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CPAR REVIEWER ILOCOS REGION (REGION 1) DIFFERENT ART FORMS OF PHILIPPINES Inabel Weaving it is a traditional woven fabric VISUAL ARTS from the Ilocos region, valued for its softness and...

CPAR REVIEWER ILOCOS REGION (REGION 1) DIFFERENT ART FORMS OF PHILIPPINES Inabel Weaving it is a traditional woven fabric VISUAL ARTS from the Ilocos region, valued for its softness and THEATER strength, featuring intricate designs created from MUSIC cotton using hardwood pedal looms and DANCE techniques like binakul and suk-suk, with a meticulous preparation process involving twisting VISUAL ARTS yarn and setting up the loom. Refer to art forms that are primarily visual ❖ KUSIKUS- pattern originally made on in nature. (Ex: Paintings, Sculpture, woven blankets (inabel ules). Use to Ceramics etc.) scare of evil spririts and believed that would appease gods of the sea and IMPORTANCE OF VISUAL ARTS IN FILIPINO protect them from whirlpools. CULTURE ❖ PINILIAN- It is a brocade and usually Cultural Identity have different motifs woven into its wrap Community Expression (Human figures/tao-tao, stars Creative Innovation (sinanbaggak), and eye symbols (mata- Historical Preservation mata) Economic Contribution Burnay Jar Making it is unglazed earthen jars introduced by Chinese immigrants, which have VISUAL ARTS OF DIFFERENT REGIONS been used since pre-colonial times for storing CORDILLERA ADMINISTRATIVE various foods and are still valued today for REGION (CAR) fermenting vinegar from sugar palm sap. Kalinga Tattoos is also one of the visual ❖ RUBY JAR FACTORY- Owned by arts in CAR, where Kalingga is the heart National Folk Artist Fidel Go from of CAR. The tattooing process uses Pagburnayan, this factory offers bamboo tools and lemon thorns to create regular demonstrations by potters and designs inspired by everyday objects, allows visitors to try their hand at with men's tattoos often carrying symbolic making clay jars to take home for free. meanings of bravery and achievements, ❖ RJ JAR FACTORY- one of the last while women's tattoos typically indicate remaining jar factories in Vigan City's social status without deeper cultural Pagburnayan, where the significance. pagbuburnay industry began in 1824 Apo Whang-Od also known as Maria when Chinese immigrants settled due Oggay is from Tinglayan, kalingga and to the area's abundant clay resources. known as the last mambabatok. San Agustin Church in Manila, Paoay Church in Ikat Weaving is created through a resist Ilocos Norte, Santa Maria Church in Ilocos Sur, dyeing technique applied to yarns before and Miag-ao Church in Iloilo. These four were weaving, resulting in distinct textile recognized as UNESCO World Heritage Sites in patterns, with double ikat involving dyeing 1993, with their boundaries modified in 2013. both warp and weft, and heirloom pieces The Wandering Lady- The statue of Nuestra being highly valued for their Señora de la Asuncion of Ilocos Sur features a craftsmanship and intricate designs. wooden body with an ivory face and hands, Wood carving, basket weaving, clothing, adorned in a bejeweled dress and blue cape, and weaving, amulet crafting, and ikat is housed in an ornate wooden chest originally weaving used for galleon cargo. NATIONAL CAPITAL REGION (NCR) Metro Manila Film Fest (MMFF) is a vital CAGAYAN VALLEY (REGION II) hub for Filipino cinema, hosting events Ivatan Stone Houses Architecture this is made like the Cinemalaya Independent Film from thick limestone and cogon grass roofs, are Festival and the annual Metro Manila Film designed to withstand harsh weather. This Festival, which celebrate local storytelling architectural mix reflects both historical influences and significantly influence the and the resilience of the local people. contemporary film industry. CENTRAL LUZON Religious events like the Feast of the Giant Lanterns it is showcased in “The Christmas Black Nazarene in Quiapo and city- Capital of the Philippines” which is centra Luzon. specific festivals such as Pista ng Maynila It is complex and larger parols—originally two- reflect the region's rich cultural and foot diameter lanterns made of bamboo and historical traditions. Japanese paper—are displayed in a yearly competition using modern materials like metal, plastic, and LED lights.  ❖ PANDAN WEAVING - Pandan leaves are Parols it is a five-pointed star made from dried and woven into beautiful mats with bamboo, Japanese paper, and kalburo candles— intricate patterns, serving as floor used by Filipinos to light their way to Simbang coverings or wall decorations that reflect Gabi, and while many modern variations now the island's natural beauty. exist, the parol remains a symbol of home. This Marinduque Morion Masks showcases large, was created first by an artisan named Francisco colorful masks representing Longinus and other Estanislao in 1908. biblical characters, handcrafted from bamboo and Pampanga's Betis district, renowned for its cloth, as participants reenact the story, woodcraft and rich heritage dating back to the celebrating local culture and religious devotion. 16th century, faces decline as modernization and (Morrion a Spanish word that means helmet) shifting interests among the younger generation threaten the traditional art of woodcarving. BICOL REGION (REGION V) The Borlas de Pastillas, a decorative and Abaca crafts- include woven mats, bags, and functional craft from San Miguel, Bulacan, textiles that blend indigenous traditions with popularized by Luz Ocampo and characterized by Spanish and modern design influences. intricate patterns on Japanese paper, is at risk of Pilinuts are a staple in local markets and are dying out, prompting artists like Ruth Giron to used by artisans to create Pilinuts crafts, such as seek revival efforts amidst declining interest. detailed sculptures and decorative items, Carabao Festival in Bulacan; the Giant Lantern showcasing the area's cultural heritage and Festival and Lenten Rites in Pampanga; and the creativity. Mango Festival in Zambales. Central Luzon is Bicol Festival also noted for products such as furniture, ❖ PINTADOS- features vibrant masks and Christmas lanterns, jewelry, marble products, costumes that reflect ancient, tattooed sweets and delicacies. warriors and pre-Hispanic body art. ❖ IBALONG- depicts characters from local CALABARZON (REGION IV-A) legends, celebrating Bicol’s folklore and Paete, Laguna, known as the "Carving Capital of myths. the Philippines," is renowned for its fine, intricate Bicolano pottery features detailed designs wood sculptures, including religious figures and inspired by local stories and nature, using local decorative furniture, reflecting the town's deep clay for functional and decorative items that devotion and rich artistic heritage. reflect the region's rich cultural heritage. "Art Capital of the Philippines," is the birthplace of National Artist Carlos "Botong" Francisco, known WESTERN VISAYAS (REGION VI) for his muralist and figurative art that vividly Patadyong is a traditional textile from the Visayan portrays Filipino life and history. provinces, named after the Visayan words for "to Taal embroidery (burdang Taal), featuring be left straight," reflecting its straight, narrow skirt intricate hand-embroidered designs on piña and silhouette, and is woven by interlacing colored jusi fabrics, which symbolize Filipino threads (bunang) on a wooden loom called trial. craftsmanship and elegance in traditional (Red, yellow, blue and green) garments like the barong Tagalog and Maria Ati-Atihan festival masks are colorful and Clara dress. intricately designed, symbolizing the dark skin of the Ati people while honoring them and the Santo MIMAROPA (REGION IV-B) Niño, with participants wearing them and painting Mangyan Script- The "Mangyan" refers to several their faces to celebrate the Visayan cultural indigenous groups on Mindoro Island, primarily heritage. the Hanunuo and Buhid, who have preserved Capiz shells, abundant in the province of Capiz in their writing systems—Surat Hanunuo and Surat the Philippines, are versatile materials used to Buhid—originating from Indonesia, despite the craft various handmade products, including challenges of Spanish colonization. curtains, chandeliers, jewelry, and home decor. Mangyan Script (Song-poems) ❖ AMBAHAN- a popular 7-syllable, non- CENTRAL VISAYAS (REGION VII) musical recitation expressing emotions Antequera baskets from Bohol, made from ❖ URUKAY- an 8-syllable song bamboo and rattan, are known for their accompanied by guitar, often performed intricate weaving and durability, serving both by older Mangyan practical and decorative purposes while ❖ ADAHIYO- a less common 6-syllable form showcasing the community's craftsmanship influenced by Spanish and Tagalog and rich cultural heritage. cultures. Sinulog Festival costumes are vibrant and Romblon Mat Weaving tradition, combining elaborate, featuring bright colors and intricate cultural heritage and livelihood, features intricate beadwork to honor the Santo Niño, designs made from abaca and pandan, with symbolizing the fusion of indigenous and skilled artisans using traditional methods to Christian traditions in Cebu's culture. preserve this celebrated craft.  