Lulu Oaten Ancient History Notes on Pompeii and Herculaneum PDF

Summary

Lulu Oaten's notes for a podcast about the ancient Roman cities of Pompeii and Herculaneum. The notes describe the geographical setting, natural resources, and the eruption of Mount Vesuvius in 79 AD.

Full Transcript

‭About Campania:‬ ‭-‬ ‭Approximately 200 km south of Rome‬ ‭-‬ ‭Located on the coast of the Bay of Naples → harbour allowed for trade (imports and exports)‬ ‭-‬ ‭River Sarno flows into the Bay of Naples‬ ‭-‬ ‭Weather conditions could be favourable - Mediterranean climate‬...

‭About Campania:‬ ‭-‬ ‭Approximately 200 km south of Rome‬ ‭-‬ ‭Located on the coast of the Bay of Naples → harbour allowed for trade (imports and exports)‬ ‭-‬ ‭River Sarno flows into the Bay of Naples‬ ‭-‬ ‭Weather conditions could be favourable - Mediterranean climate‬ ‭-‬ ‭Incredible scenery‬ ‭ ue to the location of Pomepii on the side of Vesuvius, the soil was incredibly fertile. Vines covered the side of‬ D ‭Vesuvius. Lava spurs meant that both Pomepii and Herculaneum were built on top of these larger spurs.‬ ‭Physical setting:‬ ‭-‬ ‭Mt Vesuvius is part of a chain of Volcanoes which includes Mt Etna and Mt Stromboli‬ ‭-‬ ‭Earthquakes and tremors were common‬ ‭-‬ ‭The people of the Campanian region had adapted to their geographical landscape, established and‬ ‭agricultural vase, used the natural resources of the Sarno River and rich volcanic soil to produce a‬ ‭staple food supply to support farmers and six settlements: Misenium, Stabiar, Sarno, Nocera, Pomepii,‬ ‭and Herculaneum‬ ‭-‬ ‭Climate- temperate with cooling coastal breezes in summer and short winters‬ ‭-‬ ‭Near Vesuvius was an area known as the Phlegraean Fields (burning fields) where geothermal activity‬ ‭was common. It produces steam and bubbling mud. The Romans built hot spas/health resorts in the‬ ‭area at Baia.‬ ‭Natural Resources:‬ ‭-‬ ‭Fishing (garum)‬ ‭-‬ ‭Sea salt used to preserved food‬ ‭-‬ ‭Grain‬ ‭-‬ ‭Vineyards produced wine and olives‬ ‭-‬ ‭Olive oil‬ ‭-‬ ‭Wheat‬ ‭-‬ ‭Barley‬ ‭-‬ ‭Vegetables (cabbage and chickpeas)‬ ‭-‬ ‭Fruits (figs and olives)‬ ‭-‬ ‭Sheep and goats (wool, an important export)‬ ‭ eneral:‬ G ‭Vesuvius erupted in two phases with a brief lull between them.‬ ‭1.‬ ‭‘Plinian’ phase that produced a rain of pumice and ash‬ ‭2.‬ ‭‘Peléan’ phase of devastating pyroclastic surges and flows.‬ -‭ ‬ ‭ he Romans didn't realise it was a volcano‬ T ‭-‬ ‭Earthquake 17 years before the eruption was a precursor to the eruption‬ ‭-‬ ‭79 AD force was equivalent to 100s of Hiroshima bombs‬ ‭-‬ ‭At least 5000 people died in Pompeii‬ ‭-‬ ‭Being in Herculaneum → could see the eruption, without being covered by it‬ 2‭ 4 August.‬ ‭Late morning‬ ‭-‬ ‭A number of small explosions were heard (phreatomagmatic explosions)‬ ‭Early afternoon (Plinean phase)‬ ‭-‬ ‭ bout 1pm - Vesuvius erupted emitting a gigantic ash column resembling an ‘umbrella pine’→ millions‬ A ‭and millions of tons of debris. White frothy pumice carried to fall on Pompeii 9km to the south, and a‬ ‭light dusting on Herculaneum‬ -‭ ‬ ‭5-6pm- Buildings began to collapse. Some fled, others took refuge inside buildings‬ ‭-‬ ‭8pm- Magma composition changed to grey pumice (tephritic phonolite) discharging at 150 000 tonnes‬ ‭per second, carried to heights of 32-33 km‬ ‭This was followed by a brief lull.‬ 2‭ 5 August.‬ ‭1-2.15am (most devastating phase of the eruption- Peléan phase)‬ ‭-‬ ‭The towering column started collapse under its own weight, generating the first two of a series of six‬ ‭lethal avalanches of red-hot volcanic debris and gases (pyroclastic surges and flows)‬ ‭-‬ ‭Surges 1 & 2 overwhelmed Herculaneum. S1 blasted through Herculaneum with the force of a‬ ‭hurricane, killing most of the people immediately. S2 was hotter and more powerful, and responsible for‬ ‭the widespread destruction of buildings (buried it in some parts to the depth of a four story building.‬ ‭These two pyroclastic surges completely destroyed Herculaneum, sealing it fully.‬ ‭2.15 - 6.30am‬ ‭-‬ ‭Grey pumice continued to fall as the column again rose to about 30 km‬ ‭-‬ ‭Lull at Pompeii- allowed some to leave for shelter and escape to the south‬ ‭6.30-8am‬ ‭-‬ ‭The column collapsed, and within hours, surges 3-6 overwhelmed the countryside‬ ‭-‬ ‭S3 reached the north wall of Pompeii‬ ‭-‬ ‭S4-6 covered the whole town and killed all who remained‬ ‭-‬ ‭S6 covered the city with 90-110cm of material and knocked down all walls protruding above the pumice‬ ‭layers of the first phase. S6 reached as far south as Stabiae‬ ‭8am+‬ ‭-‬ ‭A final fall of pumice, followed by the collapse of the caldera and some final phreatomagmatic activity‬ ‭ ompeii‬‭:‬ P ‭Giuseppe Fiorelli‬ ‭-‬ ‭Inspector of Excavations at P in 1860‬ ‭-‬ ‭He is known as a pioneer of modern technology because of the methods he introduced at P‬ ‭Numbering Houses & Buildings → introduced by Fiorelli‬ ‭-‬ ‭He divided P into 9 regions, each containing up to 22 blocks or insulae, and numbered the entrance to‬ ‭each building in each block. Buildings were identified by 3 numbers - region, block, & entrance‬ ‭-‬ ‭This system made it easier for archaeologists to accurately record where objects