2nd Semester Midterms Reviewer - Philippine Art PDF

STEM/CPAR SAINT BONIFACE, PRAY FOR US 2ND SEMESTER/MIDTERMS-REVIEWER PHILIPPINE ART Damian Dominga (Father of Philippine Painting) ! Reflects upon its u...

STEM/CPAR SAINT BONIFACE, PRAY FOR US 2ND SEMESTER/MIDTERMS-REVIEWER PHILIPPINE ART Damian Dominga (Father of Philippine Painting) ! Reflects upon its unique cultural identity, Juan Luna (Spoliarium) history, and diverse influences. AMERICAN PERIOD Focus on Filipino life and nationalism A What is Philippine Art? Fernando Amorsolo’s rural themes Botong Francisco’s social realism INDIGENOUS ROOTS Weaving, pottery, and tattoos reflect MODERN/CONTEMPORARY community and nature Modernist techniques and global themes COLONIAL INFLUENCES Victorio Edades Spanish colonization introduced Benedicto Cabrera religious art Retablos (altar pieces) and Santos C Sculpture NATIONALISM PRE-COLONIAL ERA Philippine Revolution showed Functional pieces from wood & stone resistance through art Bul-ul (rice guardians) Manunggul Jar (burial jar) THEMES OF STRUGGLE Amorsolo, Francisco, and Cabrera SPANISH COLONIAL PERIOD showcase Filipino life Santos & relief carvings became central RELIGIOUS SYNCRETISM Made from wood and ivory Combination of indigenous beliefs and Christianity AMERICAN & JAPANESE PERIOD Ati-Atihan festival Guillermo Tolentino’s Bonifacio Monument MULTICULTURAL DIVERSITY Bronze casted sculptures focused on Regional variations historical events T’boli T’nalak weaving Maranao okir carvings MODERN/CONTEMPORARY Kalinga tattoos (batok) Revival of traditional styles Napoleon Abueva “The Father of B Paintings Modern Philippine Sculpture” PRE-COLONIAL ERA D Weaving Painted on natural surfaces Symbolic themes in rituals and PRE-COLONIAL ERA storytelling Geometric designs showed social Angono Petroglyphs status and identity Woven textiles with natural fibers like SPANISH COLONIAL PERIOD abaca, cotton, pineapple leaf Religious imagery in Churches PAGE 01 REVIEWER BY KRISTIE ANNE M. JACONES-11 STEM ST. BONIFACE  STEM/CPAR SAINT BONIFACE, PRAY FOR US 2ND SEMESTER/MIDTERMS-REVIEWER COLONIAL PERIOD PICC (Philippine International Piña fabric from Aklan used in Convention Center) represents traditional clothing post-war ambitions Weaved fabrics for church vestments F Pottery KEY REGIONS Northern Philippines: Abel Iloco, PRE-COLONIAL ERA Kalinga Weaves Utilitarian potteries Cordillera Region: Textiles depicting Manunggul Jar and Maitum Jars nature, community, spirituality Southern Philippines: T’boli T’nalak, SPANISH COLONIAL PERIOD Maranao Malong Introduced glazing and other techniques MODERN/POST-COLONIAL Religious items for churches and Revival of traditional weaves into missions modern fashion National Living Treasures: Master MODERN/CONTEMPORARY weavers like Lang Dulay (T’boli) Preserved and revived indigenous pottery traditions E Architecture Burnay Jars (Ilocos) Kalinga Pottery PRE-COLONIAL ERA Structures built by adapting the G Music environment Bahay Kubo PRE-COLONIAL ERA Ifugao rice Terraces Ritualistic music using indigenous Torogan instruments Bahay na Bato Kulintang Kudyapi SPANISH COLONIAL PERIOD European architectural styles SPANISH COLONIAL PERIOD (Baroque) Religious hymns (pasyon) Churches promoting Catholicism Folk music (kundiman) San Agustin Church (Manila) AMERICAN PERIOD AMERICAN PERIOD Brass bands Western architectural style public Western Styles buildings Manila City Hall, The Manila Hotel MODERN/CONTEMPORARY University of the Philippines (UP), Original Pilipino Music (OPM) Philippine General Hospital (PGH) Freddie Aguilari Bureau of Science, built in 1918 H Literature POST-WAR Leandro Locsin’s CCP (Cultural Center of the