Artists and Middle-Class Audience in the 18th Century

William Hogarth began his career working in the comparatively cheap medium of ______.

Hogarth's famous set of paintings Marriage A-la-Mode was primarily intended as a model for ______ to be made after them.

Art of the period embodied a sense of didactic purpose, aiming to 'instruct and ______'.

According to Bürger, the defining feature of 'bourgeois art' is its ______, defined as 'art's independence from society'.

Bürger distinguishes 'bourgeois art' by its lack of any actual ______.

Easel painting, unlike an altarpiece or a fresco, has no fixed place; its frame serves to separate it from its surroundings, allowing it to be hung in almost any ______.

Statues of angels or saints are examples of ______ sculptures

Multi-coloured designs inside the jeepney are examples of ______ arts

T’nalak cloth woven by the T'boli people is an example of ______

Guillermo Tolentino, The Oblation, 1930, concrete statute, University of the Philippines, Diliman. The Oblation is an example of ______

Lea Salonga performing as Kim at musical Miss Saigon in London in 1989. This is an example of ______

Art involves skill or expertness in handling materials and organizing them into new, structurally pleasing, and significant units. These skills are acquired through long training and constant practice. Therefore, art is a planned ______

The Dying Gaul is a Roman marble copy of a Hellenistic work of the late 3rd century BCE found in the Capitoline Museums in ______

There is a varying combination of sensory, emotional, and intellectual responses involved in experiencing ______

Sensory response in art happens when we feel delight or joy in many forms of art using merely our ______

Emotional response in art is triggered by the recognition of a familiar situation presented as the subject of the ______

At least three major kinds of experiences are involved in artistic activity: an artist has an experience that he/she wants to ______

The artist expresses the self in the process of creating the art object or ______