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Questions and Answers
How is genre defined according to Miller?
How is genre defined according to Miller?
What does typification in genre refer to?
What does typification in genre refer to?
Which statement summarizes the view of genre that incorporates both choices and constraints?
Which statement summarizes the view of genre that incorporates both choices and constraints?
How does Bhatia compare practicing a genre?
How does Bhatia compare practicing a genre?
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In what way can the use of one genre depend on other interrelated genres?
In what way can the use of one genre depend on other interrelated genres?
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What did Uhrig's research reveal about genre use among students?
What did Uhrig's research reveal about genre use among students?
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What is a critical aspect of genre's role in social and cultural settings?
What is a critical aspect of genre's role in social and cultural settings?
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What is indicated by the dynamic and open to change nature of genres?
What is indicated by the dynamic and open to change nature of genres?
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What does polysemy in the context of the Democratic Unionist Party's use of the word 'deal' indicate?
What does polysemy in the context of the Democratic Unionist Party's use of the word 'deal' indicate?
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What is one potential downside of genre-based teaching as suggested by Luke (1996)?
What is one potential downside of genre-based teaching as suggested by Luke (1996)?
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According to Christie and Martin, what is a significant consequence of not teaching genres of power?
According to Christie and Martin, what is a significant consequence of not teaching genres of power?
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What limitation can arise from genre-based teaching according to the information provided?
What limitation can arise from genre-based teaching according to the information provided?
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Devitt (2004) highlights a challenge in how students use genre knowledge. What is this challenge?
Devitt (2004) highlights a challenge in how students use genre knowledge. What is this challenge?
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Why is contextualization important in teaching genres according to Kay and Dudley-Evans?
Why is contextualization important in teaching genres according to Kay and Dudley-Evans?
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What advice is given regarding the application of genres by students?
What advice is given regarding the application of genres by students?
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What is an essential aspect that genre-based teaching must consider according to Swales (2000)?
What is an essential aspect that genre-based teaching must consider according to Swales (2000)?
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What defines a genre in the academic context?
What defines a genre in the academic context?
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How do genres influence student admission processes for vocational colleges?
How do genres influence student admission processes for vocational colleges?
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Which aspect of genre emphasizes its role in social outcomes?
Which aspect of genre emphasizes its role in social outcomes?
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In the context of job applications, what indicates the interconnectedness of genres?
In the context of job applications, what indicates the interconnectedness of genres?
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What is the purpose of the CARS framework in genre analysis?
What is the purpose of the CARS framework in genre analysis?
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What should students understand to successfully navigate the application process for a course?
What should students understand to successfully navigate the application process for a course?
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What does the term 'interrelatedness of genres' imply in academic writing?
What does the term 'interrelatedness of genres' imply in academic writing?
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What is one key characteristic of the application process for vocational college admissions?
What is one key characteristic of the application process for vocational college admissions?
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Study Notes
Critical Discourse Analysis (ENG 524)
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Zelling Harris first introduced Discourse Analysis (DA) in 1952.
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DA examines language beyond the sentence level, relationships between language and non-linguistic behavior, and patterns of language within texts.
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DA includes social and cultural contexts for texts.
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Aspects of DA include discourse as the social construction of reality, identity, performance, and intertextuality.
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Key assumptions of DA: language is ambiguous, always 'in the world', and inseparable from social identity.
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Language is always combined with tone of voice, facial expressions, gestures, fonts, layout, and graphics used.
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Meaning is the most important aspect of a text.
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The concept of genre in DA expands beyond simply examining the conventional structures of texts to considering what these structures reveal about the people who use them (and why).
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A genre is a recognizable communicative event characterized by a set of communicative purposes.
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Genres are communicative events with cohesive devices, structured in a conventional way, and including elements like summaries (at beginning) and details (later).
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Critical Discourse Studies (CDS) originated from Critical Linguistics (CL).
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CL emphasizes ideology and power relations in language use.
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CDS is practiced in a range of fields beyond language studies.
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CDA views discourse as socially determined.
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CDA is a type of discourse analytical research that primarily studies the abuse of social power, domination, and inequality enacted in text and talk.
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CDA assumes that language use is always social, and discourse reflects and constructs the social world.
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Scholars like Norman Fairclough, Ruth Wodak, and Teun van Dijk are key figures in CDA.
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Discourse-Historical Approach (DHA) is a prominent critical approach to discourse.
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DHA emphasizes the strong historical research interest of discourse analysis.
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Key figures in DHA developed it between 1987-1993 in Vienna.
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Four main features of the DHA: interdisciplinarity, historical alignment, teamwork, applying empirical findings.
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The DHA is particularly concerned with the historical dimensions of discourse concerning identity politics.
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CDA as a Method of Research examines texts to determine ways in which discourse consolidates power and colonizes people.
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CDA aims to identify hidden values and perspectives in texts and the role of discourse in social and cultural issues.
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CDA analyzes both verbal and nonverbal activities in texts.
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CDA involves a three-dimensional analysis of texts, including linguistic aspects, interdiscursive processes, and social and cultural reality.
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The Socio-Cultural Approach is a three-dimensional framework for analyzing text and discourse, encompassing text, discourse practice, and sociocultural practice.
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The Socio-Cognitive Approach examines social cognition and its relation between a text and society.
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CCDA (Cultural Critical Discourse Analysis) aims at exposing the ways cultural codes are embedded in discourse, arguing that discourse helps sustain social/political inequalities.
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CDA focuses on cultural aspects of texts.
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CCDA includes concepts like 'cultural memory', 'cultural narratives', 'cultural representation,' and 'cultural discourse analysis'.
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Cultural Codes and Discursive Strategies use methods from cultural studies, such as decoding codes, to expose symbolic annihilation of social objects.
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Critical Narrative Analysis (CNA) is a tool for re-articulating the status quo to a desired version within which identities acquire new positions.
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Collective Narrative is a narrative that forms a part of a group's identity, often driven by political interests.
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‘War-Normalizing' and `Peace-Estrangement' strategies are examined through textual analysis.
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Strategies of normalization, abstraction & distancing are crucial to CDA.
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Discourse features such as euphemization, naturalization, and justification are included in Strategies of Normalization.
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Strategies of Abstraction (in the Israeli Peace-Estrangement discourse) are prominent.
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Distancing discourse (literal, conceptual, metaphorical) is another approach.
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Discourse is a form of social practice.
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Studies in CDA often delve into complexities and multifarious theoretical backgrounds.
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Discourse is about social problems and is historical.
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Description
This quiz explores key concepts in genre theory as discussed by scholars like Miller, Bhatia, and Devitt. It covers the definitions, typification, and teaching implications of genres in social and cultural contexts. Test your understanding of genre's role and its challenges in education.