Philippines) PRE-COLONIAL ERA Oral traditions passed down through generations PAGE 02 REVIEWER BY KRISTIE ANNE M. JACONES-11 STEM ST. BONIFACE  STEM/CPAR SAINT BONIFACE, PRAY FOR US 2ND SEMESTER/MIDTERMS-REVIEWER Biag ni Lam-ang Alice Reyes SPANISH COLONIAL PERIOD K Folk Dance Religious and allegorical works Florante at Laura TINIKLING Mimics birds dodging bamboo traps AMERICAN PERIOD Writers exploring identity through CARIÑOSA English Flirtatious courtship dance with fans Jose Garcia Villa or handkerchiefs MODERN/CONTEMPORARY PANDANGGO SA ILAW Realism, politics, cultural diversity Balancing oil lamps while performing Global recognition for writers like Nick Joaquin MAGLALATIK Mock barrels using coconut shells I Theatre REGIONAL VARIATIONS PRE-COLONIAL ERA Pantomina (Bicol) Ritual performances Itik-Itik (Surigao Bayok chant Balitaw (Visayas) SPANISH COLONIAL PERIOD L Contemporary Visual Arts Religious dramas (senakulo, moro-moro) NATIONAL ARTISTS Secular plays (zarzuela) Bencab (Sabel series) Botong Francisco (murals) MODERN/CONTEMPORARY Activist plays during Martial Law REGIONAL ICONS Experimental theater (PETA) Rodel Tapaya (Mythology-inspired paintings) J Dance Imelda Cajipe-Endaya (Mixed media) PRE-COLONIAL ERA INSTITUTIONS Spiritual dances for rituals and CCP and Art Fair celebrations SPANISH COLONIAL PERIOD PHILIPPINE NATIONAL ARTIST European dances Cariñosa M National Artist Award AMERICAN PERIOD Ballroom and jazz influence ! A title conferred by the President to recognize their contributions to arts. MODERN/CONTEMPORARY ORDER OF NATIONAL ARTIST Contemporary styles but still Highest national recognition in arts including tradition Represented by a grand collar PAGE 03 REVIEWER BY KRISTIE ANNE M. JACONES-11 STEM ST. BONIFACE  STEM/CPAR SAINT BONIFACE, PRAY FOR US 2ND SEMESTER/MIDTERMS-REVIEWER ESTABLISHED PERIOD Famous for Genesis Presidential Proclamation No. 1001, s. 1972 ANG KIUKOK (2001) Expressionist blending cubism & CRITERIA surrealism Filipino citizenship Works conveying intense emotion Pioneering works Contributions to nationhood FRANCISCO COCHING (2014) Substantial artistic output “Pillar of the Philippine Komiks Broad acceptance through critical Industry” awards Creator of Hagibis, Pedro Penduko, and Sabas PRIVILEGES Cash awards O Performing Arts Monthly stipends Life insurance FRANCISCO REYES AQUINO (1973) State funeral benefits Documented Filipino folk dances Honors during national events ANTONIO J. MOLINA (1973) N Visual Arts Named National Artist for Music Key figures in classical music FERNANDO AMORSOLO (1973) Hatinggabi, Sa Ugo ng Duwa, Pasko “Master of Light” na Naman Rural life paintings; Planting rice LEONOR OROSA-GOQUINGCO (1976) CARLOS FRANCISCO (1973) Elevated folk dances (Singkil) to Revived mural art ballet Depicting Philippine history ALICE REYES (2014) GUILLERMO TOLENTINO (1973) Modern Filipino dance Sculptures like The Oblation and Founded Ballet Philippines Bonifacio Monument JOVITA FUENTES (1976) NAPOLEON ABUEVA (1976) First internationally recognized “Father of Modern Philippine Filipino opera singer Sculpture” Abstract works; The Transfiguration FRANCISCO FELICIANO (2014) Modernized sacred music blending VICTORIO EDADES (1976) Filipino elements Introduced modernism Known for cubism and expressionism RYAN CAYABYAB (2018) Popularized OPM VICENTE MANANSALA (1981) Composed Tuwing Umuulan Modernized art with cubism Works like Mother and Child AGNES LOCSIN Developed ‘neo-thenic” choreo HERNANDO OCAMPO (1991) Encantada, Sayaw, Sabel, and La Abstract expressionism revolucion Filipina PAGE 04 REVIEWER BY KRISTIE ANNE M. JACONES-11 STEM ST. BONIFACE  STEM/CPAR SAINT BONIFACE, PRAY FOR US 2ND