Q2 - M2 Theater as a Collaborative Art PDF

Theater as a Collaborative Art Different National Artist that are distinguished in the field of theater and opera  Objectives 1. Identify the different National Artists for theater 2. Determine the significant contributions of different Filipino playwrights and their im...

Theater as a Collaborative Art Different National Artist that are distinguished in the field of theater and opera  Objectives 1. Identify the different National Artists for theater 2. Determine the significant contributions of different Filipino playwrights and their impact on Philippine theater and drama 3. Discuss how different art elements and principles are applied in theater How can a theatrical performance significantly contribute in expressing emotions and experiences? What is Theatre? Theatre is a collaborative art form that combines words, voice, movement, and visual elements to express meaning. The term ‘theatre’ originates from the Greek word theatron, meaning a ‘place for looking’. (Christopher Balme, 2008)  Texts and Aa words Aa or DIALOGUE CONFIDENCE VOICE Aa MUSIC, DANCE, AND Aa PERFORMANCE GESTURES, Aa SPECTACLES Aa or MOVEMENTS, PROPERTIES POSTURE BLOCKING Aa AND STAGE MOVEMENT SETS Aa Elements of Theater  Roles and Responisbilities in a Theatrical Performance 1.Directors 2.Playwrights 3.Set Designers 4.Artists or Props Manager 5.Costume designer 6.Actors 7.Performers Philippine Theater It all originated through different rituals, games, dances, and songs as praise to gods were pre-colonial Indigenous drama. During the Hispanic colonization, comedy or komedya and zarzuela or sarsuela rose as the Spaniards came to colonize and influence the country. It was not only intended to entertain Filipinos, but it also served as a teaching tool for Christianity.  National Artist for Honorata “Atang” Dela Rama Theater is known to be the first star of the Philippine cinema. In 1979, she was hailed as the Queen of Kundiman and the Sarsuela at the age of 74. She became the first Filipina to act in the very first locally produced film. “Art should be for everyone” “Herminia de la Riva and Matimtimang Laqui”  National Artist for Dela Theater Rama introduced kundiman and zarzuela to the indigenous people such as Igorots, Aetas, and the Mangyan. She was also at the forefront of introducing Filipino culture to foreign languages.  National Artist for Contributions: Performances Theater in Spanish zarzuelas: Mascota, Sueno de un Vals, Marina, and Dalagang Bukid Films: Dugong Silangan (1930), Ay Kalisud (1938), Batong Buhay (1950), Ang Buhay at Pag-ibig ni Dr. Jose Rizal  National Artist for Contributions: Kundiman Theater songs: Bituing Marikit, Madaling Araw, Mutya ng Pasig, Anak Dalita Songs and fourt operatas: Bulaklak sa Kabundukan, Aking Ina, Anak ni Eva, Puri at Buhay Severino Montano Severino Montano is a playwright, director, actor, and theater organizer who produced 1 novel, 150 poems, and 50 plays. He was the Dean of Instruction at Philippine Normal College and opened a theater with three one-act plays in 1953. Through his initiative, they were able to bring theater to near and far barrios in 47 provinces across the country.  Severino Montano Montano's published works include: The Love of Leonor Rivera My Morning Star But Not My Sons Any Longer Gabriela Silang The Merry Wives of Manila Sabina The Ladies and the Senador Parting at Calamba Recognitions: Kalinangan Award from the City of Manila Presidential Award for Merit in Drama and  Daisy H. She isAvellana an actress, director, and writer. She is regarded as the First Lady of Philippine Theater. She is also known to be the forefront of professionalizing Filipino theater and likewise advocated for the formation of theater groups. Barangay Theater Guild - promotion of dramatic arts in the Philippines, especially in radio and TV  Daisy H. Avellana Notable performances: Othello Macbeth in Black Casa de Bernada Alba The Portrait of the Artist as Filipino Staged Diego Silang in 1968 and Walang Sugat in 1871 Wrote the screenplays for Sakay (1939) and Portrait of the Filipino (1955) Amelia Lapeña-Bonifacio She is a playwright, puppeteer, and educator. She is the founding artistic director of Teatrong Mulat ng Pilipinas, a children's theater and puppet theater company established in 1977. Amelia Lapeña-Bonifacio She was the Grand Dame of Southeast Asian Children's Theater. She was able to produce 10 books, 16 plays, 30 plays for children, and more than 130 short stories for children, which were mostly published by the Philippine Journal of Education. Amelia Lapeña-Bonifacio Awards: Carlos Palanca Memorial Award in Literature for One- Act Play for Dalawang Bayani (1995) Second prize for the Full- length play for Chinchina and the Five Mountains in 2006 City of Manila Outstanding Citizen Award (2017) Quezon City Most Outstanding Citizen Award (2013)  Activity Direction: Answer the following questions on a one whole sheet of paper, and provide at least two (2) paragraphs with three (3) to four (4) sentences. 1.How can theatrical performances significantly support the creative identity of Filipinos? 2. In what ways has theatre served as a reflection of societal values and issues throughout history, and how does it continue to influence public discourse Thank you for listening!