A liquid that comprises colors and dyes and is applied to a surface to create an image, text, or design. It is for drawing and writing with a brush or pen. ENCAUSTIC It is heated beeswax to which colored stains are added. The paste is applied to a wood-based canvas. ENCAUSTIC It comes from the Italian word affresco, which means ― fresh. It also refers to several related mural painting types executed on walls, ceilings, or flat surfaces. GOUACHE A water-based paint consisting of pigment and other materials is designed with an opaque painting technique. ENAMEL A paint that air dries to a durable, usually glossy, and reliable finish. It is used for outdoor coating surfaces or is otherwise subject to variations in temperature. SPRAY PAINT The type of paint that comes in a sealed pressurized bottle and is released in a fine spray. TEMPERA A permanent, fast-drying painting medium consisting of colored pigment mixed with a water-soluble binder method. Mediums in Painting Various styles are employed to be effective when showing artwork. Painting is a visual art form that shows how artists use their creative and imaginative brains to communicate their art subjects in various ways. Western Style of Painting ABSTRACTION "To go away or separate" is the word abstract signifies. This is used when an artist becomes so engrossed in one aspect of a scene or scenario. They fail to depict the subject as an objective reality instead of focusing on his thoughts. EXPRESSIONISM During the first decade of the twentieth century, this method was introduced in Germany. To depict inner feelings and anguish, the artists distort color and form. BAROQUE It comes from the Italian word "barucco," which means "opposing" or "contradicting" in philosophy. The heavy dosage of realism, energy, and elongated figures are this style's hallmarks. IMPRESSIONISM A kind of art in which painters depicted the consequences of experience on the artist's conscience. The influence of light on the object utilized as a subject is quite specific. It makes use of vibrant and vivid colors. MODERNISM Defined by a careful rejection of previous styles in favor of invention and experimenting with materials and techniques to produce better artworks. It is subjective to the artist's expression. Modern Painting Styles REALISM The most prevalent method of exhibiting a work of art. This artwork tries to depict the subject as it is. A Realist artist aims to be as objective as possible when creating their work. Their major purpose is to describe what is observed through the senses as accurately and honestly as possible. SYMBOLISM A symbol is a visible representation of something otherwise intangible, such as an idea or a quality. It is a method of art production in which symbols provide meaning to objects, events, and conditions. FAUVISM The first significant art trend of the 1900s. It's a painting style in which painters attempt to depict comfort, joy, and pleasure. Artists promote color lighting on subjects by using extremely brilliant colors. CUBISM It's a type of abstraction in which items are reduced to cubes before being flattened into two-dimensional shapes. Cubist painters strive to depict forms in their most fundamental geometrical forms. SURREALISM It is opposed to an abstraction. Surrealism is a made-up word that means "hyper-realism." It's a modern art genre that depicts the subconscious mind in unusual ways. It seeks to expose a new and greater reality compared to everyday life. SURREALISM This type of subject conveys what’s going on inside a man's head and the appearance of his surroundings. Modern Painting Styles In short, consider numerous variables that the painter would use to assess before you rate a painting. You have to have a fresh and original way of explaining how you feel to generate the best result. Only the artist shall have the authority to judge his work as his masterpiece will always be. Thank you! SLIDESMAN

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