American Mutoscope Company History
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Questions and Answers

The American Mutoscope Company initially focused solely on projection-based film screenings from its inception.

False (B)

W.K.L. Dickson collaborated with Herman Casler to develop the Mutoscope after leaving his position at General Electric.

False (B)

The utilization of 70 mm film by the American Mutoscope Company resulted in images of reduced quality compared to the standard film size at the time.

False (B)

The Kinetoscope was more durable and had fewer mechanical issues compared to the Mutoscope.

<p>False (B)</p> Signup and view all the answers

By 1897, the standardization of film size and sprocket hole placement allowed for universal compatibility across different projector brands.

<p>True (A)</p> Signup and view all the answers

The Mutoscope exclusively featured still images without any mechanical movement to create the illusion of motion.

<p>False (B)</p> Signup and view all the answers

The introduction of projected motion pictures had no immediate impact on existing forms of entertainment, such as theaters and traveling shows.

<p>False (B)</p> Signup and view all the answers

Herman Casler initially sought W.K.L. Dickson's expertise primarily for financial backing to support the American Mutoscope Company.

<p>False (B)</p> Signup and view all the answers

A vertically integrated firm, such as Pathé, consolidates control over the production, distribution, and exhibition of its products.

<p>True (A)</p> Signup and view all the answers

Pathé initially focused solely on producing films for other distributors before establishing its own distribution network.

<p>False (B)</p> Signup and view all the answers

Pathé's hand-stenciling color process involved creating a single stencil for all colors used in a film print.

<p>False (B)</p> Signup and view all the answers

Pathé exclusively used color in its dramas, avoiding its use in trick films or films featuring elegantly dressed women.

<p>False (B)</p> Signup and view all the answers

SCAGL, launched by Pathé, specialized in low-budget films aimed at rapidly increasing output.

<p>False (B)</p> Signup and view all the answers

Max Linder's films often depicted a character who navigated middle-class social situations, with humor derived from embarrassing scenarios.

<p>True (A)</p> Signup and view all the answers

Early cinema often repeated events from different viewpoints, a technique exemplified by the double depiction of the explorers' capsule landing in Méliès's A Trip to the Moon.

<p>True (A)</p> Signup and view all the answers

Ferdinand Zecca exclusively directed historical films for Pathé, focusing on accuracy over other genres.

<p>False (B)</p> Signup and view all the answers

Pathé's success can partially be attributed to its early adoption of renting films to exhibitors, rather than selling them outright.

<p>True (A)</p> Signup and view all the answers

Life of an American Fireman was inspired by previous films and lantern slides focused on culinary techniques.

<p>False (B)</p> Signup and view all the answers

James Williamson's film, Fire!, which shares thematic similarities with Life of an American Fireman, premiered in 1911.

<p>False (B)</p> Signup and view all the answers

In his adaptation of Uncle Tom's Cabin, Porter utilized printed intertitles between shots, an innovation he solely conceived without any influence from earlier works.

<p>False (B)</p> Signup and view all the answers

Porter's film Uncle Tom's Cabin featured intertitles to introduce each shot, such as "The Escape of Eliza," followed by a single shot of the corresponding scene.

<p>True (A)</p> Signup and view all the answers

The Great Train Robbery consists of seventeen shots depicting a gang of bandits holding up a train.

<p>False (B)</p> Signup and view all the answers

In The Great Train Robbery, Porter frequently cuts back and forth between the telegraph office, dance hall, and the robbers' location, establishing a technique known as parallel editing.

<p>False (B)</p> Signup and view all the answers

The additional shot in The Great Train Robbery, showing a robber firing a gun at the camera in close-up, was always placed at the beginning of the film by exhibitors.

<p>False (B)</p> Signup and view all the answers

The Assassination of the Duc de Guise became a template for future art films.

<p>True (A)</p> Signup and view all the answers

The Film d'Art company profited significantly from most of its film productions.

<p>False (B)</p> Signup and view all the answers

The film The Assassination of the Duc de Guise only used techniques derived from theater, with no cinematic innovations.

<p>False (B)</p> Signup and view all the answers

By 1910, film screenings in cafes and traveling fairs were the primary means of exhibition in France.

<p>False (B)</p> Signup and view all the answers

French film firms maintained their dominance over world markets indefinitely.

<p>False (B)</p> Signup and view all the answers

Italian film firms like Cines, Ambrosio, and Itala were established in the 1890s, preceding the French film industry.

<p>False (B)</p> Signup and view all the answers

Italian cinema gained early recognition as an art form due to its reliance on traveling fairs for film exhibition.

