Keyword Glossary PDF
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Western University
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Summary
This document is a glossary of keywords related to tourism. It covers various aspects of tourism, including heritage tourism, geo-tourism, and cultural tourism. It also includes different models for promoting cultural tourism, such as the 'du jour' and 'smörgåsbord' models.
Full Transcript
Keyword Glossary Monday, January 13, 2025 12:15 PM WEEK 1 Tourism: the activity of people temporarily away from their usual environment for a peri to work or seeking to escape from war or disasters ○ Heritage tourism: travel directed toward experiencing the heritage of a city, reg...
Keyword Glossary Monday, January 13, 2025 12:15 PM WEEK 1 Tourism: the activity of people temporarily away from their usual environment for a peri to work or seeking to escape from war or disasters ○ Heritage tourism: travel directed toward experiencing the heritage of a city, region traditions, history, and culture ○ Geo-tourism: tourism that sustains or enhances the geographical character of a pla tourism motivated by an interested in the geology of a destination) ○ Cultural tourism (ethnic tourism/Indigenous tourism): the appreciation or consum galleries; archeological and historical sites and interpretive centers; heritage distric culinary resources; as well as spending time immersed in another culture, observin § Place-based cultural tourism: focuses on visitors, articulates the history and place § Event-based cultural tourism: emphasizes an activity or performance that dr § Attractions-based tourism: focuses on a facility or sightseeing that often invo Models for promoting cultural tourism ○ Du Jour: model in which an event is featured as a short-term menu ‘special’; this is ○ Stand-alone: model whereby the destination promotes a single cultural attraction i such as a museum or gallery ○ Smörgåsbord: model is used by a destination to offer a virtual table of attractions, activities as well as restaurants and accommodation, but without integrating them ○ Route: usually presented through a map and signage, links attractions of a single th ○ Getaway: emphasizes a variety of attractions, activities and services (including food ○ General tourism campaign: this approach presents a diverse menu of attractions, e i. Human or social heritage: products and experiences arising from the social a ii. Industrial and agricultural heritage: products and experiences that reflect th iii. The arts: architecture, visual and performing arts, literature and media, inclu iv. Cuisine: beverages, food products and traditions typical of the destination, in v. Natural history: phenomena and activities that illuminate the interconnected Terroir: the constellation of a wine’s qualities that shape the sensory experience of wine Place: an amalgam of destination qualities, including landscape and architecture, history place in question usually will be different for those who visit versus those who are reside ○ Place-based education: views a student’s local community as a resource for educat ○ Place-based advertising: is in contrast to mass advertising in either print or electro locations ○ Place-based philanthropy: strategically concentrates investments in specific comm ○ Place-based science: involves research tied to specific locations, particularly (but n iod not exceeding one year, and for virtually any purpose of travel with a few exceptions such as commu n, state, or country; this travel enables the tourist to learn about and be surrounded by local customs, ace – its environment, culture, aesthetics, heritage, and well-being of its residents’ (also used to refer to mption of visual arts and crafts; the performing arts; festivals; displays and performances at museums an cts in cities, including former industrial zones; educational facilities and retreat centers; agricultural and ng and perhaps interacting with local residents and institutions culture of the place for visitors, and connects visitors with the stories and experiences associated with a raws spectators or audiences olves permanent structures or sites, such as museums, national parks, cityscapes and landscapes seen when destinations promote a special exhibit, performance or other event in isolation of other cultural attractions; this is a common model for destinations that have a major attr some of which may be cultural. In effect, the destination notes they have cultural, sport and outdoor into packages or a unified experience heme that encourages a visitor to take in multiple sites in a relatively narrow geographic area d and accommodation) to attract visitors, usually for a relatively short period such as a weekend events and services offered by a destination and human legacy of the destination, including historical origins and subsequent developments he historical or contemporary economic base of the destination uding digital art forms ncluding ingredients, styles of cooking and modes/rituals of dining/drinking dness of the natural and human environments and regional development and heritage and social structures and relationships; the perceptions, perspectives and meanings of the ents tion. onic media, uses a range of spatially-tied media such as billboards and posters to reach audiences in sele munities rather than responding to broad and often unconnected agency-initiated proposals not exclusively) land management research facilities with collaboration between scientists and resource uting o nd d a raction e ected place in question usually will be different for those who visit versus those who are reside ○ Place-based education: views a student’s local community as a resource for educat ○ Place-based advertising: is in contrast to mass advertising in either print or electro locations ○ Place-based philanthropy: strategically concentrates investments in specific comm ○ Place-based science: involves research tied to specific locations, particularly (but n managers ○ Place-based reginal development: emphasizes the identificationand mobilization o whether natural or human ○ Place-based literature: uses a locale as a central determinant of human discourse, literature, whether prose or poetry ○ Integrated themed campaign: particular approach involves the strategic considera Culture: refers to the role of culture in the tourism industry, and the ways that people en Product development: process of creating new products, experiences, and services for to Marketing: the promotion of travel products and services to attract tourists Narrative: implicitly convey meaning and values, create a context with descriptions of tim occurs in an inter-personal, cultural context and is presented as an entertaining, engaging Narrative fallacy: tendency