Panay Bukidnon Bamboo Instruments PDF

Performing P &I HILIPPINES NDONESIA Arts  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … Unlocking Content GAMELAN Vocabular...

Performing P &I HILIPPINES NDONESIA Arts  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … Unlocking Content GAMELAN Vocabulary BINANOG S.E.A An indigenous dance from It is one of the most the Philippines that culturally diverse An orchestra made features the movement of regions of the world up of a set of an eagle/hawk and with different instruments from synchronizes the pulsating languages and Java/Bali Indonesia movements of the feet ethnicities but with and is considered as and the hands of the lead overwhelming an integral part of and follow dancers. This convergences and the country’s specific type of Binanog divergences in culture. dance comes from the terms of culture and Panay-Bukidnon  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … WATCH TIME!!! If sulukan is performed by the dalang (or dhalang), a pasindhèn also sings with the gamelan. Let us take a look at a performance of the pasindhèn accompanied by gamelan: Click to play the video: HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … OVERVIEW PANAY BUKIDNON  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … BUKIDNON OVERVIEW The Panay Bukidnon learned music from early PANAY childhood. It is part of their social and cultural life, marking significant personal or communal events such as births, feasts, religious activities, weddings, and other  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … BUKIDNON OVERVIEW Because music is deeply interwoven in their culture, PANAY the Panay Bukidnon also accumulated numerous traditional instruments. These instruments are usually made of bamboo and played during rituals or celebrations, like their E … O PANAY BUKIDNON E … THE BAMBOO INSTRUMENTS OF THE PANAY BUKIDNON HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … THE BAMBOO INSTRUMENTS OF THE PANAY BUKIDNON:  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … This is alternated by Tikumbo is a percussion chordophone made and TIKUMBO strumming string, which was the etched out from the of kawayan (a body of the bamboo. bamboo plant Pang- midya variety characterized (dampening the by having node sound) is done by needles) This is closing the hole on played by tapping one side of the one or two fingers bamboo to vary low on the bamboo lid. and high pitches.  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … TIKUMBO Tikumbo is a percussion and chordophone made of kawayan (a bamboo plant variety characterized by having node needles) This is played by tapping one or two fingers on the bamboo lid. HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … TIKUMBO This is alternated by strumming the string, which was etched out from the body of the bamboo. Pang- midya (dampening the sound) is done by closing the hole on one side of the bamboo to vary low and high pitches. HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … TIKUMBO  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … made of bamboo strings HOM INTRODUCTIO N g DISCUSSIO N VIDEO S ACTIVITIE S search E … THE BAMBOO INSTRUMENTS OF THE PANAY BUKIDNON:  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … Suganggang is a buzzer struck on Suganggan the palm of a hand. The hole on one end This is made of bulo (a bamboo g is where pang-midya is done using the plant variety thumb so as to vary relatively smaller low/high relative than kawayan; pitches. this one does not have node needles).  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … Suganggan Suganggang is a buzzer struck on the palm of a g hand. This is made of bulo (a bamboo plant variety relatively smaller than kawayan; this one does not have node needles).  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … uganggan g The hole on one end is where pang-midya is done using the thumb so as to vary low/high relative pitches.  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … THE BAMBOO INSTRUMENTS OF n THE PANAY BUKIDNON:  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … Litgit is a two Litgit stringed bowed instrument made of bulo. Abaca hemp finely braided is used as strings. It is mainly a melodic instrument although rhythmic patterns from words/phrases are also employed.  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … Litgit is a two Litgit stringed bowed instrument made of bulo. Abaca hemp finely braided is used as strings. It is mainly a melodic instrument although rhythmic patterns from words/phrases are also employed. HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … THE BAMBOO INSTRUMENTS OF THE PANAY BUKIDNON:  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … Tulali is a bamboo flute made of Tulali bagakay (one of the smallest bamboo varieties). Air is blown through a bamboo opening encircled by a banana leaf. It is tuned according to a pentatonic scale played on four holes, one found below and three on top of the bamboo tube. The gap between two holes is measured by the maker’s two fingers. HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … four holes HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … THE BAMBOO INSTRUMENTS OF THE PANAY BUKIDNON:  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … Subin So before it is cut-off from Subing is a Jaw’s harp. the plant, it should be According to Panay observed for some time. A Bukidnons, the bamboo subing is an aerophone, g used for this instrument chordophone, and idiophone is well-selected. It should at the same time because to be located at the topmost play it entails “inhaling and part of the plant and exhaling air” (aerophone). By should have the liveliest repeatedly moving the sway when the wind bamboo’s pointed edge, the passes so as to prove instrument’s tongue or that it is very pliant and bamboo string is vibrated therefore can produce the (chordophone) and a ideal sound of the percussive effect (idiophone) subing. is produced from the rhythm. E … Musical of INDONESIA Instrument E … E … GAMELAN  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … GAMELAN In Indonesia, gamelan usually accompanies A gamelan is a kind dance, wayang of musical ensemble The term refers puppet performances, of Indonesia more to or rituals and typically featuring a the set of ceremonies. Typically, variety of instruments than the gamelan players instruments such as the players of those will be familiar with metallophones, instruments. A dance moves and xylophones, drums, gamelan as a set of poetry, while the and gongs; bamboo instruments is a dancers are able to distinct entity, built play in the ensemble. flutes, bowed and and tuned to stay In the West, gamelan plucked strings, and