2023 Henan Province Gaokao Public English Past Paper PDF

B. To wa s h d ishes. 2023 年河南省普通高等学校 C. To c lean the w oo l....

B. To wa s h d ishes. 2023 年河南省普通高等学校 C. To c lean the w oo l. D. To c l e an t he woo d. 选拔优秀专科毕业生进入本科阶段学习考试 2. Whe n d id soa p beco m e a v a i l a b l e t o most p eo p le ? 公共英语 A. I n the s econd ce ntury. B. In the third century. C. I n t h e s e v e n t e e n th ce n t u ry. D. I n the n i ne te e n th centu ry 题号 二 三 四 五 六 七 八 总分 o o 3. H o w l on g d oe s i t n eed f r t h e so a p to beco me ha rd e n o ug h be f re y o u ca n u se i t ? 分值 A. 1 2 da y s. ~ B. 3 4 d a ys. ~ P a r t I R e a d i n g C o m p re h en s i o n ( 2 x 2 0) C. 1 2 w ee k s. ~ D. 2 3 w ee k s. D i r e c ti o n s : Th ere are 4 passages in this part. Eac h p assage is fo llowed by some ques tions or ~ o 4. W h ic h o f t he f llowi ng i s NO T tr ue acco rding to th e passa ge ? e o in co m p l t e sen te nc es. F r each oft h em t h ere are 4 ch oices mar k edA. B. C and D. Y u sh ou ld o A. I t' s v e ry d i ffi c u l t to m ake soa p. d e c i de o n th e b es t ch o ice an d m ar k th e co rresp on ding let t e r o n t h e A n swe r Sh eet. B. S oap i s a n i mpo rt ant i nven t io n. C. S oa p i s ex tre m e l y use fu l i n l i fe. ' e P a s s a ge 1 D. S oa p p l a y s a c r c i a l ro l e i n p eo p l e s lif Do yo u use soa p every day? Do y o u know w hen p e op l e s t a rted us i ng soap a nd how i t i s m a d e? The 5. Whe re i s the p assage mo s t p roba b l y f om ? r w ord of " soap " com es fr o m the C e ltic wo rd " s a i po " , whi c h me ans“ fa t " , the m a te ri al th at soa p i s m ad e fro m. A. A rec i p e boo k. o The o l des t s o a p da te s b ac k to 3 , 000 B C , w h e n peop l e i n Me s o p o t a m ia us ed i t f r c l ea ning the woo l. O ve r o t he f l low i ng cen tur i es , s oa p con t i n u ed to be u sed t o c lea n e v e ry t hi ng but t h e h um an bod y. B. A hea l th ma g azine. I n the second cen t ury , a Greek d oc t or name d G a l en wrote a bou t t he p rac t i ce of u s in g soa p to c l ea n the C. A sc i e nce fi c t ion. bo dy. Ho we ve r, ba thing w i th soa p w as sti ll not co mmon. I t w as n' t un t i l the sev en te en th ce n t ury th a t soap D. A po li ti ca l r e po rt. wa s use d fo r bathing in Europe , b u t onl y the we a l thy co u ld affo rd i t. In the ninete en th cen tury , th e soap became a va i lab le to most p eop l e. A s a resu l t, c le anlines s s t andards i mprove d in many p l ace s. P a ss ag e 2 One reason t h at soa p ha s bee n so co m m o througho u t his to ry is tha t it i s n't h ard to m ak e. To make it , take some alkali(碱) and mix it with fat or oil.Once everything is mixed, leave the soap in a mold(模具) My mum 's a b i g fa n o f pos t i ng p ic tu res on he r WeC hat mo m e n t s : from t he brigh t b l ue sky , lus h gree n unt i l i t be co m es h ard. A fte r 24 h o urs, it 's rea dy t o cu t i n to p i eces. B u t y o u ' ll need t o b e p a ti e t. Tha t 's mou nt a i ns to t ranq ui l c l ea r wa t e rs- - t hes e w ere w ha t o u r fa m ily e n j o ye d wh e n ca m p i ng i n a pa rk nea r o