Orange and Pink Abstract Visual Arts Class Education Presentation PDF

VISUAL ARTS BY GROUP 1  VISUAL ARTS When we hear the term "visual arts," we generally think of grand and historical painters like Vincent van Gogh, Pablo Picasso, and Auguste Rodin. But the phrase actually encompasses a wide range of mediums, such as sculpture, film-making, architecture, pho...

VISUAL ARTS BY GROUP 1  VISUAL ARTS When we hear the term "visual arts," we generally think of grand and historical painters like Vincent van Gogh, Pablo Picasso, and Auguste Rodin. But the phrase actually encompasses a wide range of mediums, such as sculpture, film-making, architecture, photography, and painting.  VISUAL ARTS The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, filmmaking, comics, design, crafts, and architecture. Many artistic disciplines, such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts as well as arts of other types. VISUAL ARTS Visual art is a fundamental component of the human experience reflecting the world and the time in which we live. Art can help us understand our history, our culture, our lives, and the experience of others in a manner that cannot be achieved through other means. VISUAL ARTS Visual arts refers to art forms that express their message, meaning, and emotion through visual means. Visual arts may be categorized as decorative, commercial, or fine art, such as painting, photography, or sculpture. Art is usually subjective and may be interpreted in various ways.  GUESS THE NAME/TITLE PAINTING PAINTING IS THE EXPRESSION OF IDEAS AND EMOTIONS, WITH THE CREATION OF CERTAIN AESTHETIC QUALITIES, IN A TWO-DIMENSIONAL VISUAL LANGUAGE. THE ELEMENTS OF THIS LANGUAGE ARE: SHAPES, LINES, COLORS, TONES AND TEXTURES - WHICH ARE USED IN VARIOUS WAYS TO PRODUCE SENSATIONS OF VOLUME, SPACE, MOVEMENT, AND LIGHT ON A FLAT SURFACE. THE FIRST PAINTINGS HERE IN THE PHILIPPINES ARE COMMISSIONED WORKS DURING SPANISH COLONIZATION. HERE ARE SOME PAINTINGS FROM LUZON, VISAYAS AND MINDANAO.  LUZON "THE SKETCH" BY VICTORIO EDADES IS A DYNAMIC ARTWORK THAT EMBODIES THE MODERNIST MOVEMENT IN PHILIPPINE ART. EDADES, A PIVOTAL FIGURE IN INTRODUCING MODERNISM TO THE COUNTRY, USES BOLD LINES AND DRAMATIC CONTRASTS IN THIS PIECE TO CONVEY A SENSE OF MOVEMENT AND EMOTION. THE SKETCH OFTEN REFLECTS EDADES' INTEREST IN EXPLORING NEW FORMS AND BREAKING AWAY FROM TRADITIONAL ARTISTIC CONVENTIONS, SHOWCASING HIS THE SKETCH INNOVATIVE APPROACH TO COMPOSITION AND FORM. THIS PIECE IS A TESTAMENT TO HIS INFLUENCE BY: VICTORIO EDADES IN SHAPING THE TRAJECTORY OF MODERN ART IN THE PHILIPPINES. VISAYAS "MAGELLAN'S CROSS" BY RAUL AGAS IS A VIBRANT ARTWORK THAT CAPTURES A SIGNIFICANT MOMENT IN PHILIPPINE HISTORY. THE PIECE DEPICTS THE PLANTING OF THE CROSS BY FERDINAND MAGELLAN IN CEBU IN 1521, SYMBOLIZING THE ARRIVAL OF CHRISTIANITY IN THE PHILIPPINES. AGAS'S