Medieval Scholasticism Quiz

A type of literary analysis that interprets a text as a metaphor for a broader, spiritual truth.

A literary technique where a story's events are seen as symbolic representations of deeper meanings, often with a moral or philosophical message.

A literary analysis that finds symbolic meanings within a text, focusing on imagery and figures of speech.

A tragic play follows characters from a good place to a bad one, ultimately ending in their downfall. Comedy follows characters from a bad place to a better one, ending with resolution and harmony.

The type of story structure that has comedic elements, often focused on humor and lightheartedness.

Anything that elicits laughter or joy from the audience. It can be a character, situation, or event.

Beowulf's pride leads him to a fatal decision: fighting the dragon alone. This decision, motivated by pride, leads directly to his downfall.

The Dream of the Rood is a poem about the crucifixion of Jesus. A metaphorical reading focuses on the symbolic meaning of the cross. An anagogical reading goes further, interpreting the cross as a representation of Jesus's victory over death and his glory.

A type of transcendence in which there is a rise above physical constraints, the physical body is transcended by the spirit.

A type of transcendence in which there is a rise above the material world and into the realm of the spiritual or metaphysical.

In Dream of the Rood, the cross transcends its physical form and becomes a symbol of Christ's sacrifice, connecting the physical world to the spiritual realm.

The poem Dream of the Rood can be interpreted as a reflection on the Eucharist, the bread and wine symbolizing Christ's body and blood.

The Jeweler mistakenly believes Pearl's earthly body is eternal, making him cling to her.

This misconception in Pearl teaches us that our earthly existence is temporary and we should focus on finding lasting happiness in heaven.

In The Tempest, forgiveness is highlighted through Prospero's decision to forgive the people who wronged him.

In The Tempest, Prospero represents a good master who chooses forgiveness over revenge. Antonio and Sebastian, who plotted against him, represent bad masters.

In The Tempest, Ariel represents a loyal and magical servant, Caliban represents a resentful servant, Trinculo and Stephano represent mischievous servants, and Gonzalo represents a good and noble servant.

The goddesses' song in The Tempest emphasizes that a pure marriage with divine favor leads to happiness and fertility.

Prospero ends the performance before the marriage ceremony, signifying that he has taught all he can about marriage, but the actual union is a matter of faith and personal commitment.

Old English literature often emphasized warrior culture and strength, while Middle English literature embraced more sophisticated values like chivalry, love, and education.

Beowulf embodies the ideal Old English warrior. He is brave, loyal, and strong, displaying his skills in battle against monsters.

A good king in Old English literature is wise, generous, and protective of his people. They provide guidance and support to their warriors.

The Renaissance and Reformation emphasized humanism and individual potential as well as a belief in the possibility of redemption and happiness in heaven.

In Act II, Scene i, Antonio and Sebastian plot to kill Alonso and take over his position. This serious plot sets the stage for a satirical counterpoint in Act III, Scene ii where Stephano, Trinculo, and Caliban plot to kill Prospero and take over the island, but their efforts are farcical and comedic, highlighting the absurdity of their ambitions.

Both sets of characters (Antonio/Sebastian and Stephano/Trinculo/Caliban) are driven by ambition and a desire for power. However, while Antonio and Sebastian's ambitions are portrayed with a sense of real danger and treachery, the ambitions of Stephano, Trinculo, and Caliban are portrayed as laughable and ridiculous, highlighting the absurdity of their aspirations.

Comedies typically end on a note of resolution and reconciliation. 'The Tempest' follows this tradition by addressing the wrongdoings of characters like Antonio and Alonso, restoring social order and harmony through forgiveness.

In 'The Tempest,' characters who have committed wrongs, such as Alonso and Antonio, are given the opportunity to repent and seek forgiveness. This aligns with the comedic tradition of character reformation rather than severe punishment.

Prospero's love for his daughter, Miranda, drives his actions. By forgiving his enemies and relinquishing his magical powers, he secures a happy future for her. Miranda's love for Ferdinand symbolizes a new beginning and freedom from the island's isolation.

Through the play, Ariel faithfully serves Prospero, hoping for liberation. Prospero's promise of freedom in the final act reflects a compassionate and loving relationship, highlighting that true love involves setting the beloved free.

Prospero's forgiveness of Alonso, Antonio, and Sebastian not only restores social order but also liberates everyone from the burdens of guilt and enmity. This act of forgiveness is a form of love that brings about freedom for all involved.

While not explicitly stated, the resolution of the play suggests that with Prospero leaving the island, Caliban will no longer be under his control, hinting at a possible new beginning for him as well.

The qualities of a good warrior and a good king are essential for the well-being of society, and that both roles require a balance of strength, loyalty, wisdom, and generosity.

A code of conduct that emphasizes bravery, courtesy, honor, and gallantry towards women.

The act of rescuing Queen Guinevere from captivity by Lancelot, a demonstration of bravery and loyalty, and a classic example of chivalric behavior.

The quest for the Holy Grail, a journey to prove worthiness and piety, demonstrating the spiritual side of chivalry.

The birth of King Arthur from the union of Uther Pendragon and Igraine, achieved through deception and magic, representing the complex combination of good intentions and devious means in human nature.

The concept of duality in human nature, where good and evil coexist and influence life and actions, reflected in the characters and events of "Le Morte d’Arthur."

King Arthur's unawareness of the consequences of his incestuous relationship with Morgause, leading to the birth of Mordred and his eventual downfall, exemplifying the human experience of unintended consequences and moral reckoning.

The passionate, romantic love between Ferdinand and Miranda, symbolizing hope, renewal, and reconciliation, and serving as a driving force for forgiveness and redemption within the play.

Prospero's love for Miranda, characterized by paternal protectiveness and a desire to secure a better future for her, which blends with his controlling nature and ambitions.

Prospero is a protective father who prioritizes Miranda's safety and well-being. He demonstrates this by securing her future, educating her about their history and lineage, and meticulously choosing a suitable partner for her.

The repetition of a scene, but with a different focus and tone. For example, Act II, Scene ii, might be a parody of Act III, Scene ii, but the focus would be on the characters of Antonio and Sebastian.

A play on words that produces a humorous or ironic effect by using a word with multiple meanings or words that sound alike but have different meanings.

A figure of speech in which a writer or speaker states one thing but means something else. This can be used to achieve a humorous or ironic effect, or to emphasize a particular point.

A figure of speech that compares two unlike things without using

A figure of speech that compares two unlike things using the words