SEMESTER/MIDTERMS-REVIEWER SALVACION LIM-HIGGINS DOcumented history through works “Mother of the Modern Terno” like The Great Malayan FIDES CUYUGAN-ASENSIO F. SIONIL JOSE Soprano and opera advocate Novels on social justice Mentored aspiring FIlipino artists The Pretenders ANTONIO “TONY” MABESA BIENVENIDO LUMBERA “Lion of Philippine Theater” Works on nationalism Founded Dulaang UP Librettos like Tales of the Manuvu P Literature Arts RAMÓN LARUPAY MUZONES Hiligaynon writer Margosatubig: The Story of AMADO V. HERNANDEZ Salagunting Advocate for workers’ rights Wrote Mga Ibong Mandaragit RESIL BUAGAS MOJARES Scholar and essayist JOSE GARCIA VILLA Wrote House of Memory Known for experimental poetry Comma poems GÉMINO HENSON ABAD Poet, critic, and anthologist NICK JOAQUIN Contribution to poetry and Explored identity in works like The anthologies like The Likhaan Woman Who Had Two Navels Anthology CARLOS P. ROMULO Q Film and Theater Arts A diplomat, soldier, and journalist Wrote autobiographical works I Walked with Heroes ISHMAEL BERNAL (2001) Directed Himala FRANCISCO ARCELLANA Tackled social issues Pioneer of modern Filipino short stories LAMBERTO VERA AVELLANA First Filipino film shown at Cannes ROLANDO S. TINIO Badjao Playwright, poet, and translator Developed “Sarswela” SEVERINO MONTANO Playwright, director, and actor LEVI CELERIO The Love of Leonor Rivera Prolific composer and lyricist Songs reflecting Filipino traditions DAISY AVELLANA and culture Stage actress and director Composed Sa Ugoy ng Duyan, Ang Played in Portrait of the Artist as Pipit Filipino CARLOS QUIRINO SALVADOR FLORO BERNAL Recognized for his historical literature “Father of Philippine Theater Design” PAGE 05 REVIEWER BY KRISTIE ANNE M. JACONES-11 STEM ST. BONIFACE  STEM/CPAR SAINT BONIFACE, PRAY FOR US 2ND SEMESTER/MIDTERMS-REVIEWER RAMON VALERA (2006) Designed the Meralco Building and First and only National Artist Sto. Domingo Church recognized for Fashion design PABLO ANTONIO (1976) KIDLAT TAHIMIK (2018) Known for functional designs like FEU “Father of Philippine Independent Administration Building Cinema” GAWAD SA MANLILIKHA NG FERNANDO POE JR. (2006) BAYAN Iconic action star Known as “Da King” S GAMABA MARILOU DIAZ-ABAYA IDirected films tackling social political ! National Living Treasures Award for issues preserving intangible traditional customs. Jose Rizal, Moral, and Karnal CRITERIA RICARDO “RICKY” LEE Indigenous maintaining traditional Wrote over 180 screenplays customs Himalaya Practiced folk art tradition for 50 years High-quality works and pass skills NORA CABALTERA VILLAMAYOR (NORA Process: Nominations are reviewed by panels, and the president AUNOR) proclaims the awardees “Superstar” of Philippine cinema INCENTIVES R Architecture and Design Medallion or plaque displayed in the community museum JUAN NAKPIL PHP 100,000 initial grant, PHP 14,000 “Father of Philippine Architecture” monthly stipend With a blend of Filipino motifs and PHP 750,000 for medical and funeral modern design benefits LEANDRO V. LOCSIN T Mga Manlilikha ng Bayan Designed the Cultural Center of the Philippines (CPP) GINAW BILOG (1993) Mangyan Oriental Mindoro FRANCISCO MAÑOSA Mangyan script preservation on Pioneered neo-vernacular bamboo architecture Coconut Place MASINO INTARAY (1993) Pala’wan Broke’s Point IDEFONSO P. SANTOS Preserving music and literary “Father of Philippine Landscape tradition of the Palawan people Architecture” SAMAON SULAIMAN (1993) JOSE MARIA ZARAGOZA (2014) Mamasapano Maguindanao Religious and civic architecture High excellence in Kutyapi playing PAGE 06 REVIEWER BY KRISTIE ANNE M. JACONES-11 STEM ST. BONIFACE  STEM/CPAR SAINT BONIFACE, PRAY FOR US 2ND