<p>False (B)</p> Signup and view all the answers

Giovanni Pastrone's The Fall of Troy, released in 1911, was created using only one reel of film.

<p>False (B)</p> Signup and view all the answers

Prior to World War I, the United States was the dominant force in the international entertainment media market.

<p>False (B)</p> Signup and view all the answers

Before World War I, American film firms prioritized foreign markets over the swiftly expanding domestic demand.

<p>False (B)</p> Signup and view all the answers

Between 1905 and 1912, American film entities collaborated to destabilize the shifting and confused film business.

<p>False (B)</p> Signup and view all the answers

Nickelodeons typically charged a quarter for admission to a program running fifteen to sixty minutes.

<p>False (B)</p> Signup and view all the answers

Nickelodeons typically used three projectors to ensure a seamless viewing experience for the audience.

<p>False (B)</p> Signup and view all the answers

The shift from actualities to story films contributed to moviegoing becoming a more regular form of entertainment.

<p>True (A)</p> Signup and view all the answers

Because exhibitors needed to keep running the same programs until they made back their purchase price, they changed their programs two, three, even seven times a week.

<p>False (B)</p> Signup and view all the answers

Nickelodeons were a seasonal business, as they were built in amusement parks.

<p>False (B)</p> Signup and view all the answers

The practice of voluntary self-censorship in the American film industry is a recent phenomenon that started in the 21st century.

<p>False (B)</p> Signup and view all the answers

The MPPC and independent film producers sought to elevate the status of movies by producing films based on celebrated literature and significant historical events.

<p>True (A)</p> Signup and view all the answers

D.W. Griffith's adaptation of Robert Browning's Pippa Passes involved completely modernizing the dialogue and setting to appeal to contemporary audiences.

<p>False (B)</p> Signup and view all the answers

The transition from nickelodeons to larger theaters involved a decrease in ticket prices to attract a wider audience.

<p>False (B)</p> Signup and view all the answers

The use of two projectors in 'better-class' theaters eliminated the need for live musical accompaniment during reel changes.

<p>True (A)</p> Signup and view all the answers

The term 'feature' initially denoted any standard-length film that was heavily promoted in advertising, regardless of its length.

<p>False (B)</p> Signup and view all the answers

Before 1909, longer films such as prizefight films or religious epics were primarily shown in nickelodeons due to their accessibility and widespread popularity.

<p>False (B)</p> Signup and view all the answers

The Story of the Kelly Gang, a British documentary about Australian outlaws, is one of the earliest examples of what would become known as a 'feature film'.

<p>False (B)</p> Signup and view all the answers

Flashcards

Different viewpoints in early cinema

Early films often showed the same events from multiple camera angles, a common practice in early filmmaking.

Intertitles

Printed text used between shots in early films to guide the viewer, first known use in American films was by Porter.

The Great Train Robbery

A significant 1903 film by Porter depicting a train heist with eleven shots, showcasing action and narrative.

Porter's adaptation of Uncle Tom's Cabin

A film adaptation by Porter that used a series of one-shot scenes linked by intertitles, based on the famous novel.

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Crosscutting

A filmmaking technique developed later where the action alternates between different locations or storylines, enhancing suspense.

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Méliès's A Trip to the Moon

An early film featuring a landing scene shown from two distinct viewpoints, reflecting innovative storytelling in cinema.

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Innovation in early cinema

Early filmmakers like Porter introduced techniques like intertitles and varied camera angles, setting the stage for modern storytelling.

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Life of an American Fireman

A film that depicted fire-fighting techniques using earlier media like lantern slides, showcasing the evolution of storytelling.

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Mutoscope

A flip-card device patented by Herman Casler in 1894 for peepshow entertainment.

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American Mutoscope Company

Company formed by Herman Casler and W.K.L. Dickson, focusing on film projection.

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35 mm film

Standard film size used by projectors for showing movies to audiences.

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Peepshow devices

Early film exhibition methods allowing individual viewers to watch films.

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Vaudeville shows

Variety entertainment featuring multiple acts, often used to showcase films.

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Projection systems

Methods of showing films to larger audiences, developed after peepshows.

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Cinema completion

By 1897, essential aspects of cinema were largely established.

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George Eastman Museum

Museum in Rochester housing historical photography and film artifacts.

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Vertical Integration

A strategy where a company controls production, distribution, and retailing of its products.

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Pathé

One of the earliest film companies, significant in vertical integration and film production.

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Ferdinand Zecca

Oversaw six filmmakers for Pathé, each creating a film weekly.