T’Boli Nalak Weaving is a traditional craft Baroque Church feature intricate facades with producing colorful textiles with intricate patterns, religious sculptures (saints and biblical scenes), significant to the T'boli people for clothing and highlighting the Cebu Catholic heritage and ceremonies. Spanish colonial influence. Bagobo beadwork features vibrant, intricate designs made from colorful beads, adorning WESTERN VISAYAS (REGION VIII) clothing and ceremonial items while reflecting the Banig Weaving is a vital source of income for cultural identity of the Bagobo people. housewives, with the traditional art being passed Durian-inspired sculptures in public spaces down through generations to women known as creatively celebrate the iconic fruit, featuring "paraglara," who often start learning this craft at vibrant designs that highlight its cultural an early age, a practice that predates Spanish significance and enhance the urban landscape. colonization. (Ex of banig product: sleeping mat, ❖ THE DURIAN- The six figures in this bags, furniture matting etc.) sculpture represent Mindanao's three Wood Carving in Leyte is where artisans utilize major groups—indigenous peoples, various woods like malave and fragrant agar Muslims, and Christian settlers—reflecting wood to create intricate pieces, including antique Kublai's focus on the tri-people furniture crafted by "Akie the Carpenter." population. Tikog Mat Weaving In Basey is a vital tradition that creates intricate mats and supports local SOCCSKSARGEN (REGION XII) livelihoods, facing challenges like resource B'laan and T'boli beaded jewelry features colorful, shortages but continuing to thrive, highlighted by intricate designs that reflect their rich cultural the Guinness World Record for the longest banig. heritage, often worn during ceremonies and celebrations. ZAMBOANGA PENINSULA (REGION IX) T’nalak weaving is a traditional craft of the T'boli Yakan Weaves are vibrant textiles from the Yakan people, creating sacred textiles with intricate people, known for their bold patterns and natural folklore-inspired patterns. Known for its tri-color dyes, created on backstrap looms and used in scheme—white, red, and black or deep brown— clothing and ceremonies, with their tradition T’nalak is made from abaca fibers prepared showcased in Zamboanga City and influencing through kedungon, highlighting the skill and modern design. cultural significance of this art form. ❖ SEPUTANGAN- A square cloth worn on The Bangkapayapaan features eight symbols the head or as a belt, often displaying a atop pillars representing General Santos City's four-fold mandala-like pattern. character and aspirations: a cross for Christianity, ❖ BUNGA SAMA- A design based on the a crescent moon for Islam, a tuna for the fishing diamond shape, commonly found in industry, a flower for beauty, an epic sun for tribal Yakan textiles. convergence, fire and a dove for peace, and Vinta Boat Carving features intricate "okil" clouds for the city's hopes. designs and motifs significant to the Sama-Bajau, Tausug, and Yakan cultures, reflecting their CARAGA REGION (REGION XIII) history and social status. Manobo carvings are intricate wood sculptures Colorful Street Murals depict zamboanga culture, reflecting the cultural beliefs and daily life of the history, and natural beauty, enhancing the urban Manobo people, often used in ceremonies and as landscape while serving as a visual narrative of decorative art, showcasing their rich heritage. the city's diverse heritage and community spirit. Ethnic designs in festival attires of the Caraga Region feature vibrant colors and intricate NORTHERN MINDANAO (REGION X) patterns that reflect the cultural heritage of its Maranao okir design features intricate, swirling indigenous groups, celebrating local motifs and motifs and geometric patterns, reflecting the artistry during festivities. cultural identity of the Maranao people in wood carving, textiles, and metalwork. BARMM Maranao malong weaving creates vibrant, tube- Brassworks and gongs of BARMM showcase shaped garments featuring intricate patterns that traditional craftsmanship with intricate designs, reflect Maranao culture, used for clothing and serving cultural and ceremonial purposes, ceremonial purposes. particularly in music and rituals, reflecting the Maranao architecture is characterized by intricate region's rich heritage. designs, high pointed roofs, and ornate wooden The Tausug pangalay dance costume features carvings, with the "torogan" being a notable vibrant fabrics with intricate beadwork and example that reflects the cultural identity of the embroidery, including a long skirt and matching Maranao people. top, reflecting the cultural heritage and elegance of the Tausug people. DAVAO REGION (REGION XI) Sculptures and carved mosques in BARMM, such as the Sultan Haji Hassanal Bolkiah Masjid in Jolo, showcase intricate designs and motifs that reflect Islamic architecture and cultural traditions, symbolizing spiritual significance and community identity.  CENTRAL LUZON (REGION III) COMMON THEMES IN PHILIPPINES VISUAL ARTS Sarsuwela combines music, dance, and drama to CULTURAL HERITAGE- reflect the rich history address social issues. and traditions of the Filipino people, blending Senakulo is a traditional passion play reenacting indigenous practices, colonial influences, and the life of Christ, both reflecting the region's rich modern interpretations. cultural heritage. NATURE AND ENVIRONMENT- draw inspiration from the country’s natural beauty, incorporating landscapes, flora, and fauna into their designs. CALABARZON (REGION IV) SPIRITUALITY AND BELIEF - deeply embedded The region's theater includes Sarsuwela, which in combines spoken and sung dialogue, and Filipino art, seen in the use of religious symbols, Senakulo, a passion play about Jesus, both rituals, and mythological motifs. reflecting its rich cultural heritage shaped by COMMUNITY IDENTITY - highlight community, indigenous and colonial influences. social relationships, and regional identities, celebrating unity and diversity within Filipino BICOL REGION (REGION V) culture and fostering a sense of belonging and This region is renowned for its vibrant theater pride. scene, highlighted by Sarsuwela and epic poetry, which blend melodramatic elements with spoken and sung dialogue, as well as the Senakulo. THEATER A collaborative performing art that features live WESTERN VISAYAS (REGION VI) actors presenting real or imagined events before This region features traditional forms like an audience, typically on a stage. Sarsuwela, a musical play that combines drama HISTORY OF PHILIPPINE THEATER and music to reflect local stories and issues. Philippine theater has evolved through history, initially serving as a tool for Christianization CENTRAL VISAYAS (REGION VII) during Spanish colonial rule (1565-1898) and While various theater types exist in this region, reflecting various social purposes and needs. Sarsuwela and Senakulo are the most popular, offering more engaging performances for TYPES OF PHILIPPINE THEATER audiences. SARSUWELA - a type of melodrama that blends spoken dialogue and song, often addressing EASTERN VISAYAS (REGION VIII) social issues. Eastern Visayas features traditional forms like EPIC POETRY- An oral narrative celebrating Sarsuwela and dance, highlighting the region's heroic deeds, typically performed during culture and community spirit as essential to its community gatherings. cultural identity. DUPLO- A poetic debate involving song and dance, rooted in indigenous courtship rituals. MORO-MORO- a street drama depicting conflicts ZAMBOANGA PENINSULA (REGION VIIII) between Christians and Moors, reflecting the This region embraces tradional forms like Bodabil colonial history of the Philippines. as well as the sarsuwela. SENAKULO - It features passion plays that reenact