PPC-Group-1-2-1.pptx

Philippin e MPuospic and Media Group 1  Content s Overview 1960s-1970s Characteristics of Philippine Pop Music and its start at the Early 1980s-1990s 20th Century Over v i e w ...

Philippin e MPuospic and Media Group 1  Content s Overview 1960s-1970s Characteristics of Philippine Pop Music and its start at the Early 1980s-1990s 20th Century Over v i e w  Ov e rv i e w Pinoy Pop Music, often abbreviated as P-Pop, encapsulates the rich and diverse musical landscape of the Philippines. Rooted in a blend of indigenous influences, global music trends, and unique cultural expressions, Pinoy Pop Music has evolved into a dynamic genre that resonates both locally and internationally.  Ov e rv i e w -The music industry in the Philippines is overseen by the Philippine Association of the Record Industry (PARI). PARI was formed in 1972 and has since issued the Awit Awards for artistic achievements and certifications for music sales. -This organization works with lawmakers on copyright laws protecting intellectual property owners. -One of PARI's goals is to promote native artists to the world market.  Po p M u sic an d it s st art Characteristics of Philippine th Centur y at the Earl y 20  a ra cte ri s ti c s Ch -Pinoy Pop Music is characterized by its catchy melodies, heartfelt lyrics, and infectious rhythms. -It often incorporates Filipino languages such as Tagalog, Cebuano, and Ilocano, adding a local flavor to the music. -Themes explored in Pinoy Pop songs range from love and relationships to social issues, cultural heritage, and national pride. -Pinoy Pop draws inspiration from a variety of sources, blending traditional instruments like the kulintang and rondalla with modern synthesizers, electric guitars, and percussion.  E a rl y 20 th Century -Pinoy Pop Music traces its origins back to the early 20th century, with influences from traditional Filipino music, Spanish colonial melodies, and American pop culture  E a rl y 20 th Century -Despite the OPM movement ushering in the popularity of Filipino music in the mainstream, this was largely, if not completely, dominated by Tagalog music. -It was rare for music from Visayas and Mindanao to gain the same popularity as their northern counterparts.  Philippin e Pop M us i Duringc 19 60’s to 1970 ’ s o M u s ic in l Pilip igi n a Or  The influences of global trends and local sounds, led to the emergence of Original Pilipino Music (OPM). The period was marked by a fusion of Western music styles like rock , pop, and folk with Filipino lyrics and themes, creating a distinct sound that resonated with the Filipino audience. 1960’s: The Rise of Filipino Bands and Western Influence  The early 1960’s saw a heavy influence from Western music, particularly rock 'n' roll, pop, and the emerging British Invasion. Figure 1 and 2. “The Beatles” The success of The Beatles and other British bands inspired many Filipino musicians to form own groups and perform Western hits.  On early 1960’s Western Influences on Filipino Music Pop and Cover Bands Rock ‘n Roll  Cover Bands Most Filipino bands were primarily performing covers of Western songs. The following are some of the notable bands who were popular in Manila's nightlife scene, performing in clubs and parties during the early 1960’s:  R J and the Riots (led by Ramon Jacinto)  The Downbeats  The Electromaniacs Figure 3. “R J and the Riots”  Pop and Rock ‘n Roll Artists like Eddie Mesa, dubbed "The Elvis Presley of the Philippines”, helped popularize rock 'n' roll in the country, performing Filipino- language versions of rock and pop hits. Figure 4. “Eddie Mesa”  The Emergence of Filipino Amidst the Original Songs popularity of the Western-inspired music, there was a growing trend of Filipino musicians creating original songs. These songs were often in English, but some began experimenting with Tagalog lyrics. Some of the most popular Filipino artists of the decade: Pilita Corrales Susan Fuentes Pilita Corrales, known as "Asia's Queen of Songs”, was among the most popular Filipino artists of the decade, blending traditional Filipino music with pop. Susan Fuentes emerged as a popular voice, singing classic. Visayan songs that resonated with a more traditional audience, blending local music with modern sounds.  Late 1960’s The Development of Manila Band Filipino bands were developing a unique sound that was a blend of Western pop, jazz, rock , and Filipino elements known as the Manila Sound, a genre that would fully flourish in the 1970s. Bands like Hotdog were pioneers of this sound, mixing catchy melodies with Tagalog lyrics, helping establish a uniquely Filipino pop music identity.  1970’s: The Golden Age of OPM and the Manila Sound  The Birth of Original Pilipino Music (OPM)  The Original Pilipino Music (OPM), a movement that sought to promote Filipino compositions and artists.  OPM was a reaction to the dominance of foreign music and an effort to cultivate a stronger national identity in pop music.  Artists and bands started producing original songs in both English and Filipino, focusing on Filipino themes, culture, and experiences.  