Philippine Folk Dance PDF

GUINAYANGAN SENIOR HIGH SCHOOL BLISS Site, Bgy. Sisi, Guinayangan, Quezon Physical Education 3: PHILIPPINE FOLK DANCE Folk dances are the indigenous dances of any specific “folk” or the common people. origin, rituals, belief, superstitions, festivals, ceremonies of birth, co...

GUINAYANGAN SENIOR HIGH SCHOOL BLISS Site, Bgy. Sisi, Guinayangan, Quezon Physical Education 3: PHILIPPINE FOLK DANCE Folk dances are the indigenous dances of any specific “folk” or the common people. origin, rituals, belief, superstitions, festivals, ceremonies of birth, courtship, marriage, death, war, and countless themes common to people. Characteristics (Lopez , 2006) It is traditional It has an expressive behavior Simple, basic rhythm dominates the folk dance and establishes the pattern of movement. It is created by an unknown choreographer or by communal efforts It performs a function in the life of the (folk) people. FRANCISCA REYES-AQUINO First National Artist for Dance and the Mother of Philippine Folk Dance. 1926: “Philippine Folk Dances and Games” 1954: Republic Award of Merit by Pres. Ramon Magsaysay  Traditional Dance Folk Dance Found on a certain community. National Dance Ethnic Dance Have a national scope, they are Performed in primitive tribes. They popular dances throughout the often reflect the religious, social, or country. historical traditions of the group. ex: Pandango, Cariñosa National Dance Pandango Visayan Pandango Ilocano Pandango Ivatan Pandango Rinconada Pandango sa Ilaw  Ethnic Dance Dances originating from: Ifugao people (Northern Luzon), T’boli tribe (Southern Mindano), and Tagbanua tribe (Palawan) are some examples. Types: 1. Ritual Dances - dances that depict ritual ceremonies. ex: Dugso (Bukidnon) and Pagdiwata (Palawan) 2. Life-Cycle Dances - dances relating to the cycle of human life such as birthing, courtship, marriage, and death. ex. Karasaguyon (Cotabato), and Daling-daling (Muslim) 3. Occupational Dances - dances that exhibit work and occupation of the dancers. ex: Mag-asik (Cotabato) and Binatbatan (Cebu)  Folk Dance There are several ways to classify Philippine Folk dances. >geographical nature, speed of movement, formation, and distinguishing feature. 3 Major Regional Classification 1. Tribal Dances from the Cordilleras - include non-Christian dances 2. Lowland Christian Dances - dances coming from places with western influences such as of the Tagalogs, Ilokanos, Pampanguenos, Pangasinense, Bisayans, and Bicolanas. 3. Muslim Dances - dances from the people of the Southern Islands such as Mindanao and Sulu. These dances are influenced by Arabic and Indo-Malayan cultures. Tribal Dances from the Cordilleras Banga Bendian Lumagen Manmanok Ragrasakan  Tribal Dances from the Cordilleras Banga Performed with Kalingan women showing their agility in balancing tha bangas; shows women’s strength, resilience and grace.  Tribal Dances from the Cordilleras Bendian A circle dance to celebrate the arrival of successful headhunters. The circular movements symbolize unity and harmony.  Tribal Dances from the Cordilleras Lumagen performed to celebrate good harvest and events such as birth of first born child, victory in battles and weddings.  Tribal Dances from the Cordilleras Manmanok Portrays the movements of a chicken. The dancers actually uses sheets of cloth with native cordillera patterns and wave it around to imitate the movements of a chicken.  Tribal Dances from the Cordilleras Ragrasakan borrowed from the Ilokano word meaning 'merriment', is performed by the Kalinga women after war or hunting success as well as when a peace pact between waring tribes has been reached Lowland Christian Dances Cariñosa Itik-itik Tinikling Pantomina Subli  Lowland Christian Dances Cariñosa known for its flirtatious and playful movements. Originating from the Panay region, this folk dance is often performed during social gatherings and festivals. Dancers elegantly sway their handkerchiefs while engaging in courtship movements. Cariñosa exemplifies the charm, warmth, and hospitality of the Filipino people, and it serves as a celebration of love and courtship.  Lowland Christian Dances Itik-itik Incorporate movements that imitate the actions of a duck, emphasizing grace, agility, and fluidity. Dancers make use of delicate arm gestures and elegant footwork while incorporating quick, sweeping steps reminiscent of a duck’s wading and flapping. These movements symbolize the Filipino people’s connection with nature, as ducks are often seen gracefully gliding through rice fields and bodies of water.  Lowland Christian Dances Tinikling Originating from the province of Leyte, Tinikling is often hailed as the national dance of the Philippines. It is a dynamic and energetic Philippine folk dance characterized by the rhythmic clashing of bamboo poles. Dancers skillfully maneuver between the poles, representing the movements of the tikling bird. Tinikling embodies the agility, coordination, and teamwork valued in Filipino culture. Lowland Christian Dances Pantomina This folk dance reflects the Bicolano people’s spirit, resilience, and strong connection to their traditions. It is often performed during festivals, weddings, and other special occasions, serving as a celebration of love, unity, and the beauty of the Bicolano folklore  Lowland Christian Dances Subli performed as a form of homage to the cross, affectionately known as Mahal na Poong Alitagtag (Beloved Holy Cross of Alitagtag). The dance’s origins can be traced to Bauan, Batangas. Subli recalls how the Manunubli, one of the earliest tribes to settle in Bauan, made their first journey in search of the miraculous cross through the fields, hills, and rivers. Muslim Dances Singkil Kappa Malong-malong Pangalay  Muslim Dances Singkil Hailing from the Maranao people of Mindanao, the Singkil dance tells the tale of the legendary Princess Gandingan as she gracefully navigates through a forest filled with swaying bamboo poles. This Philippine folk dance mimics the princess’s escape from danger and embodies the grace, poise, and strong spirit of a Filipino woman. Singkil is often accompanied by the mesmerizing sounds of kulintang, a traditional Muslim musical ensemble.  Muslim Dances Kappa Malong-malong features dynamic movements and vibrant costumes. Dancers, both male and female, wrap the malong around their bodies, creating a flowing and colorful ensemble. This Philippine folk dance incorporates graceful arm gestures, intricate footwork, and coordinated movements that reflect the fluidity of the malong.  Muslim Dances Pangalay According to the Sanskrit language Pangalay, means “Temple of dance”. This dance is also said to have been created by people belonging to the Tausug community. In terms of technique this dance is also similar to the Javanese and Thai form of dancing, and is also said to possess elements belonging to a form of Southeast Asian martial art known as “Kuntaw Silat”. In addition, this dance is performed mainly during weddings and other festive occasions.