CPAR-12 1st Quarter Exam Reviewer PDF

CPAR - 12 1st QUARTER EXAM - REVIEWER INTEGRATIVE ARTS AS APPLIED TO CONTEMPORARY ART ART - “TANGIBLE OUTPUT” of creative expression - product of human creativity and skill to express oneself and represented through its...

CPAR - 12 1st QUARTER EXAM - REVIEWER INTEGRATIVE ARTS AS APPLIED TO CONTEMPORARY ART ART - “TANGIBLE OUTPUT” of creative expression - product of human creativity and skill to express oneself and represented through its different forms and disciplines MODERN ART - relating to the PRESENT TIME OR RECENT PAST CONTEMPORARY ART “ART BEING CREATED NOW” happening or beginning now or in recent times - art produced at the PRESENT PERIOD TIME and more focused on SOCIETY - it usually reflects or comments on “modern society” by using new techniques and materials, such as video and multimedia technology TRADITIONAL ART - “FOLK ART” - art produced from an INDIGENOUS CULTURE - aims to represent reality or realism through narrative TRADITIONAL ART “Harvesting Rice near Mayon Volcano” - Fernando Amorsolo picture tells a story that represents the REALITY OF LIFE AND THEIR WAY OF LIVING clearly tells us the message of simple living and bayanihan uses symbolisms like “Salakot” - a native hat used by farmers  CONTEMPORARY ART this art is example of integrated traditional art to CONTEMPORARY ART “Lapu-Lapu” - FIRST FILIPINO HERO - known to be the first native to resist imperial Spanish Colonization image edited through Photoshop - a digital application in computer which is considered as contemporary technique in multimedia technology CONTEMPORARY MURAL PAINTING “Babaylan Woman” location: Donato Pison Avenue, Iloilo City wearing her traditional clothing she’s surrounded by mountains and seas that tells the rich culture of Panay Bukidnon “art can always bring back both past and present culture” ART PRODUCED AFTER 1965.. - adhered to by most museums when defining their collection of contemporary art ART PRODUCED SINCE THE 1960’s - taken as a reference point of the change-over from MODERN TO CONTEMPORARY CONTEMPORARY ART “Art made and produced by artists living today.” - J. Paul Getty Museum WHAT IS CONTEMPORARY ART? artworks that is created by today’s contemporary artists and has a WORLD VIEW & IS SENSITIVE TO CHANGING TIMES not restricted to individual experience REFLECTIVE TO THE WORLD WE LIVE IN COMMON TENDENCIES ARE… to describe present as “modern” being modern means being UP-TO-DATE and TECHNOLOGICALLY ADVANCED being modern is EQUATED with being contemporary art that is new or current as OPPOSED to traditional or conservative is considered MODERN CONTEMPORARY ART DIFFERS FROM MODERN ART IN TERMS OF: 1. HISTORICAL 2. STYLISTIC 3. CULTURAL TERMS TODAY’S ARTIST’S WORK IN AND RESPOND TO A GLOBAL ENVIRONMENT THAT IS: CULTURALLY DIVERSE TECHNOLOGY ADVANCING MULTIFACETED TWO TYPES OF ART TRADITIONAL & CONTEMPORARY CHARACTERISTIC OF CONTEMPORARY ART FORMS 1. Bold Strokes, Bright Colors, Abstract 2. Expressionist and Surrealist 3. Art Became Public 4. Some artist are self-taught 5. Different materials were used instead of traditional ones 6. Originality is not an issue in Con Art (contemporary art) 7. Process is important CONTEMPORARY ART FORMS A. FINE ART - art created primarily for its APPEARANCE rather than its practical use EXAMPLE: Drawing, Painting, Sculpture, Print, Graphic Art, Calligraphy, Architecture B. PRACTICAL ART - changing of raw materials for UTILITARIAN PURPOSES - possesses ornaments or artistic qualities to make them useful and beautiful C. INDUSTRIAL ART - changing raw materials into some significant product for HUMAN CONSUMPTION OR USE EXAMPLE: shell craft, leather craft, bamboo craft, shoe-making, pottery making D. APPLIED OR HOUSEHOLD ART - MOSTLY HOUSEHOLD ARTS such as flower arrangements, interior decoration, dressmaking, home-making, embroidery