Art History And Development PDF
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This document provides an overview of art history, covering periods from prehistoric to contemporary art. It details different art movements and styles, including prehistoric arts, ancient Egyptian arts, and more. It includes image references related to art.
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http://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/Bronze_horse_Louvre_Br90.jpg/100px-Bronze_horse_Louvre_Br90.jpg http://upload.wikimedia.org/wikipedia/commons/thumb/6/66/Ac.kleobisandbiton.jpg/220px-Ac.kleobisandbiton.jpg Art History and Development ▪ Prehistoric ▪ Classicism and Grec...
http://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/Bronze_horse_Louvre_Br90.jpg/100px-Bronze_horse_Louvre_Br90.jpg http://upload.wikimedia.org/wikipedia/commons/thumb/6/66/Ac.kleobisandbiton.jpg/220px-Ac.kleobisandbiton.jpg Art History and Development ▪ Prehistoric ▪ Classicism and Greco-Roman Tradition ▪ Roman Arts ▪ Medieval Arts ▪ Renaissance Arts ▪ Mannerism, Baroque, and Romanticism Arts ▪ Modern and Contemporary Art Prehistoric Arts River Civilization (Ancient Arts) ▪ Arts associated with religious functions. ▪ Nomadics (10,000 B.C.) – geographical condition. ▪ Banks of Rivers : Mesopotamia (Tigris & Euphrates), Egypt (Nile), China (Yangtze), India (Indus &Ganges) ▪ Arts reflected on the building of palaces and temples Ancient Egyptian Arts ▪ Arts connote a religious function. ▪ Arts originate from building tombs and preserving the remain of dead (mummification) ▪ Mastaba (eternal house) - chamber for dead (tomb) Ancient Arts of Mesopotamia ▪ Female figurine, Samara (6000 BC) ▪ Nimrud ivories, Neo-Assyrian period (9th–7th centuries BC) ▪ Fragment of the Stele of the Vultures, Early Dynastic III period (2600– 2350 BC) Ancient Arts of China ▪ Terracotta Army ▪ Collection of terracotta sculptures depict the armies of Qin Shi Huang, (first Emperor of China) ▪ Discovered in 1974 (Lintong District, Xi’an) Ancient Arts of India ▪ Bhimbetka rock shelter ▪ Taj Mahal (1648) - "teardrop on the cheek of eternity“. Emperor Shah Jahan (Mumtaz Mahal). Prehistoric Arts Western Art (Primitive Age) ▪ Arts is related to culture (way of life/ belief) ▪ Early primitive people paints animal on the wall of cave to have successful hunting. ▪ Sculpture is associated with magical belief ▪ Small animals statue are the first subject of sculpture. Prehistoric Arts Western Art (Primitive Age) ▪ Fertility statues are made because of the belief (bring many offspring/ survival of human species) ▪ Architecture is learned when man discovered burying the death. ▪ Gravestones are the first architectural designs. Gravestone ▪ Menhirs are monuments consisting of a single large piece of megalith. ▪ Dolmens are "stone table" in Breton, made up of a number of vertical megaliths with horizontal slab. ▪ Cromlechs made up of a number of megaliths in concentric circle extending a wide area. Ancient Greek Arts oad.wikimedia.org/wikipedia/commons/thumb/b/b4/Corinthian_jug_620_BC_Staatliche_Antikensammlungen.jpg/71px-Corinthian_jug_620_BC_Staatliche_Antikensammlungen.jpg Archaic Period ▪ Arts were influenced by the earlier civilization of Mesopotamia and Egypt. http://upload.wikimedia.org/wikipedia/commons/thumb/4/4f/Athena_Herakles_Staatliche_Antikensammlungen_2648.jpg/120px-Athena_Herakles_Staatliche_Antikensammlungen_2648.jpg ▪ Geometric art (Pottery) ▪ Archaic period focuses on nude sculpture. http://upload.wikimedia.org/wikipedia/commons/thumb/4/44/Maenad_satyr_Louvre_G2.jpg/108px-Maenad_satyr_Louvre_G2.jpg ▪ Kouros (nude male figure of athlete) ▪ Kore (fully clad female figure) http://upload.wikimedia.org/wikipedia/commons/thumb/2/22/Bowl_maenad_BM_GR1898.11-21.2.jpg/120px-Bowl_maenad_BM_GR1898.11-21.2.jpg Classical Period ▪ Remarkable civilization of ancient Greek. ▪ Golden age of Athens (Socrates/ Plato/ Aristotle) http://upload.wikimedia.org/wikipedia/commons/thumb/3/3f/Crat%C3%A8re_de_Vix_0023.jpg/100px-Crat%C3%A8re_de_Vix_0023.jpg ▪ Outstanding period of cultural achievement ▪ Aesthetic