HOA 4 REVIEWER: Philippine Architecture During American Period PDF
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This document reviews the development of public architecture and sanitary facilities in the Philippines during the American period. It explores the influences and impacts of American design principles on Filipino society.
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HOA 4 REVIEWER - Permitted nipa houses built on blocks Building the Imperial Imagination - w/ a built in system of surface Philippine Architecture During drainage, public latrine, American...
HOA 4 REVIEWER - Permitted nipa houses built on blocks Building the Imperial Imagination - w/ a built in system of surface Philippine Architecture During drainage, public latrine, American Period public bath houses and laundry, public water hydrants (free of - From manifest destiny, Americans charge) rebuilt the war-torn PH - Can still be seen in: - Sought to reshape the city of o Sampaloc MANILA o San Lazaro - To build: o Vito Cruz o public architecture o Sanitary facilities Sanitary Barrios = success That signifies American New focus: to modernize Filipino democratic & civilizing House mission TSALET - Single story PUBLIC ARCHITECTURE & SANITARY - Either wood or combination of FACILITIES feral concrete wood - Living area – elevated at 1 meter - Early yrs of American occupation above ground (lower than bahay was beleaguered by succession of kubo – to discourage placement epidemic diseases (unhygienic of domestic animals under) domestic practices) - Veranda (l-shaped / t-shaped stair) 1902 - Interior is divided into rooms - Use of toilet was introduced 1912 - Pail Conservancy System (cubeta) - Bureau of Health – drew sanitary Wooden Buckets urban house - As replacement for sewers o Single detached - Collected daily by municipal o Semi-detached excrement wagons o Row house apartments o 1 storey concrete chalet Congested Nipa Districts - Where public toilets were built - ESTEROS – banned to use for IDEAL SANITARY CHALET bathing & washing 1903 – Great fire of manila After this… They combined new type of architecture 1907 = toilet + bath + laundry - Experiment on materials for sanitary house First Public Bath & Laundry (1913) - Fire resistive roofing - 1-storey structure, concrete o diamond shaped shingles o molded from concrete mixture & rice husk, SANITARY BARRIOS reinforced by woven bamboo - wall slabs (implanted w/ sawali 1908 or woven bamboo) - Introduced a neighborhood concept (sanitary barrios) SPANISH MISSION REVIVAL Edgar K. Burne - insular architect - chief, Bureau of Architecture - Designed set pieces that mimicked the Spanish colonial style Spanish Mission Revival - Served as a transitional style - Govt. Laboratory Priorities: to develop a MASTERPLAN - Municipal Building of Manila FOR MANILA & HILL STATION IN BAGUIO - Insular Ice plant & Cold Storage Aim: - Govt. Printing Office - Customs House - Install a sense of cosmopolitan arrangement Insular Ice Plant & Cold Storage - Create an upland health resort - South side of Pasig River in Baguio - 1st large building to be erected Designed by: Frederick Law Olmsted by the Americans Jr. (landscape architect) - Brick masonry – revivalist style - Backed out: schedule conflict Daniel H. Burnham was chosen after DANIEL H. BURNHAM 1893 COLOMBIAN WORLD EXPOSITION - Earned “Father of the City Beautiful Movement” Hallmarks of the City Beautiful: Manila’s First City Hall (by Burne) - Vistas, grand civic centers, - Modeled from bahay na bato (all actual & radial blvds, wood, Oregon pine, American clap classicist formality, green boarding technique) open spaces 1904 – went to PH - W/ Pierce Anderson - surveyed Manila & Baguio After 6 weeks - Back to America - With plans for Manila & Baguio - With 2 high mirador towers - Cast ornaments of mudejar MASTERPLAN FOR MANILA pattern - Recommended waterfront & parks - Central civic core with radials Also designed: cottages & other buildings (Baguio) Central Piece: NEOCLASSICAL FORMS - Civic core w/ grand concourse - Adoption of beaux arts as the from the bay from an arc further official style for the next 3 inland decades - Vision: national capital complex - Embodiment of American - Drawn perspective: domed republican ideals classical structure, like American Capitol - Execution of fusion of local architecture & neoclassical idiom - Large windows – metal canopies/ arches - Plans: open spatial arrangements – max. cross ventilation Translucent Capiz Shells - Vernacular architecture + neoclassic rendering MODEL SCHOOL HOUSES - Legacy of parsons o Mass reproduction of model BAGUIO MASTERPLAN school houses - For bureau of public instruction - Dominated by elliptical space - 15 prototypes approx. 