and cooking E. CIVIC ART - CITY OR TOWN PLANNING, maintenance and beautification of parks, plazas, roads, bridges, farms, civic planning and beautification in order to IMPROVE THE STANDARDS OF LIVING F. COMMERCIAL ART - involves BUSINESS PROPAGANDAS in the form of advertisements etc. G. GRAPHIC ART - anything printed from raised or sunken reliefs and PLANE SURFACES H. AGRICULTURAL ART - refers to.. AGRONOMY (crop production) HORTICULTURE (garden or orchard cultivation) HUSBANDRY (raising cows, carabaos, poultry and swine) I. BUSINESS ART - includes MERCHANDISING, ACCOUNTING, …, BUSINESS ADMINISTRATION J. FISHERY ART - shallow and deep SEA FISHING, fish refrigeration and culture and neat weaving VISUAL AND PERFORMING ARTS VISUAL ARTS - wide array of artistic disciplines that are appreciated through “SIGHT” - includes different art forms and discipline such as fine arts, decorative arts, and contemporary arts  FINE ARTS art form primarily created for its APPEARANCE rather than practical use - artwork that merge technology and artistic innovation DRAWING form of visual art which a person uses various drawing instruments to mark paper or other dimensional medium PAINTING image (artwork) created using pigments (color) on a surface (ground) such as paper or canvas pigment: wet form = painting | dry form = pastels SCULPTURE branch of visual art that operates in THREE DIMENSIONS some sculptures are made of wood, ice, metal, paper, & cement PRINT original print as an artwork that has been MANUALLY printed by the artist artist will have created an image on block, stone, plate, or screen from which the final print is produced GRAPHIC ART visual art base on the USE OF LINE AND TONE rather than three-dimensional work or the use of color CALLIGRAPHY visual art related to WRITING ARCHITECTURE “general term” to describe BUILDINGS and other PHYSICAL STRUCTURES “art and the science of designing of buildings and non-buildings structures” DECORATIVE ARTS artworks that are both AESTHETICALLY PLEASING AND FUNCTIONAL - not only beautiful but useful as well TEXTILE ART arts and crafts that use plant, animal, or synthetic fibers to construct practical or decorative objects GLASSWARE articles or glass designed primarily for decorative purposes EARTHENWARE POTTERY made of clay fired to a porous state that can be made impervious to liquid by the use of a glaze METAL CRAFT “art of executing artistic design in metal” JEWELRY emphasizes creative expression and design characterized by the use of a variety of materials, often COMMON PLACE OR LOW ECONOMIC VALUE FURNITURE “MOVABLE OBJECTS” intended to support various human activities such as seating (chair), eating (table), and sleeping (bed) INTERIOR DESIGN art or process of designing the interior decoration of room –  PERFORMING ARTS artist use their voices and/or their body movements to communicate artistic expression ALL MEANT TO BE ENACTED IN FRONT OF LIVE AUDIENCE CATEGORIZE INTO THREE (3) TYPES: MUSIC, DANCE, & THEATER MUSIC “manipulation of sound and silence” can be performed live or recorded and can be prepared in advanced or improvised DANCE “regulated and deliberated order of body movements” performed accompanied with music THEATER “branch of performing arts” that often involves the integration and combination of VISUAL AND PERFORMING ARTS actors or actresses performed experiences, whether real or imagined, IN FRONT OF A LIVE AUDIENCE TYPES OF MUSIC CLASSICAL MUSIC POPULAR MUSIC - art music = umbrella term - music that is accessible and commercially - music that stems from WESTERN CLASSICAL available to the PUBLIC MUSIC - played through mass media outlets such as - presented and preserved through WRITTEN radios, televisions, and the internet MUSICAL NOTATIONS that were developed in EUROPE TYPES OF DANCE BALLET originated during the ITALIAN RENAISSANCE in the 15th Century later