Contemporary Philippine Arts From The Region PDF
Document Details
Uploaded by AlluringAmetrine1490
FEU Roosevelt
Valdez
Tags
Summary
This document is a review module on contemporary Philippine arts. It discusses the classification of art, elements of art (line, color, shape, form, space), principles of art (balance, emphasis, contrast, unity), and the history of modern and contemporary art within the Philippines. It also covers forms, content, context, and various art styles.
Full Transcript
CONTEMPORARY PHILIPPINE ARTS FROM THE REGION REVIEWER MODULE 1 Classification of art: Contemporary art is the art of today, produced by artists who are living in the twenty-first century. Their art is dynamic combi...
CONTEMPORARY PHILIPPINE ARTS FROM THE REGION REVIEWER MODULE 1 Classification of art: Contemporary art is the art of today, produced by artists who are living in the twenty-first century. Their art is dynamic combination of materials, methods, concepts and subjects that challenge traditional boundaries and defy easy definition. Modern Art is relating to the present or recent times as opposed to the remote past. Elements of Art: Line A mark with length and direction. A continuous mark made on a surface by a moving point. Horizontal line are restful, like the horizon, where the sky meets the land. Vertical line lines that show reach or peak as well as height. Diagonal lines present in art tend to convey a feeling of movement. (Objects that are in diagonal position are unstable) Expressive Lines tend to be found in nature and are very organic. Constructive Lines measured, geometric, directional and angular. Appear to be man-made due to their precision. Color consists of Hue (another term for color), Intensity (brightness), and Value (lightness or darkness). There are primary colors: Red, Yellow and Blue. Value the lightness or darkness of tones or colors. Cross-hatching is when you use irregular lengths of parallel lines that cross over each other diagonally. This is a way of giving contrast and value. Stippling is the use of dots to create shade. (A way of shading) Shape an enclosed area defined and determined by other art elements; 2-dimensional. Usually shapes from nature are said to be organic and man made shape are more geometric. Form 3-dimensional object or something in a 2-dimensional artwork appears to be 3-D. (Example, a triangle, which is 2-dimensional is a shape, but a pyramid, which is 3-dimensional, is a form.) Space the distance or area between, around, above, below, or within things. Shallow space is used when the artist has objects very close to the viewer. (eg. A singular cup of coffee with a plain background) Deep space may show objects up close but object are shown far away too. (eg. A detailed painting with a background, middle ground, and a foreground.) Positive space is the actual object(s) within the artwork. (The area of interest and focus) Negative space is the area in and around the object. (The ‘black’ areas; large plain areas) Perspective is a way of showing space in a work of art, when the artist uses a vanishing point on the horizon that show objects getting progressively smaller as they get closer to the vanishing point. Texture the surface quality or “feel” of an object. Its smoothness, roughness, softness, etc. Textures may be actual or implied. VALDEZ The Principles of Art Balance the way the elements are arranged to create a feeling of stability in a work. Symmetrical Balance part of an image are organized so that one side mirrors the other. Asymmetrical Balance when one side of a composition does not reflect the other and yet, still has equal weight. Emphasis the focal point of an image, or when one area or thing stands out the most. Contrast a large difference between two things to create interest and tension. (Contrast creates Emphasis) (Repetition creates movement and rhythm) Unity/Harmony when all the elements and principles work together to create a pleasing image. Proportion the comparative relationship of one part to another with respective size, quantity, or degree; scale. Forms, Content, and Context From is used to describe the physical nature of the artwork. (metal sculpture, an oil painting, etc.) Context consists of all of the things about the artwork that might have influenced the artwork or the artist but are not actually part of the artwork. Contextual Information can deepen or improve our of the artwork. Historical context refers to when in time; when in took place. Artist context includes the artist’s culture, place and their personal perspective or “worldview” aspects unique to their identity. Viewing context when we encounter an image or artwork crucial to the meaning it accrues. Composition the visual elements are positioned in a work of art. (highly dependent on the use of principles of art.) Contrast refers to the difference between elements or subjects. Dominance refers to the one area of work that is visually heavier, demanding more attention. (closely related to emphasis.) Content refers to the meaning within the artwork. Aesthetics refers to the artwork’s visual attraction or beauty. Art Criticism organized approach to evaluating artwork. Symbolism visual objects or arrangements to represent an alternate meaning. History of Modern and Contemporary Art in the Philippines Modern or contemporary art is a phenomenon of the post war period of the Philippines. Contemporary art started in the 1950s, after World War II. Artists started to experiment on different techniques and ways of expressing their emotions, views, ideas, and other thighs that they wanted to express through art. They were considered contemporary artists because their styles and ways of making art veered away from traditional art. Contemporary art can now be found wherever artists can put their work Many contemporary artists are self-taught and didn’t have formal education. VALDEZ Some contemporary artists also employ the help of fabricators, carpenters, electricians or welders to make their works. Artists are very experimental when it comes to their materials, venue, process, and theme/concept. Artists are now becoming hybrid, expressing their sentiments in a variety of forms. Philippine history has deeply influenced its cultural identity. Their influences continue up to this day to be acted on, resisted and absorbed into the Filipino