20th Century Music Movements - PDF

20th CE N T U RY M U S I C M O V E M E NT S  What is the difference between the songs? Can you describe each song? What makes them different from one another?  Describe the song. Give the characteristics of this song  LEARNING O B JE C T I VE S...

20th CE N T U RY M U S I C M O V E M E NT S  What is the difference between the songs? Can you describe each song? What makes them different from one another?  Describe the song. Give the characteristics of this song  LEARNING O B JE C T I VE S e s s o n , t h e d o f t h e l at t h e e n o : e x p e c t e d t r n e r s ' a r e le a 1. Briefly narrate the life of selected contemporary Filipino composer/s; MU10CM-IIIc-g-3 2. Analyze the musical characteristics of traditional and contemporary Philippinemusic; MU10CM- IIIa-h-2 3. Perform selections of Philippine contemporary music.  t er 3 quar CONTEMPORARY PHILIPPINE MUSIC  r o d u c t i o n In t According to National Artist Ramon Santos, PhD, “contemporary music in the Philippines refers to compositions that have adopted ideas and elements from 20th century art music in the west, as well as the latest trends and musical styles in the entertainment industry.”  W h a t is Contemporary M us i c ? T ra d i t i on a l M u s ic ?  TR A D I T I O N A L M U S I C refers to the songs that have been passed down from our forefathers to future generations and are commonly referred to as folk songs.  l C o m p o s e r s y T r a d i t i o n a 2 0 t h C en t u r With Spain and then America having colonized the Philippines from the early 1500s to the late 1800s, it was unavoidable that Western compositional techniques found their way into the works of Filipino composers. Yet, even 20th century Filipino composers have managed to retain some traditional elements in their assimilation of Western techniques. In fact, they have become the strongest foundations of what we now know as Philippine music.. C I SC O B. FRA N M I NO S R. BUE NC A  FRANCIS CO B. BUENCA MINO SR. Born on November 5, 1883 in San Miguel, Bulacan. Died on October 16, 1952 He founded Centro Escolar de 952) Señoritas Conservatory of Music – 1 1883 ( Buencamino Music Academy in 1930 where Nicanor Abelardo was one of his students.  FRANCIS CO B. BUENCA MINO SR. He ventured into musical directing and scoring, and composing film music for Sampaguita Pictures, LVN, and 1952) Excelsior. 3 – (188 Many of his piano works have become a staple part of the Philippine repertoire of today’s young students.  Some of Bu encamino's compositio ns include : Mayon Larawan Maligayang Bati Harana Pandanggo ni Neneng Princesa ng Kumintang Himig ng Nayon. NC I SC O FRA SAN TI A GO  FRANCIS CO SANT IAGO Born on January 29, 1889 in Santa Maria, Bulacan Died on September 28, 1947 Known as the “Father of the Kundiman” 7) Belongs to the “Triumvirate of 194 89 – Filipino Composers.” (18 Santiago’s music was Romantic in style, incorporating Western forms and techniques with folk materials.  Among Fra nciscoSan his famous tiago's works are : Pilipinas Kong Mahal Pakiusap Madaling Araw Sakali Man Hibik ng Pilipinas Ano Kaya ang Kapalaran Kundiman (Anak Dalita). NC I SC O FRA SAN TI A GO  Nicanor Abelard o born on February 7, 1893 in San Miguel, Bulacan one of the “Triumvirate of Filipino Composers” 1934) Abelardo developed a style 93 – (18 that combined European romanticism with chromaticism.  Nicanor Abelard o His compositions contain hazy tones, dissonance and unusual chordal combinations Although a 20th century 1934) modern composer in style,he 3 – (189 is also considered a composer in the Romantic style.  