developed into a concert dance form in FRANCE & RUSSIA it has since become a widespread, highly technical form of dance with its own vocabulary based on FRENCH – BELLY DANCE originating in the MIDDLE EAST typically performed by a woman undulating movements of the belly and rapid gyration of the hips BREAK DANCE “acrobatic dancing” originating in the mid - 1970’s performed to rap music, usually by TEENAGE MALE IN THE STREETS characterized by intricate footwork, panto-mime, spinning, headstand, tumbling, and elaborate improvised virtuosic movements IMPROVISATIONAL DANCE “process of spontaneously creating movement” HIPHOP street dance styles primarily performed to hip hop music WIDE RANGE OF STYLES primarily breaking which was created in the 1970s made popular by dance crews in UNITED STATES MODERN DANCE “broad genre of western concert or theatrical dance” arising out of GERMANY and the UNITED STATES in the late 19th & 20th Centuries REJECTION OF OR REBELLION AGAINST CLASSICAL BALLET CONTEMPORARY DANCE “expressive dance” combines elements of several dance genres – modern, jazz, lyrical, & classical ballet CONTEMPORARY DANCERS - strive to connect mind and the body through FLUID DANCE MOVEMENTS TRADITIONAL DANCE “folk dance” – dances that are develop by people that reflect the LIFE OF THE PEOPLE IN A CERTAIN COUNTRY TYPES OF THEATER MIME acting out a story through BODY MOTIONS WITHOUT USE OF SPEECH in English, such performer would typically be referred to as MUMMER PUPPETRY manipulation of puppets, inanimate objects, often resembling some type of human or animal figure animated or manipulated by a human called PUPPETEER MUSICAL form of theater combining MUSIC, SONGS, SPOKEN DIALOG, & DANCE  ELEMENTS OF ART & PRINCIPLES OF DESIGN ELEMENTS OF ART - “BUILDING BLOCKS OF ALL ARTS” 1). COLOR “most striking elements of art” that catches the eye COLORS OF THE VISIBLE LIGHT SPECTRUM: red, orange, yellow, green, blue, indigo, & violet WHITE LIGHT consists of all of the colors mixed together BLACK if an object ABSORB all of the light wavelengths WHITE if it REFLECTS all of them RED if an object absorbs the wavelengths EXCEPT RED COLORS HAS THREE (3) PROPERTIES: 1). HUE - name of the color, such as red, blue, yellow 2). VALUE - lightness or darkness of a color 3). INTENSITY - brightness or dullness of a color *COLORS ARE ARRANGED IN A CIRCULAR FORMAT ON A COLOR WHEEL* DIFFERENT TYPES OF COLOR SCHEMES: A. COMPLEMENTARY - colors opposite of one another B. MONOCHROMATIC - different values of a single color C. ANALOGOUS - colors that are side by side on a color wheel and share a hue WARM - red, yellow, orange COOL - blue, green, violet 2). VALUE degree of lightness or darkness of a color TONE - created when GRAY is added to a color 3). LINE extension of a point a short or long mark drawn or carved on a surface HORIZONTAL LINES - lines that run parallel (to each other(?)) be at rest VERTICAL LINES - lines that run up and down, seem to show dignity, formality, and strength DIAGONAL LINES - lines that signal action or excitement ZIGZAG LINES - lines made from combined diagonal lines - can create a feeling of confusion or suggest action CURVED LINES - lines that express movement in a graceful, flowing way 4). SHAPE when lines meet, shapes are formed “figure separate from its surrounding or background” TWO (2) DIMENSIONAL - HEIGHT & WIDTH GEOMETRIC SHAPES = squares, circles, triangles, rectangles, and ovals OTHER SHAPES ARE ORGANIC OR IRREGULAR AND FREE-FORM 5). FORM one of the elements of art THREE (3) DIMENSIONAL = HEIGHT, WIDTH, AND DEPTH “SHAPES ARE FLAT; FORMS ARE NOT” 6). TEXTURE when we reach out and touch an object we feel “something” about the surface; rough, soft, smooth, etc. 7). SPACE in visual art, can be defined as “VOID” emptiness, which can be either POSITIVE OR NEGATIVE POSITIVE SPACE - shapes or forms NEGATIVE