Grade 7 Unit 3 Exploring Folk Music and Arts: Philippines and Southeast Asia PDF

Grade 7 Unit 3 Exploring Folk Music and Arts: Philippines and Southeast Asia Music and Arts MAPEH 1 Lesson 2 Stage Stories: Traditional Theater in Southeast Asia Music and Arts...

Grade 7 Unit 3 Exploring Folk Music and Arts: Philippines and Southeast Asia Music and Arts MAPEH 1 Lesson 2 Stage Stories: Traditional Theater in Southeast Asia Music and Arts MAPEH 2  Recharge Puppet theater 3 Puppet Theater in Southeast Asia Shadow puppet theater is a fascinating form of storytelling where silhouettes of puppets are projected onto a white screen, illuminated by candles. 4 Wayang Kulit the most famous puppetry form from Southeast Asia, particularly in Indonesia had centuries of performance in the folk tradition, making it the strongest traditional theater form in Southeast Asia 5 Wayang Golek in Wayang Topeng in Sunda Indonesia a puppetry form that uses also called as “masked doll puppets without a dance” screen has been popular at the Eastern Javanese courts and may be related to ancient animistic masked dances 6 Wayang Wong in Bali Balinese Shadow Puppetry analogous to the Javanese has a special religious wayang orang, but in this significance where the Balinese form puppets perform before a masks are worn, and the screen during the daytime repertoire is limited to Rama plays 7 Malaysian Shadow Theatre the primary form of puppetry traditionally practiced in Malaysia is the wayang kulit it is believed to have developed by at least the 18th century, influenced by Javanese and Siamese (Thai) cultures 8 Malaysian Shadow Theatre these puppets are projected onto a white cotton screen, creating captivating shadow plays 9 Wayang Kulit Purwa and Wayang Kulit Melayu both are influenced by Javanese puppetry Wayang kulit purwa is found in the state of Johor Wayang kulit melayu is practiced mainly in Kelantan and Terengganu on the east coast 10 Múa Rối Nước (Water Puppetry) a unique and traditional art form that has been practiced in Vietnam for centuries believed to have originated in the Red River Delta region of northern Vietnam around the 11th century 11 The Stage The Puppets the stage is a pool of water crafted from wood and are that serves multiple often lacquered to make purposes them waterproof and give acts as the performance them a shiny appearance surface for the puppets, depict characters from hides the puppeteers' Vietnamese folklore, mechanisms, and reflects legends, and daily life the beautiful play of light and shadow during the show 12 The Puppeteers Themes and Narratives stand behind a screen or revolve around traditional curtain and use long rods or themes such as folklore, strings submerged under the myths, legends, and scenes water to control the puppets from rural life often unseen by the audience 13 Music Modern Popularity Traditional Vietnamese gained international music accompanies the recognition, with troupes performances performing worldwide Live musicians and singers 14 Philippine Shadow Puppetry: Carrillo also known as potei (from Chinese), kikimut, and titire (from the Spanish) consisted of small carts that would circulate presenting shadow plays with figures made of cardboard 15 Philippine Shadow Puppetry: Carrillo the first recorded carrillo performances were in 1879 along Calle Magdalena often presented the moro-moro (Spanish comedic tales where Christian heroes usually defeat Muslim foes) very common in Calamba, Laguna 16