Hip-Hop and Cheerdance PDF

GOOD DAY  Competitive Dance: Hip-Hop and Cheerdance The word hip-hop It was apparently was derived from invented by a New the word “hep”, an York rapper Kevin African-American Donovan, (known vernacular English as Afrika language since Bambaata...

GOOD DAY  Competitive Dance: Hip-Hop and Cheerdance The word hip-hop It was apparently was derived from invented by a New the word “hep”, an York rapper Kevin African-American Donovan, (known vernacular English as Afrika language since Bambaataa), who 1904 which means was dubbed as the “current”. Grandfather of Hip-hop. The dancing style of Hip-Hop developed from the music style that was first introduced during the 1970s in New York City among young Hispanic and African-American communities and was made Popular in the 1980s by media’s exposure of several hip-hop dance groups in America These group of young people were looking for a relative outlet to vent their frustrations and disappointments with society. These group of young people were looking for a creative outlet to vent their frustrations and disappointments with society. Hip-hop evolved as a The word street dance street dance which was arrived in the Philippines a cultural dance variation from the United States in the United States and during the 1980s but is generally a form of only gained unparalleled entertainment where popularity during the technical and teachable 1990s. There are various dance aspects replaced street dance battles held the cultural symbolism locally across the and Message of the true Country as well as hip- essence of African- hop dance competitions American hip-hop dance. internationally. The first Philippine Marcelo started the first Team who won the formal street dance World Hip Hop class in the Philippines after arriving from US Dance in 1991. After almost 11 Championships is years of living in a the Philippine All community dominated Stars. One of the by African-Americans pioneers of street in Los Angeles, he dance in the brought with him his Philippines is knowledge of urban Jungee Marcelo. dance in the country.  Nature and Characteristics: The movement of hip- It consists of four hop dance contains an Fndamental assertive angularity of Characteristics such as body posture and an rapping (MCing); Disc insistent virtuosic jockeying (DJing); Break rhythmicity. dancing (B-boying); and Graffiti Art (Aerosol Art). It is freestyle in nature and maybe practiced in either a dance studio or in an open space outdoor. Can also be described by elements such as bounce or recoil, tightening of the body, agility and coordination, and fun. It has several styles that comprise two main categories, the Old school (breaking, popping, and locking) and the New school (house, krumping, street jazz).  Fundamental Movements: 1. Breaking (Break dance) Executes several explosive, acrobatic movements with breaks or freezes in between acts Hold the position of the movement for a few Seconds before Continuing or shifting to the next movement 2. Popping A quick contraction and relaxation of muscles to producing jerking of various joints 3. Locking It includes a lot of acrobatics and physically demanding moves, such as landing on one’s knees and the split Other famous moves are waving of arms, pointing, walking stationary, and grabbing and rotating the cap or hat 4. Krumping A dance style to release anger Characterized by unrestrained, rapid fire, and highly energetic moves of limps 5. Tutting IT IS A DANCE STYLE THAT IMMITATES THE ANGULAR POSES SEEN IN ANCIENT AGYPT ARTS. 6. House Dance combination of skating, stomping and shuffling  Cheer dance Cheer dance is a physical Cheer dance is activity with a combination relatively new in the of different dance genre and gymnastics skills such field of sports and as tumbling, pyramids, dance as it has only tosses and stunts. The emerged during the routines usually range 1990s as part of the anywhere from one to three cheerleading events. minutes and they are done to direct spectators to cheer for sports teams or in cheer dance competition.  0 Cheerleading history is However, its origins linked closely to the can be traced as far United States history back as the late 19th of sports, its sporting century where in venues, as well as the 1860s, students from historical Great Britain began development of over- to cheer and chant in all crowd unison for their participation at many favorite athletes at athletic events. sporting events. This event eventually reached and influenced America. Cheerleading for the first 25 years was an all-male activity. It was only during the 1920s when women cheerleaders participated in cheerleading.  Fundamental Movements: 1. Beginning Stance Feet together, hands down by the side in blades 2. Cheer Stance Feet more than shoulder width apart, hands down by the side in blades 9. Tabletop Arms bent at elbow, fists in front of shoulders 10. High V Arms extended up forming a “V”, relax the shoulders 11. Low V Arms extended down forming a “V” 12. Touchdown Arms extended straight upward and parallel to each other, fist facing in 13. T Motion Both arms extended straight out to the side and parallel to the ground, relax the shoulders 14. Diagonal One arm extended in a high “V” and the other arm extended in a low “V” (Right Diagonal shown) 15. L Motion One arm extended to the side with other arm extended in a punch motion, (Left L motion shown) 16. Overhead Clasp Arms are straight, above the head in a clasp and slightly in front of the face 17. Front Lounge Lead leg bent with the knee over the ankle, back leg straight, feet perpendicular to each other 18. Side Lounge Lead leg bent with the knee over the ankle, feet perpendicular to each other 19. Feet Apart In stride position, both feet away each other. Hands can be on the waist or clasp in front. 20. Jogging The ball and the toes should not be parallel when hitting the ground. The ball should touch the ground lightly first while the toes point downward. 21. Herkie Brig arms up to a T and hit your herkie. One of Clasp arms tighter in the the legs shall be out like and form fist (ct.1) you are doing a straddle split and the other leg Bring arms up to a high shall be bent back. Arms V (ct.2) shall be in a T position with the hands forming Swing arms in a cross fists (ct.4) position and bend both legs (ct.3) Land with legs bent and hands on the side, hold position and straighten out your legs (cts.5,6,7) 22. Toe Touch Jump to “touch” the toes (ct.4) Clasp arms like in the Land with both legs bent herkie and form fists and both hands on the (ct.1) sides (ct.5) Bring arms up to a high Hold the position, V (ct.2) straighten out the legs Swing arms in a cross (cts.6,7 position and bend the knees (ct.3) 23. Hurdle Take a crisp sharp motion tiptoe and jump Start with a High “V” into the air (ct.3) position (ct.1) Feet is in herkie position while reaching out one Throw arms up into the foot in front and hold high V position (ct.2) position (cts.4,5)  24. Forward Roll Roll forward (cts.3,4) Squat both legs against Squat and lay both the chest and hold the hands on the floor (ct.1) Tuck chin and push off arms up in front (cts.5,6) the hands and legs (ct.2) Get up (cts.7,8) 25. Backward Roll backward (cts.5,6) Roll Squat both legs against From a beginning stance the chest and hold the facing back, squat and arms in front and get up lay both hands on the (cts.7,8) floor (cts.1,2) Tuck chin and pull off the hands and legs (cts. 3,4) 24. Cartwheel Once the hands reach Put the best leg forward the ground, kick the back and extend both arms up leg over against the ears Move the whole body forward and slowly raise the back leg