1 mile (length) & 3 - Materials: standardized to lower quarters of a mile (width); in cost the perimeter of the ellipse - 1 story high, elevated - Capiz window: Pivoted window - Commercial district - Govt. Center CAPITOL & MUNICIPAL COMPLEXES - Broad residential zone Park-like setting Center: public park Neoclassic Recommended: Beaux arts trained human – WILLIAM PARSONS - archetype for all capitals before & after the war PARSONS – responsible for the designs of all the public buildings Municipal buildings & parks (in the PH) - were also standardized - Davao, Boac (Marinduque), Lopez (Quezon) – same standard plan SANITARY MARKET & TIENDAS Episcopal Cathedral of St. Mary and St. John (1905) Standardized in 1912 - 1st modern church in reinforced - Placed near estero/riverbank – concrete waterborne commerce - Mission Revival Style Parsons - Cruciform plan - Reco: concrete floor & steel Multistory building in this period: truss - Did not exceed more than 30 M - Contribution: improvement of - High ceilings, courtyards, materials & techniques – large windows, arcaded ground reinforced concrete hb & Kahn floors – in the absence of air Truss System conditioning Kneedler Building (1913) NEOCLASSICISM - Manila’s 1st reinforced concrete George Fenhagen & Ralp Doane multi-story structure - BPW, contributed in propagation Manila Hotel of neoclassicism (govt & - Where telephones, lifts, private practice) plumbing were first integrated (1912) GEORGE FENHAGEN Altered Manila’s Skyline (1910s- 1920s): - Unbuilt capital building in Manila - El Hogara Filipino - Centerpiece for Burnham’s - Pacific Commercial Company capital - Filipinas Insurance Company - Luneta Hotel (French renaissance) The Masonic Temple - Mariano Uychangco Building (art - His design (renaissance) nouveau) - One of the 1st multi-story bldg. in the ph PENSIONADO SYSTEM - Scholarship for aspiring architects - 1903 - Acad training from the east coast (bastion of beaux arts pedagogy) Parsons left the bureau… - Pensionados gradually took over FIRST GENERATION ARCHITECTS RALPH DOANE Maestro de Obras like: - Drafted plan for Pangasinan Provincial Capital - Arcadio Arellano & Tomas - Malacañang Executive Building Arguelles - Legislative Building (prelim - Earned a place as 1st gen plan) Filipino Architects Arcadio Arellano - De La Salle College - Centro Escolar University - 1st Filipino to be employed by the Americans; archi advisor Juan Arellano - Renaissance Features - Gota de Leche Building - Most prolific - Intl stature when he received world acclaim in a competition (NYC) – Bank of the Philippine Islands o Legislative Building o Jones Bridge o Post Office o Chamber or Commerce - Hidalgo House (neo-gothic) Building o Benitez & Malcom Hall (UP) - Shifted to Art Deco (Metropolitan Theater) o Bamboo banister rails o Carved banana mango relief o Batik mosaic patterns - Govt buildings for Banaue, - Mauso leum of the Veterans of Ifugao, Aklan, Cotabato the Revolution (classical) SECOND GENERATION ARCHITECTS 1920s-1930s - Neoclassicism was challenged by this generation They introduced innovative ideas & novel ways of utilizing non-classical - Ariston Bautista Lin House ornaments (ART DECO) (decorative motifs) Andres Luna de San Pedro Fernando Ocampo Pablo Antonio Juan F. Nakpil ART DECO - 1925 Exposition Internationale Antonio Toledo Des Arts Décoratifs Et Industriels Modernes - Master of neoclassicist style - International Exhibition of - Twin Corinthian Buildings Modern Decorative and Industrial - Leyte Capital, Cebu Capital, Arts Manila City Hall, Manila - To profuse abstraction and Customs House stylization, rich ornamentation, Tomas Mapua colorist effects, dramatic massing, simplified geometric - 1st registered architect forms, exotic imagery from non- - Mapua Institute of Technology western sources o 1st Architectural school (1925) - PGH Nurses Home Streamlined Deco Andres Luna de San Pedro - Evoke the imagery of machine & - Usually revivalist style mass production - Legarda Elementary School - Rounded corners, semi-circular o French Renaissance bays, punctured porthole - Perkins & Zobel House (neo- windows, tubular steel railings Castilian residences) - Projecting thin roof slabs – - Switched to art deco recalled the yachts & ocean o Perze-Samanillo Building liners of the period (vertical pipe moldings, canted arches, octagonal Elpo Building tableau precast, low - Exuberant exoticism & relief medallions ornamentation were employed in Crystal Arcade these façade - Luna’s most celebrated work Bautista-Nakpil Pylon - Continuous concrete & glass Metropolitan Building - 1st to introduce a mall type Santos House commercial space Mapua House Transition of Classical to Art Deco Fernando Ocampo Bulacan Capital(stripped classicism) Cebu Capital His art deco manipulation: Sariaya Municipal Building Central Seminary Building (UST) Insular Life Building Paterno Building - Stepped/zigzag silhouette of art Pablo Antonio deco, best captured here - Manila Polo Club Bauan Municipal Building - Ideal Theater Quezon Bridge Pylons - Ramon Roces Residence Rizal Memorial Stadium (streamlined) - FEU early buildings Jai Alai Building Marsman Building Juan Nakpil Lopez House - An engr & archi Far Eastern University (main - Designed the most number of building) structures among the group Geronimo Reyes Building Craze for art deco coincided with the World Eucharistic Monument of 1937 establishment of MOVIE GOING AS A Quezon Institute Administration NATIONAL PAST TIME Building & Pavillions Manila Jockey Club - Art deco for cinema palaces 1934 - US Congress mandated the Islamic and Mudejar Art Deco independence within 12 years - Lyric Theater & Bellevue Theater 1935 Café Theater – Chinese elements in - Established the commonwealth of art deco façade the Philippines - Transition govt w/ Manuel L. Times Theater & Pines Theater Quezon – President - Streamlined art deco Manuel Quezon - Produced by National Commission for Culture and the Arts (NCCA) - Contemplated & national capital to build a new city for the new Aftermath of WW2 commonwealth (reminiscent of Washington DC) - PH rose from the ashes - Modernism for rebuilding Pacific War Rise & fall of modernism in the latter - Hindered Quezon’s urban vision half of 20th century December 1941 - From less is more to less is a bore - Manila was declared an Open City - To spare the city from damage Post-modernism from the advancing Japanese imperial army - Plurality - Mantra of everything goes 3-year Japanese Occupation - Detrimental to architectural production - Take over of private & public buildings – military & political purposes Pre-fabricated Quonset Hut End of Pacific War – Manila in ruins - Part of American military Filipinos found modernism, direct a campaign in the PH new nation - Galvanized corrugated steel July 1946 sheet over frame of lightweight steel ribs - the Philippine Islands became the independent republic of the February 1945 Philippines - Americans were set to reclaim - used US war damage Manila rehabilitation fund o for manila’s neoclassical splendor The last days of war witness the o Manila City Hall wholesale destruction of manila's o Post Office built heritage & the irreplaceable o Agri & Finance Buildings treasures of colonial architecture o Legislative Building o UP Manila (rebuilt approx. American bombs turned manila into the their original plans) second most devastated allied city in the world Post War Austerity - Straightforward & no nonsense archi forms ARCHITECTURE FOR THE NEW NATION - Modernism; form follows function o Proclaimed by 3rd Gen Arkitekturang Filipino Filipino Architects - By Gerard Lico (2008) 3rd GENERATION FILIPINO ARCHITECTS - PH built forms (from primeval origins to contemporary forms) Cesar Concio Angel Nakpil 2016 Film Alfredo Luz Arkitekturang Filipino: A History of Otillo Arellano Architecture & Urbanism in the Felipe Mendoza Philippines Gabriel Formoso create a three-dimensional Carlos Arguelles structure MODERN ARCHITECTURE Simple Devices Applied Externally To Tropical Eyes And Modulate The Climate - Simplified geometric forms in Insensitive Designs Of The accordance to the demands of International Style: honesty expressed in materials structure and form o Bristle - maneuvered and restraint rather o Sun Baffles than indulgence o Pierced Screens - simplicity over complexity BRISOLEI & PIERCED SCREENS MID CENTURY MODERN AESTHETICS - adopted in Manila during the - also influenced by new materials 1960's and scientific events o Space Exploration Pierced Screen - Technology + future - function as diffuser of light Space Age of the 1950s and doubled as a decorative layer for the exterior - visual language of long lean - fabricated from perforated horizontal lines (airplane concrete / ceramic box precast wings) concrete / aluminum bars with - soaring upright structures & various ornamental punctures parabolic arches that direct the eye to the sky - sharply contrasted angles that After the OIL CRISIS of 1973 express speed - architects began to realize the Innovations in Building Materials failures of modern buildings in - reinforced concrete the tropical climate - plastic & steel Able to create: Filipino architects - thin concrete shells - compelled to backtrack and - concrete folded plates; in space reevaluate vernacular building framed structures traditions as sources of energy efficient design o TROPICAL REGIONALISM SOFT MODERNISM Manila Ordinance No. 4131 (1950s) - experimented with a sculptural potential of concrete's - high-rise fever swept and redefined Manila skyline plasticity to come up with soft and organic forms with the use PICACHE BUILDING of thin shell technology - Angel Nakpil FOLDED PLATE - First skyscraper