USE OF VIVID COLORS AND DYNAMIC COMPOSITION BRINGS HISTORICAL AND CULTURAL CONTEXT TO LIFE, ILLUSTRATING THE IMPACT OF THIS EVENT ON PHILIPPINE SOCIETY. THE ARTWORK REFLECTS AGAS'S MAGELLAN’S CROSS SKILL IN BLENDING HISTORICAL NARRATIVE WITH ARTISTIC EXPRESSION, CREATING A COMPELLING BY: RAUL AGAS VISUAL REPRESENTATION OF A PIVOTAL MOMENT IN THE NATION'S HISTORY. MINDANAO "SALAAM (PEACE)" BY RAMEER TAWASIL IS A POIGNANT AND EVOCATIVE ARTWORK THAT EXPLORES THEMES OF TRANQUILITY AND HARMONY. TAWASIL, KNOWN FOR HIS ABILITY TO CAPTURE DEEP EMOTIONAL AND CULTURAL RESONANCES, USES A COMBINATION OF INTRICATE DETAILS AND EXPRESSIVE FORMS TO CONVEY A SENSE OF SERENITY AND UNITY. THE PIECE OFTEN REFLECTS TAWASIL’S COMMITMENT TO ADDRESSING SOCIAL AND CULTURAL ISSUES THROUGH ART, PORTRAYING THE UNIVERSAL DESIRE FOR PEACE IN A VISUALLY SALAAM (PEACE) IMPACTFUL WAY. "SALAAM (PEACE)" STANDS OUT FOR BY: RAMEER TAWASIL ITS RICH SYMBOLISM AND THE ARTIST’S SKILLFUL USE OF COLOR AND COMPOSITION TO EVOKE A MEDITATIVE AND CALMING ATMOSPHERE. SCULPTURE THE SCULPTURE IS AN ART FORM IN WHICH HARD OR PUBLIC MATERIALS ARE WORKED INTO THREE-DIMENSIONAL ART OBJECTS. FILIPINO SCULPTORS CAME TO BE KNOWN IN THE MIDDLE OF THE 19TH CENTURY. THESE ARE SOME OF THE SCULPTURES IN THE PHILIPPINES.  LUZON THE BONIFACIO MONUMENT BY GUILLERMO TOLENTINO IS A MONUMENTAL SCULPTURE THAT HONORS ANDRÉS BONIFACIO, A KEY FIGURE IN THE PHILIPPINE REVOLUTION AGAINST SPANISH RULE. UNVEILED IN 1933, THE STATUE STANDS PROMINENTLY IN CALOOCAN CITY AND DEPICTS BONIFACIO IN A COMMANDING POSE, SYMBOLIZING HIS LEADERSHIP AND BRAVERY. TOLENTINO'S DESIGN CAPTURES BONIFACIO’S STRENGTH AND RESOLVE, WITH DRAMATIC, DETAILED RENDERING THAT CONVEYS THE GRAVITY OF HIS ROLE IN PHILIPPINE HISTORY. THE MONUMENT IS CELEBRATED FOR ITS ARTISTIC AND HISTORICAL SIGNIFICANCE, EMBODYING THE SPIRIT OF THE BONIFACIO MONUMENT THE REVOLUTION AND SERVING AS A POWERFUL BY: GUILERMO TOLENTINO NATIONAL SYMBOL. VISAYAS "SANDUGO (BLOOD COMPACT)" BY NAPOLEON ABUEVA IS A STRIKING SCULPTURE THAT COMMEMORATES THE HISTORIC BLOOD COMPACT BETWEEN SPANISH EXPLORER FERDINAND MAGELLAN AND FILIPINO CHIEFTAIN RAJAH HUMABON IN 1565. THIS COMPACT SYMBOLIZED THE ALLIANCE AND MUTUAL RECOGNITION BETWEEN THE SPANISH AND THE LOCAL RULERS. ABUEVA, KNOWN FOR HIS MODERNIST APPROACH AND MASTERY IN SCULPTURE, CAPTURES THE SOLEMNITY AND GRAVITY OF THE EVENT WITH HIS DYNAMIC AND EXPRESSIVE STYLE. THE SANDUGO (BLOOD PIECE IS NOTABLE FOR ITS DRAMATIC PORTRAYAL OF COMPACT) THE MOMENTOUS AGREEMENT, EMPHASIZING THE SIGNIFICANCE OF THIS EARLY ENCOUNTER IN BY: NAPOLEON ABUEVA PHILIPPINE HISTORY THROUGH POWERFUL AND EVOCATIVE FORMS. MINDANAO "SIX LADIES IN DURIAN" BY KUBLAI MILAN IS A VIBRANT AND IMAGINATIVE SCULPTURE THAT SHOWCASES MILAN'S DISTINCTIVE STYLE AND CREATIVITY. THE PIECE FEATURES SIX ELEGANTLY DRESSED FIGURES, EACH INTRICATELY