TOA Exit Exam Reviewer PDF

1. FIBONACCI - The unending sequence 17. MODULOR – An anthropometric scale of numbers where the first two terms of proportions devised by swiss-born are 1 and 1 each succeeding term is...

1. FIBONACCI - The unending sequence 17. MODULOR – An anthropometric scale of numbers where the first two terms of proportions devised by swiss-born are 1 and 1 each succeeding term is French architect le Corbusier. It was the sum of the two preceding is developed as a visual bridge between discovered by two compatible scales, the imperial 2. ASYMMETRIOCAL BALANCE - In system and the metric system composition, it is established by 18. DIVINE PROPORTION – The term equalizing the element forces in spite synonymous to the golden proportion their differences given during the renaissance period 3. PROXIMITY - In gestalt principle, when they discovered that the body when objects that are close to each and other are of the same group is known nature follow the same principle as 19. COMMON SPACE – Not a 4. THEORY - Explaining a phenomenon is characteristic of territoriality a component of the definition of a: 20. RADIAL BALANCE – When elements 5. MODULOR – Method of proportioning of a composition grow from a based on height of an English man with central line or are aligned around central m point er as his arm raised 6. RHYTHM – A visibly perceived 21. BALANCE – Is the arrangement of co sequence of architectural elements in a elements so that no part of a work eH w design is overpowers the other, or seems heavier than any other part o. 7. ANALOGOUS – The color harmony rs e where colors are located side by side in 22. METHAPORS – A design concept ou urc the color wheel which uses symbols and meanings is 8. BIAXIAL BALANCE – Arranging equal which type of thematic or symbolic elements in each four quadrants concept created by a pair of crossed axes 23. ANTHROPOMETRICS – Atudy of o 9. PROXEMICS – A relational concept, proportioning systems based on the aC s typically measured in terms of how far dimensions and proportions of the vi y re one individual is from the other human body 10. PERCEPTUAL – Perceiving 24. CONCEPTUAL THEORY – PD 1096 is architectural through all 5 senses and an example of not just the visual sense is which level 25. PRIMARY AND SECONDARY – ed d of architectural orders Tertiary colors result from a mix of ar stu 11. CLOSURE – Gestalt principle – which types of colors complete figure that incomplete 26. ANONYMITY – Designing religious 12. CIRCULATION – Space is always retreat house would normally require defined by which type of privacy is 13. FORM – The point of contact between 27. PERCEPTION – A process by which the brain takes all the sensations people Th mass and space experience at any given moment and 14. FIGUREGROUND – Gestalt principle – allows them to be interpreted in some tendency to perceive objects, or meaningful fashion figures, as existing on a background 28. SCALE – Dimensional relationships of sh 15. PRIMARY TERRITORY – A person’s the elements of an architectural design house is an example of to a standard is a definition of 16. THREE COLORS AWAY FROM THE 29. BALANCE – An axis that created SECOND COLOR – A color symmetry is found in which design complementary to another color is principle found in which position of the color wheel in relation to the second color This study source was downloaded by 100000801995042 from CourseHero.com on 07-20-2021 01:29:34 GMT -05:00 https://www.coursehero.com/file/66896077/TOA-EXIT-EXAM-REVIEWERdocx/  30. HIERARCHY – The horizontal SM 44. WALLS AND CEILINGS SHOULD BE Megamall building seen against the WITH LIGHTER COLORS – In making high-rise structure of the Ortigas is an a small room appear bigger example of 45. TOWNHOUSES- Linear organization of 31. FEMMININE – The central atrium of spaces in an architectural space may the Trinoma shopping mall may be be perceived as which type of 46. SOCIAL ACCEPTANCE – Internet cafes architecture are an example of the architectural 32. PROVIDES A VISUAL EQUILIBRIUM application of which Maslow’s levels of TO CCOMPOSITION OF ELEMENTS – needs? Principle of unity 47. 