Contemporary Philippine Arts from the Regions PDF

Contemporary Philippine Arts from the Regions Contemporary Art Techniques and Performance in Mindanao ABDUL RACMAN A. MANARDAS Subject Teacher At the end of this lesson, the student should be able to: 1. conceptualize contemporary art based on techniques and performance pr...

Contemporary Philippine Arts from the Regions Contemporary Art Techniques and Performance in Mindanao ABDUL RACMAN A. MANARDAS Subject Teacher At the end of this lesson, the student should be able to: 1. conceptualize contemporary art based on techniques and performance practices in their locality (Mindanao) (CAR11/12AP-0f-h-14)  Filipinos are proven to be one of the most creative and colorful people in the world. The types of arts that are produced in different regions, each region has its unique specialties of product to take pride. Philippines is very rich in natural resources, especially in Mindanao. We can maximize the use of natural resources even in creating arts. Art expresses the artistic feelings towards any aspect of life. ARTS AND CRAFT OF MINDANAO  Mindanao, referred to as “THE LAND OF PROMISE”, is the second largest and southernmost island in the Philippine Archipelago. Mindanao also has the largest concentration of ethnolinguistic groups and culturally diverse island.  These groups are mostly Muslims from the Badjao, Iranun, Jama Mapun, Kalagan, Kalibugan, Manobo, Maguindanao, Sama Bangingi, Sama Pangutaran, Samal, Sangil, Tausug, and Yakan groups.  Other groups are the Lumads, or those who have maintained their indigenous beliefs and traditions instead of converting to Islam or Christianity. Before Islam came to the Philippines, early Filipinos worshipped and believe that plants and inanimate objects are home to ancestral spirits.  They also believed that natural phenomena are caused by gods. These indigenous beliefs system is called animism. The conversation of the natives and the arrival of Muslim traders and merchants resulted in new forms of artistic impressions. This fusion of beliefs created a unique blend of spirituality and creativity. ATTIRE, TEXTILES, AND TAPESTRIES Bilaan or B’laan  The Bilaan or B’laan is an ethnolinguistic group that inhabit some parts of South Cotabato, North Cotabato, and Davao del Sur. B’laan is a combination of two words, “bila” which means “house” and “an” which means “people”.  They are known for embroidery, brass ornaments and beadwork that are integrated in their traditional clothing. The women wear heavy brass belts with numerous tiny bells that hang around their waistline. They also cut mother-of-pearl into small shapes that look like sequins called takmun.  Ikat is a process of dyeing the fabric where the yarns are tightly wrapped with the strings and dyed before weaving. The textiles usually contain three colors: shades of black or browns, red or ochre (darker shade of orange), and ecru (the color of undyed abaca). The Bagobos  The Bagobos are the group of people that live in Davao. According to anthropologists, the name of this ethnolinguistic group comes from the words “bago” means “new” and “obo” means “growth”. This is because they are believed to have come from the mixture of the native population with the Hindu migrants that entered Mindanao during the Sri Vijayan and Majapahit Empires.  They make these clothes from a special textile woven from abaca fibers called T’nalak. The men wear t’nalak shorts, an undershirt, and a T’nalak coat. The Bagani or hero wear blood-red clothes and a head-kerchief. The women wear wrap-around t’nalak skirt and blouses are adorned with floral pattern. The T’boli  The T’boli who live in and around Lake Sebu, South Cotabato are famous for their complicated beadwork, wonderful woven fabrics, and beautiful brass ornaments. Tboli weavers believe that their gods and ancestors visit them in their dreams to teach them the designs and patterns that they have to weave.  The most famous T’boli dream weaver is Lang Dulay who received the National Living Treasures – Gawad Manlilihikha ng Bayan awarded by the National Commission for Culture and the Arts or NCCA.  