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Understanding Comics = Scott McCloud Annie of Red River = Katherena Vermette Freyfaxi = Tom Gauld Bitumen or Bust = Joe Sacco
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Promethea = Identity and Selfhood Bitumen or Bust = Social Justice and Realism Jimmy Corrigan = Time and Reflection Drawn to Change = Social Justice and Realism
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Abstract/Conceptual = Understanding Comics, Toward a Conceptual Framework Realism/Nonfiction = Bitumen or Bust, Drawn to Change Hybrid Abstract and Narrative = Promethea, Vision Quest: Echo Fiction = Jimmy Corrigan, Annie of Red River
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Study Notes
Multiplicity, Pastiche, and Self-Reflexivity in Comics
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Multiplicity: Skeptical of absolute “Truth”; seeks multiple perspectives or truths, distrusts grand, unifying narratives, and breaks down boundaries between genres, cultures, and identities.
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Examples:
- Promethea: Explores multiple truths through the protagonist's mythological, spiritual, and personal journeys, distrusting fixed "truths" of mythology. Embodies the multiplicity of selfhood, blending myth, imagination, and present-day experience.
- Vision Quest: Echo: Questions absolute truths about sensory experience and identity. The deaf protagonist's experience highlights how perspective shapes "truth," showing a narrative beyond the assumed norms of sound and silence.
- Drawn to Change: Depicts labor struggles from diverse perspectives—workers, activists, and historians—rejecting grand narratives of progress and focusing on marginalized voices.
- Annie of Red River: Breaks down historical narratives by centering Métis voices and experiences, challenging colonial accounts and offering a multiplicity of perspectives by blending cultural heritage with personal storytelling.
- Planetary and Promethea: Explores layered identities in diverse narratives of heroes, portraying multifaceted selves and how comics depict complex concepts and overlapping identities.
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Examples:
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Pastiche: Imitation or remixing of other works, suggesting nothing is truly new but rather a combination or reconfiguration of existing forms.
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Examples:
- Promethea: Heavily pastiches classical art, mythology, and literary traditions, mimicking historical styles from Renaissance painting to psychedelic art for diverse blend.
- Bitumen or Bust: Employs journalistic realism but pastiches traditional documentary photography, recreating images in detailed comic art. Adapts investigative journalism to a graphic format.
- Understanding Comics: Is a pastiche of academic and instructional texts, blending theoretical discourse with the visual language of comics. It functions as a self-reflexive text, simultaneously showcasing comic techniques and analyzing them.
- Freyfaxi: Blends mythological storytelling with modern, minimalist humor, borrowing from ancient manuscript illustrations while using contemporary comedic sensibilities.
- Toward a Conceptual Framework: Incorporates fragments of other artistic and conceptual frameworks, mimicking abstract expressionist paintings and minimalist art.
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Examples:
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Self-Reflexivity: Acknowledging the text’s constructed nature; the work reminds readers it is a creation, not a direct reflection of reality.
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Examples:
- Promethea: Constantly reminds readers of the constructed narrative by breaking the fourth wall and commenting on its storytelling mechanisms, directly addressing narrative structure and philosophical underpinnings.
- Understanding Comics: A deeply self-reflexive work. It explains how comics function while being a comic itself, directly addressing the reader and demonstrating the discussed comic techniques.
- Jimmy Corrigan: Reflects its own construction using fragmented timelines and unreliable narration to disrupt the typical linear narrative. The visual style and layouts highlight the artificiality of the comic medium.
- Planetary and Promethea: These works demonstrate self-awareness, questioning their genres (e.g., superhero tropes) recognizing their constructed identities, showing meta-commentary on their narratives.
- Vision Quest: Echo: Reflects on its storytelling through fragmented, layered visuals, reminding readers that the narrative is shaped by the protagonist’s unique perspective.
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Examples:
Grouping Texts by Themes
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Group 1 (Multiplicity as Central Theme): Promethea, Vision Quest: Echo, Drawn to Change, Annie of Red River
- These works focus on diverse viewpoints, blending voices, identities, or historical experiences.
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Group 2 (Heavy Use of Pastiche): Promethea, Freyfaxi, Understanding Comics, Bitumen or Bust
- These works remix and reimagine other artistic or narrative traditions, highlighting the interconnectedness of culture and storytelling.
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Group 3 (Self-Reflexive Narratives): Promethea, Understanding Comics, Jimmy Corrigan, Vision Quest: Echo
- These works explicitly acknowledge their own constructed nature, encouraging critical engagement with the medium's role in shaping meaning.
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Group 4 (Hybrid Texts Blending All Three): Promethea, Understanding Comics, Vision Quest: Echo
- These works explore multiplicity, employ pastiche, and reflect on their constructed nature simultaneously.
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Description
Explore the concepts of multiplicity and pastiche within comics through varied examples. This quiz examines how comics embrace diverse identities and reconstruct existing narratives, encouraging multiple perspectives. Dive into works like 'Promethea' and 'Annie of Red River' to see these themes in action.