Summary

This essay discusses Ray Bradbury's "The Pedestrian," a science fiction piece set in 2053. The story focuses on Leonard Mead, a man who enjoys walking at night in a technologically advanced society. The essay analyzes the use of language, imagery, and sentence structure to create a memorable main character and to convey a message about the dangers of technology.

Full Transcript

The Pedestrian Essay T e e r an y R y r d y is a c e e f t on Intro t y w t a e r e main c r r T e t y is t in 2053, in a y t pian f t e w e na , e...

The Pedestrian Essay T e e r an y R y r d y is a c e e f t on Intro t y w t a e r e main c r r T e t y is t in 2053, in a y t pian f t e w e na , e e a d 'w t a e r e main c r r c n l g c l d a e e t ha e o t e human y S mm y- t in 2053, c n l y a d l b t 1 r on e t k ins e e e t ng t e sa e d y u t l t y d e O r main c r r is w k ng has o t e human y e d is w k ng l e in t e e e ing as e has d e f r t e l t 10 w e e is t p d y t e p l e e r w e e is t p d y a l r ving p l e c r k l l u e of W/ , ima , e e e r t e w e e is t i d a d t e t t e p c i r c e e an t osp r c t ng e e f r e e si e e e c e. r d y s k l l u e Con y t e t y s y e sa e - d n r of c n l y of W d c o , ima y a d e e e r t , as l as an t osp r c t ng e e a e r e main c r r in e n d e d e d s Ch r r s t on l s t c n y t e t y s y e sa e of t e d n r of r p y d a c ng c n l y a d e e an imp t on t e e r T e o e ing e r t on of t e c , in wh c e d is Paragraph 1 i r d , e e a r n e t osp e a d im d y r ws t e e r t him. e is e r e f r his c r t t his s r u d ngs. t is e r r m t e o e ing e r t on of t e c y e e t e o e ing t t e n d e d is d f e t t t e t r who l e in his c y as e i , in so e w , a r n e t osp e a d r ws t e e r t c n dt n t e a d e j y t eo t ew d ed - e d is d f e t t his s r u d ngs- e T e ro t i t t ts e et t was t e c y is c n dt n t e t 8o l k...t e o r r sy e ms a d m e - " e " is unusu l y r w , ha d in p t , t r ugh t es e e t t was wh t r e n d e d mo t e y l dt d - " i " e e an r e t osp e - e y l "- e e j y /passion e abo t his w k T e e e d w d c o e of e i rg e t e - e t e how his t y w l unf d-how e r e e w l e , as t wo d e unusu l f r a c y t e so q t c e a d e y ho r of t e e e ing. T is r ws e phasis t t e f t t t e n d e d is t e o y r on o t a d abo t t t is t , giving t e e r t e im e sion t t e is l , n t j t on t t w , b t l of t e t e F t r , t e w d c o e of i again d t t e r n e e s of t e t ng a d l s t e e an r e t osp e Fin , t e w d c o e of e y l e phasi e t t t is his c o e t d so t ing e is passion e abo t T is gi e us t e im e sion t t e e j y his w k a d is d fashio d c mp d t t e t r c t e s. T e i r guing n t e of e d s i r d t on r ws t e e r i t t e t y r ig t w y e e e t e how e d s t y w l unf , n t t f y e l sing his signif c e w t in t e s c y a d how e r e ew l c e aragraph 2 r d y s u e of l ngua e e phasi e e d s is l t on U e of l ngua e e phasi e e d s is l t on r m t o e r u d him. T is e e of l l e s m e e e of l l e s m e e d e r e him e r e as e as t d w t his r. e his passion f r w k ng is t t y un q e fi d n t l ng i t t e t y t t e d s passion f r " e " t a y e shows e is l ; in l e in e r l sim y w k ng is t t y un q e as e is t t fi d E phasi e how u l e e is r m t e e t of t e pop l t on O y o e who wa t e c , e h a r a d c n dt an t r so l on his nig y r l. t e A e e of a sin e r on shows t e m j r imp t c n l y I e e r of w k ng... e h d e r t an t r as h d r on w k n , n t o e in l t t t e e d s 'abn r l hab t e t e t e e r e d s s c y e s r n e a d un e t y T e w d c o e of e t a y em e e r T is f t e nf e r d y s w r ing t t e is l ; r aps n t o y w e w k n , b t l e in e r l T is l o e phasi e how u l e e d is r m t e e t of t e pop l t on. e is e y t e o y r on t t g e o t t nig ; t e o y o e who wa t t t so e e c , e j y t e e h a r a d t , in so e sm l w , c n dt n t e T e ab e e of a sin e r on in l t t t e m e e r of t e m j r imp t c n l y has h d on t is y t pian s c y e d s e in y abn r l hab t c tn e t e t e t e e r A s c y e e y e t y in e y nig t wo d e r n e a d un e t y T is sim e f t e nf e r d y s w r ing abo t t e d n r of c n l y agraph 3 T r ing poi t of t e t y I t e t r ing poi t of t e t , r d y e phasi e e d - e d is e phasi d as a y b l of t e d wnf l of human y as a y b l of t e d wnf l of human y y using ima y a d - r d y u e ima y a d w d c o e t e r e e e mo e t w e w d c o e t e r e t e e e mo e t w e e d is e d is sp d - e d is r k y a e m of l d ng l g t. Coming r m t e p l e c r sp d y a p l e c r I t is piv t l poi t of