Q3 MAPEH DLL Week 1 PDF
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Uploaded by EducatedPiano1029
2024
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Summary
This document is a daily lesson log (DLL) for a MAPEH class, likely in the Philippines, for the week of December 4th-6th, 2024. It outlines daily lesson objectives, content standards and learning activities. The document is a part of a wider academic curriculum.
Full Transcript
**DAILY LESSON LOG FOR** **IN-PERSON CLASSES** **School:** **Grade and Section:** **VI -** **Teacher:** **Subject:** **MAPEH** **Teaching Dates:** **DECEMBER 04 -- 06, 2024 (WEEK 1)** **Quarter:** **THIRD QUARTER** +-----------+-----------+-----------+-----------+-----------+-----------+...
**DAILY LESSON LOG FOR** **IN-PERSON CLASSES** **School:** **Grade and Section:** **VI -** **Teacher:** **Subject:** **MAPEH** **Teaching Dates:** **DECEMBER 04 -- 06, 2024 (WEEK 1)** **Quarter:** **THIRD QUARTER** +-----------+-----------+-----------+-----------+-----------+-----------+ | | **MONDAY* | **TUESDAY | **WEDNESD | **THURSDA | **FRIDAY* | | | * | ** | AY** | Y** | * | +===========+===========+===========+===========+===========+===========+ | I. **OBJ | | | | | | | ECTIVES** | | | | | | +-----------+-----------+-----------+-----------+-----------+-----------+ | A. **Con | | demonstra | demonstra | demonstra | | | tent | | tes | tes | tes | | | Stand | | understan | understan | understan | | | ards** | | ding | ding | ding | | | | | of the | of the | of | | | | | concept | concept | shapes, | | | | | of | of | colors, | | | | | musical | musical | values, | | | | | forms and | forms and | and the | | | | | musical | musical | principle | | | | | symbols | symbols | s | | | | | (repeat | (repeat | of | | | | | marks) | marks) | emphasis, | | | | | indicated | indicated | contrast, | | | | | | | and | | | | | | | harmony | | | | | | | in | | | | | | | printmaki | | | | | | | ng | | | | | | | and | | | | | | | photograp | | | | | | | hy | | | | | | | using new | | | | | | | technolog | | | | | | | ies. | | +-----------+-----------+-----------+-----------+-----------+-----------+ | B. **Per | | performs | performs | creates | | | formance | | accuratel | accuratel | simple | | | Stand | | y | y | printmaki | | | ards** | | the | the | ng | | | | | design or | design or | (silkscre | | | | | structure | structure | en) | | | | | of a | of a | designs | | | | | given | given | on | | | | | musical | musical | t-shirts | | | | | piece | piece | and | | | | | | | posters. | | +-----------+-----------+-----------+-----------+-----------+-----------+ | C. **Mos | | identifie | identifie | Explains | | | t | | s | s | the | | | Essen | | simple | simple | truism | | | tial | | musical | musical | that | | | Learn | | forms of | forms of | design | | | ing | | songs | songs | principle | | | Compe | | from the | from the | s | | | tencies | | community | community | still | | | (MELC | | : | : | apply for | | | S)** | | | | any new | | | | | 1. binary | 1. binary | design | | | **Wri | | (AB) -has | (AB) -has | (contrast | | | te | | 2 | 2 | of | | | the | | contrasti | contrasti | colors, | | | code | | ng | ng | shapes, | | | for | | sections | sections | and lines | | | each* | | (AB) | (AB) | produces | | | * | | | | harmony) | | | | | 2. | 2. | whether | | | | | ternary | ternary | done by | | | | | (ABA)-has | (ABA)-has | hand or | | | | | 3 | 3 | machine | | | | | sections, | sections, | (computer | | | | | the third | the third | ). | | | | | section | section | (A6ELIIIa | | | | | similar | similar | ) | | | | | to the | to the | | | | | | first; | first; | **(RELATI | | | | | (ABC) -- | (ABC) -- | ONAL | | | | | has 3 | has 3 | LEVEL OF | | | | | sections | sections | SOLO | | | | | | | TAXONOMY) | | | | | 3. rondo | 3. rondo | ** | | | | | (ABACA) - | (ABACA) - | | | | | | has | has | | | | | | contrasti | contrasti | | | | | | ng | ng | | | | | | sections | sections | | | | | | in | in | | | | | | between | between | | | | | | repetitio | repetitio | | | | | | ns | ns | | | | | | of the A | of the A | | | | | | section | section | | | | | | (ABACA) | (ABACA) | | | | | | (MU6FOIII | (MU6FOIII | | | | | | a-b-1) | a-b-1) | | | | | | | | | | | | | **(MULTIS | **(MULTIS | | | | | | TRUCTURAL | TRUCTURAL | | | | | | LEVEL OF | LEVEL OF | | | | | | SOLO | SOLO | | | | | | TAXONOMY) | TAXONOMY) | | | | | | ** | ** | | | +-----------+-----------+-----------+-----------+-----------+-----------+ | D. **LEA | | identify | identify | 1. | | | RNING | | simple | simple | recognize | | | OBJEC | | musical | musical | the | | | TIVES | | forms of | forms of | origin of | | | (Paks | | songs | songs | Art; | | | ang | | from the | from the | | | | Layun | | community | community | 2\. name | | | in)** | | : | : | the | | | | | | | different | | | | | 1.1. | 1.1. | persons | | | | | binary | binary | who | | | | | (AB) -has | (AB) -has | developed | | | | | 2 | 2 | styles | | | | | contrasti | contrasti | of | | | | | ng | ng | printing | | | | | sections | sections | Arts; | | | | | 1.2. | 1.2. | | | | | | ternary | ternary | 3. | | | | | (ABA) | (ABA) | identify | | | | | -has 3 | -has 3 | the | | | | | sections, | sections, | different | | | | | the third | the third | elements | | | | | section | section | and | | | | | similar | similar | principle | | | | | to the | to the | s | | | | | first; | first; | of Arts; | | | | | (ABC) -- | (ABC) -- | and | | | | | has 3 | has 3 | | | | | | sections | sections | 4. | | | | | | | examine | | | | | | | the | | | | | | | harmonies | | | | | | | created | | | | | | | in Arts; | | +-----------+-----------+-----------+-----------+-----------+-----------+ | II. **CON | **PRE-TES | **SIMPLE | **SIMPLE | **ELEMENT | **WEEKLY* | | TENT** | T** | MUSICAL | MUSICAL | S | * | | | | FORMS: | FORMS: | AND | | | | | Binary | Binary | DESIGN OF | **ASSESSM | | | | and | and | PRINTING* | ENT** | | | | Ternary | Ternary | * | | | | | Forms** | Forms** | | | +-----------+-----------+-----------+-----------+-----------+-----------+ | III. **LE | | **MOSTLY | **MOSTLY | **MOSTLY | | | VEL | | 70% | 70% | 70% | | | OF | | UNISTRUCT | UNISTRUCT | UNISTRUCT | | | SOLO | | URAL | URAL | URAL | | | TAXON | | LEVEL OF | LEVEL OF | LEVEL OF | | | OMY** | | TAXONOMY* | TAXONOMY* | TAXONOMY* | | | | | * | * | * | | +-----------+-----------+-----------+-----------+-----------+-----------+ | IV. **LEA | | | | | | | RNING | | | | | | | RESOU | | | | | | | RCES** | | | | | | +-----------+-----------+-----------+-----------+-----------+-----------+ | A. **Ref | | | | | | | erences** | | | | | | +-----------+-----------+-----------+-----------+-----------+-----------+ | 1. **Tea | | | | | | | cher's | | | | | | | Guide | | | | | | | pages | | | | | | | ** | | | | | | +-----------+-----------+-----------+-----------+-----------+-----------+ | 2. **Lea | | | | | | | rner's | | | | | | | Mater | | | | | | | ial | | | | | | | pages | | | | | | | ** | | | | | | +-----------+-----------+-----------+-----------+-----------+-----------+ | 3. **Tex | | | | | | | tbook | | | | | | | pages | | | | | | | ** | | | | | | +-----------+-----------+-----------+-----------+-----------+-----------+ | 4. **Add | | Tiwana, | Tiwana, | Jabagat, | | | itional | | G., | G., | A. 2020). | | | Mater | | Balista, | Balista, | Arts | | | ials | | J. & | J. & | Quarter 3 | | | from | | Cinco,M.G | Cinco,M.G | -- Module | | | Learn | |.(2020). |.(2020). | 1: | | | ing | | Music | Music | Elements | | | Resou | | Quarter 3 | Quarter 3 | and | | | rce | | -- Module | -- Module | Design of | | | (LR) | | 1: Simple | 1: Simple | Printing | | | porta | | Musical | Musical | \[Self-Le | | | l/LASs/SL | | Forms, | Forms, | arning | | | Ms)** | | Rondo | Rondo | Modules\] | | | | | Form, and | Form, and |. | | | | | Repeat | Repeat | Moodle. | | | | | Marks | Marks | Departmen | | | | | \[Self-Le | \[Self-Le | t | | | | | arning | arning | of | | | | | Modules\] | Modules\] | Education | | | | |. |. |. | | | | | Moodle. | Moodle. | Retrieved | | | | | Departmen | Departmen | (January | | | | | t | t | 23, 2024) | | | | | of | of | from | | | | | Education | Education | https://r | | | | |. |. | 7-2.lms.d | | | | | Retrieved | Retrieved | eped.gov. | | | | | (January | (January | ph/moodle | | | | | 23, 2024) | 23, 2024) | /mod/fold | | | | | from | from | er/view.p | | | | | https://r | https://r | hp?id=130 | | | | | 7-2.lms.d | 7-2.lms.d | 94 | | | | | eped.gov. | eped.gov. | | | | | | ph/moodle | ph/moodle | | | | | | /mod/fold | /mod/fold | | | | | | er/view.p | er/view.p | | | | | | hp?id=130 | hp?id=130 | | | | | | 94 | 94 | | | +-----------+-----------+-----------+-----------+-----------+-----------+ | B. **Oth | | PowerPoin | PowerPoin | PowerPoin | | | er | | t | t | t | | | Learn | | Presentat | Presentat | Presentat | | | ing | | ion, | ion, | ion, | | | Resou | | laptop, | laptop, | laptop, | | | rces** | | SLMs/Lear | SLMs/Lear | SLMs/Lear | | | | | ning | ning | ning | | | | | Activity | Activity | Activity | | | | | Sheets, | Sheets, | Sheets, | | | | | bolpen, | bolpen, | bolpen, | | | | | lapis, | lapis, | lapis, | | | | | kuwaderno | kuwaderno | kuwaderno | | +-----------+-----------+-----------+-----------+-----------+-----------+ | V. **PRO | | | | | | | CEDURES** | | | | | | +-----------+-----------+-----------+-----------+-----------+-----------+ | A. **Rev | | **Directi | **Directi | **Directi | | | iewing | | ons**: | ons**: | ons:** | | | previ | | Write the | Write the | Answer | | | ous | | so-fa | so-fa | the | | | lesso | | syllable | syllable | questions | | | n | | of the | of the | below for | | | or | | melody | melody | you to | | | prese | | each note | each note | find out. | | | nting | | below. | below. | State | | | the | | | | **TRUE** | | | new | | ![](media | | if the | | | lesso | | /image2.p | | statement | | | n** | | ng) | | is a fact | | | | | | | and | | | | | | | **FALSE** | | | | | | | if the | | | | | | | statement | | | | | | | is not | | | | | | | true. | | | | | | | | | | | | | | 1. | | | | | | | \_\_\_\_\ | | | | | | | _\_\_\_\_ | | | | | | | \_\_\_\_\ | | | | | | | _\_\_\_\_ | | | | | | | The | | | | | | | ancient | | | | | | | people | | | | | | | used cave | | | | | | | walls as | | | | | | | the | | | | | | | canvas | | | | | | | for these | | | | | | | arts. | | | | | | | | | | | | | | 2. | | | | | | | \_\_\_\_\ | | | | | | | _\_\_\_\_ | | | | | | | \_\_\_\_\ | | | | | | | _\_\_\_\_ | | | | | | | These | | | | | | | colors | | | | | | | were used | | | | | | | by the | | | | | | | ancient | | | | | | | people | | | | | | | made from | | | | | | | grounded | | | | | | | plants | | | | | | | and trees | | | | | | | that has | | | | | | | natural | | | | | | | colors. | | | | | | | | | | | | | | 3. | | | | | | | \_\_\_\_\ | | | | | | | _\_\_\_\_ | | | | | | | \_\_\_\_\ | | | | | | | _\_\_\_\_ | | | | | | | The | | | | | | | visual | | | | | | | component | | | | | | | s | | | | | | | of Art | | | | | | | can be | | | | | | | seen in | | | | | | | its | | | | | | | principle | | | | | | | s. | | | | | | | | | | | | | | 4. | | | | | | | \_\_\_\_\ | | | | | | | _\_\_\_\_ | | | | | | | \_\_\_\_\ | | | | | | | _\_\_\_\_ | | | | | | | This is | | | | | | | the means | | | | | | | that an | | | | | | | artist | | | | | | | uses to | | | | | | | organize | | | | | | | elements | | | | | | | within a | | | | | | | work of | | | | | | | art. | | | | | | | | | | | | | | 5. | | | | | | | \_\_\_\_\ | | | | | | | _\_\_\_\_ | | | | | | | \_\_\_\_\ | | | | | | | _\_\_\_\_ | | | | | | | This is a | | | | | | | printing | | | | | | | technique | | | | | | | which | | | | | | | evolved | | | | | | | from | | | | | | | Japanese | | | | | | | stencilin | | | | | | | g. | | +-----------+-----------+-----------+-----------+-----------+-----------+ | B. **Est | | **Give at | **Give at | Have you | | | ablishing | | least | least | ever | | | a | | three | three | wondered | | | purpo | | Makabayan | Makabayan | where art | | | se | | Songs | Songs | had come | | | for | | that we | that we | from? | | | the | | always | always | Have you | | | lesso | | sing in | sing in | ever | | | n** | | the | the | asked | | | | | school.