Men are not allowed to touch the materials used in the weaving process. They believe that if they break the rules, the fiber will snap, and the designed will be ruined. T’nalak production is a painstaking process that requires patience, a lot of creativity, good memory, and a range of skills learned from a young age by the weavers. The Maranaos  Maranao means “People of the Lake” referring to the people who occupy the lands surrounding Lake Lanao Maranao. The Maranaos are known for their Malong. The Malong is a traditional Filipino tube skirt that is made of hand woven or machine made multi colored cotton cloth. Women wear it as a skirt, a dress, or a gown.  Depending on how its folded, it can also be used as hammock, a basket, a sleeping bag, a bathrobe, or a baby carriage. The Malong is important part of Maranao life. A new born is wrapped in it and, as he or she grows, it becomes a part of his or her daily life as clothing and as material for everyday use.  When a person dies, he or she is once again wrapped in a malong. A traditional dance called Kapa Malong Malong or Sambisa Malong, demonstrates the various ways of wearing a malong and its uses. The Yakans  Yakan Basilan is the home to the Yakans. They are popular for their skills in weaving. They weave very intricate designs in their textiles, which they use for their clothes and other accessories.  Yakan hand-gloomed fabrics are known for their use of bold colors and geometric patterns. The Seputangan is a square cloth used by the Yakan women as a head cover or as a belt. The Badjulapi is a tight blouse with long sleeves. It is ornamented with gold, silver or bronze buttons.  The sawal is a tradional tight fitting trousers made of yakan fabric characterized by its vertical stripes. Yakan The Pinalantupan, a type of skirt, is layered SAWAL over the trousers. PINALANTUPAN  CONTEMPORARY ARTISTS IN MINDANAO AND THEIR MASTERPIECES Red Genotiva Red Genotiva was born in Davao City. As a child, he would draw characters from Japanese anime that he often saw on television, posters, and other media platforms. Soon, this hobby turned into a serious interest in the arts. Among artists who influenced his art practice and unique stylistic approach, Genotiva cites Mark Ryden, Ron English, Charlie Immer, Naoto Hattori, Hikari Shimoda, and Yoko D’ holbachie. Red Genotiva Indeed, Genotiva’s body of works tend to be characterized by art world observers as pop- surrealist. He often signs his works with the name “Oni” as a nod to his formative years. In Japanese folklore as remediated in animated content and manga, “oni” means demon, ogre, or troll, also collectively called “yokai”or creatures of the underworld. Red Genotiva Often these are tragic beings rejected by the light yet imbued with human-like qualities in a visual culture where the line between good and evil is never clearly demarcated. Genotiva is known for his stylized figures of children – anthropomorphic yet rendered in exaggerated proportions with multiple eyes, tentacles, and are often set in dream-like landscapes that at times teem with melancholy despite the solid luminous hues. Red Genotiva The images are almost kawaii but not quite, adorable yet uncanny and unsettling. Oni’s solo exhibitions include “Playhouse” at the Morning Light Gallery in Davao (2018) and “Together We are Friends” at the Jose T. Joya Gallery in UP Cebu. Red Genotiva He has participated in a number of group exhibitions in Cebu City (2015-2018), Art Portal Gallery for Contemporary Art Davao (2018) and District Gallery in Quezon City (2018). A recent solo exhibition was titled “Children” and curated at the Art Portal Gallery for Contemporary Art (2019). Genotiva currently resides in Cebu City. Red “Oni”Genotiva’s Artworks Red “Oni”Genotiva’s Artworks Norman “Nonoy” F. Narciso Norman “Nonoy” F. Narciso (b. 1975) from Davao City. He took up literature at the Holy Cross of Davao College. He did not go through formal training in the visual arts in any academic institution. He was inspired by the dynamic arts scene of Davao. During his formative years, he involved himself in creative productions in school and the church. Norman “Nonoy” F. Narciso (b. 1975) He learned how to play the guitar and participated in community theatre. At Magallanes Elementary School in Davao, he participated in the Rondalla. He also attended painting workshops at the San Roque Elementary School. One will observe that many of his artworks blur the ontologies of musical instrument, sculpture, and installation. Jester Gumanao Oani Jester Gumanao Oani (b. 1995) from Lunga-og Sto. Tomas, Davao Del Norte. The 8th of nine siblings, his father was a skilled carpenter and his mother, like some of his female siblings, is a seamstress. Thus, he witnessed his family working with fabric, metal, wood, and industrial materials. This kind of relationship with the materials of industry informs Jester’s praxis as an artist. Jester Gumanao Oani (b. 1995) Of his path as an artist, he said: “Being an artist is a struggle due to the inconsistencies an economical hindrances in art production. However, I’d rather focus on recreating ideas, tinkering with concepts, and engaging with issues in my environment. The act of creating sculpture is sometimes comparable to play, as though I am creating a toy that I will eventually let go of before I helm another piece. I strive as an artist because I am aiming for a sustainable and meaningful life through my artworks and practice.” Jester Gumanao Oani (b. 1995) Oani has already been featured in a number of remarkable exhibits since 2012. One is the 45th Shell National Student Art Exhibition in Ayala Museum, Makati City where many emerging artists begin their careers. Others include “Bata-Bata” in SM Lanang Premiere organized under Kublai Millan. Jester Gumanao Oani (b. 1995) The years 2013 to 2015 were marked by several local art events in Davao, mostly in malls, and other pragmatic spaces. The artist has also been included in exhibits at the Museo Dabawenyo (2016) and one organized by the Finale Art File Gallery in SM City Ecoland in Davao (2016). In 2019, his work was well received in Art Blast 2019 hosted by Artasia Gallery in SM Megamall (2019). Jester Gumanao Oani’s Artworks Jester Gumanao Oani’s Artworks Dennis Puzon Dennis Puzon (b. 1995) was born in Davao City. He first studied Fine Arts at the Ford Academy of the Arts (2012-2014) before he transferred to the University of Mindanao where he graduated in 2018. Dennis Puzon (b. 1995) Among his mentors at the Ford Academy include Banjo Satorre, Glenn Baga, Magtanggol Cadayona, and Jimmy Ang. Rogelito Cayas Jr., Dominador Pamisa, Alynnah Macla Tadeo and Victor Dumaguing are his mentors at the University of Mindanao. Dennis Puzon’s Artworks Dennis Puzon’s Artworks Paula “Pau” Magpayo Feliciano Paula “Pau” Magpayo Feliciano (b.1997) was born in and spent her formative years in South Cotabato before moving to Matina, Davao. She studied in the Fine Arts Program of the University of Mindanao. Distinct are Feliciano’s works, usually of small canvases that usually feature pop surreal images. Paula “Pau” Magpayo Feliciano (b.1997) Aside from local art events in Davao, some of the platforms where Feliciano’s works were previously featured include ✓ “Art Atelier II” at the Museo Dabawenyo (2017), ✓ “Configure” in Art for Space and Urban Chic Galleries San Pablo, Laguna (2018), Paula “Pau” Magpayo Feliciano (b.1997) ✓ Art in the Park Manila (2018 and 2019), and ✓ “Art Blast: Young Bloods and Young Hearts” a group exhibition hosted by the Art Asia Gallery (2019), and ✓ a contemporary surrealist exhibit titled “The Rise of Pop Surrealism: from Underground to Mainstream” in Arte Bettina Gallery (2019). Paula “Pau” Magpayo Feliciano (b.1997) Feliciano’s works were also part of exhibits represented by Art Portal Gallery for Contemporary Art Davao: “In Retrospect” (2018) and “At the Precipice” (2019). Recent exhibits also include “The Pursuit of Normality,” a four-woman show at the Art for Space Urban Chic Gallery (2019) and “The River Flows North” presented by the National Commission for Culture and the Arts and Art Portal held at the NCCA Gallery in Intramuros (2019). Eloisa B. Sanson Eloisa B. Sanson (b. 1996) She is from General Santos City. She studied at the Philippine Women’s