21st Century Literature G12 1st Quarter Review PDF

Summary

This document provides a review of 21st Century Literature for Grade 12, covering different literary theories like Formalism, New Criticism, and Deconstructionism. It includes key concepts and examples of each theory. The document also introduces the historical-biographical and reader-response approaches to literature analysis.

Full Transcript

21ST CENTURY LITERATURE LESSON 1:Literary Theories Sources of Meaning Text Reader Author Theory - Systems of understanding; how an aspect of the world works - Can be used to explain past phenomena and predict future behavior Literary Theory - Understand their subjects through li...

21ST CENTURY LITERATURE LESSON 1:Literary Theories Sources of Meaning Text Reader Author Theory - Systems of understanding; how an aspect of the world works - Can be used to explain past phenomena and predict future behavior Literary Theory - Understand their subjects through literary themes and seek to answer questions on literary interpretations a. Hard-core - Problem solving in the real world b. Soft-core - Map ideas, locate patterns/strategies, include metaphors, images Literary Theories seek to answer the ff. questions: 1. What do we mean by literature? 2. What counts as literature, what does not? 3. Can we or should we determine what literature is? 4. To what extent does a given text reflect life? 5. What are the social/political ramifications of a literary text? “Schools” of Literary Theory - Prioritizes certain concepts for talking while deemphasizing others Examples of Literary Theories I. Formalism - Russia, 20th Century - Moscow Linguistic Circle, 1915, St. Petersburg in Leningrad - Primary proponent: Viktor Shklovsky - Other proponents: Boris Eichenbaum, Yuri Tynyanoy, Roman Jakobson Key Points: Literary Autonomy - Separating literature from external conditions - Form over thematic concerns - Literature is an independent entity Science of Literature - Rejecting the subjectivism by means of scientific/objective methodology - Form, technique, literary devices Defamiliarization - making the familiar unfamiliar - Estrangement (ostranenie) II. New Criticism - Post world-war school of Anglo-American literary critical theory - Intrinsic value of a work - Everything you need is in the text - Failure to separate from external context will result to literary fallacy a. Intentional Fallacy - False notion of the author b. Affective Fallacy - Malpractice of taking emotional/psychological conditions - Primary proponent: I.A Richards, William Empson, T.S Elliot - The theory did not have a name until John Crow Ransom coined the term - Other proponents: Cleanth Brooks, R.P Blackmur, Robert Penn Warren, W.K. Wimsatt Jr. Key Points: - No summarizing/paraphrasing - What text says and how it is said - Theme is considered - Identify the beauty of the poem and see how the elements work together III. Deconstructionism - Primary proponent: Jacques Derrida - Text do not have definite meaning - Interpretation does not occur in isolation, there is external influence - Language is unreliable - Why are some interpretations more correct? Différance - Meaning is an infinite series in the chain of signification - item (signified) - name (signifier) Key Points: Understanding Language - Meaning is gained in context to what it is not Différance - Identity is not self contained - Words does not arrive at a final, absolute meaning - Meaning is never fully present - Consider play on words, embrace multiple/conflicting interpretations IV. Historical-Biographical Approach - Primary proponent: Stephen Breenblatt 1943 - French theorist Michel Focault - Post Colonial Theory: Harold Veeser Key Points: - Historical and social context is important - Cultural artifacts - How literary interpretations are shaped by various interpreters - How power manifests - Critique/confirm structure of power I. Reader-Response Approach - Germany, United States 1960 - A movement that challenged New Criticism Key Points: - There are valid and invalid interpretations LESSON 2: Philippine Literary History (attached) LESSON 3: Philippine Literary Forms a. Poetry Background - Early 1900s, romanticism - Eventually became formalist - Modern poetry become more adventurous Elements Senses and images : used by the writer to describe impressions a. Visual b. Olfactory c. Gustatory d. Tactile e. Auditory Poetic diction : denotative and connotative words Rhyme scheme : how the author arranges words, meters, lines, and stanzas to create a coherent sound Speaker : voice that talks to the readers Word Order : natural/unnatural arrangement of words and lines - poetic license allows writers to defy certain grammatical rules b. Fiction Background - Works from the author’s imagination Elements Characters - Driving force of the story - Intention of the characters sets the plot - Symbolism is used Irony a. Verbal - Sarcasm b. Situational - Actual outcome is different from expected outcome c. Dramatic - Readers know more than the characters Plot Structure - According to Aristotle, a story must have a beginning, middle, end Freytag’s Pyramid a. Exposition - Characters and setting - are introduced b. Rising Action - Introduction/appearance of the problem c. Climax - Character faces the problem d. Falling Action - Result of the characters decision - Resolution: premature ending e. Denouement - Final conclusion of the story a. Nonfiction Essay - Short piece of writing on a particular subject - Account of historical and personal events - Writer’s voice: distinctive style or personality of a written work - Commonwealth Period: brought about the rise of the informal essay Famous Essayists: - Conrado de Quiros (Philippine Daily Inquirer) - Jessica Zafra (Manila Standard Today) - Carlos Bulosan - America is in the Heart - First literary voice of the Filipino in the United States - Carmen Guerrero-Nakpil - Yay Panlilio Marking Modern Essay - Essays now tap into the reader’s interpretation (reader-response) Famous Essayists: - Kat Alano - Margarita Holmes - Jeremy Baer - Patricia Evangelista

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