11th Physics Sound Chapter PDF

Sound Waves What You Already Know Principle of Linear Superposition When two or more waves are present simultaneously at the same place, the disturbance is the sum total of the disturbances from the individual waves. Constructive Interference When two wave source...

Sound Waves What You Already Know Principle of Linear Superposition When two or more waves are present simultaneously at the same place, the disturbance is the sum total of the disturbances from the individual waves. Constructive Interference When two wave sources vibrate in phase, a difference in path lengths that is zero or an integer # of wavelengths leads to constructive interference. Destructive Interference When two wave sources vibrate in phase, a difference in path lengths that is 1/2 or a half-integer # of wavelengths leads to destructive interference. The Nature of Sound Sound Waves Created by a vibrating object such as the string on a violin, your vocal chords or the diaphragm of a loudspeaker. Sound waves can be transmitted through gases, liquids and solids. If there is no medium, there is no sound. How is Sound Transmitted? Sound is created by the cyclical collisions of atoms and molecules such that it is transmitted through the bulk matter. Sound Wave Characteristics Condensation or Compression: Region of the wave where air pressure is slightly higher. Rarefaction: Region of the air wave where the pressure is slightly lower. Pure Tone: A sound wave with a single frequency. Pitch: An objective property of sound associated with frequency. Pitch High frequency = high pitch. Low frequency = low pitch. Loudness: The attribute of sound that is associated with the amplitude of the wave. Beat: When two sound waves overlap with a slightly different frequency. Beats www.library.thinkquest.org Speed of Sound Speed of sound depends on the medium through which it travels. Air Water Steel Speed (m/s) 343 1482 5960 kT vrms = m Where: k = Boltzman’s constant (1.38 x 10-23 J/K)  = Cp/Cv (~5/3 for ideal monotonic gases) T = Temperature (K) m = Average mass of air (~28.9 amu) Doppler Shift The change in sound frequency due to the relative motion of either the source or the detector. Low Pitched High Pitched Sound Sound www.physicsclassroom.com The Doppler Effect Doppler Shift fd = fs(v + vd)/(v - vs) Where: v = velocity of sound (343 m/s) fd = frequency of the detector vd = velocity of the detector fs = frequency of the source vs = velocity of the source If the source is moving towards the detector, vs is positive. If the source is moving away from the detector, vs is negative. Think of relationship as a simple ratio that factors in the speed of the source relative to the speed of the detector. Speed of Sound – An Alternative View The speed of sound in other mediums may also be represented by a mathematical relationship that includes the density (ρ) and the bulk modulus (B) B Where: v=  Gases have a lower bulk modulus than liquids and liquids have a lower bulk modulus than solids. Hence, as the bulk modulus increases, the velocity increases. Standing Waves in Musical Instruments Resonance: Stringed instruments, such as the guitar, piano or violin, and horn and wind instruments such as the trumpet, oboe, flute and clarinet all form standing waves when a note is being played. The standing waves are of either the type that are found on a string, or in an air column (open or closed). These standing waves all occur at natural frequencies, also known as resonant frequencies, associated with the instrument. Standing Wave Characteristics While a standing wave does not travel itself, it is comprised of two waves traveling in opposite directions. Harmonic: The series of frequencies where standing waves recur (1f, 2f, 3f,…). Where the first frequency is called the first harmonic (1f), the second frequency is called the second harmonic (2f), and so on. The first harmonic = the first fundamental frequency (n = 1). Overtones: The harmonic frequency + 1. Harmonics and Overtones of Standing Waves on a String www.cnx.rice.edu  Standing Wave Characteristics on a String (cont.) Using kinematics, we can find the time for one back where d is now 2L and t is T: cycle of a wave to travel to the barrier and 𝑇= For a string fixed at both ends with n And since L antinodes: Each fn represents a natural or resonant frequency of the string. Since , the relationship can be rewritten www.electron4.phys.utk.edu for  as follows. www.cord.edu Longitudinal Standing Waves (Columns of Air) Wind instruments, such as the flute, oboe, clarinet, trumpet, etc. develop longitudinal standing waves. They are a column of air. May be open at one or both ends. Wave will reflect back regardless as to whether or not it is open or close ended. Longitudinal Standing Waves Longitudinal Standing Waves – Open Tube In an open tube instrument like the flute, the harmonics follow the following relationship: www.cnx.rice.edu Longitudinal Standing Waves – Tube Closed on One End In a closed tube instrument like the clarinet or oboe, the harmonics follow the following relationship: www.cnx.rice.edu Key Ideas Sound waves are generated by a vibrating object such as the string on a violin, your vocal chords or the diaphragm of a loudspeaker. Sound waves can be transmitted through gases, liquids and solids. If there is no medium, there is no sound. Sound is generated by the cyclical collisions of atoms and molecules. Condensation and rarefaction denote portions of the wave that are of slightly higher and lower pressure, respectively. Key Ideas Sound waves travel at different speeds in different mediums. They speed up when going from air to a liquid to a solid. Pure tone is sound of a single frequency. Pitch and loudness are characteristics of sound that represent its frequency and amplitude, respectively. When two sound waves overlap slightly due to mildly different frequencies, they generate a beat. Harmonics occur at multiples of the natural frequency.