the life of Christ, traditionally performed NORTHERN MINDANAO (REGION X) during Lent. In this region, the vibrant theater scene that TRADITIONAL FOLK DANCE - dances like features traditional forms is Senakulo and Tinikling and Singkil showcase local culture and traditional folk dance. storytelling BODABIL - A variety show format blending DAVAO REGION (REGION XI) music, comedy, and drama, influenced by The region’s theater scene features traditional American vaudeville. forms is like Sarsuwela and Traditional Folk dance that reflects to the local culture and social issues ILOCOS REGION (REGION I) in the region. Theater in the Ilocos Region is defined by Zarzuela, a Spanish-influenced musical drama reflecting Ilocano history and culture, featuring SOCCSKSARGEN (REGION XII) singing, dancing, and elaborate costumes. The type of theater in this region is Tradional Folk dance often indicating a gentle dance conveying CAGAYAN VALLEY (REGION 2) their own culture. They also have various type of Theater in Region 2, Philippines, blends theater such as sarsuwela. indigenous and Spanish influences, often featured in local festivals, with a growing CARAGA REGION (REGION XIII) presence of contemporary theater addressing The region features various theatrical forms, modern issues. notably the traditional folk dance Itik Itik, popular in Carmen, Lanuza, Cantilan, and Surigao del Norte.  NCR One of the most famous type of theater is Salidummay is a traditional song performed by Sarswela, one example of this is Dekada 70 the Igorot and Kalinga people. The song is depicting a 2002 Filipino historical drama film characterized by its three-part harmony and directed by Roño. round song format. It typically features pentatonic melodies. CORDILLERA ADMINISTRATIVE REGION The Cordillera Administrative Region has ILOCOS REGION (REGION I) popularized various theater adaptations, with the Traditional forms like pasyon and balitaw reflect traditional folk dance "Ragragsakan," showcasing community values and experiences. Kalinga women's gathering for a Bodong or Ilocos Sur’s known for Pasyon, a narrative song peace act. that underscores the region's strong Catholic influence. BARMM La Union's Balay Songs and Harana, emphasizes This region is famous for their SENAKULO romance and social interactions, showcasing a depicting in a more religious side of their culture. more personal aspect of community life. Various type of theater is also present such as Kusilapanka is an Ilocano song released in 2023. Sarsuwela and Traditional Dance. It conveys how her past lover left her and how she will look at him again someday showing that COMMON THEMES IN PHILIPPINE THEATER she managed to live without him. Cultural Identity: Celebration of diverse regional identities and heritage. CAGAYAN VALLEY (REGION II) Social Issues: Exploration of contemporary Guitar and bandurria are common instruments in social, political, and economic challenges. Philippine music, typically featured in community Historical Narratives: Reflection on significant gatherings and festivals. events and historical contexts. Ivatan music from Batanes features vocal chants Community and Tradition: Emphasis on local and traditional dances, highlighting the Ivatan customs, rituals, and collective experiences. people's connection to their environment and heritage. Love and Relationships: Depiction of familial Cagayan is known for harana (serenades) and bonds, romantic relationships, and interpersonal pasyon (narrative songs), highlighting community dynamics. values during local festivals and religious events. Isabela features folk songs that tell local stories CONTEMPORARY PHILIPPINE MUSIC and traditions, often performed during agricultural Contemporary music, or "New Music," celebrations. encompasses modern genres like pop, rock, hip- Quirino's music features guitar and bandurria, hop, and electronic, reflecting diverse influences reflecting cultural influences, while Nueva and technological advancements while exploring Vizcaya's includes ritual songs and dances new sounds and fusing musical traditions. connected to nature. National Artist Ramon Santos, PhD, defines Makuwa tam ngamin is an ibanag-itawes pong contemporary Philippine music as adapting 20th- song. Through this lovely work of art, the singers century Western art music and modern reassure and console a friend, showing them that entertainment trends, influenced by the country's they will overcome any challenges together colonial history with Spain and America, which introduced Western compositional techniques to Filipino composers. CENTRAL LUZON (REGION III) Bataan is celebrated for its ritual songs and dances that enhance community bonds and CORDILLERA ADMINISTRATIVE REGION cultural identity, while Bulacan is renowned for its (CAR) kundiman and harana, highlighting romantic Abra's Bolinayan Song and Uggayam highlight sentiments. communal celebrations, fostering unity and Nueva Ecija's music centers on agricultural cultural identity. themes, celebrating harvests and local traditions, Apayao's Dawag serves as a solemn ceremonial while Pampanga showcases culinary heritage piece, integral to the Isneg people's spiritual through songs performed during feasts and family practices. gatherings. Benguet's Chey-assa focuses on agricultural Tarlac features guitar and bandurria music for tasks, emphasizing cooperation and community local festivals, while Zambales is known for sea involvement in rice production. shanties that reflect its coastal lifestyle. Ifugao's Hudhud, an epic chant recognized by Ang Anahaw is a Filipino folk song that UNESCO, narrates significant life events, while celebrates the resilience and strength of the Kalinga's Dang Dang-ay conveys social values Filipino people, symbolized by the anahaw leaf, through which is the national leaf of the Philippines. The Mountain Province's Kapya is a spiritual song used in healing ceremonies, reflecting the region's healing practices and beliefs.  Ili,Ili, Tulog Anay- This Visayan lullaby, meaning NATIONAL CAPITAL REGION "little one, go to sleep," depicts a caretaker NCR's music scene blends contemporary OPM, singing to a child while a mother works to support traditional harana, and folk songs, reflecting her family, longing to be with her baby. urban life and local culture across various cities. (electric guitars, keyboards, synthesizers, drum CENTRAL VISAYAS (REGION VII) kits, and bass guitars, with occasional brass Central Visayas blends traditional folk music with instruments like saxophones and trumpets.) modern OPM, with Cebu as a hub for Mamang Sorbetero- This nostalgic 1980s Filipino contemporary sounds, Bohol preserving classic celebrates the joy of the ice cream traditional styles, Negros Oriental reflecting vendor's arrival, bringing the community together broader influences, and Siquijor featuring in anticipation and laughter. mystical themes. Dagohoy Lapu-lapu is an upbeat tribute to heroes CALABARZON (REGION IIII-A) Francisco Dagohoy and Lapu-Lapu, blending Batangas is known for folk songs and dance at humor with national pride and the spirit of festivals, while Cavite features romantic harana resilience. and kundiman. Laguna features agricultural folk music, Quezon EASTERN VISAYAS (REGION VIII) has festival songs, and Rizal mixes folk and Eastern Samar's "San Juan" celebrates St. John contemporary styles. the Baptist, while Leyte's "Karatong" is key to folk Araw-Araw- This song highlights love as a daily music and dances. choice, emphasizing commitment and the Northern Samar's "Sadasada" fuses traditional importance of small acts of care. and contemporary music, Samar features the "Kudyapi" lute, Southern Leyte uses the MIMAROPA (REGION IIII-B) ceremonial "Agong" gong, and Ormoc City is Indigenous and Hispanic Musical Traditions, known for the ballad "You're the Inspiration." emphasizing storytelling and communal Tacloban's "Sangyaw" showcases vibrant participation. rhythms that celebrate the city's cultural heritage Mindoro Occidental features ritual songs and and festive spirit. dance, while Mindoro Oriental focuses on "Dandansoy" is a Visayan folk song about saying storytelling folk songs. goodbye to loved ones, featuring a catchy melody Marinduque emphasizes festival music for and themes of longing, family, and community. community spirit, while Romblon highlights sea shanties reflecting coastal life. ZAMBOANGA PENINSULA (REGION VIIII) Palawan's indigenous music features nature Zamboanga del Norte features traditional ballads sounds, showcasing its unique cultural