ur bec a u se t he soa p s t il l nee ds a rou n d t wo to t hree wee k s t o b ec o m e h a rd e n ou gh b e fore y o u c a n u se i t. co mmun i ty i n th i s ho lid ay. A nd i n fa ct , i t is n ot d iffi c u l t t o fi nd su c h p l aces i n our c i t i e s th e se d a y s , beca use i n t he pa st d ec ade , h undred s o f m illi on s o f p ark s hav e bee n buil t i n C hina , so m e ev e n t rans fo rm ed fro m Be ing e a sy to make , soap ha s he l p ed h um ans s ta y c l ea n all the w ay to the mod ern a ge. You could ev e n g a rb a g e d u m p s a n d f a c t o r i e s. sa y i t's one o f the most i m po r t an t i n vent ion s i n h u man hi s tory. M y mo m es pec i ally c he rishes na tural s c e ne ry a n d gree n e nv ironmen t, beca u se s he c o m es from a sm a ll , 1. W ha t w a s t he o r i g i n a l p u rpose of soap in Mesopotamia? poo r v i ll age whe re peo p l e ' s l iv e l i hoo d s de pended on mini ng. W h e n s he w a s m y ag e , t he a ir t h ere wa s so A. To w as h f c e s.a 1 po l l uted th a t ev e n the green ba m boo l ea v e s o n the m o un ta i ns w e re co v e red by b l ac k coa l d u s t. H owe ve r , i n C. The a u tho r' s fa m il y c a m ped i n a park d urin g this summ e r h o li d ay t he p a s t d e c a d e , t h i n g s h a v e c h a n g e d. D. Wh en the mot her w a s y o un g , t h e air in h e r h o m e town w a s n o t p o ll ut ed. W ith the m i nes c l os ed , t he e n v i ronment h as i m p rov ed tre m en dous l y an d t he l oc a l p eopl e ha v e fo u n d new w ay s to l ive. M any o f o ur re l ative s there are now e n g aged in b us inesses suc h as sell ing tea and running P as sa g e 3 a hos t e l , a nd o ne t h i rd o f t he loc a l p opu l a t ion l ives o n touri sm re l a t e d s e rv i ces. T he i r e x peri e nces tru l y - I t's a lon g- a wa i te d ev en ing. T he Lea gu e fo r P eo ple wi th D isa bi l it ies i s trans fo rm ed i nto a s hining p rove t h at “ G reen mounta ins a re go ld mou nt a i n s. " n i g htc l u b o r d i sa b l ed ad u l t s , L uc k y Clu b. T he c l assroom s bec o me d a nc i ng h a l l s. DJ s p l a y s t rong c l ub m u s i c. The pas t dec a de h as w i tness e d a momentous s hi ft in C hi na's d ev e l op m e n t s t rat e g ie s, a n d w e' ve f u ndert ak en the pa th tow a rd green d ev e l op ment a n d a more beau tifu l Ch in a. 8 y e ars ago , for e xamp l e, r H und red s o f t h e di sab l ed come to d ance an d m ake f i e nd s i n L uc k y C l u b. S ome w ant to fi n d lov e. L uc ky C l u b a tt rac ts a ll o f t he m beca u se i t has t he sen se o f sa fety. I t has t h e fee li n g t hat no o n e i s j u d g i ng t hem. B e ij ing won i t s bi d to hos t the 2 022 W inter O ly m p ic s an d prom is ed a g reen er O lym p ic G a mes. L a s t y ear, T hey c a n b e like a ny o ne el se ou t fo r the ni gh t. w e e nj oy e d the m os t ec o- frie nd ly and s us t a in ab l e O l y m p ic G ame s in hum a his tory. These C hinese c o ntrib ut i o ns to wo r ld e n viro nm e n t al e ffo rt s represen t C hina ' s wi s do m and se t a n e x a m p l e fo r the g l obe. T he League