of people to impose a coherent, plausible story on a set of fac Storytelling: can be used to socialize children, to reinforce ethics, values and cultural nor experiences fuels desires to travel in different forms Stories: convey news, history, gossip and shared cultural experiences; build a sense of co ○ History: history of the place or of people associated with it including politics, busine ○ Architecture and art: architecture and art produced by residents of the location pro ○ Agriculture and cuisine: not only part of the economic base of a region but can be ○ Other industries: may be an historical or current part of a destination’s story ○ Religion: whether in the form of places of worship or the focus of pilgrimages ○ Natural history: includes local ecology and geology as well as events ○ Other stories: include those associated with distinctive social institutions or movem WEEK 2 Simulacrum: A representation or imitation of a person, place, or thing, often exaggeratin Imaginary: The mental image or set of stereotypes associated with a place, shaped by me Hyper-real: A state in which the representation of something becomes more "real" or inf Metaphoric Image: A symbolic representation of a place that relies on associations and r Tourist Imaginary: The collective perception and stereotypes tourists hold about a city, s Architecture of Reassurance: Designs and environments that provide comfort by emphas spaces). Touristic Themed Environments: Spaces specifically designed to replicate the ambiance o Normative Imagery: Visual or symbolic representations of a place that adhere to cultural Iconicity: The quality of being instantly recognizable and associated with a particular mea Gate Function: The symbolic role of monuments like the Arc de Triomphe in marking entr Visual DNA: The fundamental characteristics or elements that define the visual identity o Paris Las Vegas: A themed hotel-casino in Las Vegas that recreates iconic Parisian landma Ratatouille: L’Aventure Totalement Toquée de Rémy: A Disney attraction at Disneyland ents tion. onic media, uses a range of spatially-tied media such as billboards and posters to reach audiences in sele munities rather than responding to broad and often unconnected agency-initiated proposals not exclusively) land management research facilities with collaboration between scientists and resource of ‘endogenous potential’, in other words, the ability of places to develop by drawing on their own resou culture and identity, refers to the influence of environment or place on themes that shape a work of ation of which story or message the destination wishes to promote ngage with culture through travel ourists me and place, and assign attributes to the people and places involved; works best as a learning tool whe g story, not as a heavy-handed moral lesson cts regardless of the veracity of the story rms for individuals of all ages, and to illuminate cultural differences; storytelling of different types of tou onnection, community or belonging, and can bridge cultural and demographic divisions ess and social structures ovide stories about the artist, the art form and the destination a part of the regions brand ments ng or idealizing the original (e.g., Paris Las Vegas and Disneyland Paris recreations). edia, culture, and tourism. fluential than the original itself. references rather than direct replication (e.g., Paris Las Vegas referencing Paris landmarks). such as Paris being romantic and historic. sizing idealized, familiar, and positive elements while excluding negative ones (e.g., Disneyland’s curate or essence of a location to cater to tourist expectations (e.g., Parisian simulacra in Las Vegas). l expectations and popular stereotypes. aning or place (e.g., the Eiffel Tower as a symbol of Paris). ry points or transitions, even when replicated (e.g., Las Vegas’ scaled-down version). of a place (e.g., Haussmannian buildings and cobblestone streets in Paris). arks and experiences to deliver a "Parisian fantasy." Paris that immerses visitors in a whimsical, Parisian-inspired environment with ordinary architectural ected urces, en it urists’ ed Normative Imagery: Visual or symbolic representations of a place that adhere to cultural Iconicity: The quality of being instantly recognizable and associated with a particular mea Gate Function: The symbolic role of monuments like the Arc de Triomphe in marking entr Visual DNA: The fundamental characteristics or elements that define the visual identity o Paris Las Vegas: A themed hotel-casino in Las Vegas that recreates iconic Parisian landma Ratatouille: L’Aventure Totalement Toquée de Rémy: A Disney attraction at Disneyland elements rather than iconic monuments. Place de Rémy: A Parisian-inspired micro-environment within Disneyland Paris designed Val d’Europe: A residential and commercial area near Disneyland Paris, styled with Hauss Haussmannian Paris: The architectural and urban style characterized by wide boulevards redesign of Paris. Belle Époque: A period of French history (late 19th to early 20th century) known for its ar Urban Furniture: Elements of city design such as benches, fountains, Morris columns, and Holistic Tableaus of Sense: The combined sensory experiences (sights, sounds, smells) us Las Vegas). Atmospheric Design: The deliberate use of elements like lighting, colors, textures, and so Stereotypical Imagery: Over-simplified and repetitive portrayals of a place that fail to ref Autonomization of Imaginaries: The process by which replicated environments develop t Privatized Space: Areas controlled by corporations, criticized for limiting public access or l expectations and popular stereotypes. aning or place (e.g., the Eiffel Tower as a symbol of Paris). ry points or transitions, even when replicated (e.g., Las Vegas’ scaled-down version). of a place (e.g., Haussmannian buildings and cobblestone streets in Paris). arks and experiences to deliver a "Parisian fantasy." Paris that immerses visitors in a whimsical, Parisian-inspired environment with ordinary architectural with Haussmannian details and elements from Paris street life. smannian architecture as part of Disney’s land-control strategy. s, uniform façades, mansard roofs, and cast-iron balconies, originating from Baron Haussmann’s 19th-ce rtistic, cultural, and architectural flourish, often referenced in tourist environments. d lampposts that contribute to the ambiance of a place. sed in themed spaces to replicate the ambiance of real cities (e.g., smells of crepes and French sounds in ounds to create a particular mood or feel in a space. flect its diversity or complexity (e.g., romanticized views of Paris). their own identity, independent of the original location they imitate. representing corporate power (e.g., Val d’Europe). entury n Paris