** | school.** | yourself | | | | | | | why | | | | | **1.** | **1.** | everythin | | | | | | | g | | | | | **2.** | **2.** | you see | | | | | | | around | | | | | **3.** | **3.** | you are | | | | | | | placed in | | | | | | | a manner | | | | | | | which is | | | | | | | pleasing | | | | | | | to the | | | | | | | eye? | | +-----------+-----------+-----------+-----------+-----------+-----------+ | C. **Pre | | We always | We always | Art has | | | senting | | hear | hear | evolved | | | examp | | songs | songs | from | | | les/insta | | wherever | wherever | human | | | nces | | we go. | we go. | expressio | | | of | | There are | There are | n | | | the | | songs we | songs we | and | | | new | | learn in | learn in | creativit | | | lesso | | our | our | y, | | | n** | | community | community | and the | | | | | , | , | aesthetic | | | | | at home, | at home, | ally | | | | | and in | and in | pleasing | | | | | school. | school. | arrangeme | | | | | The songs | The songs | nt | | | | | that we | that we | of | | | | | sing have | sing have | elements | | | | | different | different | in our | | | | | forms. | forms. | surroundi | | | | | | | ngs | | | | | | | reflects | | | | | | | an innate | | | | | | | desire | | | | | | | for | | | | | | | harmony | | | | | | | and | | | | | | | beauty. | | +-----------+-----------+-----------+-----------+-----------+-----------+ | D. **Dis | | Form in | Form in | The | | | cussing | | music, | music, | signages, | | | new | | refers to | refers to | the | | | conce | | the | the | layout of | | | pts | | structure | structure | newspaper | | | and | | of a | of a | s, | | | pract | | musical | musical | the | | | icing | | piece or | piece or | packaging | | | new | | a | a | of | | | skill | | performan | performan | everyday | | | s | | ce. | ce. | products | | | \#1** | | Composers | Composers | and the | | | | | express | express | different | | | | | their | their | designs | | | | | musicians | musicians | used are | | | | | hip | hip | all | | | | | and | and | colorful | | | | | creativit | creativit | and | | | | | y | y | attractiv | | | | | by | by | e. | | | | | organizin | organizin | Some of | | | | | g | g | them were | | | | | notes | notes | made by | | | | | into | into | hand, but | | | | | melodies | melodies | mostly | | | | | to | to | they were | | | | | musical | musical | made by | | | | | phrases | phrases | modern | | | | | and | and | machines. | | | | | eventuall | eventuall | | | | | | y | y | | | | | | forming | forming | | | | | | into | into | | | | | | beautiful | beautiful | | | | | | songs. A | songs. A | | | | | | piece of | piece of | | | | | | music is | music is | | | | | | a product | a product | | | | | | of | of | | | | | | various | various | | | | | | interrela | interrela | | | | | | ted | ted | | | | | | musical | musical | | | | | | phrases | phrases | | | | | | and ideas | and ideas | | | | | | thereby | thereby | | | | | | creating | creating | | | | | | its form. | its form. | | | | | | We | We | | | | | | perceive | perceive | | | | | | the form | the form | | | | | | of a | of a | | | | | | piece by | piece by | | | | | | listening | listening | | | | | | to it and | to it and | | | | | | analyzing | analyzing | | | | | | how each | how each | | | | | | musical | musical | | | | | | line | line | | | | | | relates | relates | | | | | | with one | with one | | | | | | another. | another. | | | | | | Aside | Aside | | | | | | from | from | | | | | | listening | listening | | | | | | to the | to the | | | | | | music, | music, | | | | | | you can | you can | | | | | | also know | also know | | | | | | the form | the form | | | | | | of the | of the | | | | | | music by | music by | | | | | | looking | looking | | | | | | at a | at a | | | | | | musical | musical | | | | | | score. | score. | | | | | | Musical | Musical | | | | | | ideas in | ideas in | | | | | | a piece | a piece | | | | | | are | are | | | | | | labelled | labelled | | | | | | with | with | | | | | | letters | letters | | | | | | to | to | | | | | | organize | organize | | | | | | it in the | it in the | | | | | | score. | score. | | | | | | The first | The first | | | | | | section | section | | | | | | of the | of the | | | | | | piece is | piece is | | | | | | always | always | | | | | | labelled | labelled | | | | | | "A", if | "A", if | | | | | | the next | the next | | | | | | section | section | | | | | | sounds | sounds | | | | | | different | different | | | | | | ly | ly | | | | | | from "A" | from "A" | | | | | | it will | it will | | | | | | be | be | | | | | | labeled | labeled | | | | | | "B". In | "B". In | | | | | | the same | the same | | | | | | way, a | way, a | | | | | | section | section | | | | | | that has | that has | | | | | | a | a | | | | | | different | different | | | | | | melody | melody | | | | | | with A or | with A or | | | | | | B is | B is | | | | | | labeled | labeled | | | | | | C. | C. | | | +-----------+-----------+-----------+-----------+-----------+-----------+ | E. **Dis | | Look at | Look at | Look at | | | cussing | | the | the | pictures | | | new | | following | following | below. | | | conce | | musical | musical | They are | | | pts | | scores | scores | the | | | and | | below and | below and | printed | | | pract | | try to | try to | arts by | | | icing | | identify | identify | different | | | new | | their | their | ancient | | | skill | | forms. 1. | forms. 1. | people | | | s | | Please | Please | around | | | \#2** | | refer to | refer to | the | | | | | this | this | world. | | | | | YouTube | YouTube | Let us | | | | | link for | link for | discover | | | | | this song | this song | them and | | | | | | developed | | | | | | | them. | | | | | ![](media | Apart | | | | | | /image3.p | from the | ![](media | | | | | ng) | lyrics of | /image6.p | | | | | | the song, | ng) | | | | | Apart | can you | | | | | | from the | see | Metal | | | | | lyrics of | letters | movable | | | | | the song, | in the | type | | | | | can you | score? | appeared | | | | | see | How many | in the | | | | | letters | letters | late | | | | | in the | do you | Japanese | | | | | score? | see? | era. It | | | | | How many | Based on | was used | | | | | letters | the | to print | | | | | do you | letters, | banknotes | | | | | see? | how many | and | | | | | Based on | music | official | | | | | the | sections | documents | | | | | letters, | are there |. | | | | | how many | in the | Copper-bl | | | | | music | piece? | ock | | | | | sections | Notice | print has | | | | | are there | the notes | square | | | | | in the | in each | holes for | | | | | piece? | section, | embedding | | | | | Notice | are they | movable | | | | | the notes | similar | character | | | | | in each | or | s | | | | | section, | different | such that | | | | | are they | ? | each | | | | | similar | The song | printed | | | | | or | Ako ay | paper | | | | | different | Pilipino | money had | | | | | ? | has two | a | | | | | The song | sections. | different | | | | | Ako ay | The first | combinati | | | | | Pilipino | section | on | | | | | has two | is | of | | | | | sections. | labeled A | markers | | | | | The first | and the | for | | | | | section | second | preventin | | | | | is | section | g | | | | | labeled A | is | counterfe | | | | | and the | labeled | it. | | | | | second | B. The | | | | | | section | melodies | ![](media | | | | | is | of the | /image8.p | | | | | labeled | two | ng) | | | | | B. The | sections | | | | | | melodies | differ | | | | | | of the | from each | | | | | | two | other. | | | | | | sections | Hence, | | | | | | differ | the song | | | | | | from each | is in | | | | | | other. | binary | | | | | | Hence, | form | | | | | | the song | (AB). | | | | | | is in | | | | | | | binary | 2. Please | | | | | | form | refer to | | | | | | (AB). | this | | | | | | | Youtube | | | | | | 2. 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