SEMESTER/MIDTERMS-REVIEWER LANG DULAY (1998) Poetry, novels T’boli Lake Sebu, South Cotabato Abaca-ikat (T’nalak) weaving APPLIED ART Combines beauty and usability SALINTA MONON (1998) Fashion, furniture Bagobo Bansalan, Davao Del Sur Abaca-ikat/Inabal weaving PERFORMING ARTS Involves movement and expression ALONZO SACLAG (2000) Dance, theater, music Lubuagan, Kalinga Kalinga musician and dance AESTHETICS Philosophy of art FEDERICO CABALLERO (2000) Study of art and beauty Panay, Bukidnon Kinaray-a epic chanting FORM Appearance UWANG AHADAS (2003) Visual element Yakan Lamitan, Basilan Yakan music SUBJECT Depicted in a work YABING MASALON DULO (2016) B’laan Polomolok, South Cotabato CONTEXT B’laan Mabal Tabih (ikat weaving) Social and cultural Background BUNDOS BANSIl FARA (2023) MEDIUM T’boli Lake Sebu, South Cotabato Tool and material used T’boli temwel (Brasscasting) V Visual Elements ROSIE GODWINO SULA (2023) T’boli Lake Sebu, South Cotabato LINE T’boli lingon (chanting) Conveys direction or emotion Horizontal = calm, zigzag = harsh SAMPORONIA PAGSAC MADANLO (2023) SHAPE/FORM Mandaya Caraga, Davao Oriental Defines objects in space Mandaya dagmay (ikat weaving) 2D vs. 3D forms ART ELEMENTS & FORMS SPACE Positive and negative space in composition U Forms of Art TEXTURE VISUAL ART Actual or simulated surface quality Artworks appreciated through sight Smooth, rough Paintings, sculpture LIGHT/COLOR LITERARY ART Conveys meanings Language-based art forms PAGE 07 REVIEWER BY KRISTIE ANNE M. JACONES-11 STEM ST. BONIFACE  STEM/CPAR SAINT BONIFACE, PRAY FOR US 2ND SEMESTER/MIDTERMS-REVIEWER Value: Range of light to dark HARMONY Hue: Colors in the color wheel Unity and cohesion of elements Tint: Hue lightened in value Shade: Hue darkened in value VARIETY Primary: RBY Adding diversity to break monotony Secondary: OGV Tertiary: Mix of primary and MOVEMENT secondary Illusion of motion in art Analogous: Adjacent Complementary: directly across RHYTHM Repetition creating patterns BALANCE Equal distribution of elements EMPHASIS Highlighting key elements for impact X Two and Three Dimensional Art 2D Drawing, painting, printmaking 3D Sculpture, architecture, crafted objects DISTANCE Foreground - nearest area Y Painting Background - space in the distance Middle Ground - space in between ! Application of paint, or other medium to a surface, the art of creating meaning. COMPOSITION How the artist arranges elements in a FUNCTIONS frame Historical value Symbolize present situations PERSPECTIVE Aesthetic Value Viewpoint or vantage view Depicts early living Presents three dimensionality MEDIA SYMBOLS Acrylic painting Hidden meanings Encaustic Fresco W Principles of Art Gouache Magna paint Oil paint PROPORTION Pastel Relationship of sizes within artwork Tempera/Poster color Water color PAGE 08 REVIEWER BY KRISTIE ANNE M. JACONES-11 STEM ST. BONIFACE  STEM/CPAR SAINT BONIFACE, PRAY FOR US 2ND SEMESTER/MIDTERMS-REVIEWER ELEMENTS Kinetic Sculpture Distance Color Line Shape & Form Space Composition Perspective Texture Symbols Z Sculpture Assemblage Sculpture ! The oldest art form with a rich history. FUNCTIONS Depicts divinities and heroism Celebrates kingship and power Decorative art Historical value Commemorative tribute FOUR BASIC SCULPTURE TECHNIQUES Carving: Cutting away from solid KINDS OF SCULPTURE material to reach a desired form Relief sculpture Modeling: Manipulating soft materials Casting: Obtaining permanence of modeled work Construction and assemblage: Combining various materials to form an object MEDIA USED IN SCULPTURE Clay Wax Stone Metal Free-standing Sculpture Glass Wood PAGE 09 REVIEWER BY KRISTIE ANNE M. JACONES-11 STEM ST. BONIFACE