DESIGNED AND POSITIONED AROUND A DURIAN FRUIT, A SYMBOL DEEPLY ROOTED IN SOUTHEAST ASIAN CULTURE. MILAN'S USE OF BOLD COLORS AND DYNAMIC FORMS BRINGS A WHIMSICAL AND CELEBRATORY QUALITY TO THE ARTWORK, REFLECTING BOTH CULTURAL AND CONTEMPORARY INFLUENCES. THE SCULPTURE BLENDS TRADITIONAL THEMES WITH MODERN ARTISTIC SENSIBILITIES, CREATING A VISUALLY ENGAGING PIECE THAT INVITES VIEWERS TO EXPLORE ITS RICH SIX LADIES IN DURIAN CULTURAL REFERENCES AND PLAYFUL AESTHETIC. BY: KUBLAI MILAN ARCHITECTURE ARCHITECTURE IS THE ART AND PRACTICE OF DESIGNING AND CONSTRUCTING BUILDINGS. IN RELATION TO THAT, PHILIPPINE ARCHITECTURE WAS CHARACTERIZED AS SIMPLE, RATIONAL, AND FUNCTIONAL. IN THE 20TH CENTURY, THE YOUNG FILIPINO WHO STUDIED IN AMERICAN COLLEGES AND INSTITUTES INTRODUCED THE NEOCLASSIC STYLE IN BUILDING STRUCTURES. HOWEVER, AFTER WORLD WAR II, REAL ESTATE DEVELOPMENT STARTED TO TAKE PLACE.  THE CULTURAL CENTER OF THE PHILIPPINES (CCP) LUZON WAS ESTABLISHED IN 1966 THROUGH EXECUTIVE ORDER NO. 30 BY THEN-PRESIDENT FERDINAND MARCOS TO PROMOTE AND PRESERVE FILIPINO ARTS AND CULTURE. THE CCP COMPLEX, DESIGNED BY ARCHITECT LEANDRO LOCSIN, WAS INAUGURATED IN 1969. IT QUICKLY BECAME THE PREMIER VENUE FOR SHOWCASING LOCAL AND INTERNATIONAL PERFORMANCES, EXHIBITIONS, AND CULTURAL EVENTS. OVER THE YEARS, THE CCP HAS PLAYED A PIVOTAL ROLE IN NURTURING THE COUNTRY'S CULTURAL HERITAGE AND ARTISTIC CULTURAL CENTER OF THE TALENTS. DESPITE FACING CONTROVERSIES AND PHILLIPINES FINANCIAL CHALLENGES, IT REMAINS A VITAL BY: LEANDRO LOCSIN INSTITUTION IN THE PHILIPPINE CULTURAL LANDSCAPE. VISAYAS SAINT ANDREW THE APOSTLE CHURCH WAS ESTABLISHED IN 1968 TO SERVE THE SPIRITUAL NEEDS OF THE BURGEONING COMMUNITY IN THE AREA. DESIGNED BY ARCHITECT LEANDRO V. LOCSIN, THE CHURCH FEATURES A DISTINCTIVE MODERNIST STYLE WITH A CIRCULAR LAYOUT AND A STRIKING CONICAL ROOF. IT WAS NAMED IN HONOR OF SAINT ANDREW, THE PATRON SAINT OF FISHERMEN, REFLECTING THE AREA'S HISTORICAL CONNECTION TO FISHING COMMUNITIES. OVER THE YEARS, THE CHURCH HAS SAINT ANDREW THE BECOME A SIGNIFICANT RELIGIOUS AND CULTURAL APOSTLE CHURCH LANDMARK, HOSTING VARIOUS COMMUNITY AND SPIRITUAL ACTIVITIES. ITS UNIQUE ARCHITECTURE AND BY: LEANDRO LOCSIN VIBRANT PARISH LIFE CONTINUE TO ATTRACT BOTH WORSHIPPERS AND VISITORS. MINDANAO PEARL FARM BEACH RESORT, LOCATED ON SAMAL ISLAND IN THE PHILIPPINES, WAS ORIGINALLY A PEARL FARM IN THE 1970S WHERE THOUSANDS OF PINK, WHITE, AND GOLD PEARLS WERE CULTIVATED. IN 1992, IT WAS TRANSFORMED INTO A LUXURY RESORT, PRESERVING ITS SERENE NATURAL BEAUTY AND RICH CULTURAL HERITAGE. THE RESORT COMBINES TRADITIONAL FILIPINO ARCHITECTURAL DESIGN WITH MODERN AMENITIES, OFFERING GUESTS A UNIQUE AND TRANQUIL ESCAPE. IT HAS SINCE BECOME A PREMIER DESTINATION, KNOWN FOR ITS PRISTINE BEACHES, CRYSTAL-CLEAR PEARL FARM BEACH HOUSE WATERS, AND LUSH SURROUNDINGS. THE