3.5 m - Distance from a person to a 33. SCHOOL CANTEEN – Not behavior stranger in a park setting 48. CURTAIN WALLS – Not manifested in a. EXAMPLES OF BEHAVIOR Frank Llyod Wright’s Prairie House SETTINGS 49. THE POLITICAL IDEOLOGY OF i. Book store SOCIALISM WHICH PRIVATE ii. Church PROPERT m OWNERSHIP IS BANNED AND er as iii. Mosque 34. ACCENT TO GROUPING ELEMENTS- HOUSING IS FOR ALL – The approach co of the architecture of GDR was heavily eH w Dominance influences by 35. OVERHEAD PLANE – The branches o. and leaves of the trees are some 50. DE ARCHITECTURA LIBRI DACEM – rs e examples of what planar elements The book written by Vitruvius ou urc defining space 51. THE URBAN TRANSECT BASED ON 36. ASYMMETRICAL BALANCE – HISTORIC ARRANGEMENTS OF Guggenheim Museum Bilbao, CITIES, TOWNS, AND COUNTRYSIDE. THE TRANSECT IS o Falling Water, Sydney Opera House are examples that describe THE NATURAL GRADIENT FROM aC s URBAN TO RURAL TO NATURAL 37. TO STIMULATE vi y re LANDSCAPES THAT CAN BE GASTRONOMIC OBSERVED IN SETTLEMENT SENSATION – Competitive fast food PATTERN ALL OVER THE WORLD - chains deliberately choose colors red, The yellow, orange in their color scheme: ed d philosophy of Andres Duany 38. PROVIDES OPPOSITION TO THE 52. TRATTO D’ARCHITETTURA ar stu COMPOSITION OF ELEMENTS – (TREATISE OF ARCHITECTURE) – Principle of contrast Book written by Filarete 39. ORGANISMICIST – Preferring the 53. THE LOCATION OF OUR greenbelt shopping mall over sm is RESIDENTIAL AND WORK PLACE megamall because of the former’s HAVE GREAT park-like setting is an example of which Th INFLUENCE ON PEOPLE, aesthetic theory URBAN PLACES ARE DECISIVE 40. STRUCTURE AS FOR GIVER – FACTORS IN OUR STANDARD OF Calatrava’s works are an LIVING - The 30 St. Mary Axe reflects sh architectural line may be Norman Foster’s Philosophy 41. WALL – Example of architectural line 54. RE DE AEDIFICATORIA (ON THE ART 42. RESIDENTIAL DINING TABLE – OF BUILDING) – Book by Alberti Example of sociopetal space 55. THE CURTAIN WALL USED 43. PERSONAL TERRITORY – Annoyed AS when stranger is standing so close to BUILDING ENVELOP – characteristic you is of international style This study source was downloaded by 100000801995042 from CourseHero.com on 07-20-2021 01:29:34 GMT -05:00 https://www.coursehero.com/file/66896077/TOA-EXIT-EXAM-REVIEWERdocx/  56. SFORZINDA – The ideal city planned 68. DEFINITION OF PROJECT – The stage by Filarete where the project objectives are 57. TOWERS AND PINNACLES - Not a studied characteristic of Neo-classical style 69. INTEGRITY OF MATERIALS – Not a 58. SUSTAINABLE ARCHITECTURE - The description of Eero Saarinen’s use of renewable resources of energy buildings such as solar panels, renewable 70. PROJECT OBJECTIVES – materials such as lumber from Development of design strategies commercial farming and the minimal 71. INTEGRITY OF MATERIALS – Paul use of natural material thru reduce, Rudolf’s buildings reuse, recycle 72. SEMI-CIRCULAR ARCHES – Not a 59. CONCRETE – Beton Brut characteristic of Art Nouveau 60. BIOMIMICRY – The formulation of 73. IDEA OF UNITY AND HARMONY IN design concept from the inspiration of COMPOSITION – Not the plants and animals such as the copying characteristic of Frank Gehry’s building the tactile response of the makahiya 74. BUBBLE DIAGRAM - Graphical leaves in the design of touch lamp or diagrams used to present spaces with m the water repellent character of taro er as no consideration to actual areas of the leaves used as inspiration to paint spaces co materials eH w 75. FINAL DESIGN AND PRESENTATION 61. FUTURISM - A cult of machine age - The stage where working drawings, o. and even glorification of war and models, presentation drawings are this movement rs e violence were among the themes of prepared ou urc 76. USE OF ZEBRA PRINTS – Not a 62. THE CHARACTER OF BUILDING WAS characteristic of Art Deco FROM THE EMOTIONAL 77. DEFINITION OF THE PROJECT – INTERPRETATIONS OF THE o Stage of the design process where site ARCHITECT AND MATERIALS is studied aC s SHOWED POETIC EXPRESSIONS – 78. ORIENTATION – The proper vi y