for Peo p le w i t h Di sa b ili t ies w as fo u nd ed i n Ju n e. 2 0 1 6.The c l ub op e ne d e x ac t l y t h ree 6. Acc ord ing t o the p a ss age, wh a t doe s the a u thor s mother l ik e? ' r y e a rs l at er a nd grew qui c k ly , pac k i ng i n m any peop l e f o m a l l ov e r t he st ate. T he u l t i ma te goa l i s " f ll u e i nc l us i o n” w h i c h m ea ns p eopl e w i t h d i s ab i li t ies s ho u l d be i n tegra t ed i n to a ll a s p ec t s o f l i f. A. S he l ikes s i ng ing and d a nc ing v ery muc h. M ik e H o rnby , 27 , sa y s ,“ I t i s one o f my fa v or i te p l aces i n the w ho l e w i de worl d. " Ad ul t s w i th B. S he likes trave li n g aro u nd th e co un try ve ry m uc h. dis a b i l i tie s , l ik e M ik e , y e a rn fo r more opportu n i t ies t o so c i a l i ze L uc k y C l u b. s t a n ds out bec a use i t i s h e l d C. S he l i k es pos t i n g p i c t u res o n her W eC h a t Mo men t s once a m o nth a nd draws m any peop l e. Loc a l ,s t a te and n at io n a l su p port ers a re not a w a re o f a nother ev en t D. S he lik es m aki n g co mm ent s on h er We C h at M ome n t s. l ike i t in t h e cou ntry 7. Whi c h o f the fo llow ing i s N O T th e p re sen t co nd i t ion a bo u t the m o the r's ho m e tow n ? S a l l y St em , 6 3 , sa y s , W h at ev er y o u co m e looki ng fo r , y o u c a n fi nd it h e re. " S he u ses a w hee l c h a i r a ft er A. T h e m in es h ave bee n c l ose d be ing paraly z e d in 1 9 94. S he w as hi t by a car. " We s ee a l o t o f re lation shi ps blo ssom. So me fai l. Lov e i s al w ay s i n th e a ir h ere a t L uc ky C lu b. E v ery b ody feel s free h ere. " B. H al f o f th e loc a l po p u l a tion l iv e s on t ouri sm - re la t ed serv i ce s. O rga n i ze rs sa id mos t c l u b - goe rs h a v e i n te llec t u al or d eve l o p m e n t a l d i sa b i l i t ies. R o u ghly l i n 6 i s C. Th e loca l peo p le have fou n d new w a y s to l i v e. u n ab l e to s peak. A bo ut l in 4 u ses a w heelc hair. D. M a ny o f t he a uthor 's re l at i ves a re now en g a ged in bu s i n ess. 1 1. W h e n did Luc k y C lu b o p e n? 8. W ha t doe s the w o rd " m o men tou s " ( i n Para. 4 ) mea n i n t he pa ssage ? A. In J une , 201 6. A. Necessary. B. I n J ul y, 20 16. B. U n im p o r t a n t. C. In J une , 2 0 19. C. Jus t SO S O. D. I n J u l y, 2 0 1 9. D. V e r y i m p o rt a n t. 1 2. P eo p l e w i th di s ab i l it i e sgo to Lu c k y C lub bec a use_ 9. H ow does t he m o th er feel a bou t na tura l s ce nery a n d gree n en v i ro nm en t? A. so me re l a t ion s hip s fa i l in the c lub A. T h e m o t he r l o v e s na tu r a l sce n e ry a n d g ree n e n vi r o nmen t. B. t h e y d o n o t f e e l b e i n g j ud g e d t h e r e B. The mo the r d oe s no t like n a tu ra l sce n e ry a nd g reen e nv iro nme n t. C. so me m ed ica l p ro bl em s c a n b e s o l ved t h e r e C. The mo the r i s i nd iffe re n t to n a t u ra l scene ry a nd gree n e n v i ronm e n t. D. the a ttra ct iv e c l ub e v e nt is hel d on ce a m o n th D. T he m o t he r t hin ks t h ere i s no d iffere nce be tw