heritage and Subanen music, Zamboanga del Sur blends compared to other provinces' festival music. modern pop with Subanen elements, and Wowowee- This contemporary Filipino song Zamboanga Sibugay fuses indigenous gongs blends catchy melodies and traditional humor with contemporary beats. with modern styles, reflecting cultural identity. Vamos a Zamboanga- This lively Zamboanga song, sung in Spanish and Chabacano, features BICOL REGION (REGION V) upbeat rhythms and traditional instruments, Albay's "Padaba Taka" is a love song, while making it a favorite at local gatherings and Camarines Sur's "Dandansoy" reflects traditional festivals since its 1963 debut. themes in a different dialect. Camarines Norte's hymn celebrates unity, while NORTHERN MINDANAO (REGION X) Catanduanes' "Catandungan" reflects its cultural Camiguin and Misamis Occidental focus on identity. traditional folk music, Misamis Oriental Masbate’s "Balosan" showcases evolving music, emphasizes ritual music, Lanao del Norte while Sorsogon’s medley celebrates traditional features festival music, and Bukidnon highlights culture. folk songs that tell local stories. Padaba Taka by dwta expresses love and "Papel," a 2013 song by Joey Ayala, blends devotion, using imagery of Bicolano cuisine and ethnic instruments with modern pop, using paper Mount Mayon to convey deep affection. as a metaphor for its importance in education, jobs, and society. WESTERN VISAYAS (REGION VI) Western Visayas blends traditional and modern DAVAO REGION (REGION XI) music, with Aklan's pop-rock, Antique's unique Davao del Sur and Occidental emphasize folk fusion, Capiz's electronic bamboo sounds, songs and dances, Davao del Norte highlights Guimaras' xylophone beats, Iloilo's Hiligaynon romantic harana and kundiman, and Davao pop, and Negros Occidental's theatrical sarswela Oriental features festival music for community influences. gatherings.  Tiw-Tiw Budots- It is a street-style EDM genre Binigan-Bigat is a traditional Ilocos Sur folk from Davao City, blending techno and house with dance, symbolizing connection to nature, hard Sama-Bajau rhythms, characterized by work, and gratitude, performed during morning aggressive percussion and high-pitched whistle rituals in rural areas. hooks. La Jota Yogad, a traditional dance from La Union, Philippines, is performed during local festivals SOCCSKARGEN (REGION XII) and cultural celebrations, symbolizing the Yogad Cotabato shares romantic themes with Davao del people's rich cultural heritage and preserving Norte's kundiman, while Sultan Kudarat highlights their traditions and community pride. festival music. In Sarangani, Kuerdas' "Hiyas ng The Binasuan dance is a traditional Filipino Sarangani" celebrates cultural richness and dance from Pangasinan, focusing on balancing natural treasures. and maneuvering with drinking glasses, often "Halina" is a Filipino folk song that blends performed during festive occasions, showcasing traditional instruments with a modern twist, agility, balance, and grace. exploring themes of love and local traditions while honoring cultural heritage. CAGAYAN VALLEY (REGION II) The palu-palo dance, originating in Batanes, is a CARAGA REGION (REGION XIII) vibrant traditional dance celebrating agricultural Agusan del Norte fuses kulintang with electric achievements, community cohesion, and cultural guitars. preservation, showcasing the vibrant spirit of the Agusan del Sur mixes gong and kubing with Ivatan people. digital beats. La Jota Isabela is a traditional folk dance from Dinagat Islands blends traditional chants with Isabela, Philippines, influenced by Spanish guitars. culture. It's performed during festivals, cultural Surigao del Norte combines kulintang with celebrations, and community events, symbolizing modern instruments. community pride and unity. Surigao del Sur merges kudyapi with electric The Jota Quirino, a traditional dance from guitars. Quirino, Philippines, is performed during local Kahimunan- This vibrant piece celebrates festivals and cultural events. It features intricate Caraga's heritage at the Kahimunan Festival, steps, elegant turns, and expressive hand and reflecting Manobo traditions with themes of unity arm movements, symbolizing celebration and and thanksgiving, characterized by a lively beat cultural heritage. and traditional instruments. Binasuan, a contemporary dance in Nueva Vizcaya, originated in Pangasinan province. It BARMM blends traditional Filipino folk dance with modern “Marawi” from Lanao del Sur, evoking the city's flair, showcasing grace and technique. Often spirit. performed at festivals and special events, it “Kasikas” from Lanao del Norte, celebrating local reflects the area's rich cultural heritage. traditions. The Pattong dance, a traditional Philippine “Awit ng Maguindanao” highlighting dance, is performed by the Ibanag people of Maguindanao's heritage. Region 2, showcasing their cultural heritage “Gabbang”, a bamboo xylophone from Basilan. through lively rhythmic movements and elaborate “MSU Sulu Hymn” embodying pride in education costumes. from Sulu. CENTRAL LUZON (REGION III) “Susulan Tawi-Tawi”, capturing Tawi-Tawi's The Abaruray dance, a Tagalog folk dance, beauty. symbolizes hospitality, celebration, and courtship, BARMM's music features kulintang and originating from Aurora and performed during Bangsamoro pop (B-pop), influenced by Islamic social events. traditions and appealing to local and international Sakuting, a traditional Bataan dance, blends audiences. Spanish and indigenous Filipino influences, Hayete Akun- This popular Tausug courtship performed during Christmas and New Year song blends traditional instruments like kulintang celebrations, symbolizing martial spirit and with modern beats, expressing love while community unity. preserving cultural identity in contemporary The Bulaklakan dance, a traditional folk dance Tausug music. from Bulacan, is a celebration of nature and beauty, often performed during local fiestas and CONTEMPORARY DANCES religious events, particularly during the Flores de Philippine contemporary dance fuses modern Mayo festival. Women carry flower wreaths and techniques with traditional movements, dance in circular patterns, symbolizing purity and addressing social issues and cultural heritage, devotion. led by groups like Ballet Philippines and PETA. Sayaw Ecijana is a traditional dance from Nueva Ecija, performed during local fiestas and cultural ILOCOS REGION (REGION I) events. Originating in the early 20th century, it Surtido Banna is a folk dance from Ilocos Norte symbolizes the hardworking nature and which combines Spanish and Filipino influences communal spirit of the people, preserving the symbolizing unity and cultural heritage region's heritage and teaching younger preservation during town fiestas and cultural generations about its traditions. events.  The Jota Florana is a traditional folk dance from BICOL REGION (REGION V) Tarlac with origins in the Spanish colonial period. The Jota Camarines is a popular folk dance from It is performed during festivals and special events Camarines Norte, showcasing the Spanish in the region. influence on Filipino culture. It's performed during Habanera Botolena is a Zambales folk dance, a cultural events, featuring dynamic movements blend of Spanish and Filipino culture, performed and showcasing the vibrant spirit of the region. during special events, often adorned with Pandanggo Rinconada, a lively folk dance from beautiful dresses and barong Tagalog. Camarines Sur's Rinconada district, showcases The Sapatya dance, a traditional folk dance from dancers balancing oil lamps, showcasing agility Pampanga, originated during the Spanish and balance. It symbolizes the community's joy, colonial period and is performed during town cultural pride, and resilience, reflecting their fiestas and religious celebrations. It features festive spirit and heritage. intricate footwork, traditional Filipino clothing, and Pantomina Catanduanes, a traditional dance from music, symbolizing life, love, and faith, and Catanduanes, Bicol, Philippines, symbolizes love, reflects Pampanga's agricultural lifestyle. fidelity, and courtship, performed during weddings and significant celebrations to preserve the CALABARZON (REGION IIII-A) province's heritage. Karakol, a lively street dance from Cavite, is Pantomina Sorsogon, a lively courtship dance in performed during religious celebrations to honor Bicol, symbolizes love, commitment, and a town's patron saint, symbolizing unity, faith, romantic pursuit, often performed during