College of Davao (2015-2019) and pursued a career in the arts under the mentorship of Rodney Yap, Dominic Turno, Romeo Dumuk III, Wilfred Dexter Tañedo, Emi Englis, and Mai Ongkiko. All her exhibitions are group exhibitions. Eloisa B. Sanson (b. 1996) ✓ She participated in iterations of the Shell National Art Competition at the Ayala Museum, Makati City (2015and 2017), and exhibits organized by her school. ✓ She also joined the Metrobank Arts and Design Excellence competition (2017 and 2018). Eloisa B. Sanson (b. 1996) ✓ Fondly called “El San,” her works were featured at the Art Portal Gallery, Davao City and “At the Precipice” in a mall exhibit curated by the same gallery. ✓ Other venues that featured her works include Morning Light (2018) in an exhibit titled “Homage to the Salon Des Refuses” and public relations campaigns of malls. Eloisa B. Sanson’s Artworks Leonardo C. Comargo Jr. Leonardo C. Comargo Jr. (b. 1982) He is from Calagundian, City of Mati, Davao Oriental. He is currently studying Painting at the Bachelor of Fine Arts Program of University of Mindanao. Past exhibits in the local context include iterations of ✓ Art Atelier at the Museo Dabawenyo (2015, 2017), “Obra Ginagmay” in Felcris Centrale (2016), ✓ “Merging Current” at the Matina Town Square (2017), and other exhibits in malls and schools in Davao. Leonardo C. Comargo Jr. (b. 1982) ✓ He also participated in Art in the Park in Makati (2018), ✓ “In Retrospect” at Art Portal, Gallery for Contemporary Art (2018), ✓ “What does it mean to be Filipino?” under CANVAS Gallery held at the Vargas Museum in Diliman Quezon City (2018), Leonardo C. Comargo Jr. (b. 1982) ✓ “Configure” at the Art for Space and Urban Chic Gallery in San Pablo City, Laguna (2018), ✓ “Engkwentro sa Labuyo” at Art For Space and Urban Chic in Laguna (2019) and ✓ Art Blast “Young Bloods and Young Hearts” hosted by Artasia Gallery (2019). Leonardo C. Comargo Jr.’s Artworks Trexia Sola Trexia Sola (b. 1999) She is from Tagum City, Davao del Norte. She is currently studying under the Fine Arts program of the University of Mindanao under Rogelito Cayas Jr., Alynnah Macla Tadeo and Victor Agustus Dumaguing. Prior to this, she took art workshops. She started painting in second year high school when she entered a workshop called Sining Mata. Trexia Sola (b. 1999) Her works have been featured in several local platforms such as ✓ Tabula Rasa Gallery (2015) and Museo Dabawenyo (2015) and exhibits organized by the University of Mindanao (2015, 2017). ✓ Her works were also included in exhibits curated by Art Portal Gallery for Contemporary Art (2018), and Art in the Park in Makati (2018). Trexia Sola (b. 1999) Recent exhibits that featured her work include ✓ “At the Precipice: Davao Art on the Brink of Change” at the Davao Art Market in Abreeza Mall, Davao (2019) and ✓ “Pursuit of Normality” hosted by the Art Exhibition Art for Space and Urban Chic Galleries in Alabang, Metro Manila (2019). Trexia Sola’s Artworks Angelo Florante Nur Valente Angelo Florante Nur Valente (b. 1995) He studied in the University of Mindanao under Rogelito “Jun” Cayas, Victor Agustus Dumaguing, and Alynnah Macla-Tadeo. His works were featured in multiple exhibits in Davao City, such as ✓ Art Atelier Exhibition (2016), ✓ Merging Currents (2017), ✓ Sensitive Encounters: Mindanao (2017), and ✓ Ugnayan Art Exhibit (2017). Angelo Florante Nur Valente (b. 1995) Ang, as an artist, aims to tell the stories from the society where he grew up, to share the cultures he witnessed, and to illustrate the epics and mythologies from all the ethnic groups in the country. Laya Boquiren Laya Boquiren She is a Doctor of Philosophy in Philippine Studies with main areas in Philippine Art and Culture. She co-curated the international travelling exhibit Field Trip Project Asia at the Vargas Museum (2015) and initiated related off-site curated endeavors in Baguio City, Tanauan, Leyte, and 98B Escolta. Laya Boquiren In the past, she served as curatorial consultant for Gallery Genesis and Museo De Intramuros. Boquiren has contributed in academic journals, published books and contributed chapters of books under Vibal (2015-17), Laya Boquiren Has authored a book on Pro Ecclesia et Pontifice awardee Willy Tadeo Layug (2017), for whom she curated the artist’s second solo exhibition at the NCCA Gallery and authored a corresponding monograph published by the institution (2017- 18). Laya Boquiren ✓ Her most recent publications include Now Here: Access, Activate, Rewind (2018) for Erehwon Center for the Arts and the newly launched book on grandmaster of Philippine aquarelle Toti Cerd (2019). Laya Boquiren ✓ She obtained Master of Arts in Art History from the University of the Philippines, Diliman (2009), and has completed short programs at the Institute of Media and Entertainment in New York (2009) and Keio University in Japan (2010) Laya Boquiren Boquiren currently teaches at the Arts Department of the University of Asia and the Pacific. Her recent curatorial project includes The River Flows North featuring Davao-based artists at the NCCA Gallery. Her cultural work has always been multi-local, her paternal relatives being from Cagayan de Oro. Summary Filipinos are proven to be one of the most creative and colorful people in the world. The types of arts that are produced in different regions, each region has its unique specialties of product to take pride. Philippines is very rich in natural resources especially in Mindanao. Summary ❑ Mindanao, referred to as “THE LAND OF PROMISE”, is the second largest and southernmost island in the Philippine Archipelago. ❑ The Bilaan or B’laan is an ethnolinguistic group that are known for embroidery, brass ornaments and beadwork that are integrated in their traditional clothing. Summary ❑ The Bagobos are the group of people that live make these clothes from a special textile woven from abaca fibers called T’nalak. ❑ The T’boli are famous for their complicated beadwork, wonderful woven fabrics, and beautiful brass ornaments. Tboli weavers believe that their gods and ancestors visit them in their dreams to teach them the designs and patterns that they have to weave. Summary ❑ The Maranaos are known for their Malong. The Malong is a traditional Filipino tube skirt that is made of hand woven or machine made multicolored cotton cloth. ❑ Yakan hand-gloomed fabrics are known for their use of bold colors and geometric patterns. The Seputangan is a square cloth used by the Yakan women as a head cover or as a belt. Summary ❑ Some contemporary artists in Mindanao are Red Genotiva, Norman “Nonoy” F. Narciso, Jester Gumanao Oani, Dennis Puzon, Paula “Pau” Magpayo Feliciano, Eloisa B. Sanson, Leonardo C. Comargo Jr., Trexia Sola, Angelo Florante Nur Valente and Laya Boquiren. Summary ❑ Few contemporary art techniques presented by Mindanaoan artists are stylized figures of children – anthropomorphic yet rendered in exaggerated proportions with multiple eyes, tentacles, and are often set in dream-like landscapes that at times teem with melancholy despite the solid luminous hues, artworks blur the ontologies of musical instrument, sculpture, and installation and small canvases that usually feature pop surreal images. Activity 2: SKETCH 1. For this activity, prepare a bond paper and a pencil. Sketch a concept design for a contemporary art that represents the beauty of Mindanao. You don’t need to make it beautiful. A rough sketch is enough. You can refer to the example below. Example of concept design sketch. Do not copy. Use only as reference.) Activity 2: SKETCH 2. Rubrics Creativity- 40 points Lay-out design -30 points Organization- 30 points Total- 100 points Activity 3: DESIGN ME! The Sarimanok is a legendary bird of the Maranao people who originate from Mindanao, a major island in the Philippines. It comes from the words “Sari” means cloth or garment, which is generally of assorted colors. Manòk, which makes up part of its name, is a Philippine word for chicken. Activity 3: DESIGN ME! Color the feather of the Sarimanok. You can use ballpen, crayons or any coloring material. You can doodle or simply color on each feather. Be creative and have fun! Activity 3: DESIGN ME! Rubric: Creativity- 30 points Craftsmanship- 30 points Effort- 20 points Technique- 20 points Total- 100 points