ideals (emphasize form/ implying a rigorous artistic discipline in conforming to a schema or to a certain http://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/Bronze_horse_Louvre_Br90.jpg/100px-Bronze_horse_Louvre_Br90.jpg artistic convention ▪ Exhibit an intellectual order (philosophical) ▪ Follow the principle of design (harmony/ proportion/ balance) Classical Sculpture ▪ Sculpture evolved from the frontal and rigid “kouroi” or “kouros” ▪ Sculpture gave way d.wikimedia.org/wikipedia/commons/thumb/2/23/NAMA_X15118_Marathon_Boy_3.JPG/79px-NAMA_X15118_Marathon_Boy_3.JPG http://upload.wikimedia.org/wikipedia/commons/thumb/b/bf/Aphrodite_Braschi_Glyptothek_Munich_258.jpg/56px-Aphrodite_Braschi_Glyptothek_Munich_258.jpg the creation of the transitional movement. ▪ Phidias/ Polykleitos/ Myron/ Praxiteles ❑ Architecture: Praxiteles; Ictinus; and Callicrates ❑ Open- Air Theater: Aeschylus; Sophocles; and Euripides Hermes Aphrodite of Apollo bearing infant Cnidus Venus Braschi saurotonos Dionysus Hellenistic Period ▪ End of the Golden age of Athens ▪ 404 BC – Peloponesian War (Spartans – Athenians) ▪ 338 BC – Alexander the Great conquered Greek cities. ▪ Greek sculpture was influenced by the Oriental and the political instability. ▪ This gave way to the rise of new set of aesthetic ideals. Hellenistic Arts ▪ Zeuxis Renown ▪ Parrhasius Naturalistic ▪ Apollodorus Painters Alexandros Agesander Lysippos Aphrodite of Milos Laocoon Apoxyomenos Roman Art ▪ The Roman sculptures imitated the Greek forms and techniques. ▪ The Romans developed a new artistic subjects like “still life”, “Landscape”, and “architectural motifs”. ▪ The Roman architectures imitated the certain features of Greek architectures (Doric – Tuscan orders) ▪ The Romans imitated also the Greek literature. ❖ Early Christian Arts ❖ Byzantine Arts ❖ Romanesque Arts ❖ Gothic Arts Early Christian Arts and Architectures ▪ Art produced by Christians or under Christian patronage from about the year 100 to about the year 500. ▪ The arts introduced a new sense of values (emphasizing spiritual and life after death). ▪ Arts were influenced by the early Christian symbols (cross, fish, lamb, Alpha, Omega, wreath, grapes, doves, and peacocks) Byzantine Arts ▪ Byzantine art is the term commonly used to describe the artistic products of the Byzantine Empire from about the 5th century until the Fall of Constantinople in 1453 ▪ Merging of Classical and Asian artistic tradition. ▪ Emphasized the clarity of line and sharpness of outline. Romanesque Arts ▪ Romanesque art refers to the art of Europe from approximately 1000 AD to the rise of the Gothic style in the 13th century ▪ Romanesque period developed their own arts; metal work, geometric designs, and stylized animal form. Gothic Arts ▪ Gothic art was a style of Medieval art that developed in France out of Romanesque art in the mid-12th century ▪ Gothic art was influenced by the philosophy of religion (St. Thomas’ “Summa Theologia”). ▪ Arts gave emphasis about religions ▪ Gothic arts depicted the use of stained glass (mosaic). ▪ Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. http://upload.wikimedia.org/wikipedia/commons/thumb/8/8a/Michelangelo%27s_Pieta_5450_cropncleaned.jpg/220px-Michelangelo%27s_Pieta_5450_cropncleaned.jpg Renaissance Art (15th Century Art) ▪ Renaissance art gave emphasis on man as the measure of all things (homocentric). ▪ Art focused on man’s thoughts, feelings and imaginations. ▪ The ideals of classicism became the artistic standards of the renaissance orders. ▪ Painting and sculpture subjects remained religious by nature (classical mythology). ▪ Renaissance period emphasized the ideal man (jack-of- all-trade) – well rounded man and knowledgeable in different fields (philosophy, science, and arts). Versatile Men of Renaissance http://upload.wikimedia.org/wikipedia/commons/thumb/b/ba/Leonardo_self.jpg/220px-Leonardo_self.jpg ▪ Leonardo di ser Piero Michelangelo di Lodovico da Vinci Buonarroti Simoni p://upload.wikimedia.org/wikipedia/commons/thumb/7/77/DaVinci_LastSupper_high_res_2_nowatmrk.jpg/400px-DaVinci_LastSupper_high_res_2_nowatmrk.jpg