ee n t h e pa s t a n d t he p rese nt. 1 3. A c c o rdi ng t o t h e pass ag e , w h i c h i s th e most i m p o r tan t rea so n w h y S a ll y S te m goes t o L ucky C l u b? 1 0. W hic h o f the fo l l ow i ng s t a te m en t s i s T R U E a cco rd i ng to t he pa ssage ? A. s h e lik e s s trong c l u b m us i c. A. T he mo t he r co me s fro m a s m a l l c i ty B. S h e w a n t s t o fi n d l o v e t h e r e. B. C h i na's dev e l op m e n t s tra te g i e s ha v e not c ha nge d g rea tly 2 C. S h e fe e l s l o v e a n d f r ee do m t h e r e. C. B ore th e y ea r 20 00. D. S h e w a n ts to d e a l wi th m en ta l d i sab ility D. be fo re t he y ea r 20 1 4. 1 4. W h at i s t h e p e rc e nta g e of c l u b- goe rs who use a w h e e l c h ai r? 1 7. Wh i ch o f t h e oll owing st atemen ts is TRUE? A. 1 5 %. A. The T hree- B ody P rob l e m i s t he fi rs t Chine s e sc i e n ce fic ti o n n o v el. B.25%. B. Th e Th ree - B o d y P rob l em i s a h a rd sci e n ce fict i o n w ri tt e n b y Ken L i u. C. 3 0%. C. Th e Three- B ody P rob le m i s a soft s c i ence fic t i o n wr itten by L i u Cix in D. 40 % D. K en L i u 's tra n s la t ion o f T he Th ree - B o d y P rob l e m i s t h e fi rs t conte m po rary C hi n ese sc i en ce i c t i o n nov e l o 1 5. A cco rd i n g t o t he passag e , w h i c h o f t h e f ll ow i ng s t a t em en t s i s N OT t ru e ? i n E n g l is h. A. The d i sa b l ed c an g o to th e c l ub e v ery week e nd e 1 8. Whic h i s the f a t ure o f K en L i u ' s trans l a t io n ? B. S o m e peo p l e do no t succe ss fu lly d ev e l o p a re l a t ion sh ip i n t h e c l ub. A. The re fe rences are s pec i a l. C. A d ul ts w i th d i s abi l i ti es m ay ge t o ppo rtun i t i e s t o soc i a li ze i n t h e c l u b. B. I t i s a m ind - bo gg li ng wor k. D. The n i gh tc l ub i s tran s fo r me d fro m T he L ea gu e fo r Peo pl e w i th D i sa bil itie s C. T h e r e a r e m u l t i p l e f o o t no t e s. D. It i s a n e w a n d u n i q u e g e n r e. Pass age 4 o 1 9. W h y was C hi n ese s c i e n ce fi c t i on l itt l e k n o w n t o wes te rn e rs be f r e the ye ar 2000 ? A. B ecau se Wes t ern read e rs do not li ke sc i e n c e fi c t i o n. S c i e n ce fi c t i on h as su dd e n l y beco m e p o p u l a r s i n c e t h e 2 1 s t ce n tury. B e fo re t he ye a r 2000 , C hi ne s e sc i e n ce fi c t i o n was know n to o n l y a sm al l n u m be r o f p eo pl e i n C h i n a. Fe w wo rk s w e re t r a ns l a t ed. a n d the B. B e c a u se few w o rks w e re t ran s l at ed i n to E n g l ish t h en. Wes t ern w o rl d h a d l it t le t as t e fo r i t. B u t t h e once su b -ge n re h a s become i n te rn a t io nal ly reco g n i ze d ma i n l y C. B e c a use The Th ree - B o d y P rob l e m w a s no t pub li s he d t en. be ca u se o f K e n Liu , a w riter, tra n s l a to r a nd c o m p u te r sc i e n ti s t. K e n Li u h a s do n e mo re w o r k t h a n a nyo n e D. B e c a u se t h e re are d iffe r e n ces be t ween W e s t ern a nd A si a n c u l tures e l se to trans late C hinese s c i en ce fi c t i on. How e v er h i s a nd t he genre ' s d e fi nin g mo m en t wa s L i u C i x in' s 2 0. A cc o rd in g t o t he passage , w h i c h i s N O T t h e rea son why The T hree- Bo d y P ro b l e m i s a b ig s ucce ss i n t he nove l ca l le d The Three-Bod Problem , a m in d - b ogg l i n g h ard sc i e nce fi c t i o n. W h en Ken L i u t ran s la t e d Th e W e s t e rn w o r l d ? T hre e-Body Prob l em , i t be c a me the fi rs t co n t em po r ary C hine se s c ie n c e fi c t i o n no ve l i n E ng l i sh. P u b l i s hed A. C hin es e pl ace s m a k e i t a d i st i nc t fee l t o w e s ter ne rs. i n 2 0 14 , i t p ro v ed to be a b i g suc cess. B. C h i n ese cu l t u res m ak e i t a d i s t i n c t fe e l t o w es t e rn e r s Of course , w ri t ing in C hine se i s di ffe rent from wri t ing i n E n g l i sh. The m e ani ng and refe rence s used C. C h i n ese h is tor ie s m ake i t a d is ti n c t fe e l t o w e s t e rn e rs. i n C h ines e s c i e nce fi c t i o n a re u ni q ue t o t h e ge nre. I n the st o ri es Ke n L i u trans l at ed, m u l t i p l e fo o tnot es a re D. We stern re a de rs a re v e ry fa m i li ar w i th C hines e c ul ture. used t o de s c ri be d e ta il s Wes t ern re ad e rs m a y no t und ers t and , a nd t he y e x p la in why a wo rd o r se n t en ce i s P a r t Ⅱ C lo ze ( 1 × 20 ) w ri tte n i n a ce rt a in w ay. T h e use o f tra d i t i on a l a n d c u l t u ra l o bje c t s and p l aces i n C hine s e s c i en ce fi c t i on m a ke s t h e g en re a Di r ec t i o n s : T h ere are 2 0 bla n ks i n th e fo llo w ing passag e. Fo r eac h ofthe blank th ere ar e fo ur ch o ices mark ed A , B , C an d D. Yo u s h o u ld ch oose th e ONE th a t bes tfis in to th e passage and c u l tural a nd h i s tor i c a l an a l y s i s of C h i n a. Th i s al so g i ve s tra nslat ed wo rks a fo re i g n a n d di st inct fee l.A fte r rea d i n g Th e T hree- B o dy P roblem , fo r ex a m pl e. Weste rn read e rs d i sco v e r som e di ffe re n c es a n d s i m i l ariti es m a k t h e corr espon d in g le t t e r o n th e A n s w e r Sh eet. r b e tw e en We s t ern a nd A s i a n cu l t ure s. C hines e m a rt ia l a rt s ha ve 21 a long hi s tory. T hey fo rm a n ec e ssa ry p art o f the C hi nese c u l t ure a n d they a re a p a rt o f t h e n a t i on ' s s p i ri t. No t on ly C hi nese p eo p l e l ov e the ir m art ia l arts , m a n y 1 6. W h e n d id sc i e n ce fi c ti on b eco m e pop u l a r? fo r e i g n er s a r e a l s o c r a z y t h e m. P e r h a p s I ' m o n e o f t h o s e e a g e r f o r e i g ne r s. 22 A. A ft e r th e y ea r 2000. B. A fte r t h e y e a r 20 1 4. 3  A c tua lly , I ve exe rc is e d a ll my li fe. I used to be a fo o t ba l l p l ay er and I o nce l ov e d sw i m m i ng ver y 3 5. A. A n o th e r B. T h e o t he r C. O t h er D. Ot h e r s m uc h. B u t I 23 a C h i n e s e m a rt i a l a rts fa n t he mom e n t I sa w t h em i n a fi l m. S o , I 24 to 36. A. o f B. fr o m C. in D. o n t ak e them u p while I w a s s tud y i n g i n H ang zhou. 37. A. fi n anc i a l B. fi n a nce C. b e n e fi c i a l D. b e ne f i t P ra c t i s i ng C hi n ese mart i a