t e t , W d c o e- q e s e " e d is n t e t ng t e e c u , e e d is r k y a e m of l d ng l g t c ming r m t e is t d as a e t s e p l e c r of t e c y G e t e e t t e is n t fam l r w t a t r t e d e t l k of p r l W d c o e of sug e t t e e e is ho t e t e l e c rt r d a c r rq es e y a d l s d a T is e e e r a d e sion f e c e of l g t upon him. e t d e r ,n tu l e I a y c mp r ng e d t a m t ; e umanising a nig t m t e d is in d n r of l sing his human y d e t t e a t r t e e is no l n r e as huma ; m e l e a s c e t e e ami d r d y has k l y e nf d e d as t e y b l of s c y s T e w d c o e of q e s e sug e t t us t t d i l ng human y e d is e e y n t e t ng t e c u r t e p l e e e i r g d t fi d o t wh t t e t in e t w l e n f r o r a d is t d as a e t t l o c n y t e e t t r t goni t e d is n t fam l r w t t e a t r t e d e t t e r l k of p r l un t. e l o e t , t r ugh t e w d c o e of , t e e e is ho t e T is c n y a l ng of e r a d e sion t t e e r F t r , t e u e of ima y c mp r ng e d t a m t is i r d as e umanising. L e t r c t e , e d is in d n r of l sing his human y t t e ha d of t e t e a t r y e is no l n r e as huma , m e l e a s c e t e e ami d r d y has k l y e nf d e d as t e y b l of s c y s d i l ng human y Now f y in e d in t e c r , e e i r g d t k ow wh t t is u e dad ag e si e t in e t e ns f r r d y s e r e r t goni t raph 4 - e d s i r t on w t t e p l e d t t e p t e of r d y s d k y t pian ft e e d s i r t on w t t e p l , a d e l t ons abo t - e d is e ng i r g d y t e p l e c r a d is e ng a d e r l r on l q e t ons his c r , d t t e p t e of r d y s d k W d c o e o " I g e " sug e t e d is uns e y t pian f t e t t e t e I t e t , e d is e ng r t ng is n t c ns d t e a j b a y e i r g d y t e l e p l e c r a d is e ng a d Qu l t e l e e t v y a d i d v d l t oug t e no l n r v l d e r l r on l q e t ons. S t e e e e pon e of o r e sio P l e e d smissi e r e d s k l r t ng has no imp t e in e d s s c y I g e s y ud c l e a r r o r e sion A.a e , e e e no l n r e t e e e e t k in r t of. V e e s e ng r inwas d e d s c r r c n y t e l e of human y a d r s l of e t v y T e w d c o e of g e sug e t t t e d is uns e T r ugh t e t in e t of e n d e , e e t e so e of t e r inwashing e y r t ng is n t c ns d t e a j b a y e e e c r ous t e if e d w l s c mb t t e a t r t e r his human y w l G e t t t is a j b t t q e e t v y a d e al i d v d l t oug , t is sug e t t t t e e q l t e e no l n r v l d T e f t is e y supp d y t e p l e c r s sh t e e e e pon e of o r e sio T e c r is d smissi e of e d s k l r t n , wh c is I e y imp t t in o r s c , has no imp t e in r d y s y t pian f t e A a e , e e e no l n r e t e c u e t y e t k in r t of v e e s e ng r inwas d e d s c r r l s t c n y t r l e of human y a d t e r s l of e t v y a d i d v d l t oug t T r ugh t e h r h t in e t of o r r t goni , e e t e so e of t e mass r inwashing. e e c r ous t e if e d w l s c mb t t e a t r t e r if his i dvd l y w l e al aragraphs T e o c e of his t ng w t t e p l e c r l r e how non c nf r y is e d in his s c y T e i r g t ons o c e shows how non c nf r y is e d a d e e y p t y f r e d e ving a l t ng imp t t e e y p t y f r e d wh c e e a l t ng imp t on t e on t e e r I t e fin l mo e t of t e t , e d s e r f e is e ; e has e e e d y t e p l e c r in t e fin l mo e t e d f e is e ; e is going t a p c i r c t go t a p c i r c w d w d T e w d c o e of c i r sug e t his e avio r is c ns d T t e p c i r c e e f r e e c on e e si e r n e in his w d t t e poi t w e e is e d e t y l e e ce T is b k up t e e t t e d hab t e un e d of T e w d c o e of e e si sug e t e d is t k in t e pa t T e w d c o e of c i r sug e t t t his A up t d e r on is o e who has l t t e r human y a d is e avio , wh c e wo d c ns r c m y n r , is c r d y cn l y c ns d abn r l in his s c ; t t e poi t w e e d e u e t c nf r t t is a d e ains a y b l of i d v d l y e is e d e t y l T is b k up t e poi t t t e n d e d r g c e d ng sums up j t wh t c d hap e if e d s hab t e un e d of in his f t r t c s c y c n l y is l d t d min e s c y T e w d c o e of e e si sug e t t t e d is e d c r r is a y b l of t is w r ing a d m e him an t k in t e pa t T t is y t pian w , an up t unf r t e r t goni t d e r on is o e who has l t t e r human y a d is c r d y d a d cn l y e d eue t c nf r t t is a d e ains a y b l of i d v d l y T e r g c e d ng f r r e n d e d sums up t t e e r j t wh t c d hap e is c n l y is l d t d min e s c y O r r t goni t s c r r is a y b l of t is w r ing a d m e him an unf r t e c r r

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