Famous Works of Leonardo da Vinci owing Jesus, naked except for a loin-cloth, standing in a shallow stream in a rocky landscape, while to the right, John the Baptist, identifiable by the cross that he carries, tips water over Jesus' head. Two angels kneel at the left. Above Jesus are the hands of God, and a dove descending. http://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Leonardo_da_vinci%2C_The_Virgin_and_Child_with_Saint_Anne_01.jpg/175px-Leonardo_da_vinci%2C_The_Virgin_and_Child_with_Saint_Anne_01.jpg http://upload.wikimedia.org/wikipedia/commons/thumb/0/03/Leonardo%2C_san_girolamo.jpg/170px-Leonardo%2C_san_girolamo.jpg upload.wikimedia.org/wikipedia/commons/thumb/6/63/Michelangelos_David.jpg/170px-Michelangelos_David.jpg Famous Works of Michelangelo Buonarotti http://upload.wikimedia.org/wikipedia/commons/thumb/d/db/Lightmatter_Sistine_Chapel_ceiling.jpg/220px-Lightmatter_Sistine_Chapel_ceiling.jpg Early Renaissance ▪ Lorenzo Ghiberti (1378 – 1455) – bronze sculptor ▪ Filippo Brunelleschi (1377 – 1446) – bronze sculptor ▪ Donatello (1386 – 1466) – best Florentine scupltor ▪ Andrea del Verrochio (1435 – 1488) – da Vinci’s teacher in painting ▪ Leon Battista Alberti (1404 – 1472) - Architecture ▪ Giotto di Bondone (1226 – 1337) – popular in frescoes painting ▪ Fra Filippo Lippi (1406-1469) – Botticelli’s teacher in painting ▪ Sandro Boticelli (1447 – 1510) – introduced nude painting kimedia.org/wikipedia/commons/thumb/3/3a/Paradies_tuer_florenz.jpg/90px-Paradies_tuer_florenz.jpg High Renaissance ▪ Leonardo da Vinci (1452 – 1519) ▪ Raphael (1483 – 1520) ▪ Michaelangelo Buonarroti (1475 – 1564) ▪ Giovanni Bellini (1430 – 1516) ▪ Giorgione (1478 – 1511) ▪ Albert Durer (1471-1528) http://upload.wikimedia.org/wikipedia/commons/thumb/7/71/Jacopo_Tintoretto_001.jpg/220px-Jacopo_Tintoretto_001.jpg MANNERISM, BAROQUE, AND ROMANTICISM ARTS Mannerism Arts ▪ A period of European art that emerged from the later years of the Italian High Renaissance around 1520 and lasted until about 1580 in Italy. ▪ The word mannerism derives from the Italian maniera, meaning "style" or "manner“ ▪ Andrea del Sarto, Jacopo da Pontormo and Rosso Fiorentino (Early Florencian Mannerist) ▪ Michelangelo was one of the great creative exponents of Mannerism ▪ Andre del Sarto - An Italian painter from Florence, whose career flourished during the High Renaissance and early Mannerism. An artist senza errori ("without errors") ▪ Peter Bruelghel -'Peasant Bruegel' or 'Bruegel the Peasant' Flemish Renaissance painter and printmaker known for his landscapes and peasant scenes. ▪ Jacopo Comin “Tintoretto” - Venetian painter and a notable exponent of the Renaissance school. His work is characterized by its muscular figures, dramatic gestures and bold use of perspective in the Mannerist style http://upload.wikimedia.org/wikipedia/commons/thumb/3/3e/Tintosoup.jpg/300px-Tintosoup.jpg Baroque Arts ▪ Relating to or denoting a style of European architecture, music, and art of the 17th and 18th centuries that followed mannerism and is characterized by ornate detail. ▪ In architecture the period is exemplified by the palace of Versailles and by the work of Bernini in Italy. ▪ Caravaggio and Rubens are important baroque artists. ▪ Gian Lorenzo Bernini - An Italian artist who is popular in marble sculpture and a prominent architect. He is the leading figure in the emergence of Roman Baroque architecture. ▪ Micheangelo da Caravaggio -His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on the Baroque school of painting ▪ Peter Paul Rubens - Flemish Baroque painter, and a proponent of an extravagant Baroque style that emphasised movement, colour, and sensuality Romanticism Arts ▪ A movement in the arts and literature that originated in the late 18th century, emphasizing inspiration, subjectivity, and the primacy of the individual. ▪ Romanticism is a reaction against the order and restraint of classicism and neoclassicism. ▪ Romanticism rejects rationalism, and characterized the Enlightenment. ▪ Leading visual artist: Eugene Delacroix and Francisco Goya ▪ Ferdinand Victor