devotion, and gratitude. weddings and fiestas, often dressed in traditional Maglalatik is a mock war dance fron Binan, Filipino attire. Laguna, depicting a fight between Moros and The Lapay folk dance, originating in Barangay Christians over coonut meat (“latik”), symbolizing Bantigue, Masbate, is a lively, rhythmic dance resource preservation during San Isidro Labrador that symbolizes harmony between Masbateños Feast. and their coastal environment. It preserves the Subli dance, originating from Bauan, Batangas, is region's heritage, fosters community pride, and a play that reflects the journey of early manunubli showcases the vibrant traditions of Masbate. tribes in search of a miraculous cross. The "Sarung Banggi" is a Bicolano song with romantic dancers look down and move in steps, lyrics and haunting melody, evoking a moonlit incorporating prayers, verses, songs, and night in Bicol. Inspired by a dance version from dances. Sto. Domingo, Albay, it features fluid, gentle Tariki, a Rizal-inspired traditional dance, choreography, showcasing courtship, admiration, symbolizes the connection between people and and love. nature, mimicking bird movements during fiestas and harvest celebrations. WESTERN VISAYAS (REGION VI) Niyogyugan Festival, an annual event in Quezon Ati-Atihan, a 13th-century festival celebrating Province since 2012, celebrates the coconut Santo Niño, is a vibrant celebration of gratitude, industry with street dances, parades, and local unity, and resilience, featuring colorful costumes products, promoting cultural heritage. and energetic movements. Tinikling dance, inspired by tikling bird MIMAROPA (REGION IIII-B) movements, originated during Spanish colonial Pandanggo sa Ilaw, a traditional Filipino dance era. Performing energetically, dancers strike from Lubang Island, symbolizes light, hope, and bamboo poles, symbolizing agility, Filipino artistry, showcasing poise and resourcefulness, and resilience. coordination. Paseo de Iloilo, a Spanish-era dance, symbolizes Pandang-Gitab, a modernized Pandanggo sa romanticism and elegance, showcasing Filipino Ilaw festival in Calapan, Philippines, celebrates adaptability and artistry, often performed at social progress, unity, and cultural preservation while gatherings and events. embracing modernity since 2000. The Manggahan Festival, originating in 1993, Kendar, a traditional Tagbanua dance from features traditional Guimaras folk dances from Palawan, Philippines, symbolizes connection to May 11th to May 22nd. These dances, ancestors and cultural identity, preserving showcasing various styles and cultural spiritual practices and rhythmic movements influences, celebrate the mango industry, unity, during rituals and celebrations. and heritage of Guimaras. The Binanog dance is a traditional folk dance Sinukwan, a traditional war dance in Negros from Romblon, Philippines, performed by the Ati Occidental, symbolizes the resilience and unity of and other ethnic groups. It imitates the the Negrense people through powerful movements of a banog bird, symbolizing respect movements and intricate formations. for nature and harmony between humans and the The Tinolabong dance, named after the native environment. bird tolabong, originated in the 15th century and Aetana, a short, snappy dance from Santa Cruz, symbolizes harmony between nature and human Marinduque, features interesting figures like life, community spirit, and preserving traditions. "jaleo" and "la mano." Dancers wear "balintawak" and "barong tagalog" and can be performed by one or multiple pairs.  CENTRAL VISAYAS (REGION VII) NORTHERN MINDANAO (REGION X) Mazurka Boholana is a traditional Spanish- Talupak is a traditional dance in Bukidnon, inspired ballroom dance from Bohol, Philippines, showcasing daily activities like planting, influenced by Polish Mazurka. It features intricate harvesting, and fishing, showcasing the footwork and graceful movements, showcasing province's agricultural and traditional lifestyle. the cultural heritage of the region and a highlight In October, Camiguin Island hosts a festival of local celebrations. celebrating lanzones fruit harvest, featuring street The Sinulog dance, a traditional Cebuan dance dancing, parades, and cultural heritage performed annually during the Sinulog Festival, performances. Known for its high-quality symbolizes water flow and honors the Santo lanzones and natural resources, the event Niño. Featuring vibrant costumes and rhythmic attracts locals and visitors. drums, it creates a festive atmosphere. The Sagayan Festival in Lanao del Norte Negros Oriental's Gapnod dance, performed celebrates the Maguindanao and Maranao during annual fiestas, reenacts St. Anthony's people, featuring a war dance illustrating Datu discovery by a fisherman, symbolizing community Bantugan’s adventure and the rescue of his gratitude and celebration with joyful movements. sister, symbolizing community protection, The Solili dance, performed during the Solili reconciliation, and peace promotion. Festival in Lazi, Siquijor, commemorates local The Binalbal Festival, an annual event in Tudela, courtship and marriage customs, featuring lively Philippines, celebrates New Year with veil- street dancing and shouts of "Solili law." decorated participants wearing masks and costumes reflecting their personal interpretation EASTERN VISAYAS (REGION VIII) of "Binalbal." Kuratsa is a traditional courtship dance in Leyte The Kuyamis Festival in Misamis Oriental, and Samar, performed during annual fiestas and Philippines, honors the province's founding family gatherings. Dancers imitate a rooster and anniversary with street dancing and honors the hen courtship, often used as a fundraising traditions of the "lumads," who grew on sweet project. coconuts. Tiklos is a communal dance from Leyte, mimicking cooperative village work. It represents DAVAO REGION (REGION XI) community spirit and cooperation, important for Kuyog, a traditional dance from Davao de Oro, is fostering unity and preserving agricultural performed during local festivals and cultural traditions. events, reflecting traditional hunting and Pintados-Kasadyaan Festival, held annually on agricultural practices. It preserves local traditions June 29th, celebrates indigenous body-painting and showcases the province's rich cultural traditions and the feast of Señor Santo Niño, heritage. symbolizing bravery, cultural identity, and Pamulinawen, an Ilocano dance, is performed Catholic faith. during local festivals and cultural events, The Kadayaw Festival is a vibrant cultural event reflecting the cultural influences of Ilocano that commemorates the harvest season, settlers in Davao del Norte, symbolizing the showcasing colorful parades and dances, blending of different traditions. symbolizing gratitude and promoting cultural Kapa Malong Malong, a vibrant dance heritage. performance from Davao del Sur, showcases Sinumalig, a traditional dance from Southern local customs and traditions, preserving the Leyte, is a cultural symbol of the region's identity festive spirit and promoting cultural pride during and pride, characterized by graceful, rhythmic festivals and community celebrations. movements during town fiestas. Kalivungan, a vibrant dance from Davao Oriental, is a cultural event celebrated during the ZAMBOANGA REGION (REGION VIIII) Kalivungan Festival, showcasing the province's Pangalay, a traditional dance from Zamboanga rich traditions, unity, and diversity, and preserving del Norte, Philippines, is performed during its cultural heritage. festivals and cultural events, symbolizing Indak-Indak sa Kadayawan is a vibrant dance elegance and cultural pride, preserving regional from Davao City, a central part of the Kadayawan heritage and showcasing artistic traditions. Festival. It showcases local traditions, community Chavacano de Zamboanga is a 3-minute festival pride, and attracts tourism, showcasing the city's dance featuring Spanish-influenced costumes, cultural heritage. including zapateados, paypay, and sombrero. It symbolizes the region's cultural fusion and SOUTH CENTRAL MINDANAO (REGION XII) vibrant history, featuring a leisurely walk along The Kalivungan Festival in Cotabato showcases the boulevard or seaports of Zamboanga. traditional dance performances by indigenous The Sambali, a traditional folk dance in tribes, blending hip-hop and LED costumes, on Zamboanga Sibugay, is celebrated during local September 1st at Kidapawan City. festivals and community events, showcasing the region's cultural heritage and communal spirit through energetic steps and vibrant costumes.  