Advanced 2D Animation Reviewer PDF

Summary

This document provides an overview of 2D animation, covering concepts like storyboarding, character design, and animation workflow. The text also touches upon the importance of 2D animation and techniques for success in the field. It also includes an overview of the different software/techniques that are used in advance 2D animation.

Full Transcript

Module 1 : OVERVIEW OF ADD WAINGED ED AINIMATION What is 2D Animation ? - refers to creating moving images in...

Module 1 : OVERVIEW OF ADD WAINGED ED AINIMATION What is 2D Animation ? - refers to creating moving images in a two-dimensional space - often characterized by the illusion of movement through a sequence of individual drawings How does ID animation work ? - involves breathing life into still images through structured sequence of steps a Concept where ideas Form the Foundation of narrative : a Storyboarding lays out the visual blueprint ensuring coherent flow & rhythm : , a Character design meticulously crafting the appearancea each : personality of animated subject BG Layouts & settings provides context anchoring the characters in their : environment , Audio & SFX enhance the experience : Timing dictates the pace & impact of each illusion of motion : Why does ID animation matter ?. 1 Timeless appeal & Nostalgia - holds a cherished place in the hearts of all generations evokes nostalgia d familiarity reminding of classic animations - a sense us of , ex : Snow White & the Seven Dwarfs (1932). 2 Versatility & expression enables creators to themes to explore various comedy Fantasy - , from its adaptability storytellers to convey complex ideas with a simplicity visual - empowers elegance. 3 Accessible learning& artistic growth - an excellent entry point for aspiring animators - process introduces Fundamental principles of motion & timing nurturing , skills that can be creative endeavors applied across various 4. Marketing storytelling that resonates tool in a potent storytelling marketing - enables brands to narratives convey complex - create relatable scenarios that resonate deeply -. 5 Versatility across platforms seamlessly adapts to various marketing platforms from social media to websites and - , presentations maximizes the reach of to diverse audience marketing campaigns catering - , preferences Types of ID Animation Traditional Animation (cel animation) - Cel or celluloid animation : a classic animation style that involves hand-drawn frames on transparent sheets (cels) that are layered over backgrounds each incremental movements captures creating fluid motion when played in - frame , sequence the labor-intensive animations handmade Feel - process gives a charming , Vector Based Animation - utilizing mathematical equations ; produce smooth & scalable animations ideal for logos infographics and simple character animations - , , maintains clarity & sharpness at any size - Motion Graphics - combine text , graphics , and animation to convey information or concepts succinctly - Often used in explainer videos , presentations , and advertisements - enhance communication with dynamic visuals & Kinetic typography Rotoscoping - traces over live-action footage frame by frame , yielding realistic movement - used to achieve lifelike motion or create unique visual effects Different Fields and Uses Commercial Marketing marketing videos dynamic assets that infuse brands with life and personality - : are motion graphics convey complex messages in accessible digestible format for advertisements, - : an , presentations & digital platforms , Anime 2D animation thrives in the anime world captivating audiences with diverse - , genres hand-drawn brings - animation : characters to life. - advanced animation techniques enhance action sequences & Fantastical elements - : - key strength : ability to seamlessly blend traditional hand-drawn techniques w/ cutting-edge animation technologies Feature Films - ID animations remain integral in feature films as main attractions & supporting elements add depth to the storytelling and create visual experiences often in tandem - unique , with other animation styles often complement other animation styles such CG) stop motion - as or , Best examples of 2D Animations 1. Coca-Cola's Fifty Million Times A commercial Day - Fifty Million Times A Day commercial from the 1950s - evokes cheer and nostalgia 2. The Lion King the 1994 combined vibrant colors version masterfully exceptional character animation - , , and special effects. 3 Spirited Away by Studio - Ghibli exemplifies the artistry 2D animation blending imaginative landscapes & meticulous - of , character animation into a mesmerizing fantasy 4. The Princess and the Frog revitalized traditional whimsical motifs 2D animation celebrating character - , , animation , and modern storytelling 5. Nike's The Last Game campaign transforms stars into animated characters effectively promoting the brand's - soccer , innovative sportsmanship Module 2: INTRO TO ADDOBE AFTER EFFECTS Adobe After Effects - is a digital visual effects , motion graphics and , compositing application developed by Adobe Inc. - used for animation in the post-production process of film making , video games & television products be used for can keying tracking compositing and animation - , , , Interface , Windows & Panels : - When you open AE , the First thing you'll see is the Home Screen "New Project" button officially create project - : a new The panel will get highlighted in blue that it's active signaling - now you press , - Most versions of AE operate with the same basic interface layout - You can break the main interface down into 4 key sections : Project Files ; your media files , Footage , and images etc. on the left Composition Window : sits in the very center , essentially a "live view" of what's happening as you make edits Effects : over on the right side Timeline : at the very bottom of your screen Understanding Video Formats - Some video formats are common for professional