re The expressionism style of structure positioning od structure taking into manifest consideration, solar, view, privacy 63. OPEN, SPLIT-LEVEL LIVING SPACE 79. CONCEPT - Not CELL-LIKE BEDROOMS - Not a a design consideration ed d characteristic of Villa Savoye of Le Corbusier 80. TECHNICAL SPACE ANALYSIS – ar stu Stage in design process where the 64. CONSTRUCTIVISM - Architectural kind, equality, and quantity of space style after 1917 Russian war where and their requirements relative to site, new architecture is a remedy for are determined is Russian social discontentment 81. DESIGN CONSIDERATIONS – The use 65. CALATRAVA - Biotecture is reflected Th of information such as climate, laws, on his works and codes, culture, and traditions 66. I.M PEI – Large abstract forms, sharp 82. MATRIX - A technique in analyzing geometric designs, Glass-clad structure space adjacency where one space is and traditional combining with modern sh compared to all spaces element are design characteristics of 83. DESIGN OBJECTIVE – If sustainable development is the “central theme” of 67. FREE-STANDING COLUMNS – Not a a project, which of the ff. stages of the characteristic of Philip Johnson’s Glass design process should the House development of the concept stopped This study source was downloaded by 100000801995042 from CourseHero.com on 07-20-2021 01:29:34 GMT -05:00 https://www.coursehero.com/file/66896077/TOA-EXIT-EXAM-REVIEWERdocx/  84. A MAXIMUM OF 100% OF THE “sustainable development is LIGHT IS COMING FROM THE SUN development that meets the needs of DURING THE DAY TIME – From the the present w/o compromising the abstract program concept ability of future generations to meet “sustainability” which of the ff their own needs”. This definition of statement is a performance environmental and human concern as requirement applied to architecture in the form of 85. SKETCHES AND DOODLED program concept would mean OF 94. IDEA OF UNITY AND HARMONY IN DESIGNERS OF REFLECT WHAT IS COMPOSITION – Not a characteristic ON THEIR MIND – not a description of of Frank Gehry’s building a concept 95. DEFINITION OF TERMS – Not 86. SUSTAINABLE ARCHITECTURE – The classified as good characteristic of use of renewable sources of energy concept development such as solar panels, renewable 96. BIOMIMICRY – The formulation of materials such as lumber from design concept from the inspiration of commercial farming and minimal use plants and animals such as the copying m of natural material thru reduce, reuse, the tactile response of makahiya er as recycle is leaves in the design of touch lamp or co 87. A MAXIMUM OF 100% OF THE the water repellent character of the eH w LIGHT IS COMING FROM THE SUN taro laves used as inspiration to paint DURING THE DAY TIME – From the materials o. abstract program concept 97. DOCUMENT FACTUAL MATERIALS – rs e “sustainability” which of the ff. Not a function of programming ou urc statement is a performance 98. THE CURTAIN WALL USED requirement AS 88. OPEN, PLIT-LEVEL LIVING SPACE BUILDING ENVELOP – characteristic o AND CELL-LIKE BEDROOMS – Not a of International Style characteristic of Villa savoye of Le aC s 99. SYMBOLIC ANALOGY – the arteries of Courbusier vi y re the blood of the human body is like the 89. HARNESSING RENEWABLE streets of the city MATERIALS, 3RS, ZERO WASTE – 100. CURTAIN WALLS – Not manifested Programmatic concepts that reflect the in Frank Llyod Wright’s Prairie House central idea of sustainability ed d 90. THE CHARACTER OF THE BUILDING ar stu WAS FROM THE EMOTIONAL INTERPRETATIONS OF THE ARCHITECT MATERIALS is SHOWED POETIC Th EXPRESSIONS – The expressionism style of structure manifests 91. GREEN ARCHITECTURE – the design philosophy if you believe in sh sustainability 92. PERSONAL ANALOGY – The turning torso Calatrava 93. A DESIGN OF AN OFFICE THAT ECONOMICAL – Brundtland commission of the united nations on march 20, 1987 states that This study source was downloaded by 100000801995042 from CourseHero.com on 07-20-2021 01:29:34 GMT -05:00 https://www.coursehero.com/file/66896077/TOA-EXIT-EXAM-REVIEWERdocx/ Powered by TCPDF (www.tcpdf.org)