Eugene Delacroix - French Romantic artist regarded from the outset of his career as the leader of the French Romantic school. ▪ Delacroix's use of expressive brushstrokes and his study of the optical effects of color profoundly shaped the work of the Impressionists. ▪ Francisco Jose de Goya y Lucientes - Spanish romantic painter and printmaker, and court painter to the Spanish Crown. ▪ 1792 and early 1793, a serious illness, whose exact nature is not known, left Goya deaf, and he became withdrawn and introspective ▪ 1814 to 1819 his works are mostly commissioned portraits THE MODERN ARTS: THE AVANT GARDE http://upload.wikimedia.org/wikipedia/commons/thumb/7/76/Georges_Seurat_1888.jpg/150px-Georges_Seurat_1888.jpg Movement/ Style of Arts Year Started Modern Arts: The Avant Garde ▪ Avant Garde refers to a Impressionism 1870 to 1900 new and unusual or experimental Post-Impressionism 1880 to 1920 ideas, especially in the arts. It derives Symbolism 1880 to 1910 from French word vanguard (avant “before” + garde “guard”), referring to Fauvism 1905 to 1908 a group of people (movement) who led Expressionism 1905 to 1925 the way in new developments or Cubism 1908 to 1920 ideas. Futurism 1909 to 1918 ▪ Modern denotes a current Abstract Arts 1910 - or recent style or trend in art, architecture, or other Dada Arts 1916 to 1923 cultural activity marked by a Precisionism 1915 to 1945 significant departure from traditional Surrealism 1920 - styles and values. Art Deco 1920 –o 1935 ▪ Modern Art Movements begin in the 19th century until the late 20th century. Pop Arts 1956 to 1960 The Modern Arts: The Avant Garde ▪ Impressionism – a style or movement in painting originating in France in the 1860s, characterized by a concern with depicting the visual impression of the moment, especially in term of the shifting effect of light and color ▪ Impressionism (Impressionist painters) – repudiated both the precise academic style and the emotional concerns of Romanticism, and their interest in objective representation, especially of landscape ▪ Pivotal figure: Edourd Manet (from realism to impresionism) ▪ Chief exponents: Claude Monet; Pierre-Auguste Renoir; Camille Pissarro; Paul Cezanne; Edgar Degas, and Alfred Sisley The Luncheon on the Grass (Le déjeuner sur l'herbe), originally Le Bain. The Paris Salon rejected it for exhibition in 1863, but Manet agreed to exhibit it at the Salon des Refusés (Salon of the Rejected) ▪ Edouard Manet (The French Modernist) - a French modernist painter and one of the first 19th century artists to paint modern life. He was a pivotal figure in the transition from Realism to Impressionism Olympia (1863), a nude portrayed in a style reminiscent of early studio photographs, but whose pose was based on Titian's Venus of Urbino (1538). The painting is also reminiscent of Francisco Goya's painting The Nude Maja (1800) Le déjeuner sur l'herbe (right section), 1865–1866, with Gustave Courbet, Frédéric Bazille and Camille Doncieux, first wife of the artist, Musée d'Orsay, Paris ▪ Oscar Claude Monet (The Landscaper) - Founder of French impressionist painting and the most consistent and prolific practitioner of the movement’s philosophy of expressing one’s perception before nature Camille Monet on a Garden Bench, 1873, Metropolitan Museum of Art, New York Luncheon of the Boating Party, 1880– 1881 ▪ Pierre-Auguste Renoir (The Feminist) - a French modernist painter and a leading painter in the development of impressionist style. His style and subject matter was inspired by Camille Pissaro and Edourd Manet. Mme. Charpentier and her children, 1878, Metropolitan Museum of Art, New York ▪ Edgar Degas (The Dancer Painter) - French impressionist, famous for his paintings, sculpture, prints, and drawings. One of the founders of impressionism and a History painter – classical painter of Dancing Class (1871) modern life. Ballet Rehearsal (1873) Rehearsal on Stage (1874) ▪ Paul Cezanne – French artist and post- Les Grandes Baigneuses, 1898– 1905: the triumph of impressionist painter whose works laid Poussinesque stability and the foundations of the transition from geometric balance 19th century conception of artistic endeavor to a new and radically different world of art in the 20th century. Femme au Chapeau Vert (Woman in a Green Hat. Madame Cézanne.) 