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Hand-Stenciling Color

A method used by Pathé for adding color to films before the sound era.

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SCAGL

Unit launched by Pathé in 1908 to produce prestige films.

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Max Linder

A popular comic actor featured in series produced by Pathé, known for his socially awkward situations.

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Color Printing Method

An elaborate process where women painted colors frame by frame on release prints.

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Genres of Pathé Films

Pathé produced diverse film genres including actualities, trick films, and dramas.

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Film d'Art

A company that produced early art films, including The Assassination of the Duc de Guise.

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The Assassination of the Duc de Guise

A film that set a model for art films and was derived from theater production elements.

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Rental system

A method introduced in France that facilitated the opening of cinema theaters by offering films for rent.

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Italian film industry growth

Began rapidly from 1905, with key companies emerging in Rome and Turin.

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Historical spectacle

A theme in Italian films characterized by grand adaptations of famous historical events.

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Permanence in exhibition

Italy's early establishment of permanent theaters as opposed to traveling fairs for film screenings.

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Giovanni Pastrone

A major director known for creating longer films, including The Fall of Troy in three reels.

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French dominance loss

The decline of French firms in the world market, especially in competition with American cinema.

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Hollywood dominance

Hollywood is the leading center in the global entertainment market.

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Pre-WWI economic status

Before World War I, the US was not the world's top economy.

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Great War impact

World War I helped the US surpass Great Britain economically.

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Film industry focus

Before 1912, American films were more focused on domestic markets.

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Nickelodeon

A small, affordable theater charging a nickel for films.

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Nickelodeon advantages

Nickelodeons were cheaper, more available, and not seasonal.

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Film program changes

Exhibitors changed film programs frequently, increasing attendance.

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Nickelodeon profits

Many nickelodeons made huge profits due to high attendance.

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Voluntary self-censorship

A practice where filmmakers regulate their own content to align with societal norms.

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Prestigious films

High-quality films aimed at appealing to middle and upper-class audiences.

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D.W. Griffith

A major American silent film director known for influential adaptations.

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Feature film

A longer film that became standard after the nickelodeon era, moving beyond short reels.

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The Story of the Kelly Gang

An early narrative film about Australian outlaw Ned Kelly, noted for its length.

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Film exhibition transformation

The shift from small nickelodeons to larger theaters with higher ticket prices.

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Film accompaniment

Live music and lectures that enhanced the viewing experience in upscale theaters.

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Study Notes

Chapter 1: A Trip to the Moon

  • The 19th century saw a vast increase in visual forms of popular culture, including lantern slides, photography books, and illustrated fiction.
  • Dioramas, elaborate painted backdrops with three-dimensional figures, were popular attractions.
  • Circuses, freak shows, amusement parks, and music halls also offered inexpensive entertainment.
  • Theatrical productions toured towns, but travel was expensive.
  • The cinema offered a cheaper, simpler way for wide audiences to experience entertainment via moving images.
  • Filmmakers recorded performances, which were then exhibited worldwide.
  • Movies became the most popular visual art form in the early 20th century.
  • Cinema was invented during the 1890s.
  • The invention of the cinema was a result of various technological advancements, including:
    • The technology to make multiple images capable of being perceived as moving on a screen
    • The capacity to project a rapid series of images onto a surface.
    • The demand for this technology from the masses.
    • The creation and ability to print images on a flexible base to allow the images to be passed rapidly through a camera.
    • The development of intermittent mechanisms for cameras and projectors that allowed for each frame to stop briefly, then move to the next frame.
  • Key people involved in the pre-cinema technology were Joseph Plateau, Simon Stampfer, and Étienne-Jules Marey.
  • Eadweard Muybridge photographed several horses in motion in 1878.

Chapter 1: Preconditions for Motion Pictures

  • Scientists realized that the human eye perceives motion if images are presented in rapid succession (around 16 per second).
  • Optical toys, like the Phenakistoscope and Zoetrope, created an illusion of motion.
  • Early devices for recording and displaying motion were crucial to the development of cinema, including the use of images rapidly flashed for the creation of a sense of movement on a screen.
  • The earliest photographic images required extremely lengthy exposure times.
  • Rapid photography became necessary for the creation of motion pictures.

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Description

Explore the American Mutoscope Company's origins, key figures like W.K.L. Dickson and Herman Casler, and the technical aspects of their motion picture devices. Understand the impact of film size standardization and the company's role in early cinema. Also, learn about the Mutoscope's features and its effect on existing entertainment.

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