were found‬ ‭-‬ ‭Fiorelli also gave names to the streets and city gates‬ ‭Systematic Excavation‬ ‭-‬ ‭Under Fiorelli → he removed debris from earlier excavations, and approached new excavations‬ ‭according to a plan, rather than randomly searching for special projects‬ ‭-‬ ‭He carefully and‬‭completely‬‭uncovered each building within a block before moving on to the next block‬ ‭Top-down Excavation‬ ‭-‬ ‭Before Fiorelli, most buildings → excavated from the side‬ ‭-‬ ‭This often resulted in the destruction of the walls and other valuable evidence‬ ‭-‬ ‭Fiorelli introduced top-down excavation which did less damage to wall structures and made it possible‬ ‭to identity and record evidence which could be used in restoration‬ ‭Plaster Casts‬ ‭-‬ ‭ iorelli → observed cavities in the hardened ash deposit left by the decomposed bodies or objects‬ F ‭made from organic materials‬ ‭-‬ ‭Guisseppe Fiorello → poured plaster of paris into the holes within Pomepii’s ruins → revealed the‬ ‭imprints of the deceased human and animal bodies, and impressions of wooden furniture and fitting‬ ‭August Mau‬ ‭-‬ ‭A german archaeologist originally working on the inscriptions from P‬ ‭-‬ ‭Main interest → art and architecture‬ ‭-‬ ‭He made a study of the frescoes of P and classified them into 4 styles‬ ‭-‬ ‭He also provided a date range for each style which aided in the dating of buildings‬ ‭ au’s classification of Pompeian Wall Painting:‬ M ‭First Style (175-80 BCE)‬ ‭-‬ ‭Masonry style. It was painted to look like stone or marble.‬ ‭ond style (80-10 BCE)‬ ‭-‬ ‭Architectural style. Created a 3d illusions columns etc‬ ‭Third style (10 BCE--50 CE)‬ ‭-‬ ‭Ornamental style usually showing a mythological painting. The wall was divided up into zones and‬ ‭panels‬ ‭Fourth style (50-79 CE)‬ ‭-‬ ‭Intricate style using bright colours. This style is common amongst the paintings found in Pompeii and‬ ‭Herculaneum (Generally combined style 2 and 3)‬ ‭This classification is still used today.‬ ‭Vittorio Spinazzola‬ ‭-‬ ‭Superintendent of Excavations at P between 1911 & 1924‬ ‭-‬ ‭Spinzazolla excavated streetscapes to reveal the external appearance of buildings‬ ‭-‬ ‭He excavated systematically and carefully.‬ ‭-‬ ‭He excavated a considerable length of one of the main streets- via dell’ Abbondanza (street of‬ ‭Abundance)‬ ‭-‬ ‭He carefully restored the facades of the buildings, revealing houses, shops, taverns and workshops →‬ ‭and exposed lead pipes (part of the aqueducts system)‬ ‭-‬ ‭Spinazolla used evidence from the remains of buildings and paintings of Roman houses to reconstruct‬ ‭upper storeys and balconies which had been destroyed during the eruption.‬ ‭Methods‬ ‭-‬ ‭He used photography to record the stages of his excavation (source of archival photographs)‬ ‭-‬ ‭These photographs have provided valuable information for conservators working to repair 20th century‬ ‭damage to buildings from theft, vandalism, war, earthquakes and exposure to the elements‬ ‭Amedeo Maiuri‬ ‭-‬ ‭Superintendent of excavations from 1924-1961‬ ‭-‬ ‭Oversaw the most extensive period of excavation‬ ‭-‬ ‭Was interrupted by the Allied bombing of Pompeii in WWII‬ ‭-‬ ‭He uncovered significant areas including a number of insulae along the via dell’Abbondanza, the‬ ‭amphitheatre and the large palaestra‬ ‭-‬ ‭He was also interested in P’s pre-Roman history‬ ‭-‬ ‭Excavated right around the walls of P and established the sequence of construction‬ ‭-‬ ‭Uncovered the cemetery along the southern wall‬ ‭-‬ ‭He excavated several large houses including the Villa of the Mysteries and the estate of Julia Felix‬ ‭-‬ ‭Attracted lots of tourist to Pompeii and made it well-known internationally‬ ‭Controversy‬ ‭-‬ ‭Maiuri used mechanical equipment to clear away debris from earlier excavations and to assist in the‬ ‭areas that been considered too hard to excavate‬ ‭-‬ ‭He protected some excavated buildings by buildings roofs over them (Julia Felix)‬ ‭-‬ ‭Criticised for how rushed his work was and the lack of documentation‬ ‭-‬ ‭Some excavated buildings were unprotected and unrecorded‬ ‭-‬ ‭Wall paintings in such buildings faded without ever being recorded‬ ‭Fausto Zevi‬ ‭-‬ ‭Halted excavations, concentrated instead of protecting and conserving‬ ‭-‬ ‭Photographed wall paintings and mosaic floors‬ ‭Pietro Giovanni Guzzo (1999) → “Moratorium on excavations”‬ ‭-‬ ‭Attracted international teams to carry out specialist projects‬ ‭1.‬ N ‭ eoclassicism- movement in the decorative & visual arts, theatre, music and architecture that drew its‬ ‭inspiration from Ancient Greece and Rome‬ ‭2.‬ ‭Romanticism- an artistic, literary, musical, and intellectual movement characterised by its emphasis on‬ ‭emotion, imagination, individualism, and glorification of the past and nature‬ -‭ ‬ ‭ omantic artists- recorded what they felt rather than what they saw‬ R ‭-‬ ‭Heavy romanticisation of the event‬ ‭-‬ ‭Grisly scenes, complete with skeletal remains, were often staged (conveniently discovered) for visiting‬ ‭dignitaries‬ ‭-‬ ‭Used as a powerful metaphor for ‘death’s abrupt invasion’‬ ‭Modern representations:‬ ‭-‬ ‭Documentaries - “Pompeii: The Mystery of the People Frozen in Time” (2013) BBC Documentary.