Neo-Impressionism Art Movement PDF

**GROUP 1** **ART MOVEMENTS** **1.Neo Impressionism** What Is Neo-Impressionism? Neo-impressionism is a style of painting that emerged during the late 19th and early 20th century. It was a smaller off-shoot of Impressionism, and [the two styles share many similarities](https://www.thecollector.c...

**GROUP 1** **ART MOVEMENTS** **1.Neo Impressionism** What Is Neo-Impressionism? Neo-impressionism is a style of painting that emerged during the late 19th and early 20th century. It was a smaller off-shoot of Impressionism, and [the two styles share many similarities](https://www.thecollector.com/differences-between-impressionism-and-neo-impressionism/), such as an interest in the depiction of light, and the observation of everyday life. **Read on to learn more about this small-scale, yet fascinating strand of modern art:** 1.The Leaders of Neo-Impressionism Were Georges Seurat and Paul Signac Neo-impressionism was a small-scale art movement that remained largely inside France. The artists who pioneered the style were [Georges Seurat](https://www.thecollector.com/georges-seurat/) and [Paul Signac](https://www.thecollector.com/paul-signac/). Both lived in Paris, and worked in a remarkably similar way. La Baie (Saint-Tropez) by Paul Signac, 1907 2\. They Were Inspired by Color Theory During the 19th century, various scientists and theorists wrote about new discoveries in optics and the science of color. These included Michel Eugene Chevreul, Ogden Rood and David Sutter. The Neo-impressionists were particularly interested in Chevreul's color wheel, and his theories on opposing colors.  Michel Eugene Chevreul\'s color wheel 3\. They Applied Tiny Dots or 'Points' of Color The [Impressionists](https://www.thecollector.com/what-is-impressionism/) developed a distinctive way of painting, with small, swift dashes of pale color. Meanwhile, the Neo-Impressionists developed this technique a stage further, making their application of color even smaller and more precise. As both Seurat and [Signac's styles](https://www.thecollector.com/how-paul-signac-turned-saint-tropez-into-artists-paradise/) developed, they both worked with increasingly small dots. Entrance to the Harbor by Georges Seurat, 1888, in the Lillie P. Bliss Collection and Museum of Modern Art, via The New York Times 4\. They Painted Scenes from Normal Life Like the Impressionists, the Neo-impressionists painted lively scenes from ordinary life, such as busy parks, theatres and landscapes. But unlike the Impressionists, who often worked out of doors from life, the Neo-impressionist took painting back into the studio, working carefully on a larger scale.  A Sunday on La Grande Jatte, by Georges Seurat, 1884, 5\. Neo-Impressionism Paved the Way for Fauvism The bright patches of pure, unmixed color that the Neo-impressionists worked with were an eye opener for many up-and-coming artists in the 20th century. In particular, the [French Fauvists](https://www.thecollector.com/fauvism-2/), including [Henri Matisse](https://www.thecollector.com/henri-matisse-paper-cut-outs/), Maurice de Vlaminck and [Andre Derain](https://www.thecollector.com/7-little-known-facts-about-andre-derain/) had a distinctly Neo-impressionist feel, with patches of scattered brushstrokes Luxury, Peace and Pleasure by Henri Matisse, 1904, in the Musée d'Orsay, Paris **2.What Is Symbolism in Art?** The focus on feelings, sentiments, concepts, and individuality rather than reality is what links the numerous painters and forms connected with the Symbolist movement. Many Symbolist art examples contain personal information and communicate their own philosophies, notably the artist's confidence in his or her ability to expose the truth. Artists who used symbolism conveyed concepts through symbols and stressed the significance underlying the shapes, lines, patterns, and tones, as compared to Impressionist artists, who focused on the actuality of the painted object itself.. Symbols in art were a blend of religious mystique, the grotesque, the sexual, and the degenerate in regards to the particular subject matter. The supernatural, the macabre, the dreaming realm, sadness, wickedness, and mortality are common themes among artists who used symbolism. The Symbolism movement served as a bridge between early 19th-century Romanticism and 20th-century modernism. Furthermore, the globalism of Symbolism calls into question the popularly assumed historical direction of [contemporary art](https://artincontext.org/what-is-contemporary-art/) in France spanning from the Impressionist era until the Cubist period. The Crying Spider (1881) by Odilon Redon a reflection on the human psyche Frequently utilizing classic themes and symbols, artists often adapted them to address the needs of a population traumatized by massive death tolls **Global Symbolism** In the visual arts, most academics define the Symbolism art definition as an approach towards subject matter instead of a style, as it was more obviously in literature. Most late 19th-century Symbolist painters were affected by the social and moral turmoil of the time, culminating in intimate, metaphysical, esoteric, and sometimes cryptic symbols and topics pertaining to the apparent depravity of the time. To differing levels and from diverse graphical sources, the artworks of painters from many nations participated in this concept. **The Nabis** The Nabis were a group of artists who used Symbolism, created in 1889 by Paul Sérusier, and were inspired by his artwork, The Talisman (1888). While they did not share the same political or religious beliefs as other Symbolists, the Nabis desired to connect with a higher force; they felt that the artist played the role of a holy man with the ability to unveil the unseen. **3.art nouveau definition** Art Nouveau is an international ornamental art style that characterized architecture, fine art and especially decorative arts across Europe and the United States at the turn of the twentieth century. history/ background Art Nouveau, ornamental style of art that flourished between about 1890 and 1910 throughout Europe and the United States. Art Nouveau is characterized by its use of a long, sinuous, organic line and was employed most often in architecture, interior design, jewelryand glass design, posters, and illustration. It was a deliberate attempt to create a new style, free of the imitative historicism that dominated much of 19th-century art and design. About this time the term Art Nouveau was coined, in Belgium by the periodical L'Art Moderne to describe the work of the artist group Les Vingt and in Paris by S. Bing, who named his gallery L'Art Nouveau. The style was called Jugendstil in Germany, Sezessionstil in Austria, Stile Floreale (or Stile Liberty) in Italy, and Modernismo (or Modernista) in Spain.  **4.Fauvism** - it is an art movement that is characterized by its bold colours, textured brushwork techniques, and also concerns with the potential of colour in expressing and eliciting emotions. Fauvism is derived from the French word \"fauve\" which means \"wild beast\" and was coined by the critic Louis Vauxcelles when he saw the work of Henri Matisse and André Derain in an exhibition in Paris, in 1905. Additionally, it was produced by a group of artists, which includes Henri Matisse and André Derain from around year 1905 to 1910. Here\'s are some examples of the famous Fauvism artwork: Woman with the Hat (1905) by Henri Matisse and Landscape near Chatou (1904) by André Derain.  **5.EXPRESSIONISM** International art movement emerged in the 20^th^ century encompassing art literature, music, theatre, and architecture aiming to express emotional experiences.\ Impressionism is an artistic style in which the artist seeks to depict not objective reality but rather the subjective emotions and responses that objects and events arouse within a person. **EXAMPLE OF EXPRESSIONISM** **\ \ \ \ STARRY NIGHT (VINCENT VAN GOGH) JUNE 1889** Van Gogh painted this while stating in a mental hospital, and it reflects his emotions and imagination, rather than a realistic view of the night. The painting expresses a sense of movement and energy in the sky, contrasting with the calmness of the village below. The sky is the main focus, with its dynamic, flowing lines and vibrant colors. **\ ** **\ \ \ ****\ \ \ \ \ \ THE SCREAM (EDVARD MUNCH) 1893** This painting is inspired from a panic attack that munch suffered in 1892. The swirling sky and distorted landscape reflect the emotional turmoil and anxiety of the figure who seems to be experiencing existensial fear or panic. Munch wanted to capture the feeling of inner anguish and psychological distress, making the painting a powerfull symbol of human anxiety, and isolation. 6.cubism is a highly influencial visual arts style of the 20th century that was created principally by the artist pablo picasso and georges braque in paris between 1907 and 1914. the cubist style emphasized the flat, two-dimensional surface of the picture plane, rejecting the traditional techniques of perspective, foreshortening, modeling, and chiaroscuro (from Italian word "light" and scuro, "dark) and refuting time-honored theories that art should imitate nature. cubist painters were not bound to copying form, texture, colour, and space. it was, however, les demoiselles d' evignom, painted by picasso in 1907, that presaged the new style; in this work, the forms of five female nudes become fractured, angular shapes. as in cezzane's art, perspective is rendered through colour, with the warm reddish-browns advancing and the cool blues receding. plan your object with a quick suggestive sketch, then turn the object into many shapes that you can see. for example, a nose can become a triangle and a shoulder becomes a rectangle. cubism breaks down everyday objects into geometric shapes (most often squeares) **7.FUTURISM** \"We affirm that the world\'s magnificence has been enriched by a new beauty: the beauty of speed.\" - Futurist Manifesto **Futurism definition: what is Futurism?** Futurism was an Italian [art movement](https://magazine.artland.com/art-movements-and-styles/) of the early 20th century, which aimed to capture the dynamism and energy of the modern world in art. Futurists were well versed in the latest developments in science and philosophy and particularly fascinated with aviation and cinematography. Futurist artists denounced the past, as they felt the weight of past cultures was extremely oppressive -- particularly in Italy -- and instead proposed an art celebrating modernity and its industry and technology. **Origins/Background of Futurism** In 1908, the Italian poet Filippo Tommaso Marinetti swerved to miss a cyclist and crashed his car in a ditch. The experience of the old bicycle versus the modern car inspired him to write his manifesto of Futurism, a movement that would conquer nostalgia and tradition. By 1910, the young artists Umberto Boccioni, Carlo Carrà and Luigi Russolo had joined Marinetti's movement. They suggested Futurism could reach beyond just literature and poetry, and the three artists wrote the Manifesto of Futurist Painters. They sent this to their colleagues Gino Severini and Giacomo Balla, who signed the manifesto. Together, these artists formed the core group of Futurist artists. **Famous Futurist Artworks** Umberto Boccioni, Unique Forms of Continuity in Space (1913) Arguably the most iconic Futurist artwork ever made, Umberto Boccioni's Unique Forms of Continuity in Space is a "Cubo-Futurist" figure striding in forward motion. The figure's powerful legs seem to be marching ahead, carved by forces such as wind and speed. This modern-man machine can be read as an allegory for Italy's quest to define itself as a modern nation. Carlo Carrà, The Funeral of the Anarchist Galli (1910--11) The Funeral of the Anarchist Galli is one of Carrà's most famous works. Angelo Galli was an anarchist and labour organiser in Milan who was killed by the police during a strike in 1904. Since they feared that Galli's funeral would turn into a political demonstration, the state sent police to obstruct anarchists from entering the cemetery. When they resisted, police responded with force and a fight broke out. Carrà witnessed the event and captured the intensity and chaos of the scene, as well as the rapid movement, in this painting.