SPACE - empty spaces between the shapes or the background PRINCIPLES OF DESIGN DESIGN (PRINCIPLE OF DESIGN) - OVERALL STRUCTURE of an art form - artist indicate and demonstrate the ideas and feelings they wish to convey PRINCIPLE OF DESIGN - “organization of the elements” - help people make sense of the environment, at the same time, make it aesthetically pleasing and interesting 1). BALANCE how artist create a visual weight or even distribution of weight SYMMETRICAL (FORMAL) BALANCE - both sides of an imaginary lines are THE SAME ASYMMETRICAL (INFORMAL) BALANCE - each side of an imaginary line is DIFFERENT YET EQUAL RADIAL BALANCE - lines or shapes grow from a center point 2). CONTRAST creates excitement and interest in artworks 3). PATTERN artist create a pattern by REPEATING a color, shape, or color over and over again 4). RHYTHM regular or repeated pattern in the elements of art can be regular or irregular, simple or complex VISUAL RHYTHM makes you think of the rhythms you hear in music or dance artist create a visual rhythm by repeating art elements and creating patterns 5). EMPHASIS center of interest or focal point is the place the artist draw your eyes first 6). UNITY FEELING that everything in the work of art WORKS TOGETHER and LOOKS LIKE IT FITS 7). VARIETY ASSORTMENT DIVERSITY of a work of art can be found in our surroundings ART FORMS AND ARTISTS FROM THE REGIONS ABSTRACT EXPRESSIONISM - an art style in which the artist applies PAINT, for example in a manner that expresses emotion and feelings in a SPONTANEOUS WAY - the figure may be HEAVY IN LINES AND COLOR WITHOUT SOLID MASS KINETIC ART - a SCULPTURE that may be MOVED by the WIND OR POWERED BY MACHINE OR ELECTRICITY OP ART - use line or images REPEATEDLY to create optical illusion PERFORMANCE ART - combines a variety of media and the human body executes an artistic THEATRICAL EXPRESSION performed before LIVE AUDIENCE ENVIRONMENTAL ART - artistic creation or manipulation of SPACE such as landscape or architectural design that may enclosed its audience - EARTHWORK or art using stones, leaves, trees, grass, or other elements are included  FEMINIST ART - emerged from CONCERNS OF FEMALE ARTIST EXPRESSED TROUGH ART - tackle issues of identity, sexuality, gender roles, equality, and the ways in which the female is treated in society among others MINIMALISM - has a striped-down, prefabricated look, FREE OF DETAILS and often with flat surface, but EXPRESSES A SPECIFIC CONTENT OR STATEMENT VIDEO ART - consist of IMAGES THAT ARE RECORDED THROUGH A VIDEO and viewed through televisions, computer, or projection screen GRAFFITI ART - is a DRAWING, INSCRIPTION, OR SKETCH DONE HASTILY ON A WALL or other surface MADE TO BE SEEN BY THE PUBLIC POSTMODERN ART - carries modern styles to extreme practices, often expressing an idea through a MIX OF MATERIALS such as FOUND OBJECT WELDED TOGETHER BODY ART - an ART THAT USES THE BODY as the MEDIUM OR MAIN MATERIAL - it can be painted or clothed and used for an art performance in public - TATTOOING AND PIERCING are examples of body art DIGITAL ART - DONE WITH THE AID OF COMPUTER to create an image or design composed of bits and bytes - the image can be printed on PAPER, TARPAULIN, or other mediums (NCCA) NATIONAL COMMISSION FOR CULTURE AND THE ARTS formulates and implements POLICIES AND PLANS that will conserve and promote the NATION’S HISTORICAL AND CULTURAL HERITAGE (GAMABA) GAWAD SA MANLILIKHA NG BAYAN acknowledge the importance of TRADITIONAL FOLK ARTIST, revitalize the artistic traditions of communities  NATIONAL CAPITAL REGION NEOREALISM CONTEMPORARY FINE ART TREND IN THE PHILIPPINES beginning from the post-war period GROUP OF ARTIST associated with the PHILIPPINE ART GALLERY (1951-1969) NEOREALIST IN 1949 INTIMATE STUDY OF NATURE, deliberate objective transposition, good craftsmanship, and a love of medium