The representation of rasa's in Abhijnanashakuntalam
Understand the Problem
The question is asking about the representation of 'rasa's in the play 'Abhijnanashakuntalam', which refers to the different emotional experiences depicted in the work. 'Rasa' is a key concept in Indian aesthetic theory concerning the emotional flavor of a work of art, and understanding these representations will involve analyzing the characters, themes, and scenes in the play.
Answer
Kalidasa's 'Abhijnanashakuntalam' features Shringara, Karunyam, and Shantam rasas prominently.
In 'Abhijnanashakuntalam', Kalidasa prominently features three main rasas: Shringara (Love), Karunyam (Compassion), and Shantam (Peace). The play also includes the remaining rasas: Hasya (Humor), Bhayanaka (Fear), Vira (Heroism), etc.
Answer for screen readers
In 'Abhijnanashakuntalam', Kalidasa prominently features three main rasas: Shringara (Love), Karunyam (Compassion), and Shantam (Peace). The play also includes the remaining rasas: Hasya (Humor), Bhayanaka (Fear), Vira (Heroism), etc.
More Information
Kalidasa's portrayal of rasa is deeply influenced by ancient Indian aesthetics and the Natya Shastra, which outlines how various emotions can be artistically expressed to impact audiences.
Tips
A common mistake is to assume only the main rasas are explored. All nine rasas may be present but with varying emphasis.
Sources
- Rasa theory in Kalidasa's 'Abhijnanashakuntalam' - echoeswithin82.blogspot.com
- Rasa theory in Shakuntalam by Kalidasa - yeshab6895.blogspot.com
- Role of Rasa in Kalidasa | PDF | Love | Emotions - Scribd - scribd.com
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