His best-k nown com positions include: Mutya ng Pasig, Nasaan Ka, Irog?, Bituing Marikit, Cavatina for Violoncello, Magbalik Ka Hirang.. J. M OL IN A AN T ON IO  i s t l A r t ANTONIO t i o n a s i c J. MOLIN Na fo r M u A born on December 26, 1894 in Quiapo, Manila Died on January 29, 1980 The first National Artist for 1980) Music 4 – (189 Considered one of the “Triumvirate of Filipino Composers”  i s t l A r t ANTONIO t i o n a s i c J. MOLIN Na fo r M u A He served as Dean of the Centro Escolar University Conservatory of Music from 1948 to 1970. He was also a 1980) faculty member of the 94 – (18 University of the Philippines’ Conservatory (now College) of Music.  i s t l A r t ANTONIO t i o n a s i c J. MOLIN Na fo r M u A A product of both the Romantic and Impressionist schools of thought. He was fascinated by the dynamics and harmonies of 1980) Debussy but retained much of 94 – (18 the Romantic style in his melody.  i s t l A r t ANTONIO t i o n a s i c J. MOLIN Na fo r M u A He is best known for his poignantly romantic serenade for violin and piano ) Hatinggabi 1980 94 – (18  Other works by Molina include Orchestral Music- Misa Antoniana Grand Festival Mass and Ang Batingaw Kundiman-Kundangan Chamber Music- String Quartet, Kung sa Iyong Gunita, Pandangguhan; Vocal Music- Amihan, Awit ni Maria Clara, and Larawan Nitong Pilipinas.. E P AD IL L A FEL IP E ON S R. DE L  t i s t FELIPE P n a l A r ADILLA Na t i o u s i c DE LEON fo r M SR. Born on May 1, 1912 in Penaranda, Nueva Ecija. Died December 5, 1992. Became the chairman of the 92) 1912 – 19 National Commission for ( Culture and the Arts (NCCA).  t i s t FELIPE P n a l A r ADILLA Na t i o u s i c DE LEON fo r M SR. Enrolled at the Conservatory of Music, University of the Philippines, where he studied under National Artists Col. Antonio Buenaventura and 92) 912 – 19 Antonio Molina. (1 He was known as a nationalist composer who expressed the Philippines' cultural identity through his compositions.  FELIPE PADILLA DE LEON SR. Two operas which are considered his masterpieces are the Noli Me Tangere (1957) and El Filibusterismo (1970). He also wrote a march during the Japanese regime entitled Tindig, Aking Inang Bayan, and another march Bagong Lipunan during the martial law. He wrote the popular Christmas carols Payapang Daigdig (1946), Noche Buena, and Pasko Na Naman, both in 1965. LUC IO S AN P E D R O.  i s t l A r t LUCIO SA t i o n a u s i c N PEDRO Na M fo r Born on February 11, 1913 in Angono, Rizal. Died March 31, 2002 3 – 2002) San Pedro is known as a (191 “romantic nationalist.”  i s t l A r t LUCIO SA t i o n a u s i c N PEDRO Na M fo r Among his famous compositions are“Sa Ugoy ng Duyan”, – 2002) “Simbang Gabi”, and “Sa 13 (19 Mahal Kong Bayan”.  i s t l A r t LUCIO SA t i o n a u s i c N PEDRO Na M fo r He incorporated Philippine folk elements in his compositions with Western forms and harmony. His chords have a rich expressive tonality 02) 1913 – 20 He was a prolific composer whose ( works included band music, concertos, choral works, cantatas, chamber music, and songs for solo voice.  LUCIO SAN PEDRO orchestral compositions are best represented by the Suite Pastorale (1956), a poetic aural description of his hometown Angono, and his nationalistic symphonicpoem Lahing Kayumanggi (1962).  O “ R Y AN “ CIPR IAN CA Y AB Y AB  CIPRIAN O “RYAN CAYABY “ AB Born on May 4, 1954 in Manila. A popular contemporary composer who also has classical compositions to his credit, such 4) as Misa, Four Poems for Soprano (195 and Piano, and Te Deum. His compositional style makes much use of syncopation, extended chords, and chromatic harmony.  CIPRIANO “RYAN“ CAYABYAB Among his numerous compositions are the award-winning Kay Ganda ng Ating Musika (1978), the modern zarzuela Alikabok (2003), the opera Spoliarium, Kumukuti- kutitap,Limang Dipang Tao, Da Coconut Nut