W5 Q1 topic_ GAMABA.pdf

Contemporary Philippine Arts from the Regions Week 5 – Quarter 1 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS PREPARED BY: CPAR SHS TEACH...

Contemporary Philippine Arts from the Regions Week 5 – Quarter 1 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS PREPARED BY: CPAR SHS TEACHERS  Learning Targets: 01 understand the Republic Act 7355 or Manlilikha ng Bayan Act; 02 identify the sixteen (16) Gawad sa Manlilikha ng Bayan (GAMABA) awardees and their contributions in the Philippines Contemporary Art CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS WEEK 5 – QUARTER 1  Learning Targets: 03 appreciate the roles of the artists in the development of the Philippine Arts CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS WEEK 5 – QUARTER 1  Start up: 1) In your opinion, is it important to recognize our artists? Does it contribute to the development of Philippine Arts? How? 2) What is the impact of traditional arts to the lives of the Filipinos? CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS WEEK 5 – QUARTER 1 National Living Treasures Award GAWAD SA MANLILIKHA NG BAYAN (GAMABA) Manlilikha ng Bayan Act established in 1992 Republic Act No. 7355 citizen engaged in any traditional art uniquely Filipino, whose distinct skills have reached such a high level of technical and artistic excellence, and have passed it on to in his or her community with the same degree of technical and artistic competence.  National Commission for Culture and the Arts (NCCA) The highest policy and coordinating body for culture and the arts of the state. It has to search for the finest traditional artist of the land. CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA  The Emblem CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS WEEK 5 – QUARTER 1  GAMABA Logo human form “Manlilikha ng Bayan” wrien in Baybayin CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS WEEK 5 – QUARTER 1  CRITERIA: 1 Cultural connection should be from an indigenous/ traditional community in the Philippines Community should have preserved its customs, beliefs, rituals, and traditions CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA  CRITERIA: 2 Folk Art Engagement Engaged in a folk art tradition for at least 50 years of existence The tradition should be well-documented CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA  CRITERIA: 3 Consistent Excellence Produced and performed artistic, distinctive, and superior quality of work over a significant period of time. CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA  CRITERIA: 4 Technical Mastery Possesses mastery of tools and materials in the respective art Has an established reputation as a master and maker of works with extraordinary technical quality. CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA  CRITERIA: 5 Community Impact Passed on or will pass on skills in the folk art to other community members by virtue of teaching. CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA  CRITERIA: In case when a candidate is incapable of teaching further his/her craft and skill due to age or infirmity: a) he/she should have created a significant body of work and has contributed to the development of the tradition and craft. CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA  CRITERIA: In case when a candidate is incapable of teaching further his/her craft and skill due to age or infirmity: b) he/she should have played a role in the preservation and revitalization of the artistic tradition in the community. CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA  CRITERIA: In case when a candidate is incapable of teaching further his/her craft and skill due to age or infirmity: c) he/she should has been recognized as a master of his/her craft and admired for his/her character and integrity in his/her community. CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA  The Gawad Manlilikha ng Bayan (GAMABA) Awardees for the year 1993 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA GAMABA Awardees for the year 1993 Ginaw Bilog Surat Mangyan and Ambahan poetry Panaytayan, Mansalay, Oriental Mindoro, Region IV-B MIMAROPA GAMABA Awardees for the year 1993 Ginaw Bilog preserved the Mangyan script and the ambahan, a metaphoric poem with seven–syllable lines etched on bamboo tubes used in conveying messages GAMABA Awardees for the year 1993 Masino Intaray Epic Chanter and Storyteller Palawan Island, Region IV-B MIMAROPA GAMABA Awardees for the year 1993 Masino Intaray played multiple indigenous instruments namely the basal (gong), kutiyapi, aruding (mouth harp), and the babarak (ring flute). He is also known for his performance of kulilal or songs and bagit, a form of vocal music. GAMABA Awardees for the year 1993 Basal (gong) Babarak (ring flute) GAMABA Awardees for the year 1993 Samaon Sulaiman Playing Kudyapi Mamasapano, Maguidanao, Western Midanao (BARMM) GAMABA Awardees for the year 1993 Samaon Sulaiman achieved the highest level of excellence in the art of kutyapi playing.  The Gawad Manlilikha ng Bayan (GAMABA) Awardees for the year 1998 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA GAMABA Awardees for the year 1998 Lang Dulay T’nalak Weaving T’boli/Lake Sebu, South Cotabato, Mindanao, Region XII SOCCSKSARGEN GAMABA Awardees for the year 1993 Lang Dulay preserved the traditional T’nalak using abaca fibers as fine as hair which traditionally has three primary colors, red, black, and the original colors of abaca leave recreated by her nimble hands-the crocodiles, buerflies, and flowers. GAMABA Awardees for the year 1993 Lang Dulay preserved the traditional T’nalak using abaca fibers as fine as hair which traditionally has three primary colors, red, black, and the original colors of abaca leave recreated by her nimble hands-the crocodiles, buerflies, and flowers. GAMABA Awardees for the year 1998 Salinta Monon Inabal Weaving Tagabawa Bagobo/ Bansalan, Davao del Sur, Region XI Davao Region GAMABA Awardees for the year 1993 Salinta Monon fully demonstrating the creative and expressive aspects of the Bagobo abaca ikat (to tie or bond) weaving called inabal (traditional textile of Bagobo) GAMABA Awardees for the year 1993 Salinta Monon fully demonstrating the creative and expressive aspects of the Bagobo abaca ikat (to tie or bond) weaving called inabal (traditional textile of Bagobo)  The Gawad Manlilikha ng Bayan (GAMABA) Awardees for the year 2000 CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA GAMABA Awardees for the year 2000 Uwang Ahadas Playing Yakan Instruments Yakan/ Lamitan, Basilan Island, (BARMM) GAMABA Awardees for the year 2000 Federico Caballero Chanting the Sugidanon Epic of the Panay Bukidnon Sulod-Bukidnon/ Calinog, Iloilo, Panay Island, Region VI Western Visayas GAMABA Awardees for the year 2000 Alonzo Saclag Playing Kalinga Musical Instruments Kalinga, Northern Luzon Island, Cordillera Administrative Region (CAR)  Questions? Clarification? CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA  Food for thought: A person without the knowledge of their past, history, origin, and culture is like a tree without roots. –Marcus Garvey CONTEMPORARY PHILIPPINE ARTS FROM THE REGIONS GAMABA