Art Movements PDF

ART MOVEMENTS WGHS 2022 1.Art Movements Page 1 of 66  THEORY OUTLINE INTRODUCTION THE ART MOVEMENTS THE IMPORTANCE OF...

ART MOVEMENTS WGHS 2022 1.Art Movements Page 1 of 66  THEORY OUTLINE INTRODUCTION THE ART MOVEMENTS THE IMPORTANCE OF PROGRESSION 1.Art Movements Page 2 of 66  NAKED V NUDE DEPICTION AS NUDE: ARTISTIC CONTEXT: THE FIGURE IS USUALLY PLACED IN A SETTING THAT EMPHASIZES BEAUTY, FORM, AND COMPOSITION. THE ENVIRONMENT, POSE, AND LIGHTING OFTEN HIGHLIGHT THE AESTHETICS OF THE BODY. POSE AND PRESENTATION: THE SUBJECT IS OFTEN POSED IN A WAY THAT IS STYLIZED, IDEALIZED, OR CONFORMS TO ARTISTIC CONVENTIONS. THE POSE MAY SEEM INTENTIONAL AND CRAFTED TO SHOWCASE THE BODY'S FEATURES. VIEWER'S PERSPECTIVE: THE FIGURE IS INTENDED TO BE VIEWED AND APPRECIATED FOR ITS ARTISTIC QUALITIES. THE FOCUS IS ON THE BODY AS AN ART FORM RATHER THAN AS AN INDIVIDUAL PERSON. HISTORICAL AND CULTURAL SIGNIFICANCE: THE ARTWORK MIGHT REFERENCE CLASSICAL THEMES, MYTHOLOGY, OR OTHER CULTURAL NARRATIVES WHERE THE NUDE FIGURE PLAYS A SYMBOLIC OR REPRESENTATIVE ROLE. ABSENCE OF PERSONAL IDENTITY: THE FIGURE MIGHT LACK PERSONAL ATTRIBUTES OR DETAILS THAT CONVEY INDIVIDUALITY, EMPHASIZING THE FORM RATHER THAN THE PERSON. DEPICTION AS NAKED: NATURAL CONTEXT: THE FIGURE APPEARS IN A SETTING THAT IS MORE REALISTIC OR MUNDANE, WITHOUT THE THE BIRTH OF VENUS IDEALIZATION COMMONLY SEEN IN ARTISTIC NUDES. THE CONTEXT MAY SUGGEST EVERYDAY LIFE OR A NATURAL STATE SANDRO BOTTICELLI. 1483 - 1485 OF BEING. POSE AND PRESENTATION: THE SUBJECT IS DEPICTED IN A MORE RELAXED, SPONTANEOUS, OR UNPOSED MANNER. THE BODY MAY NOT BE PRESENTED IN AN IDEALIZED WAY AND COULD SHOW NATURAL IMPERFECTIONS. PERSONAL AND EMOTIONAL EXPRESSION: THE DEPICTION MIGHT CONVEY PERSONAL EMOTIONS, VULNERABILITY, OR INDIVIDUALITY. THE FIGURE MAY BE SHOWN IN A WAY THAT EMPHASIZES THEIR HUMANITY AND PERSONAL EXPERIENCE. VIEWER'S EMPATHY: THE ARTWORK INVITES THE VIEWER TO CONNECT WITH THE SUBJECT ON A PERSONAL LEVEL, SEEING THEM AS AN INDIVIDUAL RATHER THAN AN OBJECT. THE FOCUS IS ON THE PERSON RATHER THAN JUST THEIR BODY. PERSONAL IDENTITY: THE FIGURE MIGHT INCLUDE ATTRIBUTES OR DETAILS THAT HIGHLIGHT THEIR PERSONAL IDENTITY, SUCH AS FACIAL EXPRESSIONS, UNIQUE PHYSICAL TRAITS, OR PERSONAL CONTEXT. EXAMPLES IN ART: NUDE: A PAINTING LIKE SANDRO BOTTICELLI'S "THE BIRTH OF VENUS," WHERE VENUS IS DEPICTED IN A STYLIZED AND IDEALIZED FORM, EMPHASIZING HER BEAUTY AND THE AESTHETIC QUALITIES OF THE BODY. REFLECTION (SELF- NAKED: A PAINTING LIKE LUCIAN FREUD'S PORTRAITS, WHICH OFTEN SHOW THE HUMAN BODY IN A MORE RAW AND PORTRAIT), LUCIEN FREUD, REALISTIC MANNER, FOCUSING ON THE INDIVIDUAL'S PHYSICAL PRESENCE AND PERSONAL IDENTITY. 