‬ ‭Focuses on the sites archaeological discoveries, daily roman life, and the eruption of Mt Vesuvius‬ ‭-‬ ‭Museums and exhibitions- The British Museum’s Pompeii and Herculaneum Exhibition (2013) One of‬ ‭the most famous exhibitions- detailed views of life, artefacts, multimedia presentations, and‬ ‭reconstructions‬ ‭-‬ ‭Tourism and virtual experiences‬ ‭One of the few ways to see an accurate modern depiction of the site. Many virtual guides can also be‬ ‭found on youtube.‬ ‭Plans & Streetscapes of P & H‬ ‭Intro‬ ‭-‬ ‭ either site has been completely excavated and it is unlikely that they will be as a result of their‬ N ‭proximity to urban development.‬ ‭-‬ ‭Both towns = long rectangular residential blocks (insulae), separated by narrow streets which ran at‬ ‭right angles through the traffic thoroughfare‬ ‭-‬ ‭Insuale blocks varied in size = from 850 - 5,500 square metres‬ ‭Buildings in insulae:‬ ‭-‬ ‭Luxurious suburban villas (occasionally covered an entire insulae)‬ -‭ ‬ ‭ ented flats‬ R ‭-‬ ‭Bath houses‬ ‭-‬ ‭Shops‬ ‭-‬ ‭Taverns‬ ‭-‬ ‭Workshops‬ ‭ ompeii‬ P ‭Basic info‬ ‭-‬ ‭The larger of the two sites → approx 60 hectares (45 have been excavated)‬ ‭-‬ ‭Larger resort and residential town → grander scale, port and trade, forum, temples, markets,‬ ‭administrative and commercial buildings‬ ‭-‬ ‭3.5km of surrounding walls‬ ‭-‬ ‭8 gateways‬ ‭-‬ ‭Lavishly decorated and adorned with various protective gods and goddesses‬ ‭-‬ ‭1st AD- walls were no longer needed. South west corner demolished and replaced with terrace housing‬ ‭-‬ ‭Narrow footpaths- higher than road‬ ‭-‬ ‭Stepping stones (muck in street)‬ ‭-‬ ‭Single stone streets (one way)‬ ‭-‬ ‭Carts could still pass over the stepping stones, some designed specifically taller to stop carts from‬ ‭entering pedestrian areas‬ ‭-‬ ‭Wider roads‬ ‭Pompeii’s gates:‬ ‭1.‬ ‭The Vesuvio and the Capua Gates (north side)‬ ‭2.‬ ‭Marina gate (west side)‬ ‭3.‬ ‭Herculaneum gate (north-west)‬ ‭4.‬ ‭Nola and Sarno gates (east side)‬ ‭5.‬ ‭Gates of Nocera and Stabiae (south side)‬ ‭Pompeii’s roads:‬ ‭-‬ ‭Major roads running East to West-‬‭Upper and Lower Decumanus‬ ‭-‬ ‭Minor roads running North to South-‬‭Cardo Maximus‬ ‭ erculaneum‬ H ‭Basic info‬ ‭-‬ ‭Located on a headland between two inlets- had a town wall and sea wall‬ ‭-‬ ‭Estimated covered approx 20 hectares (4.5 have been excavated)‬ ‭-‬ ‭Smaller resort and residential town with fewer public and commercial buildings (some may be buried)‬ ‭-‬ ‭Fewer ruts (wear and tear on roads)- less traffic, quieter area‬ ‭-‬ ‭Cleaner town + roads → better drainage system‬ ‭-‬ ‭Stepping stones not provided for residents (no need as clean streets)‬ ‭Role of the Forum‬ -‭ ‬ ‭ conomic/commercial, religious, and political centre of Pompeii‬ E ‭-‬ ‭Main industries: olive oil, wine, garum, perfume, textiles (dyeing)‬ ‭-‬ ‭Many small businesses e.g bakeries, wine shops, capone and thermopolia‬ ‭Religious buildings‬ ‭1.‬ ‭Temple of Jupiter = Capitolium‬ ‭a.‬ ‭The triad of Jupiter, Juno and Minerva= worshipped in the temple from mid century BCE as the‬ ‭capital gods‬ ‭2.‬ ‭Temple of Apollo‬ ‭a.‬ ‭Primary god- healing, music, and the sun‬ ‭3.‬ ‭Temple of Vespasian‬ ‭a.‬ ‭Aka the sanctuary to the Genius (spirit) of Augustus‬ ‭b.‬ ‭Worship of deceased emperors‬ ‭c.‬ ‭Marble altar in middle of the room = with decoration depicting a ritual sacrifice of a bull‬ ‭4.‬ ‭Temple of the Lares‬ ‭a.‬ ‭Believed to be build AFTER 62 CE earthquake‬ ‭b.‬ ‭Worship the Lares (protective gods of Pompeii) perhaps as a gesture to appease the gods‬ ‭(after natural disaster)‬ ‭c.‬ ‭Altar stands in the centre of the building‬ ‭Administrative Buildings‬ ‭1.‬ ‭The Basilica‬ ‭a.‬ ‭One of the oldest buildings in Pompeii‬ ‭b.‬ ‭Economic centre → housed law courts‬ ‭c.‬ ‭Decorated with 28 fluted ionic columns (Greek influence) = 11 metres high‬ ‭d.‬ ‭Town magistrates (duumviri) sat on a raised stage, were judges of legal cases‬ ‭2.‬ ‭The Comitium‬ ‭a.‬ ‭Voting took place‬ ‭b.‬ ‭Citizens would enter through the five doors from the Forum, and exit into the Via‬ ‭dell’Abbondanza‬ ‭3.‬ ‭The Municipal Buildings‬ ‭a.‬ ‭South of Forum → three buildings linked with administration‬ ‭b.‬ ‭Suggested one buildings → curia where Decurions met to discuss council matters‬ ‭c.‬ ‭Two other buildings → suggested to be Office of the Duumviris and the Office of the Aediles‬ ‭Commercial Buildings‬ ‭1.‬ ‭The Macellum‬ ‭a.‬ ‭Open air market → fresh fish‬ ‭b.‬ ‭Centre of building → tholos (made up of columns + conical roof)‬ ‭2.‬ ‭Granary‬ ‭a.‬ ‭Multi room storehouse for grain‬ ‭b.‬ ‭Stored amphora/e‬ ‭3.‬ ‭The Building of Eumachia‬ ‭a.‬ ‭Built by the public priestess Eumachia & dedicated to Augustan Concord and Piety (harmony‬ ‭and devotion)‬ ‭b.‬ ‭A statue of Eumachia → back of building‬ ‭c.‬ ‭Inscription says = the fullers, who were dryers and clothing makers, had dedicated the statue in‬ ‭her honour‬ ‭d.‬ ‭Building is linked to the wool industry‬ ‭e.‬ ‭Could have been wool market or meeting place for the Fuller’s guild‬ ‭The Mensa Ponderaria‬ ‭ he Mensa Ponderaria was a system of measurement. It consisted of a table, with a marble slab complete with‬ T ‭nine circular indents in which foodstuffs could be inspected and measured.