l a rt s requ ires a l ot o f 25 Yo u hav e t o b e a b l e to “ s t a n d a s str a ig h t a s 3 8. A. A cco rd ing B. I n a dd i t i o n C. A m o un t D.Owing a p ine tre e , s i t as square as a s tone , and mo v e a s _ 26 as a g u s t of wind ( 一 阵 风). W hat ' s 3 9. A. s t u di e d B. study C. h ad s t u di ed D. s t ud i es it 28 a long tim e fo r yo u t o realize the dee p meanin g o f C hine se m art ia l arts. No t a ll peo p l e w ho prac tise Chinese m arti al arts hav e a d ee p enough 29 o f t hem. Some re gard them o n ly as 3 0 a 40. A. f st B. many C. m uc h D. s oo n mov eme n t : You mov e here ; yo u hi t y o ur ri va l( 对手 ) t here. B u t my c oa c h ha s trie d to make me re a li z e th e ir u nd erl y i n g( 内 在 的 )me a n i ng w h i c h h a s a g rea t de a l t o d o w i th on e 's m e nt a l s t ate. G ra du al l y I ' ve com e t o P a rt ll True o r Fa l se ( 2 x 5 ) u nd ers tand th a t C hi ne se m art ia l art s do no t on l y i mpro ve my p hy s i ca l 31 b u t a lso mak e me D i r ec ti o n s : For th is pa rt , yo u ar e go i ng to r ea d a passag e w ith 5 s ta temen ts a t ta c he d to it. You are 32 m ore c o nfi dent in de a l ing w i th the w or ld 33 m e. A l o t o f acti on s o f C hinese m art i a l art s are ac tu a ll y 34 me d i t a t io n ( 沉 思 ). T h e y m a k e t h e r e q u i r ed t o decide w hether the stateme nts are True or False. Mark A (for TRUE) if the statem ent be tt er fi t t e d fo r eac h pe rson. 35 _ fo rms of e x erc i s es do no t n ec e ssarily m ake p eop le fee l h a pp y, b u t ag rees w i t h th e in form a t io n g i ve n i n th e passage ; mark B (for FAL SE i th e s tat em e t con tradic ts ) f n w he n e x e rc ising m at e ria l a rt s , y ou w i l l b eco m e ca l m e r a n d mo re c hee rful. S uch be n e fic i a l fu n c t io n has l o n g th e in fo rma t ion given in the passag e. You s hou ld make you r j u dgemen t an d mark th e corresp on din g bee n rea l i zed a nd tre as ure d. Ma ny o f m y A meri c an fri e n d s h a ve b en e fited a lo t 36 p r ac t i c i n g t he le tt er on the A ns w er Shee t. a rt s , m en t a ll y a n d p hysi c a l ly. A ft er m ee tin g someo ne fo r the firs t t im e , d o y o u see y o u rse lf a s a ttrac t i ve ? O r do y o u find y o urs e l f Now the re are q u i te a l ot o f m ar ia l art s c l ubs in he Uni ted S t at e s. A m erican peo p l e a re w i l ling to d o in g ev e ry thin g wrong ? I f y o u ha ve the fo rm er d e scr i pt ion. y o u are i n t he m inori ty. S tud ie s s h ow lot s o f t s pen d t he i r free t i m e lea rni ng C hi nese m a rt ia l a rts. Fo r them , th e m art i a l a rt s a re a un i que( 独 有 的 ) cu l tu re p e o pl e t ak e a ra t her low o p ini on o f the ir c on v e rsati o n a l abi l i t ies a s we ll as the soci a l impress i ons the y h a v e. as w ell as a _ 37 fo rm o f e x e rc i se. , 38 to a re port , o n e i n e v ery te n A m e ri c a ns on ce 39 or i s s tud y i ng a s tyl e o f m ar t ia l art s. I my se l f a m p l ann i n g to set u p a m art i a l arts sc h oo l i n my hom e I n mos t s i tua t ion s , w e a re o ft e n muc h more