Document Details

HonestResilience6783

Uploaded by HonestResilience6783

Brooklyn College

Bhamini Sharma

Tags

speech production vocal tract source-filter theory phonetics

Summary

This document discusses the source-filter theory of speech production, focusing on the vocal folds as the source and the vocal tract as the filter. It explains how the periodic vibration of the vocal folds creates a source signal, which is then modified by the vocal tract to produce different vowel and consonant sounds. The presentation covers topics such as glottal source signal, formants, and spectral slopes.

Full Transcript

Source-Filter Theory Bhamini Sharma Assistant Professor Vocal Tract Music Video Vocal Tract Input Source and Filter The periodic vibration of the vocal folds provides the input signal to the vocal tract resonator The vocal folds are the source of the signal The vocal tra...

Source-Filter Theory Bhamini Sharma Assistant Professor Vocal Tract Music Video Vocal Tract Input Source and Filter The periodic vibration of the vocal folds provides the input signal to the vocal tract resonator The vocal folds are the source of the signal The vocal tract is the filter Glottal Source Signal Top diagram: source Bottom diagram: Fourier analysis of this First harmonic: fundamental frequency All other harmonics: whole number multiples of the fundamental frequency Glottal Source Spectrum Characteristics There are three sources of variability in glottal source waveform 1. Periodic nature 2. Shape 3. Ratio of open and closed phases Variability in the Periodic Nature of Glottal Wave Forms No movement in nature will be ever be exactly the same There will always be some differences Despite these, for normal vocal fold vibration, we'll say for simplicity that the waveforms are periodic The nature of these vibrations depend on gender and age Average F0 by Gender and Age Different Vocal signals Two vocal signals of same duration Upper waveform Period = 8 ms F0 = ----- Hz Lower waveform Period = 5 ms F0 = ----- Hz Upper waveform has fewer cycles in this time period Lower waveform has fewer harmonics in same frequency band Harmonics with Different Spectral Slopes Waveforms can also differ in how steeply they return to atmospheric pressure Difference has consequences for spectra Shallower closing  greater tilt Steeper closing  shallower tilt This is spectral slope: steepness of decrease in amplitude across frequencies Left: fast closure, shallow slope Right: slow closure, steep slope The change in shape of waveform and tilt degree of harmonics in spectrum may be a sign of voice disorders The Vocal Tract: A Closed Tube Length of the vocal tract will vary with size of talker Average size of vocal tract is about 15cm Inputs and Responses Top waveform: glottal waveform Bottom waveform: resulting vocal tract responses Closure in vocal folds  vocal tract response Resonation in the Vocal Tract Vocal tract resonance property is “excited” every time the vocal folds achieve glottal closure Given typical vibration frequencies, vocal tract is often resonating This then goes through vocal tract filter Source + Filter We have source that is vocal fold vibration We have filter that acts on it Filter amplifies certain frequencies and cuts out others This results in an output spectrum Formants Schematic representation of vowel /i/ Output spectrum shows emphasized harmonics Peaks in output spectrum for vowels and similar consonants are formants There are three main ones Acts like a band pass filter Properties of Output Output = input × filter In input, harmonics decrease with frequency In filter, all peaks have similar amplitude In output, therefore… Filter plays up some higher harmonics Some peaks higher than others (because there is less amplitude available in higher frequencies) Source-Filter theory of speech production https://www.youtube.com/watch?v=sdd4psnHRzI

Use Quizgecko on...
Browser
Browser