REALISM how the artist used their SUBJECTIVE, INTERNAL VISION OF REALITY to create works of art collaboration of the ARTIST and NATURE, must result in a strong, individual, and interesting interpretation of LIFE VICTORIO EDADES his arts are influenced by WESTERN CUBISM objects and subjects are analyzed and broken down into GEOMETRIC STRUCTURES and shapes viewed from multiplicity of angles VICENTE MANANSALA & CESAR LEGASPI they brought NEO-REALISM at its peak MANANSALA - transparent cubism LEGASPI - human tension and dynamic movement NEO-REALISM IN SCULPTURE NAPOLEON ABUEVA “Father of Philippine Structure” EDUARDO CASTRILLO became prolific at it his sculpture and monuments of embossed copper and welded brass HE SIMPLIFIES REALITY INTO PLANES  PHOTOREALISM OR HYPERREALISM painting is rendered in a meticulously REALISTIC style with ACCURATE details looking like a PHOTOGRAPH ARTISTS: Nestor Leynes, Ger Viterbo, Jaime Roque, Joselito Barcelona, and Agustin Goy (photorealists during the 70s) HYPERREALISM ART (JU-VI Filipino Hyperrealist) HYPERREALISM a technique become magical realism if unreal or imaginary elements are focused on their PHYSICAL PRESENCE SOCIAL REALISM emphasizes that the subject matter should show a KEEN AWARENESS OF CONFLICT ARISING from the OPPRESSIVE CONDITION AND EVENTS OF TIME PABLO BAEN SANTOS - his technique in dynamic figuration has unmasked the ILLS AND INEQUITIES in the PHILIPPINE POLITICS ABSTRACT ART can be expressive or it can be suggestive of an idea and can be a metaphor or a symbol ARTURO LUZ - linear hard-edge paintings and sculptures - brought precision of lines and perfection of form WITHOUT having to represent any meaning or story behind it ROMULO OLAZO - DIAPHANOUS SERIES where he LAYERED SHAPES, ON TOP OF THE OTHER, in various tints and shades to achieve patterns and rich transparencies  CONCEPTUAL ART art which the idea (or concept) behind the work is MORE IMPORTANT than the finished art object ROBERTO CHABET - “Father of Philippine Conceptual Art” - his work is all about playful, endless experimentation - “ART IS ALL ABOUT IDEA” - Chabet - taking many shapes and sizes only supports the idea which not confined to one specific explanation but a wide horizon of possibilities OP ARTWORKS abstract, with many better-known pieces created in BLACK AND WHITE BINAKUL (twill in Ilocano) blanket recognizable by abstract patterns which create an optical illusion Tinguan and Itneg of Abra, and Ilocano abel blanket in Vigan ABEL WEAVER: MAGDALENA GAMAYO from Pinili, Ilocos Norte TRADITIONAL CORDILLERAN BULUL, CULTURE OF ANCESTORS IN CONTEMPORARY ART BULUL figure representing ancestor who GUIDE rice agriculture from seed to granary as well as the health of Cordilleran people COMMONLY CARVED = LOG OR NARRA OR IPIL, STONES FORM - MOST IMPORTANT ELEMENT OF ART PROPORTION - MOST IMPORTANT PRINCIPLE SANTIAGO BOSE (1949-2002) artist with ILOCANO AND IGOROT ROOTS - Bose influenced surrealist painter ROBERTO VILLANUEVA to pursue this direction through performance and installations - also inspired artists like ALWIN REAMILLO, ARNELL AGAWIN, PERRY MAMARIL, and KAWAYAN DE GUIA to become “CULTURAL DRIFTERS” like him BOTONG SCHOOL OF PAINTING IN ANGONO CARLOS “BOTONG” FRANCISCO - lives in his hometown of Angono where painters who were his students and followers continue to ROMANTICIZE THEIR LOCAL RURAL LIFE  COLORFUL PAINTED CARVINGS brothers MANUEL AND ANGELITO BALDEMOR - known for their DISTINCT PERSONAL STYLE OF COLORFULLY PAINTED CARVINGS of pastoral landscapes and scenery MANUEL BALDEMOR - painter who has done THREE-DIMENSIONAL CUBIST INFLUENCED PAINTED CARVINGS of themes of FOLK AND RURAL LIFE ANINO SHADOWPLAY COLLECTIVE founded in 1996 group of art practitioners originating from the Philippine High School of the Arts - A GOVERNMENT RUN SECONDARY SCHOOL FOR ARTISTICALLY GIFTED STUDENTS located