‬ ‭Trade, Commerce, Industries, and Occupations‬ ‭Agriculture and Fishing‬ ‭-‬ ‭Agriculture was the most respectable way of earning a living‬ ‭-‬ ‭gardens (‬‭horti)‬‭within the walls of Pompeii provided the raw materials (wine, olive oil, cereals, fruit,‬ ‭vegetables, meat and wool) for much of the retail and industrial workforce.‬ ‭-‬ ‭valued crustaceans, molluscs and fish, the latter also used for making the garum‬‭or fish sauce for which‬ ‭Pompeii was renowned‬ ‭-‬ ‭Garum - source of wealth‬ ‭Grapes and Olives‬ ‭-‬ ‭ ine and oil were the principal sources of income‬ W -‭‬ ‭The commercial cultivation of vines and olives was mainly attributed to the more privileged classes,‬ ‭-‬ ‭due to the cost of wine and olive presses, + lengthy gap of waiting between the planting and first‬ ‭harvest of the crops-‬ ‭-‬ ‭A trapeta was used for the initial round of oil pressing, to separate the flesh from the pip (to prevent a‬ ‭bitter taste)‬ ‭-‬ ‭Wine press- torcular‬ -‭ ‬ ‭Wines were brought in from countryside farms when they were in demand‬ ‭-‬ ‭Due to mild climates, wine was usually buried underground in jars, in order to protect them from any‬ ‭unfavourable weather.‬ ‭-‬ ‭Oil used for cooking, lighting, in public baths and gymnasia, ingredient in perfume‬ ‭Thermopolia‬ -‭ ‬ ‭ he Thermopolia = type of food bars (‘fast food’)‬ T ‭-‬ ‭also operated similar to a grocery store‬ ‭-‬ ‭Provided less wealthy Pompeians with a sense of community + a simple way to eat if they had smaller‬ ‭houses or kitchens‬ ‭-‬ ‭Food taken away or eaten standing up‬ ‭Via dell’abbondanza‬ -‭ ‬ p‭ resence of ancient shops through the close study of their facades‬ ‭-‬ ‭the wide openings onto the street‬ ‭-‬ ‭lengthy stone indent (where a wooden shutter would have slid back and forth to open and close the‬ ‭shops)‬ ‭-‬ ‭provided an indication to the building’s history as commercial establishments.‬ ‭ ulleries‬ F ‭18 scattered through Pompeii, 4 were large‬ ‭Identified by a number of interconnected basins or tanks with built in steps for rinsing, washing‬ ‭ ne dried → cloth bleached with sulphur + dyed‬ O ‭Urine = essential → provided the levels of ammonia they believed necessary to properly remove stains from the‬ ‭dirty clothes.‬ ‭-‬ ‭Camel urine was preferred, but human urine was mostly used‬ ‭-‬ I‭n such high demand, laundries often encouraged men to supply urine by filling a range of collection‬ ‭jugs outside these establishments‬ ‭-‬ ‭Tax was placed on urine collection- an indicator of its prevalence in the industry.‬ ‭Brothels/prostitution‬ ‭-‬ ‭No stigma attached for men‬ ‭-‬ ‭Wealthy men could invite a prostitute to their home‬ ‭-‬ ‭Those who engaged in sex for payment were stigmatised- given name lupa (she-wolf)‬ ‭-‬ ‭Criteria classically used to identify brothels (lupanar)- a masonry bed in a small room, sexual graffiti,‬ ‭presence of erotic paintings‬ ‭-‬ ‭Prostitutes mostly foreigners and lower class‬ ‭-‬ ‭Cost- 16 to 2 asses‬ ‭-‬ ‭Registered with the aediles and 23 april each year was set aside as a holiday for them‬ ‭Main factors that determined place:‬ ‭-‬ ‭Citizenship status‬ ‭-‬ ‭Place of birth‬ ‭-‬ ‭Freedom‬ ‭-‬ ‭Amount of wealth‬ ‭-‬ ‭City or country dwelling‬ ‭Freeborn men:‬ ‭-‬ ‭Had full legal rights‬ ‭-‬ ‭Could hold political office‬ ‭-‬ ‭Controlled public finances, spaces, and religion‬ ‭-‬ ‭Received honorary statues and tombs‬ ‭-‬ ‭Could be members of town council‬ ‭-‬ ‭Had privileged seats in amphitheatre and theatre‬ ‭-‬ ‭Included wealthy landowners and businessmen‬ ‭Freeborn women:‬ ‭-‬ ‭Could not hold formal political office‬ ‭-‬ ‭Under legal controls of fathers and husbands‬ ‭-‬ ‭Could own property/conduct business‬ ‭-‬ ‭Held priesthoods‬ ‭-‬ ‭Constructed buildings and tombs‬ ‭-‬ ‭Received honorary status + tombs‬ ‭Freedmen:‬ ‭-‬ ‭Men freed from slavery‬ ‭-‬ ‭Often worked for former masters (clientele system)‬ ‭-‬ ‭Couldn’t hold formal political office‬ ‭-‬ ‭Voting allowed‬ ‭-‬ ‭Became wealthy + influential‬ ‭-‬ ‭Participate in some religious cults‬ ‭-‬ ‭Could become a Augustiles‬ ‭Freedwomen:‬ ‭-‬ ‭Couldn’t hold any political position‬ ‭-‬ ‭Some worked for former masters‬ ‭-‬ ‭Women freed from slavery‬ ‭Slaves:‬ -‭ ‬ ‭ pproximately 40% of the population of Pompeii‬ A ‭-‬ ‭Little evidence of their lives remains‬ ‭-‬ ‭Few houses had separate slave quarters‬ ‭-‬ ‭Domestic work - common‬ ‭-‬ ‭Few tombstones attributed to slaves‬ ‭Client Relations:‬ ‭-‬ ‭Patron assisted client from lower social class → e.g help with legal matters, give food‬ ‭-‬ ‭In return got favours → e.g support in elections‬ ‭-‬ ‭Emperor = ‘super patron’ over Roman world → individuals, family, town all paid homage and gave‬ ‭allegiance‬ ‭-‬ ‭Every morning clients would flock to their patron’s house to pay their respects (salutatio)‬ ‭ omen:‬ W ‭More freedom in P + H than in Rome‬ ‭Roles of Women:‬ ‭-‬ ‭Running a household‬ ‭-‬ ‭Bringing up children‬ ‭-‬ ‭Actively engaged in public life‬ ‭-‬ ‭Made public decorations supporting politicians‬ ‭-‬ ‭Controlling finances‬ ‭-‬ ‭Could not vote‬ ‭-‬ ‭Business owners‬ ‭Public Women‬ ‭1.‬ ‭Poppaea Sabina → wealthy, married emperor Nero, owned nearby villa‬ ‭2.