Sarangani's Munato Festival dance, performed by local groups, celebrates the province's Pattong, a Luzon Mountain-Igorot dance, is used foundation anniversary with traditional in headhunting ceremonies and invokes the god movements, vibrant costumes, and energetic Lumawig for rain, similar to Native American tribal music. tribes' rain-calling ceremonies. It evokes strength The T'boli tribe in South Cotabato performs the and bravery among warriors. Kadal Tahaw dance, mimicking the bird's movements, during planting and harvesting NATIONAL CAPITAL REGION (NCR) seasons, celebrating a bountiful harvest. Sayaw sa Bangko, a Tagalog dance, showcases Sultan Kudarat's Kalilang Dance, performed by Filipino tradition, cultural heritage, and community indigenous groups during festivals, showcases creativity through agility and coordination, traditional attire and movements, reflecting the symbolizing balance and skill. region's rich heritage. Often accompanied by gongs and drums, it highlights community unity BARMM and cultural diversity. Magigal-Paunjalay is a Yakan tribe dance Kapa Malong-Malong is a traditional Philippine performed before wedding ceremonies, where folk dance from Maranao tribes, featuring women bride and groom cover their faces with white paint wearing malong and shawl, and men wearing to protect their identities from evil spirits. sash, shorts, and headgear. The Lunsay is a traditional Jama Mapun song- and-dance, celebrated during weddings, lasting CARAGA REGION (REGION XIII) the entire night. It involves singing and dancing in The Binanog, a dance from Agusan del Sur, a spiral formation, with participants holding hands Philippines, features a hawk in flight, symbolizing or connected by a stick or string. the hawk's predatory role and respect for nature. The Igal Tariray is a lively Sama-Bajau dance Sibay, a bird dance from Visayan Islands, is from Sitangkai, Tawi-Tawi, featuring energetic performed by young women in Surigao del Norte, movements and syncopated rhythms, often symbolizing beauty and grace, and celebrating accompanied by hardwood, bamboo, or shell dance and artistry. clappers. The Itik-Itik, a playful dance form from Surigao Singkíl, a Maranao dance, symbolizes life's del Sur, imitates the graceful movements of a obstacles, featuring a princess gracefully duck, symbolizing its connection to water and navigating bamboo poles. Originally performed by nature. women, it now includes modern elements. Amaemaeyatok, a dance from Agusan del Norte, Pagapir and Kinakulangan are two popular folk Philippines, is performed during Kahimunan, a dances in the Singkil dance, showcasing fan thanksgiving celebration, symbolizing the handling techniques and Maranao women's woodpecker's role in the ecosystem and respect refined "kini-knini" walk. for nature. CORDILLERA ADMINISTRATIVE REGION National Artist Award is the highest (CAR) distinction/MERIT bestowed upon Filipino Artists The sakuting dance, originally performed by whose; boys, mimics a mock battle using bamboo sticks. promoted Filipino cultural identity and dignity Originally for combat training, it features two through their art. teams facing off in a comedia style, including a President Ferdinand E. Marcos through choreographed skirmish. proclamation no.1001 dated April 2, 1972, The Apayao courtship dance, a Mountain-Igorot confers the award to deserving individuals as Dance from Luzon's northern mountain recommended by the Cultural Center of the provinces, features a couple raising and waving Philippines (CCP) and the National Commission arms, with the man mimicking a fighting cock's for Culture and the Arts (NCCA). movements. Living artists who have been a ten year Filipino Bendayan, a traditional Ibaloi circle dance, citizens symbolizes unity and harmony among the Ibalois. have died after the establishment of the award in It's performed in Benguet festivities and during 1972 but were Filipino citizens at the time of their the Panagbenga Festival, with variations and death interpretations, and composed by Professor build a Filipino sense of nationhood through their Macario Fronda. works Uyaoy Dance is an Ifugao wedding festival dance created a significant body of works to get to the second level of the wealthy elite. The have consistently displayed excellence in the dance is accompanied by gongs. Rich people practice of their art form who have done this dance have the right to have awards in prestigious national and/or international gongs played for them when they pass away. events Tachok, derived from "payok," symbolizes joy or victory. The Kalinga Festival Dance, performed on February 14th, celebrates events like births, weddings, and peace pacts. Maidens mimic sky birds, accompanied by gongs. A PERSON WHO RECEIVES THIS TITLE GETS THE -created the seminal public landscape in Paco Park. FOLLOWING HONORS AND PRIVILEGES 1. Rank and title of National Artist. JOSE MARIA V. ZARAGOSA 2. Insignia of a National Artist and a citation. - defined by a significant body of modern edifices that 3. Cash, monthly life pension, medical and address spiritual and secular requirements. hospitalization benefits, life insurance coverage, state - modern ecclesiastical architecture funeral and burial at the libingan ng mga Bayani (Heroes’ - has affinity to liturgical structures, he greatly Cemetery) and a place of honor at national state excelled in secular works demonstrating his functions along with the recognition at cultural events. typological versatility and his mastery of modernist architectural vocabulary. NATIONAL ARTIST FOR ARCHITECTURE JUAN F. NAKPIL NATIONAL ARTISTS FOR VISUAL ARTS - in 1937, he was named one of the National Artists for architecture. CARLOS “BOTONG” FRANCISCO - Dean of Filipino Architects - Known as Botong Francisco - Architect, civil engineer, teacher and civic - National artist for painting (1973) leader - Known for art of murals and remained a - Innovator in Philippine Architecture. distinguished practitioner for nearly three - Greatest contribution is his belief that there is decades. such a thing as Philippine Architecture. - Born November 4, 1912, Died March 31-1969 - He designed the 1937 International Eucharistic - He was linked to the “modernist” artists (Victorio Congress altar and rebuilt and enlarged the C. Edades and Galo Ocampo) known as “The Quiapo Church in 1930. Triumvirate” GUILLERMO ESTRELLA TOLENTINO PABLO S. ANTONIO - Product of the revival period in Philippine art. - Born at the turn of the century. - he was enrolled at the Royal Academy of fine - Pioneered modern Philippine architecture. arts, Rome - Basic design is grounded on simplicity, no - Became professor at the UP School fine arts. clutter. - Design the UP oblation that symbolizes freedom - The Lines are clean and smooth. of the campus. - “For our father, every line must have a meaning, - Created the Bonifacio Monument in Caloocan, a purpose. For him function comes first before and completed in 1933, symbolizes the Filipino’s elegance or form.” cry for freedom. - Maximum use of natural light and cross - Designed the bronze figures of President ventilation. Quezon at Quezon Memorial, life-size busts of - Antonio’s major works include the following: Far Jose Rizal at UP and UE, marble statue of Eastern University Administration and Science Ramon Magsaysay in GSIS Building. buildings; Manila Polo Club; Ideal Theater; Lyric - Designed bronze and gold medals for the Theater; Galaxy Theater; Capitan Luis Gonzaga Ramon Magsaysay Award and seal of the Building; Boulevard-Alhambra (now Bel-Air) Republic of the Philippines. apartments; Ramon Roces Publications Building (now Guzman Institute of Electronics). FERNANDO AMORSOLO - FIRST NATIONAL ARTIST OF THE LEANDRO V. LOCSIN PHILIPPINES - Believes that the true Philippine architecture “is - Said that “When I came back from Spain I did the product of two great streams of culture, the nothing but paint and paint out in the open oriental and the occidental, to produce a new studying the light. Maski sa España kung object of profound harmony.” nagpipinta ako, dyan ako nagpipinta sa liwanag - Man responsible for designing everything at na liwanag, Wala akong ginawa kundi mag observe.” CCP complex, folk arts theatre, Philippine and - “Grand Old Man of Philippine Art” IN YEAR the Wester Hotel. 