1985 1.Art Movements Page 3 of 66 1.Art Movements Page 4 of 66  SAN ROCK ART 1.Art Movements Page 5 of 66  CHARACTERISTICS: VIDEO: DEPICTS HUNTS, TRANCE DANCES OR SPIRITUAL EXPERIENCES. RED,YELLOW AND BROWN PIGMENTS USED.SOME CREATED USING BLOOD(ELAND). TELLS SOME FORM OF STORY. USE OF BASIC FORMS(ZIG ZAGS AND LINES) 1.Art Movements Page 6 of 66  A FIGURE SURROUNDED BY OTHER FIGURES SOME OF WHICH ARE EASILY DEFINED WHILE OTHERS BLEND INTO THE BACKGROUND. OFF TO THE LEFT, WE NOTICE AN ANIMAL WHICH COULD BE AN ELAND. RED OCHRE COLOURING ON A ROCK SURFACE.CEDERBERG. 1.Art Movements Page 7 of 66  EGYPTIAN ART 1.Art Movements Page 8 of 66  EGYPTIAN ART 1.Art Movements Page 9 of 66  CHARACTERISTICS GENERALLY IN PROFILE. STYLISTIC DEPICTIONS OF FORMS. RIGID = PROPORTIONS AND SYMMETRY. HIEROGLYPHICS PRESENT TO AN EXTENT. NOT MADE TO BE DISPLAYED. Hieroglyphics present to an extent. 1.Art Movements Page 10 of 66  GREEK ART 1.Art Movements Page 11 of 66  CHARACTERISTICS SHOW PERFECTION(IDEALISED FORMS) PROPORTION AND BALANCE. MOVEMENT OFTEN SEEN. EMPHASIS ON TRUTH AND BEAUTY. NATURALISTIC DIPICTIONS OF BODIES. SHOWS EMOTION 1.Art Movements Page 12 of 66  LAOCOÖN ABOUT 1720 1.Art Movements Page 13 of 66  ROMAN ART 1.Art Movements Page 14 of 66  CHARACTERISTICS: SHOWS HUMANS REALISTICALLY(WITH FLAWS) ORDER AND BALANCE. NATURALISTIC DIPICTIONS. DRAPERY. DECORATIVE FUNCTION. 1.Art Movements Page 15 of 66  RENAISSANCE 1.Art Movements Page 16 of 66  THE BIRTH OF VENUS BY SANDRO BOTTICELLI 1.Art Movements Page 17 of 66  CHARACTERISTICS REBIRTH OF ART. INFLUENCED HEAVILY BY HUMANISM. IMITATE CLASSICAL STYLES(SYMMETRY AND PERFECT FORMS) INTEREST IN PERSPECTIVE AND SPACE. DIPICTING RELIGION,HISTORICAL SUBJECTS AND GREEK AND ROMAN MYTHOLOGY. EMOTION. 1.Art Movements Page 18 of 66  NEOCLASSICISM 1.Art Movements Page 19 of 66 CHARACTERISTICS AGE OF ENLIGHTENMENT. HISTORICAL ACCURACY. HEROISM AND VIRTUE SHOWN IN ARTWORKS. PATRIOTIC PROPOGANDA(REVOLUTION). REVIVAL OF CLASSICAL PERIOD(CLEAR,ORDERLY AND RATIONAL.) 1.Art Movements Page 20 of 66  FAITHFUL UNTO DEATH EDWARD POYNTER. 1865 1.Art Movements Page 21 of 66  ROMANTACISM 1.Art Movements Page 22 of 66 1.Art Movements Page 23 of 66  CHARACTERISTICS EMOTION OVER CONTROL. EMOTIVE AND SENSUAL SUBJECTS. DYNAMIC AND RESTLESS. INSPIRE. PAINTERLY STYLE USED. VIVID COLOURS. 1.Art Movements Page 24 of 66  DEATH OF THE PRINCESS DE LAMBALLE, LEON MAXIME FAIVRE IN. 1908 1.Art Movements Page 25 of 66  REALISM 1.Art Movements Page 26 of 66  THE STONE BREAKERS BY GUSTAVE COURBET 1.Art Movements Page 27 of 66  CHARACTERISTICS AGAINST HIGHTENED EMOTIONS. OBJECTIVE TRUTH. EXPLORATION OF VISUAL REALITY. DETAILED. ACCURATE REPRESENTATION OF THINGS AT THE TIME. 1.Art Movements Page 28 of 66  IM,PRESSIONISM 1.Art Movements Page 29 of 66 CHARACTERISTICS EFFECTS OF COLOUR OR LIGHT IN NATURE. BRIGHT COLOURS BUT RELATIVE. LOOSE AND QUICK BRUSHSTROKES. CLEARER PICTURE FROM FURTHER AWAY. 1.Art Movements Page 30 of 66 1.Art Movements Page 31 of 66  POST - IMPRESSIONISM 1.Art Movements Page 32 of 66 1.Art Movements Page 33 of 66  CHARACTERISTICS VIVID COLOURS. VISIBLE BRUSHSTROKES AND IMPASTO. EMPHASISED GEOMETRIC FORMS. SOMETIMES USE UNNATURAL OR ARBITUARY COLOURS. MORE EXPRESSIVE. 