Perception CB-3.ppt PDF

Summary

This presentation covers the concept of human perception, detailing how sensations are processed and interpreted. It explains how marketers use various sensory elements in advertising and design to impact consumers.

Full Transcript

Perception Definition ⚪ Sensation: refers to the immediate response of the sensory receptors to basic stimuli. ⚪ Perception: is the process by which these sensations are selected, organized, and interpreted. ⚪ Simply perception is giving mea...

Perception Definition ⚪ Sensation: refers to the immediate response of the sensory receptors to basic stimuli. ⚪ Perception: is the process by which these sensations are selected, organized, and interpreted. ⚪ Simply perception is giving meaning to stimuli. * S. M. Towhidur Rahman 2 An Overview of the Perception Process * S. M. Figure Towhidur 2.1 Rahman 3 Sensory Systems ⚪ External stimuli, or sensory inputs, can be received on a number of different channels. ⚪ Inputs picked up by our five senses are the raw data that begin the perceptual process. ⚪ Hedonic Consumption: The multisensory, fantasy, and emotional aspects of consumers’ interactions with products ⚪ The unique sensory quality of a product can play an important role in helping it to stand out from the competition. * S. M. Towhidur Rahman 4 Advertisements Appeal to Our Sensory Systems ⚪ This ad for a luxury car emphasizes the contribution made by all of our senses to the evaluation of a driving experience. * S. M. Towhidur Rahman 5 Sensory Systems - Vision ⚪ Marketers rely heavily on visual elements in advertising, store design, and packaging. ⚪ Meanings are communicated on the visual channel through a product’s color, size, and styling. ⚪ Colors may influence our emotions more directly. Sensation1.ppt Arousal and stimulated appetite (e.g. red) Relaxation (e.g. blue) ⚪ Some reactions to color come from learned associations. (e.g. Black is associated with mourning in the United States, whereas white is associated with mourning in Japan.) * S. M. Towhidur Rahman 6 Continued… ⚪ Some reactions to color are due to biological and cultural differences. (e.g. Women tend to be drawn toward brighter tones and are more sensitive to subtle shadings and patterns) ⚪ Color plays a dominant role in Web page design. ⚪ Saturated colors (green, yellow, orange, and cy an) are considered the best to capture attention. Don’t overdo it. Extensive use of saturated colors can overwhelm people and cause visual fatigue. * S. M. Towhidur Rahman 7 Continued… ⚪ Color also plays important role in package design, e.g. Castello Bianco. ⚪ Trade Dress: Colors that are strongly associated with a corporation, for which the company may have exclusive rights for their use. ⚪ (e.g. Kodak’s use of yellow, black, and red) * S. M. Towhidur Rahman 8 Sensory Perceptions - Smell ⚪ Odors can stir emotions or create a calming feeling. ⚪ Some responses to scents result from early associations that call up good or bad feelings. ⚪ Marketers are finding ways to use smell: Scented clothes Scented stores Scented cars and planes Scented household products Scented advertisements * S. M. Towhidur Rahman 9 Sensory Perceptions - Sound ⚪ Advertising jingles create brand awareness. ⚪ Background music creates desired moods. ⚪ Sound affects people’s feelings and behaviors. ⚪ Muzak uses a system it calls “stimulus progression” to increase the normally slower tempo of workers during midmorning and midafternoon time slots. ⚪ Sound engineering: Top-end automakers are using focus groups of consumers to help designers choose appropriate sounds to elicit the proper response. * S. M. Towhidur Rahman 10 Sensory Perceptions - Touch ⚪ Relatively little research has been done on the effects of tactile stimulation on the consumer, but common observation tells us that this sensory channel is important. ⚪ People associate textures of fabrics and other surfaces with product quality. ⚪ Perceived richness or quality of the material in clothing is linked to its “feel,” whether rough or smooth. * S. M. Towhidur Rahman 11 Applications of Touch Perceptions ⚪ Kansai engineering: A philosophy that translates customers’ feelings into design elements. ⚪ Mazda Miata designers discovered that making the stick shift (shown on the right) exactly 9.5 cm long conveys the optimal feeling of sportiness and control. * S. M. Towhidur Rahman 12 Tactile Quality Associations Tactile Oppositions in Fabrics Perception Male Female High class Wool Silk Fine Low class Denim Cotton Heavy Light Coars e * S. M. Towhidur Rahman 13 Sensory Perceptions - Taste ⚪ Taste receptors contribute to our experience of many products. ⚪ Specialized companies called “flavor houses” are constantly developing new concoctions to please the changing palates of consumers. ⚪ Changes in culture also determine the tastes we find desirable. * S. M. Towhidur Rahman 14 Exposure ⚪ Exposure: Occurs when a stimulus comes within the range of someone’s sensory receptors ⚪ Consumers concentrate on some stimuli, are unaware of others, and even go out of their way to ignore some messages. ⚪ People usually tend to ignore sensations that are not of interest to them. * S. M. Towhidur Rahman 15 Sensory Thresholds ⚪ Psychophysics: The science that focuses on how the physical environment is integrated into our personal subjective world. ⚪ Absolute Threshold: The minimum amount of stimulation that can be detected on a given sensory channel. ⚪ Differential Threshold: The ability of a sensory system to detect changes or differences between two stimuli. The