RESORT CONTINUES TO HONOR ITS HISTORY WHILE BY: FRANCISCO MANOSA PROVIDING A LUXURIOUS RETREAT FOR TRAVELERS. FERNANDO AMORSOLO (1972) FERNANDO AMORSOLO, KNOWN AS THE GRAND OLD MAN OF PHILIPPINE ART, WAS A FAMOUS FILIPINO PAINTER. HE WAS BORN IN MANILA AND STUDIED ART IN THE PHILIPPINES, SPAIN, AND THE UNITED STATES. AMORSOLO WAS CELEBRATED FOR HIS ABILITY TO CAPTURE LIGHT AND FORM IN HIS PAINTINGS, WHICH OFTEN DEPICTED PEACEFUL RURAL LIFE IN THE PHILIPPINES. HE FOCUSED ON SHOWCASING FILIPINO BEAUTY AND USED A TECHNIQUE CALLED CHIAROSCURO, WHICH MADE HIS WORK UNIQUE. SOME OF HIS FAMOUS PAINTINGS ARE "MAIDEN IN A STREAM," "THE MESTIZA," AND "PLANTING RICE."  MAIDEN IN A STREAM IN THE YEAR 1972, AMORSOLO BECAME THE FIRST FILIPINO TO BE DISTINGUISHED AS THE PHILIPPINES NATIONAL ARTIST IN PAINTING. HIS PAINTING SCENE DEPICTING MAIDENS BY THE STREAMS IS PRIME EXAMPLE OF THE IDEALIZED VISION OF THE PHILIPPINE COUNTRY BATHED IN “SWEETNESS AND LIGHT.” CARLOS “BOTONG” FRANCISCO (1973) CARLOS V. FRANCISCO, BETTER KNOWN AS BOTONG, WAS RESPONSIBLE FOR REVOLUTIONISING THE FINE ARTS LANDSCAPE OF THE PHILIPPINES. HE DEPARTED FROM THE PREVAILING STYLE OF THE AMORSOLO ACADEMIC AND LAUNCHED THE MODERNIST MOVEMENT WITH HIS FELLOW FOUNDERS OF THE MODERN TRIUMVIRATE, VICTORIO EDADES AND GALO OCAMPO. JERRY NAVARRO ELIZALDE J. ELIZALDE NAVARRO’S ART INCLUDED DRAWING, PRINTMAKING, GRAPHIC DESIGN, PAINTING, AND SCULPTURE. NAVARRO OFTEN USED MIXED MEDIA, COMBINING FOUND OBJECTS AND METAL PARTS IN HIS WORK. SOME OF HIS NOTABLE MIXED MEDIA PIECES ARE "I’M SORRY JESUS, I CAN’T ATTEND CHRISTMAS THIS YEAR" (1965), "HOMAGE TO DODJIE LAUREL" (1969), AND "A FLYING CONTRAPTION FOR MR. ICARUS" (1984). THE KIMONO FROM UBOD BALI The Kimono from Ubud Bali was a mural design in the private quarters of Navarro and his wife’s Parañaque residence. It presents two viewpoints: a silhouette of Navarro’s then-pregnant wife, Emma, with him facing her in full profile. He is portrayed standing like a kouros — the Greek nude male figure, which Cid Reyes likened to “an Apollo to Emma’s pregnant Venus.” This piece displays Navarro’s penchant for associating his life with his art. The visual arts in the Philippines showcase a rich and diverse heritage, reflecting the country's history, culture, and evolving artistic expressions. Renowned artists like Fernando Amorsolo, Carlos "Botong" Francisco, and J. Elizalde Navarro have significantly contributed to the landscape, each bringing unique styles and perspectives. Amorsolo's idyllic depictions of rural life, Francisco's modernist murals, and Navarro's innovative mixed media works highlight the versatility and depth of Filipino artistry. Collectively, these artists and their contributions underline the importance of visual arts in celebrating and preserving Filipino identity and cultural heritage. THANK YOU FOR LISTENING!