p l easa n t co m p any t h an w e t h i nk, y et we fo rge t a ll t he co unt ry as 40 a s I co mp le t e m y s t u d y in C hi na. s i gn a l s o f frie nd l in e ss towa rd s u s. We are so bus y wo rry i ng abo u t the im p re ss ion w e' ve g i ven that w e m i ss a l l t h e pos i t iv e s i g na l s. We wo rry a bo u t t ri fl i ng t h i n g s t h a t we m i gh t h ave s a id wron g. We d o n 't no t i ce 21.A. v e ry B. qui et C. qu iet l y D. quit e s omeone enc ouragi ng smile or t h e w a rm th i n the ir ey es. 22. A. w i th B.in C. a bo u t D. up A l ittle sel f-a wa re ne s s c an b e h ea l th y. B u t m any o f u s are fa r too pe ss im i st i c. T hi s m ay p re v ent us from 2 3. A. e n co u n te re d B. beca m e C. me t D. fo un d c o nnec ting w i th p eo p l e w ho m a y re a l ly a ppre c i a te u s. D.dejected 2 4. A. d ec i de d )Aft er m ee t ing som eo n e fo r the fir s t t ime , fe w peopl e think the y are a ttract i ve. B. di l a ted C. di vi ded 41. ( 25. A. e ffe c t s B. e ff o r t s C. a ffec t s D. a f fo rd s 42. ( ) I n m o s t occa s i o ns w e can fi n d t h e si g n al s o f frie nd l i nes s. B.frequently C. quickly ) We a re s o a n x io us a bou t t h e fi rst im p re ssi o n w e h a v e g iv e n t h at w e p a y l i tt l e atte n t i o n t o p osi t iv e 26. A. sl ow l y D.fluently 43. ( 27.A.many B. m os t C. m uc h D. m or e s i gn a l. 28. A. t akes B. spends C. wa s t es D. m a ke s 44. ( ) M uc h se lf- a w a rene s s d uring the fi rs t c o n ve rsa t ion with o th ers i s nece ssary. 29.A. doin g B. u n d e rs t and i n g C. m o an i n g D. e xe r c i s i n g 45. ( ) Pe ss i m i s t i c j udge me n t a bo u t ou r fi rs t i m p ressi on hel p s t o fo rm re l a t io n s h i p. 30. A. v i sua l B. m en t a l C. c h e m ica l D. phy s i ca l 3 1. A. condi t ion B. a tt i t u d e C. m in d D. wor k P a rt IV Tr a n s l a t i o n ( 4 0 po i n ts ) 32. A. t o fe e l B. fe l t C. fe els D. f ee l 33. A. ro u nd B. a ro und C. along D. be hind S e c t i o n A E n g l i s h - C h i n ese Tra n s la t io n ( 2 x 5 ) 34.A. f o cuse d o n B. i n d e p e nd e n t o n C. t u rn e d o n D. b a se d o n 4 D i rec t i on s : T h is par t , n m bered 46 to 5 0, is t o tes t your ab il ity to trans l a te En gl is h in to Chin es e. Ea ch D.假如她当时忘记去寄出那封信就好了。 s e n t en ce is fo llow ed byfo ur ch o ices of su ggested translation marked A, B, C and D. You should o 50. T he s ugg es t i o n p u t f rw a rd by L i M i n g h a s b ee n rejec t e d d e c i de o n t h e b es t cho ice an d mark t h e c o r respon din g letter on th e A ns we r Sh eet. A.李明提出的建议被接受了。 4 6. I c a n s t ill p i c t u re m y p r ima ry s c hoo l I s t u d ied i n. B.李 明提 出的建 议被拒绝 了。 A.我平静地画出我就读的小学。 C.提出建议的李明被拒 绝了。 B.我仍然有我就读小学的照片。 D.建议被接受了， 是李明提出的。 C.我还能回忆起我就读的小 学。 S e c t i o n B B l a n k e d C l oz e ( 3 x 5 ) D.我能平静地回忆起我的小学。 D i re c tio n s : C hoose the appropriate translat ion to fill in e ach b lan k to m ake th e follo w in g mean ingfu l an d 4 7. Q u i te a f ew peo p l e are i n t e res t e d i n t he no v e l s t h a t h e t r ans l a te d fro m fo re i gn l a n g ua g es w rite th e corresp o n ding le tter o n th e A ns wer Sheet. A.