video production , while others are suitable only For broadband or small-screen purposes main standards used 2 for broadcast +Vi - a handful of competing standards for desktop and series web video , and a of device-specific standards used in mobile handheld devices 3 Main Properties Dimensions : specifies the pixel dimensions of a videoFile the number of pixels horizontallya that make : vertically up an image or video frame : ex : 720 x 480 (W X H) Frame Rate : specifies the number of individual images that make up each second of video : measured as a value of FpS (Frames per second) Pixel Aspect Ratio specifies : the shape of the pixels that make up an image When producing graphics For broadcast television you have to conform specific set Formats - to a , of and standards ex : if graphics will be displayed on HD screens (1080i 1080p , , 720p) , SD screens , or mobile devices because this affects the size that you must create your graphics at Similarly need to know whether you're in region that broadcasts using the ATSC (often NTSC) - or , you a PAL standards , as this affects : size of your graphics , Frame rate & pixel aspect ratio If video for the Web , you'll need to know the Format that the distributing - animation you are producing or site will be Flash , Silverlight h other using : ,. 264 , or ATSC (Advanced Television Systems Committee) - In the US the ATSC has issued a set of standards for the transmission of digital , television - these standards have replaced the older , analog NTSC (National Television Standards Committee Formats the standards include standard-definition & high-definition display - resolutions , aspect ratios and Frame rates. , High-definition television - HD : used to describe video that has a higher resolution than traditional television systems, which are called SD (standard definition) - 2 main HD standards For broadcast TV : 720p & 1080 : TV gaming consoles (PS3 Xbox 360 & more) & Blu-ray disc player support 1080p - can , , The letters format p and i refer whether the uses : - progressive display method : clearer & better defined interlaced display method less bandwidth to be transmitted : require Standard-definition television Prior to AD NTSC was the only standard includes settings for 3d 16 : 9 aspect - , ; 4: ratios NTSC is still used and and by most video editing graphics applications when - cameras referring to SD broadcast quality video - , NTSC g NTSC widescreen : Graphics applications designed to produce content for broadcast, - such as Adobe AE , PS , Al and more include pre-built settings for creating video projects called , presets that correspond with the most used broadcast standards commonly PAL (Phase Alternating Line standard for broadcast television used throughout Europe & much of the rest world of the - outside of North America. differs from NTSC in several key including dimensions & Frame rate - ways , uses rate of - a 25 FPS frame BASIC ANIMATION Composition FrameworkFor movie - a a - each composition has its own timeline - includes multiple layers representing components such as video and audio footage items , animated text and rector graphics still images and lights , , add footage by creating layer then arrange layers using transparency Features to - a , determine which layer is which Shapes powerful tools For creating & inside AE - are super graphics more - shape layers contain vector graphics objects called shapes consists of path stroke and fill. - a , , keyframes - used to set parameters For motion , effects , audio , and many other properties, usually changing them over time - marks the point of time where you specify a value for a layer property such as spatial , position , opacity , or audio volume. -values between keyframes are interpolated at least 1 for the state at the use 2 : beginning of the change - 1 For the new state at the end of the change Effects alter the exposure color visual elements manipulate sound , distort image , add - can or new of an , images , remove grain , enhance lighting, or create a transition sometimes mistakenly referred to Filters. - as Filter other characteristic of layer : permanently modifies an image or a Effect properties : can be changed or removed at any time ADVANCE ANIMATION Eases powerful tool that brings Fluidity and professionalism to your animations & transitions - a EASY EASE : Slow Start - Fast in Mid-Slow Stop EASY IS IN : Fast Start - Slow Stop EASY IS OUT : Slow Start - Fast Stop Speed & Value Graph Editor - you can view and adjust the rate of change (speed) of the property in the speed graph Motion Blur AE will replicate the layer multiple - times as your layer changes in position or scale will then offset directions it in different - Toggle Hold hold keyframe allows you to freeze particular value at specific point in animation - a a an - ensures that the value remains constant until the next keyframe Module 3: STOIRYBOARD ANNIMATICS What is storyboard ? a sequence of sketches illustrations that map out the planned video - or scenes For a - to ensure that the plot is coherent , and free of inconsistencies engaging , - an essential component of video production as it helps to avoid any unnecessary costs or delays Types of Storyboards Traditional Storyboard - involves a series of conceptual pencil sketches that help the writer producer , , and director to visualize their initial idea before any filming or animating starts. Thumbnail Storyboard usually used by small team team of one-who already have good understanding - or a - a a how they want to visually portray their idea. of very quick & easy to create - no text is requireda the sketches don't need to be particularly detailed - Digital Storyboard - perfect for a video animation project because can use the exact graphics that will you be shown in the final video allows look like everyone involved to get sneak peek into what the end-product will - a Why you need a storyboard for your video - Video is a visual medium Important For all stakeholders to visual the script before - see a representation of animation or filming begins ↳ because everyone could have a different interpretation of the stort What is Animatics ? - an animated storyboard with sound a pre-production tool that provides an exact representation of each shot's length by - timing out the storyboard to the define timing piece of moving image - for a Benefits of an Animatic. 