‬ ‭Eumachia → business woman, owned large public building in Forum- used as political leverage for son,‬ ‭priesthood of Venus‬ ‭3.‬ ‭Julia Felix → wealthy land owner, estate, unmarried‬ ‭ orking Women‬ W ‭Work for less wealthy women:‬ ‭-‬ ‭Statia owned bakery, Asellina tavern owner, Specula cloth trade‬ ‭-‬ ‭Servants, cooks, cleaners, prostitutes‬ ‭Gaps in our knowledge‬ ‭-‬ ‭everyday politics → specifics are not known‬ ‭-‬ ‭how and where government business was conducted on a daily basis‬ ‭-‬ ‭exactly how annual city elections were held‬ ‭ ocal government organisation‬ L ‭Split into three groups:‬ ‭-‬ ‭Magistrates (executive)‬ ‭-‬ ‭4 elected‬ ‭-‬ ‭2 duumviri‬ ‭-‬ ‭2 aediles‬ ‭-‬ ‭both had a one year term (July - July)‬ ‭-‬ ‭had to be a male citizen over 25 and wealthy, with a good reputation‬ ‭-‬ ‭aediles = junior magistrate - public and religious buildings, enforcing public order, sponsoring‬ ‭events‬ ‭-‬ d‭ uumviri = senior/chief magistrate, justice system (curia), census (lectio) every 5 years,‬ ‭sponsored public events‬ ‭-‬ ‭both wore toga with a purple border‬ ‭-‬ ‭Ordo Decurionum (legislative)‬ ‭-‬ ‭called decurions‬ ‭-‬ ‭had to be a freeborn (but not all freeborn qualified)‬ ‭-‬ ‭generally of high status‬ ‭-‬ ‭100 members → seat for life, until death or disgrace‬ ‭-‬ ‭Comitium‬ ‭-‬ ‭a roofless building → “people’s assembly” gathering place‬ ‭-‬ ‭to elect the magistrates‬ ‭-‬ ‭it met every March‬ ‭-‬ ‭candidates had to receive majority of votes to be elected‬ ‭-‬ ‭votes were written on wax tables then place in ballots‬ ‭-‬ ‭evidence → inscriptions in graffiti on building‬ ‭Political Buildings‬ ‭-‬ ‭The Comitium- voting space‬ ‭-‬ ‭voting took place‬ ‭-‬ ‭citizens would enter through the five doors from the Forum and exit via the Via‬ ‭dell’Abbondanza‬ ‭-‬ ‭The Basilica- law court‬ ‭-‬ ‭decorated with 28 fluted ionic columns (greek influence) = 11 metres high‬ ‭-‬ ‭town magistrates (duumviri) sat on a raised stage, were judges of legal cases‬ ‭-‬ ‭Curia chamber‬ ‭-‬ ‭city council meetings‬ ‭-‬ ‭people’s assembly meetings‬ ‭-‬ ‭decurions met to discuss council matters‬ ‭-‬ ‭Tabularium‬ ‭-‬ ‭government business recorded‬ ‭-‬ ‭Offices of magistrates (all at/around the forum)‬ ‭-‬ ‭office of the Duumvir‬ ‭-‬ ‭office of the Aediles‬ ‭Eligibility to Vote and Stand for Office‬ -‭ ‬ o‭ ver 25‬ ‭-‬ ‭male‬ ‭-‬ ‭freeborn‬ ‭-‬ ‭prestigious, honourable, and have a high standard of integrity‬ ‭-‬ ‭reputation‬ ‭-‬ ‭have considerable wealth → old money rather than new‬ ‭votes had to be:‬ ‭-‬ ‭male‬ ‭-‬ ‭not slaves‬ ‭Support for candidates‬ ‭-‬ ‭prior to election, candidates wore a white toga‬ ‭-‬ ‭employed slaves to whisper the names of their owners in people’s ears‬ ‭-‬ ‭teachers, students, families, and women all participated in the campaigning process‬ ‭-‬ ‭candidates employed sign writers to paint their advertisements on walls outside homes, bars, taverns,‬ ‭and on public buildings‬ ‭candidates did not:‬ ‭-‬ ‭write manifestos themselves or sign them‬ ‭-‬ ‭make electoral promises about tax cuts, road maintenance or a building program‬ ‭-‬ ‭boast about what they did in the past‬ ‭Unsuitable supporters in elections‬ ‭-‬ ‭negative propaganda may have been delivered by adding unsuitable supports for a candidate- e.g the‬ ‭“late drinkers”, “pick pockets”, “runaway slaves”‬ ‭-‬ ‭When C. Julius Polybius was running for office, a manifesto signed by two prostitutes, Zmyrina and‬ ‭Cuculla, appeared on a wall- he was furious and demanded that it be removed‬ ‭-‬ ‭there was a degree of corruption. This was highlighted in graffiti and caricatures around the Forum - “No‬ ‭one gives a damn about the way we’re hit by the grain situation. To hell with the aediles! They’re in with‬ ‭the bakers…so, the little man suffers”‬ ‭The ‘price’ for holding office‬ ‭-‬ ‭members of the political system were often expected to use their own money to finance government‬ ‭projects‬ ‭-‬ ‭this is seen through inscriptions in the Forum‬ ‭-‬ ‭Lucius Aeneas Mammianus Rufus → funded building of the theatre‬ ‭-‬ ‭Marcus Calatorius → bronze statue stood in theatre among those of emperors and empresses‬ ‭-‬ ‭Marcus Nonius Balbus → 10 statues dedicated to at important sites‬ ‭-‬ ‭Marcus Holconius Rufus‬ ‭-‬ h‭ e came from the Holconnii family, one of the four wealthiest in Pompeii → had dominated politics for‬ ‭generations‬ ‭-‬ ‭extremely wealthy = came from operating a clay pit and brickworks + his families nation-wide wine‬ ‭empire‬ -‭ ‬ ‭elected as duumvir five times and quinquennial twice‬ ‭-‬ ‭awarded an honorary position as military tribune by Augustus on recommendations by the Pompeian‬ ‭community‬ ‭Marcus Nonius Balbus‬ -‭ ‬ c‭ ame from the richest and most influential family in Herculaneum‬ ‭-‬ ‭had been Roman governor of Crete and Cyrenaica (Roman owned area in North Africa)‬ ‭-‬ ‭patron of Herculaneum‬ ‭The Impact of Public Life on others‬ ‭-‬ ‭other groups outside the male elite were honoured publicly‬ ‭1.‬ ‭Eumachia‬ ‭a.‬ ‭inherited considerable fortune from her father Lucius Eumachius (brickworks)‬ ‭b.‬ ‭social position (wealth) allowed her to assume the important public office of Priestess of‬ ‭augustales‬ ‭c.