Philippine Folk Dances Presentation in Illustrated Light Yellow.pdf

Philippine Contemporary DANCE Contemporary dance in the Philippines often explores themes of identity, culture, and social issues, and it often incorporates elements of traditional Filipino dance and music. It's a very dynamic and expressive form of dance, and it's gaining popularity both in the...

Philippine Contemporary DANCE Contemporary dance in the Philippines often explores themes of identity, culture, and social issues, and it often incorporates elements of traditional Filipino dance and music. It's a very dynamic and expressive form of dance, and it's gaining popularity both in the Philippines and internationally.  The diversity of dances from the peoples of the Philippines, which are manifested in different dynamics and forms, grew out of the various contexts and experiences of the people. Many of the dances of the people from the mountains recall the sculptured heights and the brave birds of the air. The variety further reflects the cultural differences that obtain in the various parts of the country, from north to south, in islands and islets, from ancestral places to new towns and cities. Even among the majority of the Christianized citizens, there are distinct strains that reflect regional customs, traditions, and languages. Add to that the Muslim population of Mindanao and the Sulu archipelago, and to that, some 50 other ethnolinguistic groups or tribes, who comprise a good percentage of the total population.  Folk Dance Folk Dance refers to the dances created and performed collectively by the ordinary people.  Folk dances may also be divided into: REGIONAL refers to dances particular to one locale or area NATIONAL those performed all over the country  Forms of Philippine Folk Dances Forms of Philippine Folk Dances Maglalatik/ Magbabao MAGLALATIK The Maglalatik (also known as Manlalatik or Magbabao) is a folk dance from the Philippines performed by male dancers. Coconut shell halves are secured onto the dancers' hands and on vests upon which are hung four or six more coconut shell halves. The dancers are shirtless and wear only red pants. The dancers dance by hitting one coconut shell with the other; sometimes the ones on the hands, the ones on the body, or the shells worn by another performer, all in time to a fast drumbeat. Forms of Philippine Folk Dances PANDANGGO SA ILAW PANDANGGO SA ILAW Pandanggo sa Ilaw is a folk dance that originated in Lubang Island, Mindoro and was influenced by the Spanish fandango. This dance requires dancers to balance three glasses with candles or oil lamps inside, one on their head and one on each hand. The dance became popular among the ilustrados during the Spanish period and then it was later adapted among local communities. The dance is still performed as part of rituals for religious processions around the country. Forms of Philippine Folk Dances e TINIKLING TINIKLING Tinikling is a well-known folk dance that involves dancers stepping over and between two bamboo poles that are being beaten, tapped, and slid on the ground. It requires a great deal of coordination and rhythm in order to avoid injury and makes for a very dynamic performance. The dance originated in Leyte and the name is a reference to the tikling birds that walk between grass stems, run over tree branches, and dodge bamboo traps set by farmers. This dance is even taught all over the United States, with the younger generation adding their own modern twist to it. Forms of Philippine Folk Dances SINGKIL SINGKIL Singkil originated in Lake Lanao, Mindanao and is based on the story of Darangen, the pre-Islamic Maranao interpretation of the ancient Hindu epic, the Ramayana. The dance tells the story of the rescue of Princess Gandingan by Prince Bantugan. The dance means “ to entangle the feet with disturbing objects such as vines or anything in your path,” symbolizing the difficult journey of the characters in the epic. Forms of Philippine Folk Dances CARIÑOSA CARIÑOSA The Cariñosa originated in Panay Island and comes from the Spanish word meaning “loving or affectionate.” The dance was popular during the colonial era and has elements of the Spanish dance bolero or the Mexican dance jarabe tapatio. Dancers are typically attired in a Maria Clara gown or Barong Tagalog or sometimes the patadyong kimona and camisa de chino. As an elaborate courtship dance, the cariñosa involves the creative use of a fan or handkerchief. Forms of Philippine Folk Dances BINASUAN BINASUAN Binasuan is another folk dance that requires an impressive degree of balance, as the name itself means “with the use of drinking glasses.” Dancers must balance glasses filled with rice wine on their heads as they move very carefully as any misstep may lead to disaster. This folk dance originated in Bayambang, Pangasinan and is usually performed at weddings or festivals. The dance begins with everyone moving in unison and then eventually breaks into smaller groups. Forms of Philippine Folk Dances ITIK-ITIK ITIK-ITIK Itik-itik is a mimetic folk dance in the Philippines that mimics the movement of ducks. It originated in Cantilan, Surigao del Sur in the Philippines. Itik-itik was discovered in this town by National Artist for Dance Francisca Reyes-Aquino. Originating from a dance called Sibay and performed to the tune of Dejado, the story was told that an expert young dancer named Kanang at a barrio in Cantilan during a baptismal party had become so carried away with the rhythm that she began to improvise short, choppy steps similar to ducks and then, splash water on their backs. Forms of Philippine Folk Dances SAYAW SA BANGKO SAYAW SA BANGKO Sayaw sa bangko or Sayaw ed Tapew na Bangko is a dance which originates from pangasinan as researched by Jovita Sison. It is performed by a couple on a narrow bench. They do not compete, but rather complement each other, so that no one falls. Sayaw sa Bangko is usually performed during town fiestas. Forms of Philippine Folk Dances KURATSA KURATSA The Kuratsa is a traditional three-part courtship dance and is often performed at weddings and other social occasions. The couple first performs a waltz, then as the music sets a faster pace, the man pursues the woman around the dance floor in a chase. To finish, the music picks up to an even faster tempo as the man wins over the woman with his mating routine. Thank You ! ACTIVITY TIME !