Scriptwriting Lesson 2 PDF

Scriptwri ting Lesson 2 Mr. Alexander James S. Fajardo Lesson Objectives At the end of the lesson the students should be able to: Identify The fundamental elements of scriptwriting, including plot structure, character and Explain development, dia...

Scriptwri ting Lesson 2 Mr. Alexander James S. Fajardo Lesson Objectives At the end of the lesson the students should be able to: Identify The fundamental elements of scriptwriting, including plot structure, character and Explain development, dialogue, and pacing. Write A script (e.g., 5-10 pages) demonstrating their ability to apply scriptwriting techniques learned in class. Reflect On their own writing process and style, recognizing areas for improvement and expressing their growth as writers. Essential Questions The following are the questions to be answered at the end of discussion: What is the role of structure in a screenplay? How do character arcs contribute to a compelling screenplay? Why is dialogue important in scriptwriting, and how can it be effectively used? Scriptwriting is a crucial element of the film, television, and theater industries. It’s the art and craft of writing scripts for visual media, and it involves much more than just dialogue; it requires creating a detailed blueprint for the final product. Understan ding the Basics Script vs Screenplay Screenpla Script y can refer to any refers specifically written work that to scripts written outlines the dialogue, for film or actions, and scenes television for plays, radio dramas, and other performances. Format The industry standard is a 12-point Courier font with specific margins. This ensures that one page of the script generally equates to one minute of screen time. Format Margins: Top Margin: 1 inch Bottom Margin: 1 inch Left Margin: 1.5 inches (to allow room for binding) Right Margin: 1 inch Format Spacing: Use single-spacing within elements (like dialogue). Use double-spacing between elements (like between a scene heading and the action or dialogue).  Key Elements of a Script Title Page Includes the title, the writer’s name, and contact information. Titl e Author’s Name Contact Details Logline A one-sentence summary of the script's main story or concept, usually found on the title page. Logline A good logline typically includes: Protagonist: Who is the main character? Goal: What does the protagonist want to achieve? Conflict: What obstacles or challenges stand in the way?  Example of a Logline Following a string of murders based on the seven deadly sins, a veteran and a rookie detective must stop the manipulative serial killer before he finishes his list. Scene Heading (Slugline) Indicates the location and time of day for each scene. It typically includes whether the scene is inside or outside (INT./EXT.), the specific location, and the time of day. Example of Slugline Action Description Describes what is happening on the screen. It should be written in the present tense and convey the visual action. Example of Action Description Character Name Centered and capitalized, it precedes the dialogue to indicate who is speaking. Example of Character Name Dialogue The lines spoken by the characters. It’s indented and formatted to stand out from action descriptions. Example of a Dialogue Parenthetical Brief directions under the character’s name indicating how they should deliver a line or perform an action.  Example of Parenthetical Transition Directions on how to move from one scene to another (e.g., CUT TO, FADE IN). Transition Cut to Iris In/Iris out Stock Shot Dissolve to Jump Cut to Time Cut Fade in Fade out Fade to Match Cut to Flash Cut to Match Dissolve to Wipe to Freeze Frame Smash Cut to Example of Transition  Story Structure Story Structure Three-Act A traditional model where Act 1 introduces the characters and conflict, Act 2 develops Structure the story and raises stakes, and Act 3 resolves the conflict. Inciting The event that sets the story in motion, occurring early in the first act. Incident Plot Points Key moments that significantly change the direction of the story. Story Structure Climax The peak of the story’s conflict and the turning point for the protagonist. Resolution The conclusion of the story where loose ends are tied up. Character Developm ent Character Development Protagonist The central character who drives the story. Their goals, motivations, and flaws are crucial for engaging the audience. Antagonist The character or force that opposes the protagonist, creating conflict. Supporting Secondary characters who add depth, support the main storyline, and help develop the protagonist. Characters Character Arcs The transformation or growth a character undergoes throughout the story. Dialogue Natural vs. Dialogue should sound natural and reveal character, but it must also move the plot Expository forward. Avoid overly expository dialogue that feels unnatural. Subtext What is implied but not explicitly stated in the dialogue. Good dialogue often has layers of meaning. Voice Each character should have a distinct way of speaking that reflects their personality, background, and current emotional state. Theme The underlying message or central idea that the script explores. A well-written script will weave the theme into the plot, character arcs, and dialogue without being overt or preachy. Pacing The rhythm of the story. Pacing is crucial for maintaining audience interest. It’s influenced by scene length, the balance between action and dialogue, and the overall structure of the script. Visual Storytelling Film is a visual medium, so “show, don’t tell” is a golden rule in screenwriting. Actions, settings, and character expressions should convey as much as, if not more than, dialogue. Rewriting and Editing The first draft is rarely the final one. Scriptwriting involves multiple revisions. Feedback from trusted sources is invaluable during this process. Polishing Refine lines to ensure they’re sharp, natural, and meaningful. Dialogue Tightenin Remove unnecessary scenes or dialogue to maintain pacing and focus. g Scenes Consiste Ensure characters, tone, and story elements are consistent throughout. ncy Check Pitching and Selling Polishing The process of presenting your script idea to producers, directors, or studios. This often includes a logline, Dialogue synopsis, and a verbal summary of the script. Tightenin A more detailed outline of the script, often used in the pitching process. g Scenes Consiste A script written on speculation, meaning it has not been commissioned. Writers often use spec scripts to ncy showcase their skills and ideas. Check Industry Knowledge Understand Knowing what genres, themes, and styles are currently popular can help in crafting a script that ing the stands out. Market Networking Building relationships within the industry is crucial for getting your script noticed. Rights and Understanding the legal aspects, including rights, royalties, and contracts, is essential for protecting Contracts your work. Challenges and Understand Rejection is common, and breaking into the industry Rewards ing the is difficult. The process requires perseverance, thick skin, and continuous learning. Market Networking Seeing your script come to life on screen or stage is incredibly fulfilling. The impact your story can have on an audience is a powerful motivator. Tools for Celtx is a cloud-based tool that offers screenwriting, story Scriptwriting development, and pre-production planning. It includes features for scriptwriting, budgeting, scheduling, and collaboration, making it useful for filmmakers, writers, and production teams. Final Draft is a leading screenwriting software specifically designed for writing scripts in the correct industry-standard format. It is widely used in Hollywood and other professional writing environments. Essential Questions The following are the questions to be answered at the end of discussion: What is the role of structure in a screenplay? How do character arcs contribute to a compelling screenplay? Why is dialogue important in scriptwriting, and how can it be effectively used? Scriptwriting is both an art and a craft, requiring creativity, discipline, and a deep understanding of storytelling. Whether you’re writing for film, television, or theater, mastering the nuances of scriptwriting is a journey that involves constant learning and adaptation.  Application DIRECTION: Create a script based on the comic strip. ARCHIE by: Nick Spencer CHARACTERS : Archie Andrews – a typical small-town teenager, has red hair and freckles Miss Grundy – History subject teacher Veronica Lodge – a beautiful young woman with raven hair, favoring expensive, up-to-the-minute fashion SETTING: Classroom Scriptwri ting Lesson 2 Mr. Alexander James S. Fajardo