1969 - Locsin’s largest single work is the Istana Nurul - Developed the backlighting technique that Iman, the palace of the Sultan of Brunei, which became his trademark where figures, a cluster of has a floor area of 2.2 million square feet. leaves, spill of hair, the swell of breast, are seen aglow on canvas. ILDENFONSO P. SANTOS Jr. - His Major works include the following: - pioneering the practice of landscape architecture in the Philippines and then producing 1. Maiden in a Stream four decades of exemplary and engaging works 2. El Ciego - - introduced a new concept of outdoor shopping 3. Dalagang Bukid 4. The Mestiza with landscaped walks, fountains and sculptures 5. Planting Rice as accents. 6. Sunday Morning Going to Town  VICTORIO C. EDADES - Promoted Filipino artistic culture that fosters - National Artist for Painting (1976) flawless designs by founding the Gallery, which - Emerged as the “Father of Modern Philippine professionalized the art gallery as an institution Painting”. and established a prestigious impact over - his colors were dark and somber with subject generations of Filipino artists. matter or themes depicting laborers, factory workers or the simple folk in all their dirt, sweat and grime. Ang Kiukok (Ang Hwa Shing) - Born to immigrant Chinese parents, he is a dynamic VICENTE SILVA MANANSALA figure in the 60s. - National Artist for Painting (1981) - Emerging after pioneering modernists, he created - His paintings are described as visions of reality expressionistic works with high visual impact and teetering compelling meaning, marking a formal and - his talent was revealed through the copies he made iconographic path. of the Sagrada Familia and his mother’s portrait that he copied from a photograph. BENEDICTO R. CABRERA (BENCAB) - He believes that the beauty of art is in the process - upheld the primacy of drawing over the decorative “The climax is just when it’s really finished.” color. - His solitary figures of scavengers emerging from a JERRY NAVARO ELIZALDE dark landscape were piercing stabs at the social - proficient painter and sculptor. conscience of a peopleBencab, who was born in - 40 years of drawing, printmaking, graphic Malabon, has christened the emblematic scavenger designing, painting and sculpting. figure “Sabel.” - His masks carved in hardwood merge the human -For Bencab, Sabel is a melancholic symbol of and the animal; his paintings consists of abstracts dislocation, despair and isolation–the personification and figures in oil and watercolor; and his of human dignity threatened by life’s assemblages fuse found objects and metal parts. vicissitudes/CHANGES, and the vast inequities of He has done a series of figurative works inspired Philippine society. from Balinese art and culture, his power as a master of colors largely evident in his large four-panel The NATIONAL ARTIST FOR MUSIC Seasons RAMON P. SANTOS JOSE JOYA - Composer, conductor and musicologist. - distinguished himself by creating an authentic - Currently the country’s foremost exponent of Filipino abstract idiom that transcended foreign contemporary Filipino music. influences. - Prime figure in the second generation of Filipino - Most of his paintings of harmonious colors were Composer. inspired by Philippine landscapes He uses of rice - Panaghoy (1984), for reader, voices, gongs and paper in collages bass drum, on the poetry of Benigno Aquino, Jr. Was a powerful musical discourse on the fallen CESAR LEGAZPI leader’s assassination in 1983, which - A pioneer “Neo-Realist” of the country. subsequently brought on the victorious people - Remembered for refining cubism in the Philippine power uprising in 1986. context. - He belonged to the so-called “Thirteen Moderns” LUCRECIA R. KASILAG and later, the “Neo-realists”. - Blends Filipino ethnic and western music. - Educator, composer, performing artist, HERNANDO R. OCAMPO administrator and cultural entrepreneur. - was a leading member of the pre-war Thirteen - Best work is the prize-winning toccata for Moderns percussion and winds, divertissement and - His works provided an understanding and concertante, which incorporates indigenous awareness of the harsh social realities in the country Filipino instruments immediately after the Second World War - Born on December 26, 1894 and Died January - Contributed to the rise of the nationalist spirit in the 29, 1980. - Versatile musician, composer, music post-war era. educator was the last of the music triumvirate, - His canvases evoked the lush Philippine landscape two of whom were Nicanor Aberlardo and - played a pivotal role in sustaining the Philippine Art Francisco Santiago. - Early ages he played Gallery, the country’s first. Voiloncello. - credited for introducing such innovations as the whole tone scale, pentatonic ARTURO LUZ scale, exuberance of dominant ninths and - A painter, sculptor, and designer for 40 years, eleventh cords, and linear counterpoints. represent an ideal of elegant simplicity in both form and expression. - Luz's creations, including Carnival series to the more recent Cyclist paintings, raised the standard for Filipino aesthetic vision in terms of elegant simplicity.  - Member of the faculty of the Up conservatory. - Transformed findings into a new example of - Thought many country’s leading musical ethnic dance culture, promoting creative growth personalities such as Felipe De Leon and beyond simple preservation. Lucrecia Kasilag. - Choreographed suites of mountain dances, - Most familiar composition is “Hatinggabi” Spanish-influenced dances, Muslim pageants - Other works are (orchestral music) Misa and festivals, and regional variations over thirty Antoniana Grand Festival Mass, Ang Batingaw, years. Kundiman Kundangan, String Quartet, Kung sa - Served as dance director for the Bayanihan Iyong Gunita, Pandangguhan; (vocal music) Philippine Dance Company. Amihan, Awit ni Maria Clara, Larawan Nitong - Her works received critical acclaim and rave Pilipinas, among others. reviews during world tours in the Americas, Europe, Asia, Australia, and Africa. NATIONAL ARTIST FOR DANCE RAMON OBUSAN FRANCISCA R. AQUINO - National Artist for Dance (2006) Dancer, - National Artist for Dance (1973) choreographer, stage designer, and artistic - Recognized as the Folk Dance Pioneer director with phenomenal success in Philippine - Conducted folk dance research in the 1920s, dance and cultural work. focusing on remote barrios in Central and - Recognized as a researcher, archivist, and Northern Luzon documentary filmmaker, enhancing Filipino - Produced a 1926 thesis titled “Philippine Folk understanding of cultural life and expressions. Dances and Games,” designed for teachers and - Founded the Ramon Obusan Folkloric Group playground instructors (ROFG), facilitating cultural and diplomatic - Served as supervisor of physical education at exchanges through various dimensions of dance. the Bureau of Education in the 1940s - Promoted folk dancing to raise awareness of ALICE REYES Filipino cultural heritage - National Artist for Dance (2014) - Received the Republic Award of Merit in 1954 - Alice Reyes is a key figure in Philippine dance, from Pres. Ramon Magsaysay for contributions to recognized for her contributions to the dance Filipino culture dialect. - Many awards and recognitions throughout her - Dancer, choreographer, teacher, and director with career a lasting impact on contemporary dance in the - Authored several books including Philippine Philippines. National Dances (1946), Gymnastics for Girls - Her legacy is reflected in the dance companies, (1947), Fundamental Dance Steps and Music teachers, choreographers, and vibrant Filipino (1948), Foreign Folk Dances (1949), Dances for modern dance repertoire present today. All Occasions (1950), Playground Demonstration (1951), and Philippine Folk Dances, Volumes I to VI. GAWAD SA MANLILIKHA NG BAYAN (GAMABA) - It is the award for the creators of the country. It is LEONOR O. GOQUINGCO the highest honor given to a Filipino artist by the - National Artist for Dance, known as the government for their contributions to the country's “Trailblazer,” “Mother of Philippine Theater intangible cultural heritage. The award is also Dance,” and “Dean of Filipino Performing Arts known as the National Living Treasures Award. Critics.” - Pioneer choreographer specializing in balletic To be eligible for the Gawad sa Manlilikha ng Bayan folkloric and Asian styles. (GAMABA) award, or National Living Treasures - Created over 50 years of highly original, first-of-a- Award, a Filipino citizen or group of citizens must kind choreographies, often based on her own meet the following criteria: storylines. Citizenship: Be a Filipino citizen or group of - Notable works include “TREND: Return to citizens Native,” “In a Javanese