1894–1895 ▪ Eugene Henri Paul Aline Marie Chazal Gaugin – French Tristán, (1825– 1867) "The Artist's post-impressionist Mother", 1889, painter who was Staatsgalerie recognized for his Stuttgart experimental use of color and synthetic style. He was an important figure in the Gauguin's Symbolist maternal grandmother, movement as Flora Tristan painter, sculptor, (1803–1844) in printmaker, 1838 ceramist, and writer. George Seurat (The Pointillism) ▪ Pointillism – a technique of ▪ Born on December 2, 1859 at Paris, neo-impressionist painting France using tiny dots of various ▪ Founder of the 19th century French pure colors, which become school of Neo-Impressionism blended in the viewer’s eye ▪ 1875 – took course from a sculptor, Justin Lequien ▪ Pointillism – was developed ▪ 1878 – took art course in Ecole des by George Seurat with the Beaux-Arts with Henri Lehmann aim of producing a greater ▪ 1883 - Une Baignade, Asnieres (studied sketches and panels) degree of luminosity and ▪ 1884 – participated in the foundation of brilliance of color. the Groupe des artiste independants ▪ 1885 – Camille Pissaro (impressionist master) was introduced ▪ 1886 (May 15 – June 15) – Exhibit of La Grande Jatte The Sunday Afternoon on the Island of La Grande Jatte, 1884– 1886, at The Art Institute of Chicago ommons/thumb/9/91/Chahut.jpg/240px-Chahut.jpg Le Chahut, 1889–1890, Kröller-Müller Museum, Otterlo, Netherland The Modern Arts: The Avant Garde ▪ Expressionism – a style of painting, music, or drama in which the artist or writer seeks to express emotional experience rather impressions of the external world ▪ Expressionism – characteristically rejects traditional ideas of beauty or harmony, use of distortion, exaggeration, and other non-naturalistic devices in order to emphasize and express the inner world of emotion ▪ Expressionism – emphasized and insisted on the primacy of the artist’s feelings and mood, which often incorporating violence and grotesque (shocking) ▪ El Greco and Grunewald’s paintings exemplify the earliest expressionism ▪ It was first used in the late 19th to 20th century in Europe and specifically in Germany (German movement led by Van Gogh, Eduard Munch, and James Ensor) Bedroom in Arles, ▪ Vincent Willem van 1888. Van Gogh Gogh - Dutch post- Museum, Amsterdam impressionist painter and most famous and influential figure in the history of Western art. The Night Café, ▪ In the last two years of 1888. Yale University Art his life, he created Gallery, New around 860 oil Haven Connecticut paintings and in just over decade, he created about 2,100 artworks The Yellow House, 1888. ▪ Landscapes, still life, Van Gogh portraits, and self- Museum, Amsterdam portraits The Modern Arts: The Avant Garde ▪ Cubism – an early 20th century style and movement in the field of visual arts, especially in painting. ▪ Cubism emphasizes the use of simple geometric shapes, interlocking planes, and later, collage. ▪ Cubism is a reaction against the traditional modes of representation and impressionist concerns with light and color ▪ Cubism was inspired by the later work of Paul Cezanne and by the African sculpture ▪ Cubism was first named by the French critic, Loius Vaucelles (1908) ▪ Cubism was popularized by Pablo Picasso and George Braque (synthetic cubism and illusory) Portrait of Gertrude Stein, ▪ Pablo Picasso - Pablo 1906, Metropolitan Museum Diego Jose Francisco de of Art, New York City. When someone commented that Paula Juan Nepomuceno Stein did not look like her portrait, Picasso replied, Maria de los Remedios "She will" Cipriano de la Santisima Trinidad Ruiz y Picasso ▪ A Spanish painter, The Old Guitarist sculptor, printmaker, (1903), Chicago Art Institute ceramicist, stage designer, poet and playwright ▪ His prolific inventiveness and technical versality made him the dominant figure in avant-garde art in the first half of the 20th century. He developed La Vie (1903), Cleveland