Find all the dramatic language in this text: Arriving at a yard-wide gap between two floes, Sumner stops a moment. He tosses the end of the rope across to the other side, then take... Find all the dramatic language in this text: Arriving at a yard-wide gap between two floes, Sumner stops a moment. He tosses the end of the rope across to the other side, then takes a step backwards and readies himself to make the short leap. It is snowing now, and the snow fills the air all around and whips against his face and chest. It is better, he has learned from experience, to take off from his bad leg and land on his good one. He takes a short step and then a bigger, quicker one. He bends his knee and pushes upwards, but his standing foot slips sideways on the ice: instead of jumping easily across, he pitches forwards, clown-like and ludicrous – headforemost, arms spinning – into the black and icy waters. For a long, bewildering moment, he is submerged and sightless. He thrashes himself upright, then flings one arm out and gains purchase on the ice’s edge. The ferocious drench of coldness has knocked all the breath from his body; he is gasping for air and the blood is roaring in his ears. He grabs on with the other hand also and tries to heave himself out of the water, but can’t. The ice is too slippery, and his arms are too weak from the morning’s pulling. The water is up to his neck, and the snow is falling more heavily. He hears the ice around him creak and yawn as it shifts about in the low swell. If the floes move together, he knows he will be crushed between them. If he stays too long in the water, he will lose consciousness and drown. He retakes his grip and strains to pull himself up a second time. He dangles in motionless agony for a moment, neither fully in nor out, but both his hands slip off the ice and he crashes backwards. Seawater fills his mouth and nostrils; spitting and harrumphing, he kicks himself afloat. The downwards tug of his sodden clothes seems suddenly gigantic. His belly and groin have already begun to throb from the cold, and his feet and legs are going numb. Where is Cavendish? he thinks. Cavendish must have seen him fall. He calls out for help, then calls again, but no one appears. He is alone. The rope is within reach, but he knows the skins on the end of it are not heavy enough to bear his weight. He must pull himself up by his own power.

Understand the Problem

The question is asking to identify and extract any dramatic language used in the provided text, which encompasses vivid and expressive descriptions that contribute to the overall tension and emotional intensity of the scene.

Answer

The text uses vivid phrases to convey urgency and fear.

Dramatic language in this text includes phrases such as 'headforemost, arms spinning,' 'ferocious drench of coldness,' 'gasping for air,' 'blood is roaring in his ears,' 'motionless agony,' and 'downwards tug of his sodden clothes.' These evoke a sense of urgency, danger, and the physical struggle Sumner is experiencing, enhancing the vividness and tension of the scene.

Answer for screen readers

Dramatic language in this text includes phrases such as 'headforemost, arms spinning,' 'ferocious drench of coldness,' 'gasping for air,' 'blood is roaring in his ears,' 'motionless agony,' and 'downwards tug of his sodden clothes.' These evoke a sense of urgency, danger, and the physical struggle Sumner is experiencing, enhancing the vividness and tension of the scene.

More Information

Dramatic language helps to heighten emotions and create vivid imagery, making the reader feel the urgency and physical challenge the character faces.

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