Music History Midterm Study Guide PDF
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Summary
This study guide covers music history topics, including the spread of Christianity in Europe, changes in musical rhythm, and attitudes towards music in the early Christian Church. It also reviews church modes, organum, and composers.
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Music History Midterm Study Guide **Know how to talk sensibly about the pieces.** - **How did Christianity spread to Europe?** - - - - **Changes in approach to rhythm and meter from chant through very early polyphony and into the Renaissance.** - - - - - - - - -...
Music History Midterm Study Guide **Know how to talk sensibly about the pieces.** - **How did Christianity spread to Europe?** - - - - **Changes in approach to rhythm and meter from chant through very early polyphony and into the Renaissance.** - - - - - - - - - - - - - - - - - - - - - - **What attitudes toward music were held by leaders of the early Christian Church? How do these views compare with those of Plato and Aristotle? (HWM 14--15; 27--9)** - - - - **What did Aristotle believe were the purposes of music?** - - **Review the church modes. (p. 42)** - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - **Know the parts of the Ordinary of the Roman Catholic mass, in order.** - **Know the differences between the different types of organum: parallel, oblique, free, discant and florid.** - - - - - - - - - - - - - - - - - - - **What book of organum did Leonin compile?** - **Why did he use both florid and discant style organum in his organum duplum *"Viderunt omnes"*?** - **Be able to describe the differences between works by Leonin and Perotin.** - - - - - **Review the troubadours and trouvères. How were they and their works similar and different?** - - - - - - - - **The origins of the motet.** - - **What were the important musical achievements of the French Ars nova? (116ff.)** - - - - - - - - **Be able to describe isorhythm and mensuration.** - - - - - - - - - - - **What was the Avignon Papacy?** - - **Why is Machaut\'s Messe de Nostre Dame important? Be able to describe why it exemplifies works of the French Ars nova.** - - **Review the formes-fixes and Bar Form.** - - - - - - - - **What is countenance angloise or \"English countenance\"?** - - **What is \"Faburden\"?** - - **Why were Burgundian composers important? Who were they and what is their style like? 2** - - - - - - - - - - - - - - - - **What is a cantus-firmus mass?** - - **What is a paraphrase mass?** - - **What is a parody or imitation mass? Give examples.** - - **Why does Ockeghem\'s Missa prolationum have that name?** - **Who are the important Franco-Flemish composers? How is their style different from that of earlier composers?** - - - - - - - **What changes occurred in political, social and economic realms in the late 14th century and after that affected the lives and careers of composers?** - - - - **When did music printing begin?** - **Who were the important publishers?** - - - - - - **What effect did it have on music?** - - **What and when was the Reformation in Europe?** - - **How did it come about?** - **How were the reformers\' thoughts and uses of music different from those of the Roman Church?** - - **How did the Roman Church react to the Reformation?** - - - **How are works by Victoria, Palestrina and Lasso different from those of earlier composers, such as Josquin?** - - - **Consider the word painting in \"Cum essem parvulus.\"** - - - **Review, \"The Life of the Church Musician.\" At the chapels of represented by the excerpts, what were the duties of new singers?** - - - **What were the duties of the Chapel Master?** - - - - - - **From what countries were the singers?** - **What are the comments on singing itself, such as improvisation and tone?** - - **Be able to describe the characteristics of the instrumental music we have covered thus far. Know the composers, forms and instrumentation.** - - - - - - - - - - - **What inspired the various pieces we covered?** - - -