Relation Between Color and Form PDF

Relation between color and form The relationship between color are several respects in which independent systems that and form is complex and has the color of an object can be interact with each other, each been a long-standing issue in influenced by its form. one having...

Relation between color and form The relationship between color are several respects in which independent systems that and form is complex and has the color of an object can be interact with each other, each been a long-standing issue in influenced by its form. one having different tuning visual science. Studies in characteristics in color space. animals and humans have Evidently, color and form are shown that color and form are mutually dependent. Electro- At later processing stages, mutually dependent. physiological studies have re- mechanisms able to combine Pure chromatic contrast can vealed neurons in the visual information coming from dif- also support several visual brain able to signal contours ferent sources emerge. A clear illusions related to form- determined by pure chromatic interaction between color and perception. contrast, the spatial tuning of form is manifested by the fact which is similar to that of that color-form contingencies On the other hand, form seems neurons carrying luminance can be observed in various a necessary prerequisite for the information. It seems that, perceptual phenomena such as computation and assignment especially at an early stage, adaptation aftereffects and of color across space, and there form is processed by several, illusions.  Elements of design. The elements of design are the fundamental aspects of visual design that are used to create images that convey a mood, draw the eye, or evoke feelings. These elements include Line. Shape. Form. Value. Colour. Texture. Space. Line: Line refers to the can use other elements occupies space. Instead arranged from the lightest way that two points in including line, color, val- of creating form through to the darkest. Artists can space are connected. ue, and shadow to give a three-dimensional phys- use the various values of Whether they’re horizon- shape the appearance of a ical shape, designers color to create the illusion tal lines, diagonal lines, three-dimensional shape. create the appearance of of mass and volume in or vertical lines, lines can There are three types of form on a flat surface by their work. help direct the eye toward shapes: organic shapes using light, shadow, the a certain point in your which occur naturally appearance of an object’s Colour: Colour helps composition. You can also in the world, geometric contours, negative space, establish a mood for your create texture by incor- shapes which are angu- and the surrounding ob- composition. When light porating different types lar and mathematically jects around the subject waves strike an object and of lines such as curved or consistent, and abstract matter. reflect back to the optic patterned lines instead of shapes that represent nerve in a human’s eyes, just straight lines. things in nature but ar- Value: In design, value the sensation they per- en’t perfectly representa- refers to the lightness or ceive is called color. Art- Shape: In its most ba- tive. darkness of a color. The ists and designers use co- sic form, a shape is a values of a color are often lour to depict and describe two-dimensional area Form: Form pertains to visualized in a gradient, the subject. Colour is used that is surrounded by an the way that a shape or which displays a series by designers to portray outline. Graphic artists physical configuration of variations on one hue, mood, light, depth, and point of view. Designers that is used to represent more visual interest and a around the focal point of use the color wheel and how an object appears heightened sensory expe- an image. Positive space the tenets of color theo- or feels. Tactile texture rience. is the space that your ry—a set of guidelines for is a physical sense of subject matter takes up mixing, combining, and touch, whether it’s rough, Space: Making prop- in your composition. The manipulating colors—to smooth, or ribbed. Visu- er use of space can help spacing of your design is create colour schemes. al texture, on the other others view your design important because a lay- hand, refers to the imag- as you intended. White out that’s too crowded can Texture: Texture is one ined feel of the illustrated space or negative space overwhelm the viewer’s of the elements of design texture, which can create is the space between or eye.  Principles of design. There are twelve basic principles of design: contrast, balance, emphasis, proportion, hierarchy, repetition, rhythm, pattern, white space, movement, variety, and unity. These visual and graphic design principles work together to create appealing and functional designs that make sense to users. What is the design prin- sition. A well-balanced architecture, landscape surroundings. ciple contrast? The design is naturally design, and fashion de- design principle contrast pleasing to the eye and sign. Visual hierarchy refers to the use of visu- exudes a sense of equi- is the principle of ar- ally different elements. librium. Proportion in design is ranging elements to In addition to capturing the relationship between show their order of im- attention, contrast can In design, emphasis is the parts of a design, portance. Designers guide the viewer’s eye to a strategy that draws or between a part and structure visual char- a focal point, highlight a viewer’s attention to the whole design. It’s acteristics—e.g., menu important information a specific element of a a comparison of sizes, icons—so users can un- and add variety, or even design. It’s important shapes, and quantities. derstand information drama, to a design. because it helps ensure Proportion can be used easily. By laying out that the audience under- to: Create a harmonious elements logically and Balance is one of the stands the most import- feeling, Control viewer strategically, designers key principles in design. ant information the de- reactions, and Ensure influence users’ percep- It refers to the distribu- sign is meant to convey. that elements are tions and guide them to tion and visual weight Emphasis can be used proportionate to one desired actions. of elements in a compo- in many fields, including another and their In design, repetition between repetitions are whitespace is just emp- work by using different is the intentional use just as important as the ty space, similar to the elements. Variety can of the same or similar repetitions themselves, invisible air that sur- help keep a composition elements throughout and can create a visual rounds us. It can take from being dull or repet- a piece of work to cre- “silence” that creates any color so long as it’s itive, and can also help ate a cohesive whole. rhythmic intervals. devoid of any visual ele- guide the viewer’s atten- These elements can in- ments, like shapes, text, tion. clude colors, patterns, In design terms, a or images. fonts, images, textures, pattern is a repeated In design, unity is a shapes, sizes, and place- arrangement of shapes, Movement refers to principle that refers to ment. Repetition can be lines, colors, or forms the way the eye trav- how different elements a natural part of the de- to create a visual struc- els over a design. The work together to cre- sign process, especially ture. The repeated part most important element ate a sense of whole- when creating logos and is called a motif. Pat- should lead to the next ness or harmony. It’s websites. terns can be regular or most important and so a fundamental concept irregular, and can be on. This is done through in graphic and UI de- Rhythm in design is a used to create balance, positioning (the eye nat- sign, as well as in art. technique that uses the contrast, or to organize urally falls on certain Unity can be achieved relationship between surfaces in a consistent areas of a design first), through: Proximity, elements to create a way. emphasis, and other Simplicity, Repetition, sense of movement design elements already and Continuation. or harmony. It can be In design, whitespace mentioned. achieved by repeating is a term that refers elements and patterns, to negative space. Al- In design, variety is a or by using spaces be- though it’s called white principle that involves tween elements to cre- space, it’s not always adding visual interest ate intervals. The spaces white. In essence, and complexity to a