少数人对他翻译的外国小说感兴趣。 在中国西北方， 窑洞是居民住宅的代表。 人 们至今仍然住在这种窑洞里，因 为黄土高原的土层 有100多米厚，具有水渗透性差但垂直可塑性强的特点。于是人们充分利用当地的气候和土壤条件 B.许多人对他翻译的外国小说感兴趣。 建造出此类民居。窑洞有诸多优点， 比如节约能源绿色环保， 冬暖夏凉。 C.少数人对他创 作的外国小说感兴趣。 I n N orthw es t C hin a , t he 51 o f c i vi l re sidence i s c a v e or Y a odo ng. T h e rea so n w h y p eo p l e 52 l i v e i n s u c h c av es i s t h a t t h e d ept h of t h e 53 o f L o e ss P lat e a u i s more t h a n 1 00 me t ers D.许多人对他创作的外国小说感兴趣 w i th p oo r w ate r p ermeabi l i ty b u t s t ro n g up ri gh tness. The peo p l e m a k e fu l l use o f t he l oc a l 54 c l i mat e a n d s o i l co nditi ons to dev e lo p thi s k in d o f fo k ho u s e. T he re a re m a ny a d va n t a g e s t o liv e i n such l 48. I t i s t oo ho t to g o ou t. cav es, fo r e xamp l e , sa v i ng ene rgy , e n v iro nmen t fr ie n d ly , w a rm in w in t er a nd i n s umme r. 55 A.天热了适 合外出。 A. co l d B. stil l C. represe n t J. c l i m a te D. r ep r e s e n t a t i v e E. s t i le F. so i l l a y e r B.发热后不能出去。 G. s o i l a pp ea ra nce H. w ea th er I. coo l C.发热了可以外出。 S ec ti o n C C hi n e s e - E n gl i s h T ra ns l a t io n ( 3 × 5 ) D.天太热不能出去。 Di r ec t i on s : T h ere are 5 sen ten ces in th is par t. P lease tra n s la t e sen ten ces 56 -6 0from Ch in ese into En g lish. Wr i te you r an s w er o n the A nswer Sheet. 49. I f o nl y s h e' d rem e m b e r ed t o sen d t h a t l e t t e r t he n. 56.三个家庭正在一起爬泰山。 A.要是当时她记得去寄出那封信就好了。 B.要是当时她忘记去寄出那封 信就 好了。 57.昨 天我们看了一场非常有趣的电影 。 C.当时只有她一 个人记得去寄出那封信。 5 58.中国文化已经传播到了世界上很多国家。 e 69. T h e p ro f ss o r t o l d u s th a t w e should do i t for us o wn good. A B C D 59.当地政府将在市中心建造一个大型的现代化医院。 70. Sh e had th e chance o f get a go o d j ob. A B CD 60.上周六， 就是这个年轻的士兵从河里救了那 个小女孩。 P ar t VI W r it i n g ( 2 0 p o i n ts ) D i recti o n s : Fo r t his pa rt , yo u ' re requ i re d to wri t e an a rt ic le w i th a t lea s t 1 20 wo rds bas e d on ou t l i n e i n C h ines e b e lo w. Writ e y o u r art ic l e o n t he A ns wer Sh eet. P art V E r ro r Cor r ectio n ( 2 x 1 0 ) (1)自 古以来就有人性善恶之争， 但善良一 直是人类所推崇的； D i re ctio n s : Th ere are 1 0 s en tences in th is part. Each se tence h as 4 u n derlinedp arts m arked A , B , C an d D. You are r eq u ired to iden t ify the in co rrect par t, a nd , then w r ite th e corresp ondin g lett er a n d th e (2)请列举一些生活中你所经历或了解到的有关善良的事例； correct a ns we r o n th e An s w e r Sh ee t. (3)请谈谈你 对“善良的力量”的看法。 61. S i nc e 2 004 , a nu m be r o f peo p l e who li ve t here has grow n from 2 00 t o 80 00. A B C D 6 2. I t was o v e r 30 y e a rs since Igraduated from c o ll eg e. A B D 6 3. We a re amazed t ha t s he dances so beau t ifu l l y as if sh e is a b u tte r f y. l A B C D 64. M a r y can count on him to take care from problem s in her abse n ce. A B C D 65. M y m o t he r told m e t o t a k e it ease fo r some time. A B D 6 6. For years we had little k n o w l ed g e o f that life w as l ik e i n th e p oor v ill ag e. A B C o 6 7. N thing wo u l d p rev e n t hi m for speaking o ut against inj us t i c e A B C D 68. Even though s h e i s anng sometimes , I still like her. A B C D — 6 —