‬ ‭matron of an imperial cult of Concordia Augustus (dedicated to the deified emperor)‬ ‭d.‬ ‭patroness of the Guild of Fullers‬ ‭2.‬ ‭Mamia‬ ‭a.‬ ‭daughter of Publius Mamius‬ ‭b.‬ ‭Priestess of venus‬ ‭Female influence ≠ the same as having the formal power of an elected duumvir or city councillor.‬ ‭ ousing‬ H ‭Excavated houses = valuable archaeological sources for Roman domestic life + development‬ ‭Weatherier inhabitants‬ ‭-‬ ‭Elaborate, multi-roomed dwellings‬ ‭Poorer residents‬ ⇒ ‭-‬ ‭E.g shopkeepers + craftsmen one room apartments or in cramped space at the rear of the business‬ ‭premises, or on the floor above‬ ‭Types of private buildings:‬ ‭-‬ ‭Townhouses- domus urbanus‬ ‭-‬ ‭Mansion- villa urbanus‬ ‭-‬ ‭Rural estate- villa rustica‬ ‭-‬ ‭Apartment buildings- insula‬ ‭Housing styles‬ ‭1.‬ ‭The domus or atrium house (e.g house of menander)‬ ‭2.‬ ‭The atrium-peristyle house (e.g house of the vetti)‬ ‭3.‬ ‭The insulae or apartment/ lodging houses (e.g house of the trellis)‬ ‭4.‬ ‭Villas (e.g villa of the mysteries)‬ ‭ ccording to Andrew Wallace-Hadrill‬ A ‭4 MAIN types of housing which reflected socio-conomic status in P + H‬ 1‭.‬ S ‭ hops & workshops w just one or two small apartment-type residences above them‬ ‭2.‬ ‭Larger workshops/residences for bigger businesses- between two and seven rooms on the ground floor,‬ ‭often had a decorated atrium‬ ‭3.‬ ‭The average Pompeiian private house with between eight and 13 rooms and a peristyle‬ ‭4.‬ ‭Larger houses, which were designed to admit many visitors and had separate rooms for slaves. These‬ ‭houses were the most decorated, with large gardens.‬ ‭Insulae‬ ‭-‬ S ‭ ome people → Rented rather than owned a house/apartment‬ ‭-‬ ‭insulae= apartment blocks‬ ‭-‬ ‭Housed a variety of tenants‬ -‭ ‬ ‭ rander, spacious, more opulent than townhouses‬ G ‭-‬ ‭Located on outskirts of both towns‬ ‭-‬ ‭Villas on the coast + countryside → stunning scenery + mediterranean climate benefits‬ ‭A Villa Rustica‬ ‭-‬ ‭Any villa set in the countryside‬ ‭-‬ ‭Located on agricultural land‬ ‭-‬ ‭Houses of the wealthy vineyard + farm owners‬ ‭Water and Sanitation‬ ‭Street Drainage‬ ‭-‬ ‭ ompeii- raised stone blocks (pondera) designed to protect inhabitants from waste + excrement within‬ P ‭the streets‬ ‭-‬ ‭ erculaneum- conversely to Pompeii → well-contrcustrced high footpaths + excellent drainage system‬ H ‭+ subterranean sewers beneath several roads → run on a north-south axis in the city.‬ ‭Water Supply‬ ‭Pompeii‬ ‭-‬ ‭relied upon springs of‬‭Acquaeo‬‭for water supply, utilized‬‭deep wells (from groundwater), and rain‬ ‭collecting‬‭cisterns‬‭to capture it as a secondary means‬ ‭-‬ ‭imperial aqueducts built by Emperor Augustus‬ ‭-‬ ‭some private homes were connected directly to supply, however, it was also publicly available through‬ ‭water fountains (42 uncovered)‬ ‭Herculaneum‬ ‭-‬ ‭more elaborate water system, with most private homes connected directly‬ ‭Acqua Augusta‬ ‭-‬ ‭built between 3032 BC by Emperor Augustus → longest, most complex and costliest aqueduct systems‬ ‭in the Roman world, covering distance of 140km‬ ‭-‬ ‭10 branches + supplied entire Campagnian religion, roman naval base Museum, Pompeii,‬ ‭Herculaneum, and Stabiae‬ ‭Public latrines‬ ‭-‬ ‭water supply served the needs of public latrines (‬‭foricae‬‭)‬‭located adjacent to densely populated areas‬ ‭→ e.g amphitheatre or forum‬ ‭-‬ ‭posed serious health risks to users despite modern representation as cleanly‬ ‭-‬ ‭some were incorporated into bath complexes‬ ‭Clothing‬ -‭ ‬ c‭ lothing made from wool or linen‬ ‭-‬ ‭woolen cloth made by women of household, slaves, or purchased from a market‬ ‭-‬ ‭linen imported from other areas of empire e.g Egypt‬ ‭-‬ ‭fulleries in both P and H‬ ‭men‬ ‭-‬ ‭ ost men wore a tunic (rectangle of wool/linen pinned at the shoulders)‬ m ‭-‬ ‭knee length and off white, belted at waist‬ ‭-‬ ‭colder months- thicker coat over tunic‬ ‭social status‬ -‭ ‬ ‭ en could wear a toga, formal woolen garment worn over tunic‬ m ‭-‬ ‭toga praetexta- purple border, worn by some high priests and magistrates (formal)‬ ‭-‬ ‭poorer freeborn working men, freedmen and slaves- similar tunics loosely tied at waist‬ ‭-‬ ‭adult male citizens of higher status- personalised signet ring- impression in sealing wax to authorise a‬ ‭document‬ -‭ ‬ ‭not all female slaves dressed poorly‬ ‭-‬ ‭women of all social classes- similar garments, varying materials (wealth)‬ ‭women‬ ‭-‬ ‭ ore a stola- full length pleated garment, made of wool or silk (depending on social status)‬ w ‭-‬ ‭worn over the top of a toga, and pinned on one shoulder by a clasp called a fibulae‬ ‭-‬ ‭stolae (plural) variety of colours- red, yellow, green‬ ‭-‬ ‭prostitutes- toga, symbol of lower status‬ ‭children‬ ‭-‬ ‭generally wore tunics‬ ‭-‬ ‭girls- ankle length tunic with a belt‬ ‭-‬ ‭boys- shorter tunic‬ ‭-‬ ‭upper class children- toga praetexta until age 14 to 16 years‬ ‭Baths‬ ‭Archeologists identified 4 bath complexes in Pompeii‬ ‭1.‬ ‭Stabian baths‬ ‭2.‬ ‭Forum baths‬ ‭3.‬ ‭Central baths‬ ‭4.‬ ‭Sarno baths‬ ‭5.