1 Reference point you refer back to your animatic to get timing when - can a reference for Frame animation working on your final without this it's easy to get lost in the detail film & lose sight the - , of your of overarching story you're telling 2. Help you make quick changes animatics won't bad about working sketching not final images feel ditching - use so , , you a scene if it doesn't work. 3 Creates consensus it is the first time team will have your seen your film in motion - the perfect opportunity for stakeholders to their thoughts how the piece feels , - air on and For the creative team to make changes 4. Save you time (and money get the useful because you timing of piece without spending hours filming - can a sense of a , or drawing the Finished piece - help you decide what works and what doesn't before you commit time & resources Module 4 : ② AINIMATION PIPELIINE refers to the typical production workflow stages involved in creating a 2D animated Film project or 3 Key Components 1. Pre-Production planning phase where all the groundworkFor the animation is laid out - , building the story designing the characters & planning the visual - Focuses on , , & technical aspects of the project 2. Production - where the animation is created based on the work done in pre-production - artists animate the characters & scenes , ensuring the visual and storytelling elements come to life.. 3 Post - Production - Final phase - where all the visual & audio elements are brought together , and the animation is polished before release Difference of Typical and Advanced 2D Animation Typical ID manual with hand-drawn frames & simpler workflows - : more , - Advanced ID : leverages digital tools , rigging systems G special effects for greater , complexity , realism & efficiency Typical Production : Rough Animation , Lining Coloring , , Clean-up Advanced Production : Digital Software Blending Animation , 2D & 3D , Complex Movement & Dynamics , Special Effects Integration Methods. 1 Techniques & Typical ID Frame-by-Frame Animation : every frame is drawn by hand (e) Animation : transparent sheets For backgrounds layering characters over : each character is drawn separately to create depth in the scene Limited Animation : to reduce workload & cost : where only certain parts of a character more while others remain static Simple VFX : special effects are usually hand-drawn & can be limited in detail or realism due to constraints of hand-drawing each frame Advanced ID Digital Tools : often created using software like Toon Boom , Adobe Animate , or TV Paint Rigged 2D characters : allows animators to manipulate parts of the character more efficiently , rather than redrawing every Frame : known cut-out as or puppet animation Complex Movement & Dynamics : can achieve more complex Fluid movements , with , highly detailed& realistic character actions Special Effects Integration digital : tools enable the integration of more detailed & realistic effects using particle systems , simulations , or even compositing 3D elements 2. Technology & Tools Typical 2D Hand-drawn created by drawing Flipping pages to check the of motion on paper : were on paper , flow Rotoscope (Analog) : done by projecting film onto a surface& manually tracing the movements Basic Camera Work multi-plane : cameras were used to create depth by moving cels in diff layers. Advanced 2D Digital Animation Software : utilizes specialized software for drawing rigging animating , , characters allow and : for non-destructive workflows & easy modification of scenes characters Digital Rotoscoping : provides more precision & Flexibility enabling , animators to add complex details over live-action Footage Camera Effects : allow for more dynamic camera movements , such as zooms , pans , and 3D camera rotations within a 2D space creating a more cinematic feel , 3. Time & Efficiency Typical 2D Time Intensive extremely time-consuming ; every single frame must be drawn by hand - : Manual Inbetweens : manually draw every in-between Frame Advanced 2D Faster w/ Digital tools : make the process more efficient : auto-inbetweening can speed up the work flow while maintaining a smooth animation Reusability rigged characters : or objects can be reused for multiple scenes without having to redraw everything saving , time & effort. Visual Complexity & Depth 4 Typical 2D Flat Appearance often: has simpler flatter , look , with less emphasis on depth shading , , and lighting effects. Manual Depth Cues : depth & perspective must be manually drawn by the animator , making complex camera movements difficult Advanced 2D Depth & Lighting software : allows for the simulation of lighting , shadows , and 3D effects , adding more depth G realism to the 2D animation Hybrid Animation : some advanced ID animation integrate 3D elements or camera work to create more dynamic shots & complex visual effects 5. Integration with Other Media Typical ID Standalone Animation : generally focuses on stand-alone ID elements & doesn't typically blend with other media (like 3D) Simple Sound & Effects : SFX & music are usually added later & might not always align perfectly with the visual elements Advanced 2D Blending 2D & 3D : often incorporates 3D backgrounds , special effects , or props , creating more dynamic visual experience be shows that can in animated interacting : seen films or use 2D characters in with 3D environments Enhanced Sound & VFX : audio is often tightly integrated with the animation in advanced 2D productions , with carefully synced six & complex audio-visual interactions

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