in the - was a roof structure whose Philippines strength & stiffness was derived - 12 stories high from a pleated or folded INSULAR LIFE BUILDING geometry - it was a special class of shell - first office building to surpass structure formed by joining flat the old 30 meter height thin slabs along the edges to restriction NATIONAL HOUSING AUTHORITY Ferdinand Marcos Dictatorship (1970s) - People’s Home Site & Housing - held the promise of national Corporation (old name) rebirth and resurrection of old - new suburban communities were Filipino traditions developed in Quezon City project - cultural and architectural sites agenda of the regime - low cost concrete bungalow units o was placed under the auspices of the first lady BUNGALOW Imelda Marcos who packaged - became the convenient model for herself as the Patroness Of post-war housing The Arts o tended the cultural - for middle-income households Renaissance of the nation residential units infill and Colossal Building life homes (designed on a Cultural Buildings modular planning system) by Finance Complexes Carlos Arguelles Medical Centers BLISS (Bagong Lipunan Sites and Subdivisions by Ayala and Ortigas Services) Families Hotels Convention Centers - upscaled homes Sports Complexes - homes were designed not by Airports company architect but by an Official Residences architect commissioned by the Filipino Theme Park individual homeowner - gave variety of domestic - Projects of the Marcoses architecture - projected an image of a - size of the carport was an index progressive and modern nation- of status state Tall & Multistory Departments CULTURAL CENTER OF THE PHILIPPINES - played a new role in providing - essential Bahay Kubo Filipinos with modern housing Characteristics are be interpreted by means of crisp Monterey Apartments modernist vocabulary in the Carmen Apartments cantilever projections - epitomize the modernist high- - Leandro Locsin rise apartments of the period o CCP MAIN THEATER o Folk Arts Theater Mid-1960s o PICC o Philippines Center for - young architects & designers International Trade & o began to reappraise the Exhibitions country's rich - Locsin’s Abstract cubist architectural and cultural principles to distill the heritage as a source of essential and floating qualities design inspiration of the Bahay Kubo into Maranao & Southern Philippine Motifs sculptural edifices - local architects adapted these motifs National Arts Center - vinta colors, roof silhouettes (resonating ambiguous Malayan - Los Banos Laguna figuration) - more profound allusion to the Bahay Kubo - departure from the modernist box - eclectic mix and match' of every - pyramidical superstructure conceivable detail for a flashy evoked the roof lines of effect Austronesian stilt dwellings Postmodern Skyscrapers - allude to the timelessness of - later rehashed for other state the classical column (to break buildings: its vertical monotony) o Batasang Pambansa Tall structures divided into vertical o Baguio Convention Center segments: - podium - shaft Francisco Mañosa - crown - used an imitative and formula called “Tower on the Podium” straightforward approach for his Tahanang Filipino (Coconut - for commercial & corporate Palace) towers because of their mixed- - advocacy of climate responsive use potential vernacular architecture - a body of work which made him DISNEYFICATION the Paternal Figure Of Filipino Neo-Vernacular Movement - theme park techniques of image making 1980s Post-modernism reinvents to cityscape - PH Modernism began to lose its with a potential illusion and popular appeal perpetuate escapist fantasy - Many realized: austere modernist environments as the master-planned boxes were boring and lacked micro cities: character - Eastwood City - Fort Bonifacio Global City (BGC) POSTMODERN ARCHITECTURE - Rockwell Center - Retail environment of Megamall & - altered the landscape with Greenbelt buildings proclaiming the resurgence of ornament as an o detached and protected antidote for modernism's from the harsh realities of renunciation of history and third-world or vanity tradition Less is More As the process of globalization - minimalist dogma of modernism engulfs the local architectural - supplanted by a counter doctrine practice one fears that the period of “less is a bore” postmodern architecture in the Philippines might become the period of Postmodernism post Filipino architecture - adopted a populist aesthetic language heavily influenced by classical architecture … but perhaps, in all optimism as in - exemplified by garish the past, the Filipino will prevail application of color - returned to ornament and traditional design elements INDUSTRIAL REVOLUTION - Started modernism o Machineries, use of steel, factories, mass production, steam engines, trains PNR – First train in Southeast Asia