‬ ‭priv bath Julia Felix‬ ‭Two in Herculaneum - the suburban baths and the forum baths → Suburban preserved best in both cities‬ -‭ ‬ d‭ ivided into sections for women men, if no separation, then attended at diff times‬ ‭-‬ ‭walls and ceiling decorated with elegant stucco work and floor on mosaics, often marine theme‬ ‭baths had areas for‬ ‭-‬ ‭Exercise‬ ‭-‬ ‭changing and waiting (shelves for storing clothes),‬ ‭-‬ ‭cold baths‬ ‭-‬ ‭warm rooms heated by a brazier and a hot room with a heated bath at one end and a cold qatar ablution‬ ‭ast the other.‬ ‭ ltimate in luxury‬ U ‭Suburban Baths Herculaneum‬ -‭ ‬ f‭inanced by marcus nonius balbus‬ ‭-‬ ‭faced the sea‬ ‭-‬ ‭architecturally notable vestibule that contains‬ ‭-‬ ‭four red columns‬ ‭-‬ ‭a fountain‬ ‭-‬ ‭marble bust of apollo‬ ‭-‬ ‭valve on fountain still works‬ ‭-‬ ‭had a combined waiting room/frigidarium with various coloured marbles‬ ‭-‬ f‭ramed white stucco panels constraint bas-reliefs of naked warriors, winged cupids and a red spiral‬ ‭stucco frieze running around the room‬ ‭-‬ t‭o prevent condensation dropping on ppl, ceiling had grooves with collected this and channeled it down‬ ‭the walls‬ ‭-‬ a‭ charcoal burning furnace located in the back of the caldarium worked as the heating system. hot air‬ ‭circulated under marble floor raise 70-90cm and through air ducts behind the walls‬ ‭Activities‬ ‭-‬ ‭opened midday and arvos, daily routine for many‬ ‭-‬ ‭complexes stayed open at night too‬ ‭-‬ ‭slaves came to carry their masters or mistresses oil, soda , strigil for cleaning and massage‬ ‭-‬ ‭slaves helped owners disrobe‬ ‭-‬ ‭valuables placed in small cupboards‬ ‭-‬ ‭women more a two piece or more modest costume, men wore leather tunics or bathed naked‬ ‭-‬ ‭before bathing ppl did exercise, e.g bladder-ball (pila) for men after activities inc light snack, book in‬ ‭library, or strolling among the gardens‬ ‭ ‬‭heatre‬ T ‭traditional tragedy to comedy to pantomime were very popular‬ ‭-‬ ‭two theatres, greek in design, in pompeii‬ -‭ ‬ l‭arger theatre older than any theatre in rome and strong greek influence‬ ‭-‬ ‭a small covered theatre or odeon was built later (1st century) its construction instigated by two local‬ ‭magistrates. used for more serious performances such as concerts, lectures and poetry.‬ ‭performances‬ ‭-‬ ‭religious festivities‬ ‭-‬ ‭celebrate dedication of a monument or achievement‬ ‭-‬ ‭magistrates tendered the staging of the performance‬ ‭-‬ ‭entry free to all, except slaves‬ ‭-‬ ‭admission to theatre gained by small piece of bone or ivory as an indication to whether to sit‬ ‭-‬ ‭those with the image of a bird, had the highest seats against the wall‬ ‭ port‬ S ‭Pompeii:‬ ‭-‬ ‭open air theatre or palaestra opp the amphitheatre‬ ‭-‬ ‭107-141 metres rectangle‬ ‭-‬ ‭surrounded by a portico‬ ‭-‬ ‭large swimming pool in centre‬ ‭Herculaneum;‬ ‭-‬ ‭occupied a whole block‬ ‭-‬ ‭swimming pool in shape of cross 50m in length‬ ‭-‬ ‭field outside pool - athletics, wrestling, javelin, and discus‬ ‭Overview‬ ‭-‬ ‭Pompeii and Herc - heavily influenced by the greek (hellenic) and hellenistic cultures‬ ‭-‬ ‭Greek influences → greek colonies in southern Italy + Sicily‬ ‭-‬ ‭Magna Graecia (greater Greece) → settlement of Greeks in 8th-7th centuries BC‬ ‭-‬ ‭Hellenistic influences → Rome's conquest + trades of Egypt and the east from the 2nd century BCE‬ ‭(many prostitutes from this area)‬ ‭-‬ ‭Hellenistic kingdoms established by alexander the great‬ ‭-‬ ‭Trade between Campania and Egyptian port city of Alexandria‬ ‭-‬ ‭Roman adoration of Greek + hellenistic culture=‬ ‭-‬ ‭Architecture - public and private‬ ‭-‬ ‭Art, e.g frescoes, mosaics, decorative objects‬ ‭-‬ ‭Attitude of ‘ a sound mind in a sound body’‬ ‭-‬ ‭Religion → Greek pantheon + mystery cults from Greece + Egypt etc‬ ‭Greek influence‬ ‭-‬ ‭Art- statues (copies of og Greek statues), frescoes, mosaics )e.g alexander mosaic from house of faun)‬ ‭-‬ ‭Strong influences of Hellenistic culture ACROSS Roman world‬ ‭-‬ ‭Religious - dionysus, apollo (patron god of Augustus), demeter Temples, cults‬ ‭-‬ ‭Architecture - theatre, palaestra, columns/designs‬ ‭-‬ ‭literature/drama - papyrus scrolls from Her written in ancient Greek, homer + virgil studied‬ ‭-‬ ‭Names of towns - Herculaneum- Hercules (town patron god)‬ ‭-‬ ‭Venus as patron god of Pompeii‬ ‭-‬ ‭‘Sound mind in a sound body’‬ ‭Three orders of Greek columns‬ ‭1.‬ ‭Ionic‬ ‭2.‬ ‭Doric‬ ‭3.‬ ‭Corinthian‬ ‭ rand residences/villas → reflected magnificence of oriental Hellenistic palaces → House of the Faun, Pompeii,‬ G ‭and the Villa of Papyri, Herculaneum‬ ‭House of the Faun‬ ‭-‬ ‭Named after a bronze statue of a dancing faun found in the impluvium- was built in two stages during‬ ‭the early and late 2nd century BC‬ ‭-‬ ‭Covering 3000 square metres‬ ‭-‬ ‭Largest house in Pompeii- occupied an entire insula‬ ‭-‬ ‭Two entrances‬ ‭-‬ ‭Two atria‬ ‭-‬ ‭Two peristyles‬ ‭-‬ ‭Possibly four triclinia- dining/kitchen rooms‬ ‭-‬ ‭Two-roomed bath suite‬ ‭-‬ ‭Examples of all three orders of Greek columns‬ ‭ reat Alexander Mosaic‬ G ‭Produced towards the end of the 2nd century BC → copied from a fourth century painting‬ ‭Stats‬ ‭-‬ 5‭.82 by 3.13 meters‬ ‭-‬ ‭Composed of over a million and a half tesserae‬ ‭-‬ ‭High detail, yet simple colours - white, red, yellow, black‬ ‭-‬ ‭Discovered in 1831, but part of it is missing (damage)‬ ‭-‬ ‭2005 → replica of this installed in the house for visitors, took International Centre for the Study and‬ ‭Teaching of Mosaics in Ravenna, Italy, 22 months to make‬ ‭Info‬ -‭ ‬ ‭ ifficult to ‘read’ → many different interpretations of subject matter over the years‬ D ‭-‬ ‭One idea- Alexander of Macedon defeating Darius III‬ ‭-‬ ‭Other idea- a composite of various historical battles/end of Persian Empire‬ ‭Amadeo Maiuri and his excavations at Herculaneum‬ ‭-‬ ‭Ahead of his time experiment- rapid excavation of a particular house - furnishing shops, replanting‬ ‭gardens, setting up display cases‬ ‭-‬ ‭Left parts of external wall open- give tourists a better view‬ ‭-‬ ‭Mairui ‘assumed that the true challenge lay in exposing more to the sunshine, not in conserving it.”‬ ‭A crisis: its cause and effects‬ 2‭ 1st century- Herculaneum- acute state of crisis, described as the worst example of archaeological conservation‬ ‭in a non war-torn country. Due to:‬ ‭-‬ ‭Uncontrolled ambition of the excavations of the 1930s‬ ‭-‬ ‭Profits of tourism ≠ used to maintain the sites‬ ‭-‬ ‭E.g- collapsed roofs, broken tiles, disintegrating mosaic floors, fading frescoes, carbonised timber‬ ‭reduced to dust, growth of vegetation, infestation of pigeons‬ ‭Herculaneum Conservation Project (HCP)‬ ‭Groups‬ ‭-‬ P ‭ ackard Humanities Institute‬ ‭-‬ ‭Special Superintendency for the Archaeological Heritage of Naples and Pompeii‬ ‭-‬ ‭British School At Rome‬ ‭The practice of the HCP would be to focus on urgent site-wide interventions and repairs.‬ ‭ eed to be a specific set of procedures put in place before work began:‬ N ‭Find a team of experts who would‬ ‭-‬ ‭Analyse initial problems + facilitate prompt intervention in case of emergencies, research and‬ ‭experiment solutions‬ ‭-‬ ‭“A level of autonomy that freed it from state bureaucracy”‬ ‭-‬ ‭Evolve a formula for future long-term maintenance of the site‬ ‭Water Problem‬ ‭-‬ ‭Herculaneum (seaside) was built on a sloping spur, number of levels‬ ‭-‬ ‭The ancient site → 20 m below level of the modern town of Ercolano‬ ‭-‬ ‭The drainage system in modern town did not function effectively → seepage into Herc. below.‬ ‭Every rain → water flooded, this:‬ ‭-‬ ‭Eroded masonry‬ ‭-‬ ‭Weakened foundations‬ ‭-‬ ‭Waterlogged ancient timbers‬ ‭-‬ ‭Brought salts out of the walls‬ ‭-‬ ‭Destroying fragile wall paintings‬ ‭-‬ ‭Saturated the Suburban baths complex‬ ‭-‬ ‭Deterioration of the vaulted roof of the tepidarium‬ ‭ he Sewers‬ T ‭Problem was solved- bringing the ancient water drainage back into operation (under-street sewers)‬ ‭-‬ ‭Excavated sewers + reopening the conduits that drained houses, shops, and insulae‬ ‭-‬ ‭Clearing the area of sea front to 79 AD level‬ ‭-‬ ‭Laying a network of drainage pipes above + below ground level, drain water away from the site‬ ‭This work →‬ ‭-‬ ‭Preserved material remains for future research‬ ‭-‬ ‭Generated a whole series of archaeological results‬ ‭Discoveries on the beachfront‬ -‭ ‬ ‭ atural tufa bedrock of the ancient shoreline (pre-Roman)‬ N ‭-‬ ‭79 AD, the ancient shoreline → bradyseism, a phenomenon occurring in seismic areas - sea appears to‬ ‭retreat and encroach‬ ‭Stabilization of Buildings‬ ‭-‬ ‭Steep escarpment dividing ancient site and Ercolano/Resina needed to be stabilised‬ ‭-‬ ‭Buildings overhung the archaeological site along the Decumanus Maximus → dangerous for rubble‬ ‭clearing + conversation‬ ‭-‬ ‭Collab between the Superintendency and Commune of Ercolano + support of the town’s mayor →‬ ‭dozen of decaying Resina houses were demolished, allowing greater knowledge of the layout of the‬ ‭Basilica Noniana‬ ‭Conservation of Decorative Surfaces‬ ‭2008- Getty Conservation Institute + Herculaneum Conservation Project‬ ‭-‬ ‭Stabilise and restore (non invasive) badly damaged decorative surfaces‬ ‭Villa of Papyri Debate‬ ‭Villa rediscovered in 1986‬ ‭ roup of scholars, chiefly associated with the Friends of Herculaneum Society (FHS) , called for renewed‬ G ‭excavation of the Villa. Call was led by Professor Robert Fowler.‬ I‭n 2007- some limited excavation by the Superintendency took place at the Villa- lower room on a lower level,‬ ‭revealed stucco decorations that showed the room was being redecorated at the time of the eruption.‬ ‭2012- still 2800 square meters left to be excavated of the villa, due to‬ ‭-‬ ‭Cost‬ ‭-‬ ‭Fact that any decision is a political one- involve excavation under inhabited areas‬ ‭-‬ ‭Landowners in modern Ercolano are hostile to any extension of excavations as they do not want to‬ ‭surrender their properties.‬ ‭ chievements of the HCP‬ A ‭After the first decade‬ ‭-‬ ‭Escarpment that looms over the ancient site was consolidated‬ ‭-‬ ‭All streets- reopened to public‬ ‭-‬ ‭Most buildings stabilized‬ ‭-‬ ‭Inadequate existing roofing - replaced/repaired‬ ‭-‬ ‭Original water drainage network re-established‬ ‭-‬ ‭20th century concrete lintels, reinforced‬ ‭-‬ ‭Monitoring system introduced, wall paintings/mosaics consolidated‬ ‭-‬ ‭Shoreline restored with walkways - replicas of skeletons in boatsheds, still in final poses‬ ‭-‬ ‭Villa of Papyri- surrounding areas restored‬

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