Garden,” “Sports,” Indigenous community: Belong to an “VINTA!,” “In a Concentration Camp,” “The Magic indigenous or traditional cultural community in the Garden,” “The Clowns,” “Firebird,” “Noli Dance Philippines Suite,” “The Flagellant,” “The Creation,” and the Traditional art: Engage in Filipino traditional art epic “Filipinescas: Philippine Life, Legend and in a category such as folk architecture, literature, Lore.” maritime transport, graphic and plastic arts, - Filipinescas is regarded as her most ambitious weaving, carving, performing arts, pottery, or work, showcasing native folk dance and reflecting textile or fiber art Philippine culture from pagan to modern times. Quality: Produce and perform artistic, distinctive, and superior quality work LUCRECIA R. URTULA Technical and artistic excellence: Have - National Artist for Dance (1988) reached a high level of technical and artistic - Choreographer, dance educator, and researcher excellence focused on Philippine folk and ethnic dances for Skills passed on: Have had their skills passed nearly four decades. on to and widely practiced by their community Years of engagement: Have been engaging in traditional arts for more than 50 years The National Commission for Culture and the Arts - A prolific and pre-eminent figure in preserving (NCCA) confers the award to recognize outstanding oral traditions and musical heritage. work as a traditional folk artist. The NCCA creates a - Passey Away in 2013 GAMABA Committee to select awardees by working with an Ad Hoc Panel of Experts in traditional folk arts. GINAW BILOG (POET) - Panaytayan, Mansalay,Oriental Mindoro,Region The Gawad sa Manlilikha ng Bayan (GAMABA) IV-BMIMAROPA award, or National Living Treasures Award, in the - Prominent figure in preserving Hanunuo Philippines offers a number of benefits to recipients, Mangyan culture. including: - Expert in Surat Mangyan and Ambahan poetry Cash award: A P200,000 cash award (poems consisting of seven-syllable lines). Lifetime stipend: A monthly stipend of P50,000 Advocates for the preservation of the Hanunuo for life Mangyan script and Ambahan poetry. Medical and hospitalization benefits: P750,000 - Promotes these art forms on various occasions per year in medical and hospitalization benefits to ensure they are preserved for posterity. State funeral: A state funeral for the recipient - Passey Away in 2013 Medal: A gold-plated medal from the Bangko Sentral ng Pilipinas GAWAD SA MANLILIKHA NG BAYAN IN 1998 Plaque or medal: A plaque or medal with the award's logo LANG DULAY (WEAVING) Museum display: A duplicate of the plaque or - T’boli/Lake Sebu, South medal is permanently displayed in a provincial Cotabato,Mindanao,Region XII museum or cultural center SOCCSKSARGEN Demonstration opportunities: Awardees are - She is credited with preserving her people's invited to demonstrate their work locally, traditional T’nalak weaving. nationally, and sometimes internationally - Utilizes abaca fibers as fine as hair for her Raising awareness: Awardees can organize creations. festivals or competitions in their communities to - Traditionally incorporates three primary colors: raise awareness about the ICH red, black, and the natural colors of abaca leaves. The selection process for GAMABA awardees is - Recreates intricate designs, including crocodiles, thorough and discreet, and it can take several years to butterflies, and flowers, through her skilled identify the awardees. craftsmanship. - Passey away in 2015 Republic Act (RA) No. 7355 - also known as the Manlilikha ng Bayan Act, GAWAD SA MANLILIKHA NG BAYAN IN 2004 established the National Living Treasures (NLT) HAJA AMINA APPI (MAT WEAVER) Award in the Philippines in 1992. The NLT Award, - Ungos Matata, Tandubas, Tawi-Tawi,Bangsamoro also known as the Gawad sa Manlilikha ng Bayan Autonomous Region in (GAMABA), recognizes traditional folk artists and MuslimMindanao(BARMM) their contributions to the country's heritage. - Recognized as a master mat weaver. - Her colorful mats feature complex geometric Dr. Elena Mirano patterns. - Former Chair GAMABA Committee,NCCA - Demonstrates a precise sense of design, proportion, and symmetry. GAWAD SA MANLILIKA NG BAYAN 1993 - Exhibits a strong sensitivity to color in her SAMAON SULAIMAN (MUSIC) weaving. - Mamasapano, Maguidanao,Western - Passed Away in 2013 MidanaoBangsamoro AutonomousRegion in Muslim Mindanao(BARMM) DARHATA SAWABI - Achieved excellence in playing the kutiyapi (two- - Tausug/ Parang,Sulu,Bangsamoro Autonomous stringed lute). Region in MuslimMindanao(BARMM) - Proficient in multiple traditional instruments, - Have no husband and kids including kulintang, agong (suspended bossed - Prominent Filipino weaver and master of gong), gandingan (bossed gong), palendag (lip- Maranao textiles. valley flute), and tambul. - Expert in weaving pattola and malong, featuring - Passed Away 2011 vibrant colors and elaborate designs. - Recognized for preserving and promoting the MASINO INTARAY (EPIC CHANTER & cultural heritage of the Maranao people. STORYTELLER) - Dedicated to sustaining traditional crafts and - Pala’wan, Palawan Island,Region IV- empowering her community through her artistry. BMIMAROPA - Passed Away in 2005 before the ward was - Renowned epic chanter and storyteller. conferred - Outstanding master of basal (gong music), kulilal (highly lyrical poem), and bagit (instrumental music played on the kutiyapi). - Proficient in playing the aroding (mouth harp) and babarak (ring flute).  SALINTA MONON (WEAVING) - Tagabawa Bagobo/ Bansalan, Davao del GAWAD SA MANLILIKHA NG BAYAN 2012 (LIVING) Sur,Region XIDavao Region MAGDALENA GAMAYO (WEAVING) - Awarded for showcasing the creative and - Pinili, Ilocos NorteRegion IIlocos Region expressive aspects of Bagobo abaca ikat - Master of abel weaving from Pinili, Ilocos Norte. weaving, known as inabal. - Specializes in traditional Ilocano textiles and - Her work revitalized this traditional textile art at a creates new patterns. time when it faced the threat of extinction. - Known for a unique design using the challenging - Recognized for her dedication to preserving and weaving technique called pililian (meaning promoting Bagobo cultural heritage. "partially"). - Passed Away in 2009 - Her inubon a sabong design resembles a string of flowers, showcasing her creativity. GAWAD MANLILIKHA NG BAYAN IN 2000 (LIVING) Learned the craft by closely observing her aunt ALONZO SACLAG (MUSIC) and imitating the patterns, without formal training. - Kalinga, Northern Luzon Island,Cordillera Administrative Region (CAR) TEOFILO GARCIA (HAT MAKING) - His work aims to paint a portrait of his people, - San Quintin, Abra,Cordillera capturing the tradition of opposites and dualities AdministrativeRegion (CAR) in their character. - Focuses on the cultivation and development of - Records both aggressive and gentle traits, tabúngaw (Ilokano term for upo, or bottle gourd). reflecting the complexities of his community. - Learned the art of Kattukong (hat making) and - Engages with Kalinga culture through playing basket weaving at the age of 15. musical instruments and dance patterns related - Acquired skills from his grandfather, emphasizing to rituals. traditional craftsmanship. FEDERICO CABALLERO (CHANTER) - Sulod-Bukidnon/ Calinog, Iloilo, PanayIsland,Region VIWestern Visayas - Continuously works for the documentation of oral literature, particularly the epics of his people. - Focuses on ten epics rendered in a language related to “Kiniray-a”, which is no longer spoken. - Aims to preserve and promote the cultural heritage and oral traditions of the Panay Bukidnon. UWANG AHADAS (MUSIC) - Yakan/ Lamitan, Basilan Island,Bangsamoro Autonomous Region in Muslim Mindanao(BARMM) - Master of playing various Yakan instruments made of bamboo, wood, and metal. - Recognized for his ability to impart knowledge and insights to the youth in his community. - Continues to perform and teach despite diminishing visual perception. - Actively keeps the Yakan melodic tradition alive and thriving. GAWAN SA MANLILIKHA NG BAYAN IN 2004 EDUARDO MUTUC (METALSMITH) - Apalit, Pampanga, Region III Central Luzon - Master craftsman known for traditional metal plating. - Recognized for expertise in pukpok, a woodcarving /metalcarving technique. - Creates intricate designs reflecting Filipino cultural motifs. - Focuses on religious and decorative metalwork. - Contributes to the preservation of traditional crafts in the Philippines. - Based in San Fernando, Pampanga, a region known for its rich craftsmanship tradition