Pre-Spanish Period Literature PDF

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Philippine literature pre-colonial literature folklore indigenous culture

Summary

This document details the characteristics of the pre-Spanish period in the Philippines, focusing on its literature. It discusses various forms of literature, including folk speeches, folk songs, and folk narratives, alongside Indigenous rituals. The document also highlights the cultural significance of these elements within the society of the time.

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THE PRE-SPANISH PERIOD LITERATURE DURING THE PRE-HISPANIC CHARACTERISTICS OF THE PRE-SPANISH PERIOD PERIOD Folk Speeches 1. AWIT OR SONG Folk Songs...

THE PRE-SPANISH PERIOD LITERATURE DURING THE PRE-HISPANIC CHARACTERISTICS OF THE PRE-SPANISH PERIOD PERIOD Folk Speeches 1. AWIT OR SONG Folk Songs AWIT (AND KORIDO) ARE "LONG Folk Narratives VERSE NARRATIVES ON CHIVALRIC- Indegenous Rituals HEROIC, RELIGIOUS, LEGENDARY, Mimetic Dances FOLKLORIC THEMES. 1. FOLK SPEECHES 2. BUGTONG OR RIDDLE THEY ARE THE SHORTEST FORM OF THESE ARE THE STATEMENTS THAT FOLK LITERATURE. FOLK SPEECH CONTAIN SUPERFICIAL WORDS, BUT INCLUDES BUGTONG (RIDDLE), THEY FUNCTION FIGURATIVELY AND AS SALAWIKAIN (PROVERB) METAPHORS, AND ARE IN THE FORM OF QUESTIONS. 2. FOLK SONGS 3. BUGTONG OR RIDDLE THESE ARE SOME OF THE OLDEST THESE ARE THE STATEMENTS THAT TYPES OF PHILIPPINE LITERATURE THAT CONTAIN SUPERFICIAL WORDS, BUT WERE CREATED DURING THE PRE- THEY FUNCTION FIGURATIVELY AND AS SPANISH PERIOD. METAPHORS, AND ARE IN THE FORM OF THESE SONGS REFLECTED THE QUESTIONS. EARLIEST TIMES IN CULTURE. 4. SALAWIKAIN OR PROVERB 3. FOLK NARRATIVES THESE ARE THE STATEMENTS THAT TRADITIONAL STORIES, MYTHS, AND ARE CONSIDERED AS WISE. LEGENDS FROM INDIGENOUS TRIBES 5. EPIC OR EPIKO EARLIER THAN SPANISH COLONIALISM. PRE-HISPANIC POETRIC FORM WERE CRITICAL FOR CULTURAL INVOLVES LONG, EPISODIC, CHANTED UNDERSTANDING, MORAL TECHINGS, POEMS ABOUT LEGENDARY HEROES, HISTORICAL PRESERVATION, AND OFTEN INVOLVING SUPERNATURAL CULTURAL IDENTITY PRESERVATION. CREATURES AND SPIRITS, OFTEN 4. INDEGENOUS RITUALS CHANTED AT FEASTS AND RITUALS. INDIGENOUS RITUALS, DEEPLY ROOTED IN SPIRITUAL, SOCIAL, AND 6. BULONG OR CHANTS CULTURAL LIVES, WERE PERFORMED BY USED IN WITCHCARFT OR INDIGENOUS COMMUNITIES BEFORE ENCHANTMENTS. CHANTS WERE EUROPEAN COLONIZATION. COMMONLY USED IN RITUALS, SPELLS, THESE RITUALS INVOLVED WORSHIP OF OR INCANTATIONS TO SUMMON EITIES, ANCESTORS, AND NATURE SUPERNATURAL FORCES, SPIRITS, OR SPIRITS, AND WERE CONDUCTED TO DEITIES FOR PROTECTION, HEALING, OR ENSURE HARMONY WITH THE NATURAL OTHER PURPOSES. WORLD, SEEK PROTECTION, OFFER THANKS, AND MARK SIGNIFICANT LIFE EVENTS. 7. KASABIHAN OR SAYINGS THEY OFTEN REFLECTED THE BELIEFS, CUSTOMS, AND EXPERIENCES OF THE PEOPLE AND WERE USED IN EVERYDAY CONVERSATIONS, TEACHING AND STORYTELLING. 8. TANAGA IT IS A SHORT POEM OF FOUR LINES, EACH THAT INCLUDES SEVEN SYLLABLES AND GENERALLY WRITTEN IN RHYME. THE RHYME SCHEME VARIES, BUT POPULAR PATTERS INCLUDE AABB, ABAB, AND AAAA. 9. AMBAHAN AMBAHAN IS AN ANCIENT TYPE OF POETRY AMONG THE HANUNOO MANGYAN PEOPLE OF MINDORO, PHILIPPINES. IT CONSISTS OF SEVEN- SYLLABLE LINES AND IS COMMONLY WRITTEN IN THE SURAT MANGYAN SCRIPT, AN OLD SYLLABIC WRITING STYLE. UNLIKE THE HIGHYLY ORGANIZED TANAGA, THE AMBAHAN DOES NOT ADHERE TO A RIGID RHYME PATTERN, ALLOWING FOR MORE EXPRESSIVENESS.

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