The Manila Sound Manila Sound was the most defining genre of the 1970s. A light, catchy form of pop music, it became incredibly popular and symbolized the urban, cosmopolitan lifestyle of Manila. Remarkable Manila Sound Bands Hotdog  the quintessential Manila Sound band  Their songs celebrated Filipino life, love, and the city of Manila itself.  known for their hits like  "Ikaw ang Miss Universe ng Buhay Ko“  "Manila“  "Bongga Ka, Day!”  Remarkable Manila Sound Bands Cinderella VST & Company Song: "T.L. Ako Sa'yo" Song: "Awitin Mo at Isasayaw Ko" They were also key players in the Manila Sound scene, blending funk , disco, and pop with Filipino sensibilities.  Folk and Protest Music  Folk and protest music became an important voice for social change during the politically tumultuous 1970s, particularly with the imposition of Martial Law under Ferdinand Marcos in 1972.  Freddie Aguilar became one of the most iconic figures in Philippine music as well as the band “Asin”.  Freddie A g u i l a r Freddie Aguilar’s Anak became an international hit, while his other songs touched on issues of poverty, corruption, and social justice.  Asin Asin, a folk-rock band, blended Filipino folk elements with rock music, addressing environmental issues and the struggles of indigenous Filipinos. Ex. Masdan mo ang kapaligiran  The Rise of Solo Artists The prominent solo artists during the 1970s known for their romantic ballads and heartfelt lyrics Rico J. Puno  Rico J. Puno, in particular, gained fame for his soulful, baritone voice and humorous on-stage personality.  He sang both in Filipino and English.  His songs like "Kapalaran" and "Macho Gwapito" resonated with audiences.  The Rise of Solo Artists The prominent solo artists during the 1970s known for their romantic ballads and heartfelt lyrics Rey Valera Rey Valera emerged as a major singer- songwriter during this period, known for his love ballads like "Kahit Maputi Na Ang Buhok Ko" and "Maging Sino Ka Man."  Pinoy Rock Pinoy rock gained momentum in the 1970s,Movement with bands experimenting with rock music infused with Filipino themes and lyrics. The Juan de la Cruz Band  Often credited with pioneering Pinoy rock  Their 1973 hit "Himig Natin" became an anthem for the counterculture movement and a rallying cry for Filipino identity in rock music.  They drew inspiration from Western rock legends like Led Zeppelin and The Rolling Stones but incorporated local sensibilities and language. Pepe Smith, Mike Hanopol, and Wally Gonzalez  Disco and Dance Music The latter part of the 1970s saw the rise of disco music in the Philippines, influenced by the global trend. Bands like VST & Company and Hagibis (often referred to as the Filipino counterpart of the Village People) gained popularity with their catchy disco tunes and flashy performances.  Disco and Dance Music The VST & Company’s hits like "Rock Baby Rock" and "Disco Fever" were staples in Filipino nightclubs.  Disco and Dance Music The song of Hagibis entitled "Katawan" became a popular anthem of the time. The members of Hagibis Band 198 0 s – 1 9 9 0 s  1980s-1990s -This era saw the flourishing of Original Pilipino Music (OPM), which became a strong cultural force, blending various genres and deeply resonating with the sentiments of the Filipino people. Influences from rock , folk , and Western pop music were evident, but uniquely Filipino themes remained dominant.  OPM BOOM Rock & Folk-Rock Scene New Wave & Rock Bands Pop Ballads & Love Songs Emergence of Rap  llads & L o ve Songs Pop Ba Artists like Sharon Cuneta, Songwriters like Rey known as the "Megastar," Love songs became the Valera and Hajji gained immense popularity defining genre of mainstream Alejandro became household with her ballads and OPM during this period names for their heartfelt soundtracks to box-office compositions. films.  l k- Rock Sc e ne Rock & Fo - In 1990s, Filipino Rock continued to develop with bands like the Eraserheads, Rivermaya, and Parokya ni Edgar achieving mainstream success along with the other bands like Color It Red, and The Rizal Underground. - These bands incorporated pop and alternative rock elements into their music creating a more accessible that would appeal to a wider range of audiences.  l k- Rock Sc e ne Rock & Fo -Eraserheads, a band that emerges from the year 1989 produces a hit called “Ang Huling El Bimbo” from their album Cutterpillow in the year 1995.  New Wa ve & Rock Ba nds -The late 1980s saw the emergence of new wave and rock bands, with groups like The Dawn and Identity Crisis leading the scene. New Wa ve & Rock Ba nds -Identity Crisis was known for their songs “Imagining Oktober” and “My Sanctuary”. New Wa ve & Rock Ba nds -The Dawn's hit Enveloped Ideas was one of the anthems of the Filipino new wave era, and the band became a staple in the country’s growing underground music scene. Emergenc e of Ra p -Filipino rap started gaining momentum in the late 1980s. Francis Magalona, dubbed the "Master Rapper," emerged as a pioneer with his album Yo! in 1990 T H ANK YOU!