Philippine Music PDF
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Ateneo de Manila University
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Summary
This document provides an overview of American and Philippine music, detailing historical influences, specific musical forms, and prominent figures. The content covers musical developments, including the impact of American and European traditions on Filipino music, and discusses various music genres such as classical, semi-classical, and popular music, plus theater music, songs, and ballads.
Full Transcript
IDS 180.16i-E - American Music 1898: The treaty of Paris - Spain ceded colonial sovereignty of the Philippine Islands 1901-1946 - American tradition (and within it, european tradition) was introduced - “Classical Music” aka Western Art Music - Semi-classical music: sty...
IDS 180.16i-E - American Music 1898: The treaty of Paris - Spain ceded colonial sovereignty of the Philippine Islands 1901-1946 - American tradition (and within it, european tradition) was introduced - “Classical Music” aka Western Art Music - Semi-classical music: stylized foksongs, sarswela,hymns, marches, band music - Popular Music- western pop forms and local music traditions by filipinos Establishment of: - Professional music schools - Formal music education in public schools - Music Organizations (NAMCYA) - Introduction to american music idioms and taste of music - National idealogy in music and new perspectives in the study of indigenous Philippine music Continuation of Sarswelas - Both sarswelas and opera were already active in both european and filipino form - Visitation of foreign artists - European baroque, classical and romantic music BOdabil - Film production was halted during the Japanese occupation - A variety show - Introduced by american troupes - Jazz and blues became popular, bodabil utilized kundimans - Topics: PHilippine heroes, people, the way of living in the ph - Became full length plays during the war Filipino Works in Western CLassical Idiom - Standard classical forms were basically programmatic or descriptive - Meaning they simply followed their own rules and not of western music rules Stage music/Operas - Noli me tangere - Binhi ng Kalayaan - Rama Hari Filipino adaptions of foreign state works: - Carmen (Bizet) - La travista (Verdi) - Les Noces (Stravinsky) Solo pieces and choral works emerged - UP Madrigal - NAMCYA Filipinos who were educated brought western music in the Philippines Nationalist movement in Philippine music was being realized Nicanor Abelardo - First break away from traditional western music idioms - His writing styles shows strong influence of Arnold Schienberg - ambiguous tonalities Eleseo Pajaro - Neo-classic style of music - Counterpoint - Pandiatonic harmonization - Melodic fragments - Syncopation - The life of Lam-ang Lucresia Kalissag - Took theory and composition in the US - Learned the style of techniques of Neo-classical school - Exposed to exotic elements of Philippine traditional music - East-west fusion - Her use of native instruments and scales in a general neo-classic idiom marked another phase in “Filipinization” and indigenization of art music Jose Maceda - Favor of ethnomusicologist and composition - In depth study of music, philosophies and social structures provide basis for the unique character of his compositions - Sound colors and durations Ramon Santos - First of young gen to respond to the challenges of new music - Incorporated concepts of chinese, Japanese Francisco Feliciano - Mastered techniques in textural writing and creating sound architectures - Established the Asian institute for liturgy and music (AILM) - School devoted to exploration of traditional music idioms Semi-classical music - Stylized folk songs/arrangements, love songs and ballds, music from Filipino Sarswelas - Widely heard Music for theater - Moro-moro - Sarswela Songs and Ballads - Caters to everyday music needs of the public Instrumental music - Bands music became part of the lowland Christian communities - Competed “serenetas” - Philippine constabulary band - PASAMBAP Rondalla - Evolved from Spanish Murga - AKA comparsa during the American period - Repertoire - Pangkat Kawayan - school children playing flutes, marimba, angklung, clappers in an attempt to revive muskong bumbong Bodabol - “Varitety show” - Vaudeville - Katy Dela Cruz - Queen of filipino jazz - Borromeo Lou - King of filipino jazzCanuti “Canuplin” Francia - Impersonated Charlie chaplin - German “Kuya Germs” Moreno - Actor/Host - Atang dela Rama - the very frist Filipina film actress - Nora Aunor - began in bodabil, singer, highly respected actress/singer - Chiquito - King of slapstick comedy -