cubism in 1908-14. Museum of Art Les Grandes Baigneuses, 1898– 1905: Les Demoiselles d'Avignon (1907), the triumph of Poussinesque stability and Museum of Modern Art, New York geometric balance CONTEMPORARY ART MOVEMENTS Pop Arts ❑ It was both modernist and contemporary art which is based on modern popular culture and mass media, especially as a critic or ironic comment on traditional fine arts values ❑ It started out by depicting a more up-to-date reality, using images of film-stars and other celebrities, as well as mass-made consumer goods. But this was rapidly eclipsed by an increasing post-modern focus on impact and style ❑ Andy Warhol (Andrew Warhola) – painter, graphic artist, and filmmaker. A major exponent of pop art, he achieved fame for a series of silkscreen prints and acrylic paintings of familiar objects (such as Campbell's soup cans) and famous people (such as Marilyn Monroe), that are treated with objectivity and precision ❑ Roy Lichtenstein and Jasper Johns are also considered as leading exponents Word Arts ❑ It was a brand new form of painting or sculpture which used text- based imagery. ❑ It associated with artist like: Robert Indiana; Jasper Johns; On Kawara; Barbara Kruger; and Christopher Wool ❑ Jasper Johns – a US painter, sculptor, and printmaker. A key figure in the development of pop art who depicted commonplace and universally recognized images. (Flags; Number series; and Target). Conceptual Arts ❑ A postmodernist art movement founded on the principle that art is a concept rather than a material object (Dada arts/ Marcel Duchamp) ❑ Art in which the idea presented by the artist is considered more important than the finished product (essential component) ❑ Important exponents: Sol LeWitt; Joseph Beuys; Felix Gonzales-Torres; Eva Hesse; Jenny Holzer; Joseph Kosuth; Barbara Kruger; Jean Tinguely; and Lawrence Weiner ❑ Joseph Beuys – German artist, one of the most influential figures of the avant-garde movement in Europe in the 1970’s and 1980’s. his works consisted of assemblages of various articles of rubbish ❑ Pop Art (1960s onwards) ❑ Feminist Art (1970s) ❑ Word Art (1960s onwards) ❑ Body Art (1990s) ❑ Conceptualism (1960s onwards) ❑ Chinese Cynical Realism (1990s) ❑ Performance (Early 1960s onwards) ❑ Neo-Pop (late 1980s onwards) ❑ Fluxus Movement (1960s) ❑ Stuckism (1999 onwards) ❑ Installation (1960s onwards) ❑ New Leipzig School (2000 onwards) ❑ Video Installations (1960s onwards) ❑ Projection Art (21st Century) ❑ Computer Art (21st Century) ❑ Minimalism (1960s onwards) ❑ Photo-Realist Art (Hyperrealism) (1960s, 1970s ❑ Earthworks (Land or Environmental Art) (1960s, 1970s) ❑ Contemporary Photography (1960s onwards) ❑ Arte Povera (1966-71) ❑ Supports-Surfaces (1966-72) ❑ Contemporary Realism ❑ Post-Minimalism (1971 onwards) Art imitates Life but now it is Life that imitates Art REFERENCES: Textbook Tabotabo, Claudio V. (2010). Art Appreciation: Introduction to the Humanities (Revised Edition). Manila. Mindshapers Co., Inc. Marcos, Lucivilla L. (2006). Introduction to the Humanities Visual and Performing Arts. Manila. Mindshapers Co., Inc. Zulueta, Francisco (2003). The Humanities (Revised Edition). Mandaluyong City. National Book Store inc. Sanchez, Custodiosa A., Abad, Paz F., & Jao, Loreto V. (2002). Introduction to the Humanities (Revised Edition). Q.C. Rex Printing Company Inc. WEBSITE RESOURCES: Birth of Venus. Retrieved from http://www.italianrenaissance.org/botticelli-birth-of-venus/ Armstrong, John. (2013). What is Art For? Retrieved from https://www.city-journal.org/html/what-art-13616.html Herman, Judith (2014). 27 Responses to the Question “What is Art?” Retrieved from https://www.mentalfloss.com/article/57501/27-responses- question-what-art Gilman, Ernest B. (n.d.). The Subjects of Art. 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(1990).The Iconography of the Sarcophagus of Junius Bassus: Neotifus lit Ad Deum. Princeton University Press retrieved from https://www.jstor.org/stable/j.ctt7ztnkm Leonardo da Vinci: Paintings, Drawings, Quotes, and Biography. Retrieved from https://www.leonardodavinci.net