identity. Philippine contemporary art consists of interplaying scales or variety of ideas and forms in the crossing of tradition and modernity. Contemporary Philippine art is complex since it operates within a culture that is dynamic, hybridized and resistant to be put in a single category. Rak of Aegis: musical play in the 21st century Zarzuelas : a play during the Spanish Colonization Subject Matter and Styles in Contemporary Art Subject matter in contemporary art is not confined. Style a certain technical approach to art-making. It helps the viewers to understand the meaning of the work. Dictates every artist’s art making process. IT can mean the art produced in a particular historical period. It can also refer to a nation or a region within a country. (may be human figures, texture and color, figures made of found objects into a coherent whole.) Art styles: Abstract expressionism paints in a manner that expresses emotions and feelings in spontaneous way. Performance art a variety of media, uses the human body to execute an artistic theatrical expression. Environmental art artistic creation or manipulation of space such as landscapes or architectural design. Feminist art emerged from female artists expressing their concerns through art. Minimalism has a stripped down, prefabricated look but expresses a specific content or statement. Video art consists of images that are recorded through a video and viewed through media. Postmodern art carries modern styles through a mix of materials that are found and welded together. Body art usage of the body as the medium or main material. (Tattooing and piercing are an example.) Digital art done with the aid of computer technology to create an image or design. Medium and Art Techniques in Contemporary Arts Medium are the materials artists use to create their art. Painting: OIl painting VALDEZ Acrylic painting Watercolor painting Drawing Pencil, Colored pencil, Ink, Markers, Pastels, and chalk Photography Film and Digital Mixed Media Collage, assemblage, and other media Printmaking Linocut, Woodcut, Etching, and Monoprint Sculpture 3-dimensional, Clay, Stone, Metal, etc. MODULE 2 SIGNIFICANT CONTEMPORARY ARTISTS FROM THE REGIONS AWARD CATEGORIES National Artist - Is an honorary title issued by some states as the highest recognition of artists for their significant contributions to the cultural heritage of the nation. 73 recipients only [In the PH] The highest form of recognition to artists The Order of National Artist The Presidential Proclamation No. 1001, s. 1972 Selection Criteria for the National Artists of the Philippines 1. Must be a Filipino Citizen 2. Work has contributed to nation-building; (the whole country benefits from the work by means of spreading the culture of the Filipinos)(to give honor to the Philippines through his work) 3. Their distinctive style and pioneering works impact succeeding generations of artists 4. There is excellence in the practice of their art form 5. Their art form enriches artistic expression or style 6. Their work is prestigious; received national, and international recognition. Who will Choose? 1. The CCP (Cultural Center of the Philippines) 2. The NCCA (National Commission for Culture and the Arts) 3. The Office of the President VALDEZ 4 Sub-commissions Sub-commission on the Arts Architecture, Cinema, Dance, Dramatic Arts, Literary Arts, Music, and Visual arts Sub commission on the Cultural and Traditional Arts (SCCTA) Northern Cultural Communities Central Cultural Communities, Southern Cultural Communities Sub-commission on Cultural Dissemination (SCD) Communications Cultural Education Language and Translation Sub-commission on Cultural Heritage (SCH) Archives Art Galleries Historical Research Libraries and info services Monuments and sites Museums Order of National Artist / Orden ng Pambansang Alagad ng Sining (ONA) Highest national recognition given to FIlipino individuals who have made significant contributions to the development of Philippine arts; namely, Music, Dance, Theater, Visual Arts, LIterate, Film, Broadcast Arts, and Architecture and Allied arts. The order is jointly administered by the National Commision for CUlture and the Arts (NCCA) and the Cultural Center of the Philippines and conferred by the President of the Philippines upon recommendation by both institutions. Gawad sa Manlilikha ng Bayan (GAMABA) Was institutionalized through Republic Act No, 7355. Tasked with the administration and implementation of the Award is the National Commission for Culture and the Arts (NCCA), the highest policy-making and coordinating body for the culture of arts of the State. Gawad Alab ng Haray and Dangal ng Haraya Honors outstanding achievements in the performing arts, cultural conservation, arts management library and information services program, theater production, cultural journalism and documentation, and other fields. This is in accordance with the NCCA mandate to extend recognition through awards, grants and services to artists and cultural groups. VALDEZ The Philippine Heritage Awards Conservation recognition program under which monetary prizes, awards, and citations will be given by the President of the Philippines, upon the recommendation of the NCCA, for the special achievements and important contributions and services in the area of heritage preservation and conservation efforts. Important Individuals Rameer Tawasil - Uses vibrant and bold colors and makes use of indigenous Muslim motifs inspired by the okirs of the Maranao “The Poetry of the Sea Butterflies” Saudi Ahmad - “One of Mindanao’s greatest living painter” His works are inspired by the rich culture and traditions of FIlipino Muslims. Bert Monterona - Mixed Media Artist, Known for his innovative use of indigenous materials for his art, specifically for his tapestry paintings and bamboo stick paintings. Fernando Amorsolo - National Artist for VIsual Arts (“Grand Old Man”) of the Philippine art Amelia Bonifacio - National Artist for Theater (“Puppet Pasyon) Alice Reyes - National Artist for Dance Juan Nakpil - National Artist for Architecture, He reconstructed Rizal house in Calamba, Laguna. Fernando Marcos - Proclamation 1001 Antonio Molina He is known for high contribution to music in the Philippines and lived in Quiapo, Manila. Through which Republic Act was the National Living Treasures Award created? RA No. 7355 VALDEZ