1.Art Movements Page 34 of 66 1.Art Movements Page 35 of 66  FAUVISM 1.Art Movements Page 36 of 66  CHARACTERISTICS BOLD,UNNATURAL COLOURS. COLOURS USED TO EXPRESS ARTISTS FEELINGS OF SUBJECT MATTER. WILD AND LOOSE APPLICATION OF PAINT. SIMPLIFIED FORMS. FOCUS ON COMPLIMENTRY COLOURS. 1.Art Movements Page 37 of 66 1.Art Movements Page 38 of 66  MANOLAS FRANCISCO ITURRINO. 1908 - 1909 1.Art Movements Page 39 of 66  GERMAN EXPRESSIONISM 1.Art Movements Page 40 of 66  THE LARGE BLUE HORSES BY FRANZ MARC 1.Art Movements Page 41 of 66 CHARACTERISTICS VISUALLY INTENSE - BOLD AND HARSH LINES. CONVEY QUALITIES OF FEAR AND HORROR IN THEIR ARTWORKS. DIE BRUCKE - ELEMENTAL, HIGHLY PERSONAL AND SPONTANEOUS EXPRESSION. THE REVOLT AGAINST SUPERFICIAL NATURALISM. DER BLAUE REITER - LYRICAL, ABSTRACT, HARMONIOUS AND LESS EMOTIONAL. 1.Art Movements Page 42 of 66 1.Art Movements Page 43 of 66  CUBISM 1.Art Movements Page 44 of 66 1.Art Movements Page 45 of 66  CHARACTERISTICS OUTLINED FORMS. ABSTRACT. BOLD COLOURS. AFRICAN INSPIRATION (MASK LIKE). GEOMETRIC SHAPES. SEEN FROM MANY DIFFERENT ANGLES AT THE SAME TIME. 1.Art Movements Page 46 of 66 1.Art Movements Page 47 of 66  FUTURISM 1.Art Movements Page 48 of 66  CHARACTERISTICS GLORIFICATION OF INDUSTRIALISATION, TECHNOLOGY AND TRANSPORT. SUBJECT MOVES AROUND THE ARTIST (DYNAMIC). ABSTRACT. GEOMETRIC SHAPES. 1.Art Movements Page 49 of 66 1.Art Movements Page 50 of 66  DADA 1.Art Movements Page 51 of 66 1.Art Movements Page 52 of 66 1.Art Movements Page 53 of 66 CHARACTERISTICS FORM OF ARISTIC ANARCHY (ANTI- ART) REJECTION OF TRADITIONAL METHODS AND ART. OFTEN SATIRICAL. IRRATIONAL. ARTISTIC EXPRESSION. ELICIT A REACTION. 1.Art Movements Page 54 of 66  SURREALISM 1.Art Movements Page 55 of 66 1.Art Movements Page 56 of 66  CHARACTERISTICS POSITIVE RESPONSE TO THE NEGATIVITIY OF DADA. DISPLAYS A SUPERIOR REALITY (BASED ON ARTIST UNCONCIOUS MIND). DREAM LIKE SUBJECT MATTER. SPONTENIOUTY AND AUTOMATISM. ILLOGIACAL JUXTAPOSTIONS DISTORTED FIGURES AND BIOMORPHIC FORMS (REFERENCE TO LIVING THINGS). OFTEN USED MUTED COLOURS. 1.Art Movements Page 57 of 66 1.Art Movements Page 58 of 66  ABSTRACT EXPRESSIONISM 1.Art Movements Page 59 of 66 1.Art Movements Page 60 of 66  CHARACTERISTICS DIVERSE USE OF COLOUR. ABSTRACT. LARGE SCALE. FOCUS ON ACTION PAINTING. REJECTION OF CONSTRUCTED COMPOSITIONS. SPONTANEOUSLY CREATED. FOCUS ON PAINTS ABILITY TO ELICIT EXPRRESSIVE QUALITIES (DYNAMISM, VIOLENCE AND MYSTERY). 1.Art Movements Page 61 of 66 1.Art Movements Page 62 of 66  POP ART 1.Art Movements Page 63 of 66 CHARACTERISTICS COLOURFUL. DEPICTS THINGS COMMONLY SEEN IN POP CULTURE AT THE TIME. REPITITION. EMPLOY MECHANICAL AND COMMERCIAL TECHNIQUES. COMBINATION OF FINE ART AND POP CULUTURE. SIMPLIFIED ARTWORKS. 1.Art Movements Page 64 of 66 1.Art Movements Page 65 of 66  WE ARE DONE! 1.Art Movements Page 66 of 66