minimum difference that can be detected between two stimuli is known as the j.n.d. (just noticeable difference). * S. M. Towhidur Rahman 16 Weber’s Law ⚪ The amount of change that is necessary to be noticed is systematically related to the intensity of the original stimulus ⚪ The stronger the initial stimulus, the greater a change must be for it to be noticed. ⚪ Mathematically: K = A constant (varies across senses) Δi = The minimal change in the intensity required to produce j.n.d. I = the intensity of the stimulus where the change occurs * S. M. Towhidur Rahman 17 Subliminal Perception ⚪ Subliminal perception: Occurs when the stimulus is below the level of the consumer’s awareness. ⚪ Subliminal techniques: Embeds: Tiny figures that are inserted into magazine: advertising by using high-speed photography or airbrushing. Subliminal perception.ppt ⚪ Does subliminal perception work? There is little evidence that subliminal stimuli can bring about desired behavioral changes. * S. M. Towhidur Rahman 18 Attention ⚪ Attention: The extent to which processing activity is devoted to a particular stimulus. ⚪ Attention economy: The Internet has transformed the focus of marketers from attracting dollars to attracting eyeballs. ⚪ Perceptual selection: People attend to only a small portion of the stimuli to which they are exposed. * S. M. Towhidur Rahman 19 Attention and Advertising ⚪ Nike tries to cut through the clutter by spotlighting maimed athletes instead of handsome models. * S. M. Towhidur Rahman 20 Personal Selection Factors ⚪ Experience: The result of acquiring and processing stimulation over time ⚪ Perceptual vigilance: Consumers are aware of stimuli that relate to their current needs ⚪ Perceptual defense: People see what they want to see - and don’t see what they don’t want to see ⚪ Adaptation: The degree to which consumers continue to notice a stimulus over time * S. M. Towhidur Rahman 21 Factors that Lead to Adaptation ⚪ Intensity: Less-intense stimuli habituate because they have less sensory impact. ⚪ Duration: Stimuli that require relatively lengthy exposure in order to be processed tend to habituate because they require a long attention span. ⚪ Discrimination: Simple stimuli tend to habituate because they do not require attention to detail. ⚪ Exposure: Frequently encountered stimuli tend to habituate as the rate of exposure increases. ⚪ Relevance: Stimuli that are irrelevant or unimportant will habituate because they fail to attract attention. * S. M. Towhidur Rahman 22 Stimulus Selection Factors ⚪ Size: The size of the stimulus itself in contrast to the competition helps to determine if it will command attention. ⚪ Color: Color is a powerful way to draw attention to a product. ⚪ Position: Stimuli that are present in places we’re more likely to look stand a better chance of being noticed. ⚪ Novelty: Stimuli that appear in unexpected ways or places tend to grab our attention. * S. M. Towhidur Rahman 23 Attention to Stimuli ⚪ Interpretation: The meaning that we assign sensory stimuli. ⚪ Schema: Set of beliefs to which the stimulus is assigned. ⚪ Priming: Process by which certain properties of a stimulus typically will evoke a schema, which leads consumers to evaluate the stimulus in terms of other stimulus they have encountered and believe to be similar. * S. M. Towhidur Rahman 24 Stimulus Organization ⚪ A stimulus will be interpreted based on its assumed relationship with other events, sensations, or images. ⚪ Our brains tend to relate incoming sensations to others already in memory, based on some fundamental principles. ⚪ These principles are based on Gestalt Psychology. Gestalt Psychology.ppt ⚪ Gestalt Psychology: a school of thought that maintains that people derive meaning from the totality of a set of stimuli, rather than from any individual stimulus. * S. M. Towhidur Rahman 25 Continued… ⚪ The Gestalt perspective provides several principles relating to the way stimuli are organized: Closure Principle. Closure principle.ppt Principle of Similarity similarity principle.pptx Figure-ground Principle Figure ground.ppt. ⚪ The Eye of the Beholder: Interpersonal Biases * S. M. Towhidur Rahman 26 Semiotics: The Symbols Around Us ⚪ Semiotics: Field of study that examines the correspondence between signs and symbols and their role in the assignment of meaning. ⚪ A message has 3 components: 1) Object: the product that focuses the message 2) Sign: the sensory imagery that represents the intended meanings of the object 3) Interpretant: the meaning derived * S. M. Towhidur Rahman 27 Semiotic Components * S. M. Towhidur Rahman 28 Continued… ⚪ Signs are related to objects in one of three ways: 1) Icon: a sign that resembles the product in some way 2) Index: a sign that is connected to some object because they share some property, e.g. Meswak tooth paste 3) Symbol: a sign that is related to a product through conventional or agreed-upon associations, e.g. Elephant brand cement ⚪ Hyperreality: The becoming real of what is initially simulation or “hype” * S. M. Towhidur Rahman 29 Perceptual Positioning ⚪ Positioning Strategy A fundamental part of a company’s marketing efforts as it uses elements of the marketing mix to influence the consumer’s interpretation of its meaning. Many dimensions can establish a brand’s position in the marketplace: Lifestyle Competitors Price Leadership Occasions Attributes Users Product Class Quality * S. M. Towhidur Rahman 30 Perceptual Map ⚪ Figure 2.3: HMV Perceptual Map * S. M. Towhidur Rahman 31

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