Podcast
Questions and Answers
According to Immanuel Kant, beauty is ______ and universal.
According to Immanuel Kant, beauty is ______ and universal.
objective
Aesthetic judgments are culturally conditioned to some extent and can change ______.
Aesthetic judgments are culturally conditioned to some extent and can change ______.
overtime
According to Plato, artist are imitators and art is just a mere ______.
According to Plato, artist are imitators and art is just a mere ______.
imitation
An artist’s work is nothing but a copy (a mimesis) of the original ______ that is to be found in the world of ideas or forms.
An artist’s work is nothing but a copy (a mimesis) of the original ______ that is to be found in the world of ideas or forms.
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For Aristotle, all kinds of art do not aim to represent reality as it is but to provide a vision of what might be or the many ______ in reality.
For Aristotle, all kinds of art do not aim to represent reality as it is but to provide a vision of what might be or the many ______ in reality.
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Immanuel Kant considered the judgment of beauty the cornerstone of art, as something that can be universal despite its ______.
Immanuel Kant considered the judgment of beauty the cornerstone of art, as something that can be universal despite its ______.
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What is the main reason art is considered dangerous according to Plato?
What is the main reason art is considered dangerous according to Plato?
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In Immanuel Kant's view, when can the beauty of art be best appreciated?
In Immanuel Kant's view, when can the beauty of art be best appreciated?
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According to Aristotle, what is the main purpose of art?
According to Aristotle, what is the main purpose of art?
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What distinguishes Immanuel Kant's view on art from Plato's view?
What distinguishes Immanuel Kant's view on art from Plato's view?
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How did Aristotle differ from Plato regarding their views on art as an imitation?
How did Aristotle differ from Plato regarding their views on art as an imitation?
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What aspect of aesthetic judgments did Mastin (2008) suggest is subject to change?
What aspect of aesthetic judgments did Mastin (2008) suggest is subject to change?
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