Lecture/ Reviewer 1 in Music and Arts 7 Week 1 PDF

Summary

This document discusses the history of music in the Philippines, featuring composers like Francisco Santiago and Nicanor Abelardo. It includes details about Kundiman, a Filipino art song, its characteristics, and various historical contexts.

Full Transcript

Lecture/ Reviewer 1 in Francisco Santiago Music and Arts 7 Week 1 - Father of Kundiman Art Song Quarter 3 - Composition: Kundiman, (Anak Dalita)”, the first...

Lecture/ Reviewer 1 in Francisco Santiago Music and Arts 7 Week 1 - Father of Kundiman Art Song Quarter 3 - Composition: Kundiman, (Anak Dalita)”, the first Kundiman art Kundiman - A classic form of song Filipino love song - Santiago regarded the Kundiman art song as something “that Nationalism - individual’s loyalty expresses the lofty sentiment of and devotion to the nation-state love, and even heroism in a The national anthem of the melancholy mood.” Philippines, “Lupang Hinirang,” Nicanor Abelardo was originally entitled “Marcha - Abelardo set the text to music, Nacional Filipina.” making the piano accompaniment Music was composed by Julian Felipe in marching tempo and initially match the declamation of the performed by the San Francisco de text and creating text Malabon band, At the Proclamation painting. of Philippine Independence on June - His subsequent song 12, 1898 in Kawit, Cavite. compositions showed a more Jose Palma wrote the lyrics adapted mature technique of text from the Spanish poem “Filipinas” painting with more interplay and entitled it “Himno Nacional Filipino.” between text and music Singing and playing of the Philippine national anthem is governed by the law, specifically R.A. 8491 or the “Flag and Heraldic Code of the Philippines” Francisco Santiago - regarded as the “father of nationalism in music Antonino Buenaventura also used nationalist themes in his compositions like Pandanggo sa Ilaw and Mindanao Sketches which was based on Manobo themes “Lupang Hinirang is sung with pride, dignity, utmost respect, and allegiance to the country” Indonesia Raya - written by Wage Rudolf Supratman in 1928, “Indonesia Raya” was first recorded in 1950, in a performance by Dutch composer Jos Cleber and the resident symphony orchestra of Republic of Indonesia Radio (RRI). The Spanish lyrics of Bayan Ko were originally written for the Severino Reyes’ zarzuela, Walang Sugat ("no wound"). Bayan Ko, as a kundiman, is about the Philippines’ struggle for independence during the American regime. - the song was also performed to convey the same desire for freedom during the Japanese occupation (and even after the war), including the protest marches against the Marcos government in the early ‘80s

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