How is rasa evoked in the play Abhijana Shakuntalam? Long answer.
Understand the Problem
The question is asking for a long answer discussing how rasa (aesthetic experience) is evoked in the play 'Abhigyana Shakuntalam'. It requires an exploration of the themes, characters, and emotional undertones present in the play, specifically in relation to the concept of rasa, which is central to Sanskrit literature and drama.
Answer
Abhijnana Shakuntalam evokes Shringara Rasa primarily, with Karuna, Hasya, Vira, and Bhayanaka Rasas also present.
Abhijnana Shakuntalam by Kalidasa primarily evokes the Shringara Rasa (erotic sentiment) through the love story of Dushyanta and Shakuntala. The play also utilizes other rasas such as Karuna Rasa (pathos) during the separation phase, along with comic (Hasya), heroic (Vira), and tragic (Bhayanaka) elements to create a dynamic emotional tapestry. The rasa is evoked through the interplay of vibhavas (determinants), anubhavas (consequents), and vyabhichari bhavas (transitory states) that combine to establish the dominant emotional experience or sthayi bhava in each scene.
Answer for screen readers
Abhijnana Shakuntalam by Kalidasa primarily evokes the Shringara Rasa (erotic sentiment) through the love story of Dushyanta and Shakuntala. The play also utilizes other rasas such as Karuna Rasa (pathos) during the separation phase, along with comic (Hasya), heroic (Vira), and tragic (Bhayanaka) elements to create a dynamic emotional tapestry. The rasa is evoked through the interplay of vibhavas (determinants), anubhavas (consequents), and vyabhichari bhavas (transitory states) that combine to establish the dominant emotional experience or sthayi bhava in each scene.
More Information
Kalidasa's use of Rasa in Abhijnana Shakuntalam exemplifies classical Indian aesthetics by intricately weaving various emotional states to create a rich emotional experience. The Shringara Rasa is most prominent as it aligns with the romantic nature of the play. However, other emotional tones add complexity and depth.
Tips
A common mistake is neglecting the secondary rasas that add depth to the play, as well as misunderstanding the interplay of emotional elements that evoke rasa.
Sources
- Shakuntala and The Theory of Rasa | PDF - Scribd - scribd.com
- Rasa theory in Shakuntalam by Kalidasa - yeshab6895.blogspot.com
- The Use of Sringara Rasa in Abhijnana Sakuntalam by Mahakavi Kalidasa - tojqi.net
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