LAW 311 Entertainment Law Cram Guide PDF
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Summary
This document provides an overview of entertainment law, focusing on television and film production. It examines the differences between film and television production, highlighting the roles of various actors in the industry, such as writers, producers, and directors. It discusses concepts including production stages, types of content, and legal considerations.
Full Transcript
LAW 311: Entertainment Law Cram Guide Class Two: Introduction to Television What is Television? - Television is the distribution of audiovisual content to individual consumers, at times and locations and on devices of their own choosing Difference between Film and Television...
LAW 311: Entertainment Law Cram Guide Class Two: Introduction to Television What is Television? - Television is the distribution of audiovisual content to individual consumers, at times and locations and on devices of their own choosing Difference between Film and Television - Filming a movie is way more expensive than filming a pilot for a TV show - Writers for movies will sell their script and outsource it to a company, where writers for television have more impact - Talent can easily be replaced in Television Unscripted Television - Talent can do a good job of carrying reality television - Unscripted Television is really good at being cost effective - The format can truly carry unscripted television, even when talent disappears or is not apparent - Talent can be irreplaceable only if the talent is truly linked to the show, like Oprah for example Serials - These shows span many seasons and include many episodes over a long period of time - Must make sure that actors want to work for longer periods of time and are focused on the project Key Characteristics of Television: - Importance of Writers - Unscripted Content - Serialized Shows - Dual Revenue Model Who are the players in Television? - Talent - Studios - Networks/Streamers - Broadcast Stations - MVPDS or Multichannel Video Programming Distributors - Advertisers - Talent Representatives Talent - Talent is distinguished by Above the Line and Below the Line - Writers and Actors would be considered Above the Line, while Lawyers would be considered Below the Line - Talent backend is when actors are bigger than the project themselves, and they get benefits that have a significant amount of monetary value Studios - In charge of producing shows - Production of shows includes the filming of the show, while Post Production includes the editing and final touches on the show once filming concedes - Studios will often finance a whole bunch of projects, many failed projects, in search of the one project that will make it big Networks/Streamers - Streaming Networks such as Netflix have their own studios, and what happens, is Netflix’s Studio Affiliate will sell it directly to Netflix - Licensing Agreements are mainly used to protect intellectual property - Protecting intellectual property is important for avoiding copyright, and allows a network to exclusively air the show they bought from the studio Advertisers - Networks will charge advertisers a certain amount for ads to be placed on their network for a show, the monetary exchange being influenced by TV Ratings - When TV Ratings go down, networks will either give advertisers a refund or will give them free advertising time on another way as a way of making sure many eyes see their product - Some Networks and Streamers will choose the ads that play during their show, the ads sometimes being related to the show - MVPDS - Brands such as Comcast and Spectrum Online Video Distribution Types of these Distributions: - SVOD or Subscription Video on Demand, includes paid access to content libraries, like Netflix - AVOD or Advertising-Supported Video on Demand; Free content with ads, like Youtube - TVOD or Transactional Video on Demand; Paid access on a per-episode basis, like Itunes - FVOD or Free Video on Demand; Free access without ads - VOD: Used as a broad term covering various forms of on-demand content delivery Challenges in the Television Industry: - Disruptions caused by streaming; downstream effects? - Leverage - Profafitibality - Contraction Class Three: Introduction to Film What is film? Film is an audiovsiual program that people watch at a theater or at a place and time of their choosing Stages of Making a Film: - Pre Production - Production - Post Production Types of Movies: - Fiction vs Non Fiction - Action - Comedy - Drama - Horror - Animated Players in Movies: - Producers - Writers - Directors - Actors - Technical Stuff - Studios - Distributors Producers: - Film producers conceptualize or pick a pre-written script, assemble the creative team and director, organize a film's funding, and build high-profile connections. Writers: - Write the scripts for the film, while also revisiting the script at any point during filming - Script is always being reworked, whether it is due to a director or even an actor who wants for changes to be made to said script - In case a line does not elicit a certain reaction, there are always writers on set to change the script Directors: - In charge of directing actors during filmings, whether it is how they deliver their lines and how they should act during certain scenes - Also in charge of filming - Some Directors also write their own scripts Actors: - Back then, Actors would only be exclusive to studios, but now it’s like free agency, where money is a huge selling point - Actors can also read a script that they like, and that is how they are attached to films Technical Staff: - In charge of doing editing for films, adding VFX and are backstage and below the line Studios: - In charge of filming the movie, and are also in charge of producing and financing a movie - Studios when financing these movies, want their films to be a success, so they can get a good ROI Distributors: - In charge of releasing a film and also in charge of the marketing for the film - They will also pay a lot of money for advertising, as that can be a driving force as to why people will see a film Film Windows: - Theatrical - Home Video - Streaming Film Distribution Agreement Key Terms: - Term - Fees - Territory - Rights Granted - Exclusivity - Languages Term: - A term is the length of the agreement, and it is binding for however long you set it Fees: - Fees can be in the form of licensing between distributors, studios, and even exhibitors - Distributors will assess fees based on star power, budget, and consumer reports - Fees can also be assessed based on previous history, especially if a film has been successful Territory: - Territory is especially dependent on who is distributing the film Languages: - Talent can approve whether a film is dubbed or not - Can be more costly for a distributor to dub a film Rights Granted: - Where can the film be distributed Exclusivity: - Distributor needs exclusivity to protect their investment, as they want the movie to be in theaters and not on a streaming service like Netflix, as they want to make as much of a profit as possible