in the forest reserves of MT. MAKILING IN LAGUNA among its pioneer visual artist members are DON SALUBAYBA, DATU ARELLANO, and MARC COSICO VISAYAS 1. EPIC CHANTING OF SUGUIDANON - adventures of brothers LABAW DONGGON and HUMADAPNON; 2. the art EMBROIDERY called PANUBOK which is used to adorn SAIPANG SAIPANG - the traditional red or white blouse for girls and women, with patterns of flowers, stars, water, vines, birds, and insects rendered in simple, rhythmic, and repeated zigzag, straight lines, triangles, and diamond forms; 3. making and playing musical instruments such as TAMBOL and KUBING, and 4. making bamboo handicrafts such as TRAYS and BASKETS MAT WEAVING in BASEY, SAMAR - features designs which comprise of a BORDER PATTERN and a CENTRAL MOTIF - common images featured in the designs includes flowers such as HIBISCUS and sampaguita; leaves such as palay, fern, and neem; and plumage such as peacock or rooster feathers - some weavers include PORTRAITS OF FAMOUS FIGURES or personalities and exotic landscapes and seascapes - TRADITIONAL COLORS are MAROON and GREEN, although the weavers today have an expansive palette of rainbow colors to work with. - there is an NCCA-supported school of living tradition in BASIAO, BASEY which propagates mat weaving from TIKOG  TIKOG THE MARTINO ABELLANA (1914-1988) School of Painting in CEBU - named after the MASTER REALIST of PORTRAITS and LANDSCAPES - ABELLANA’S STYLE is characterized by a CHIAROSCURO defined by a unique use of color progression: from warm hues of yellow, to orange, to red, to cool green, to blue and violet PATADYONG COLORS AND DESIGNS FROM VISAYAS AS NATIONAL ART MOTIF PATADYONG - “TRADITIONAL PLAID TEXTILE” which women weave in Antique, Iloilo, and Negros Occidental - made of mostly primary colors of red, yellow, blue and secondary colors of orange, purple, and green OGTONGANON JEFF TICAO ILONGGO ARTIST - ROCK DRILON - Iloilo-born painter Rock Drilon was a PROTEGE of NATIONAL ARTIST JOSE JOYA - after 3 DECADES of an art career in MANILA, Drilon returned to DUMANGAS, ILOILO to live, work, and enliven the art scene there - he is known for his HIGHLY PERSONAL STYLE of ABSTRACT EXPRESSIONISM - his canvases are suffused with thin coats of middle tone hues, then scratched in subtraction method to create overlays of different textures and inscribed planes - he applies audacious brushstrokes of pigments —-- - he would then paint forms of boundless COILS AND KNOTS over them like a toddler lost in playing with yarns ROCK DRILON his arts. BOY MASCULINO AND PUGAD ARTIST (Oton, Iloilo)  A BRONZE OF DATU PAIBURONG AT THE ILOILO RIVER ESPLANADE - a PROJECT OF THE JCI (Junior Chamber International) Iloilo Ilang-Ilang in partnership with the Iloilo City Government, the warrior statue is showcased to show ILOILO CITY’S DINAGYANG FESTIVAL, just in time for celebration during January MINDANAO MALONG - traditionally used for various purposes - used as a skirt for both men and women, a blanket, dressing cover, hammock, and as a prayer mat - also used for RITUALS and the MALONG DANCE ZAMBOANGA DEL SUR SUBANEN OF SITIO CARANGAYAN IN JOSEFINA - made a notable BEAD ACCESSORIES - patterns in the bead design called karitis, sabat, and batangyawe are REPEATED diamonds and zigzags in colors of yellow and red UKKIL FROM MINDANAO AS NATIONAL SYMBOL UKKIL OR OKI - THE DISTINCT TRADITIONAL ART REPRESENTING MINDANAO - a curvilinear motif representing the MYTHICAL DRAGON, naga or serpent, often enhanced with elaborate leaf and vine patterns NATIONAL ARTIST ABDULMARI IMAO - was INSTRUMENTAL in popularizing the ukkil motif and the SARIMANOK,educating Filipinos to appreciate these national symbols LIGAYA AMILBANGSA - has been largely influential in PROPAGATING THE PANGALAY DANCE as TRULY FILIPINO HAJA AMINA APPI - GAMABA MAT WEAVER from SAMA - uses UKKIL in the wave motif in her TEPO