together— orchestras often  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … GAMELAN Gamelan music is built up in layers. At its center is a basic melody (core melody) known as the balungan. Further layers, including the singing in vocal pieces, elaborate upon this melody in certain ways, but the notes of each layer of music relate to the balungan, and generally coincide at the ends of  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … GAMELAN There is a wide variety of gamelan ensembles, distinguished by their collection of instruments and use of voice, tunings, repertoire, style, and cultural context. In general, no two gamelan ensembles are the same, and those that arose in prestigious courts are often  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … GAMELAN Gamelan are found in the Indonesian islands of Java, Madura, Bali, and Lombok, in a wide variety of ensemble sizes and formations. Traditions of gamelan-like ensembles also exist in the Philippines and Suriname, due to emigration, trade, or diplomacy  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … GAMELAN Although gamelan ensembles sometimes include solo and choral voices, plucked and/or bowed string and wind instruments, they are most notable for their large number of metal percussion E … GAMELAN Instrum ents E … GAMELAN Instrum ents HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … E … SARON  E … The saron typically consists of seven bronze bars placed on top of a resonating frame (rancak). It is usually about 20 cm (8 in) high, and is played on the floor by a seated performer. E … The sarons are struck with a mallet (tabuh) in the right hand. Typically, the striking mallet is angled to the right to produce a fuller sound.  E … mallet seven bars Metalloph ones HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … BONANG HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E …  BONANG HOM search INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE N N S S E … The bonang is a collection of small gongs (sometimes called "kettles" or "pots") placed horizontally onto strings in a wooden frame (rancak), either one or two rows wide. All of the kettles have a central boss, but around it the lower-pitched ones have a flattened head, HOM BONANG search INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE N N S S E … Each is tuned to a specific pitch in the appropriate scale; thus there are different bonang for pelog and slendro. They are typically hit with padded sticks (tabuh). Two of the three types of bonangs in central Javanese gamelan include the bonang panerus which plays the fastest rhythms of the bonang, and the bonang barung, one of the most important instruments in the ensemble, as it gives many HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … two ro ws gon g CRADLE GONGS HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … KEMPUL  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … A kempul is a type of hanging gong used in Indonesian gamelan. It is often placed with the gong suwukan and gong ageng hanging on a single rack, at the back of the gamelan, and these instruments are often played by the same player with the same HOM INTRODUCTIO DISCUSSIO VIDEO are usuallysearch ACTIVITIE There several N N S S E kempul in each pélog … and sléndro; however, there are frequently some notes missing and thus they have to share a kempul (usually at a related interval, like a fifth). The appropriate kempul depends on the balungan, the pathet (mode), and other considerations.The gong ageng (Kromo Javanese meaning large gong, ngoko is gong gedhe) is the largest gong HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … It is used as to mark the largest phrases in the structure. In small structures, the gong ageng is used to mark larger groups than the smaller gong suwukan. In the larger gendhing, only the gong ageng is used. It is typically pitched to match the 6 of the gamelan. HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … wooden flame hanging gongs HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … GAMBANG HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … GAMBANG “Gambang” xylophone-like are instruments similar to saron but with wooden bars instead of metal ones. The bars of the instrument are made of a dense wood, generally teak or ironwood (kayu besi), and are mounted in  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … GAMBANG Instruments typically have 17-21 keys that are easily removed and are kept in place by having a hole through which a nail is placed. Generally, a full gamelan has two sets, one gambang pelog and the other one  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … Within a full The gambang is used gamelan, it stands out somewhat in a number of gamelan ensembles. GAMBANG because of the high It is most notable in speed of playing, and the Balinese gamelan contrasting timbre Gambang. In because of its Javanese wayang, it materials and more is used by itself to because it has accompany the widest melodic range dalang in certain which the other chants. instruments don't have. HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … 17-21 keys HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … KENDANG HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … Kendang (Javanese: KENDANG Kendhang) is the primary drum used in the Gamelan ensembles of Java and Bali as well as various Kulintang ensembles in other Southeast Asian countries such as Malaysia, Brunei and the southern Philippines.  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … KENDANG They usually are placed on stands horizontally and hit with the hands one either side while seated on the floor.  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … SIZES OF KENDANG Kendhang ageng, Kendhang ciblon, a kendhang gede medium- sized drum, (krama/ngoko, similar to used for the most gong ageng in usage), or complex or lively kendhang gendhing, the rhythms. It is typically largest kendhang, which used for livelier sections usually has the deepest within a piece;  HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … SIZES OF KENDANG Kendhang batangan or kendhang wayang, a And Kendhang ketipung, medium- sized, and was the smallest kendhang, traditionally used to used with the kendhang accompany wayang ageng in kendhang kalih performances, style. HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … The kendang usually has the KENDANG function of keeping the tempo and changing irama and signalling some of the transitions (paralihan) to sections and the end of the piece (suwuk). In dance or wayang, the kendhang player must follow the movements of the dancer and communicate HOM INTRODUCTIO DISCUSSIO VIDEO ACTIVITIE search N N S S E … E … Musical of INDONESIA Instrument