Gender Performativity and Intersectionality PDF

Performativity and Intersectionality Week 8  Learning Outcome 1 2 3 Define gender Examine the Analyze performativity and intricate gender intersectionality. connections of performa...

Performativity and Intersectionality Week 8  Learning Outcome 1 2 3 Define gender Examine the Analyze performativity and intricate gender intersectionality. connections of performativity gender and other and social identities, intersectionali and power ty in practice dynamics  Outline of Presentation I. Intersectionalty Definition Historical development of the concept 2. Gender Performativity Judith Butler’s Gender Trouble Shapiro’s Drag Kinging  Intersectionality -as an analytic tool to social analysis, Intersectionality means to analyze the complexity of human experiences, emphasizing that individuals cannot be understood solely through single identity See: markers (Collins & Bilge, 2016) https://www.youtube.co m/watch?v=w6dnj2IyYjE  Historical development of the concept of Intersectionality Sojourner Truth's Speech 19th and 20th Century In her famous (1851)"Ain't I a Black Feminists Woman?" speech, Truth Figures like Anna Julia Cooper highlighted the unique and later activists such as struggles of Black women, Audre Lorde and Angela challenging the essentialist Davis critiqued the exclusion notions of femininity that were of Black women from both prevalent among white mainstream feminist feminists. movements and civil rights activism. Combahee River Kimberlé Crenshaw's Emergence of Collective (1970s Coining of the Term LGBTQ+ This group of Black feminists articulated the need for an (1989) She argued that traditional Intersectionality As discussions around intersectional approach, feminist and anti-racist feminism expanded into emphasizing that their discourses often failed to LGBTQ+ rights during the late experiences were shaped by address the unique 20th century, intersectionality multiple systems of oppression, experiences of Black women. became crucial for Guiding Principles of Intersectionality (Collins & Bilge (2016) 01. Interdependence of Social Categories -Race, class, gender, and other systems of power are interconnected, shaping individual 02. experiences. Complexity of Social Inequalities -Intersecting power relations produce multifaceted social inequalities that cannot be understood in isolation. Guiding Principles of Intersectionality (Collins & Bilge (2016) 03. Social Location -An individual's position within these intersecting systems influences their perspectives and experiences. 04. Intersectional Analysis for Problem -Addressing Solving social issues requires an understanding of how these intersecting categories operate within specific contexts  Judith Butler's Gender Trouble: Feminism and the Subversion of — the book challenges traditional notions of Identity.(1990) gender and identity, proposing that both are socially constructed rather than biologically determined. — Butler questions the binary distinctions between sex (biological) and gender (cultural). She critiques the notion of a stable feminist subject, arguing that the category "women" is not universally applicable and is instead shaped by various cultural contexts. Butler emphasizes that identity is constructed through social norms and power structures, suggesting that feminism should not rely on a fixed definition of "woman" but should instead embrace a more fluid understanding of gender identities  Judith Butler's Gender Trouble: Feminism and the Subversion of — Butler Identity.(1990) critiques traditional psychoanalytic narratives that often reinforce heteronormative structures. The chapter discusses how prohibitions against homosexuality contribute to identity formation within a heterosexual matrix, highlighting the complexities of desire and repression — Butler introduces the idea of gender as performative, arguing that what we perceive as "natural" gender identities are actually constructed through repeated actions and performances — She asserts that gender is not an expression of an inner essence but rather an ongoing performance shaped by societal norms.  Judith Butler's Gender Trouble: Feminism and the Subversion of — sheIdentity.(1990) highlights how drag performances reveal the artificiality of gender categories, suggesting that all gender expressions are performative acts rather than reflections of a stable identity. — Butler calls for a rethinking of identity politics to embrace multiplicity and fluidity in gender expression  Key Themes in Butler’s Gender Trouble The Critique of Subversio Performati Normative Gender n vity She posits that Roles Gender is a gender is not socially something one is, Norms are constructed but rather enforced through performance something one social sanctions rather than does. This an inherent performative and cultural identity. aspect means expectations, that gender is leading to the constituted marginalization through repeated actions, and punishment behaviors, and of those who do societal norms not conform. that create the illusion of stable identities.  Everyday Example of Gender Subversion Gender Non- Cross-Dressing Drag Conformity Performan This act can be a ces Drag Individuals who form of self- do not adhere performers to societal expression that imitate and expectations questions and exaggerate based on their disrupts binary gender assigned sex at notions of gender, norms, birth—such as revealing men who illustrating that their embrace clothing and constructed femininity or appearance do nature rather women who not inherently than their adopt naturalness.. masculine traits define one's —subvert identity traditional gender norms. Eve Shapiro’s Drag Kinging and the Transformation of Gender identities (2007) Shapiro's work emphasizes the transformative potential of drag kinging not just as entertainment but as a significant cultural practice that interrogates and reshapes gender identities. https:// Eve Shapiro’s Drag Kinging and the Transformation of Gender identities (2007) -focuses on how performing as a drag king influences individual performers' gender identities and the dynamics of their onstage and offstage selves. Eve Shapiro’s Drag Kinging and the Transformation of Gender identities (2007) Key Insights: Gender Identity Shifts- performing as a drag king often leads to shifts in gender identity rather than clearly defined transformations. This applies to both troupe members and independent performers, suggesting that the act of drag kinging allows individuals to explore and negotiate their gender Eve Shapiro’s Drag Kinging and the Transformation of Gender identities (2007) Key Insights: Multiple Self Dynamics- Performers frequently experience a split between their onstage masculine personas and their offstage selves, which can lead to an ongoing negotiation of identity. This dynamic highlights the fluidity of gender and the multiplicity of self that drag performances can evoke Eve Shapiro’s Drag Kinging and the Transformation of Gender identities (2007) Key Insights:  Masculinity as Performance- Drag kings typically embody exaggerated masculine stereotypes through their performances, which can include elements such as dancing, acting, and comedy. This performance often serves to critique and expose the social constructions of Eve Shapiro’s Drag Kinging and the Transformation of Gender identities (2007) Key Insights:  Cultural Context- The performances are shaped by cultural scripts that dictate binary gender norms, yet they also create moments of disruption where these norms can be challenged. Shapiro notes that drag kinging can subvert traditional understandings of masculinity by Eve Shapiro’s Drag Kinging and the Transformation of Gender identities (2007) Key Insights:  Queer Community Building- Many performers are drawn to drag kinging as a means of connecting with queer communities, seeking empowerment through the exploration of masculinity and camaraderie among fellow performers. This sense of community is vital for many kings who Eve Shapiro’s Drag Kinging and the Transformation of Gender identities (2007) Key Insights:  Subversion through Humor- While drag kings may not always employ camp in the same way as drag queens, they utilize humor and performance to challenge societal norms surrounding gender. This subversive element allows them to critique hegemonic masculinity while simultaneously References Butler, J. (1999). Gender Trouble, Feminism and the Subversion of Identity. Routledge, New York. Collins, P & Bilge, S. (2016). Intersectionality. Polity Press, Cambridge. Shapiro, Eve. (2007). “Drag Kinging and the Transformation of Gender identities.” Gender and Society, vol.21, no.2. April 2007,pp. 250- 271. This presentation template is free for everyone to use thanks to the following: SlidesCarnival for the presentation template Pexels for the photos Happy designing!